Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation.[2] Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world.[3] His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians.[4] Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.[5]
Banksy displays his art on publicly visible surfaces such as walls and self-built physical prop pieces. He no longer sells photographs or reproductions of his street graffiti, but his public "installations" are regularly resold, often even by removing the wall on which they were painted.[6] Much of his work can be classified as temporary art.[7] A small number of his works are officially, non-publicly, sold through an agency he created called Pest Control.[8] Banksy's documentary film Exit Through the Gift Shop (2010) made its debut at the 2010 Sundance Film Festival.[9] In January 2011, he was nominated for the Academy Award for Best Documentary Feature for the film.[10] In 2014, he was awarded Person of the Year at the 2014 Webby Awards.[11]
Identity
Banksy's name and identity remain unconfirmed and the subject of speculation. In a 2003 interview with Simon Hattenstone of The Guardian, Banksy is described as "white, 28, scruffy casual—jeans, T-shirt, a silver tooth, silver chain and silver earring. He looks like a cross between Jimmy Nail and Mike Skinner of The Streets."[12] An ITV News segment of 2003 featured a short interview with someone identified in the reporting as Banksy.[13] Banksy began as an artist at the age of 14, was expelled from school, and served time in prison for petty crime. According to Hattenstone, "anonymity is vital to him because graffiti is illegal".[12] Banksy reportedly lived in Easton, Bristol, during the late 1990s, before moving to London around 2000.[14][15][16]
The Mail on Sunday claimed in 2008 that Banksy is Robin Gunningham,[17] born on 28 July 1974 in Yate, 12 miles (19km) from Bristol.[18][19][14] Several of Gunningham's associates and former schoolmates at Bristol Cathedral School have corroborated this, and, in 2016, a study by researchers at the Queen Mary University of London using geographic profiling found that the incidence of Banksy's works correlated with the known movements of Gunningham.[20][21][22][23] According to The Sunday Times, Gunningham began employing the name Robin Banks, which eventually became Banksy. Two cassette sleeves featuring his art work from 1993, for the Bristol band Mother Samosa, exist with his signature.[24] In June 2017, DJ Goldie referred to Banksy as "Rob" in an interview for a podcast.[25] In an interview with the BBC in 2003, which was rediscovered in November 2023, reporter Nigel Wrench asked if Banksy is called Robert Banks; Banksy responded that his forename is Robbie.[26]
Other alternate speculations on Banksy's identity include the following:
Robert Del Naja (also known as 3D), a member of the trip hop band Massive Attack, had been a graffiti artist during the 1980s prior to forming the band, and was previously identified as a personal friend of Banksy.[27][28]
In 2020, users on Twitter began to speculate that former Art Attack presenter Neil Buchanan was Banksy. This was denied by Buchanan's publicist.[29]
In 2022, Billy Gannon, a local councillor in Pembroke Dock was rumoured to be Banksy. He resigned because the speculation was affecting his ability to carry out the duties of a councillor. "I'm being asked to prove who I am not, and the person that I am not may not exist," he said. "I mean, how am I supposed to prove that I'm not somebody who doesn't exist? Just how do you do that?"[30]
In October 2014, an internet hoax circulated that Banksy had been arrested and his identity revealed.[31]
A Banksy work from the Bristol underground scene. The imotif was also produced as a series of screenprints titled Bomb Hugger in 2004.
Banksy started as a freehand graffiti artist in 1990–1994[33] as one of Bristol's DryBreadZ Crew (DBZ), with two other artists known as Kato and Tes.[34] He was inspired by local artists and his work was part of the larger Bristol underground scene with Nick Walker, Inkie and 3D.[35][36] During this time he met Bristol photographer Steve Lazarides, who began selling Banksy's work, later becoming his agent.[37] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a work. He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number[38] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[38] He was the goalkeeper for the Easton Cowboys and Cowgirls football team in the 1990s, and toured with the club to Mexico in 2001.[39] Banksy's first known large wall mural was The Mild Mild West painted in 1997 to cover advertising of a former solicitors' office on Stokes Croft in Bristol. It depicts a teddy bear lobbing a Molotov cocktail at three riot police.[40]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist, or anti-establishment. Subjects often include rats, apes, policemen, soldiers, children, and the elderly.[citation needed]
Exhibitions (2002–2003)
On 19 July 2002, Banksy's first Los Angeles exhibition debuted at 331⁄3 Gallery, a tiny Silver Lake venue owned by Frank Sosa and was on view until 18 August.[41][42] The exhibition, entitled Existencilism, "an Exhibition of Art, Lies and Deviousness" was curated by 331⁄3 Gallery, Malathion LA's Chris Vargas, Funk Lazy Promotions' Grace Jehan, and B+.[43] The flyer of the exhibition indicates an opening reception was followed by a performance by Money Mark with DJ's Jun, AL Jackson, Rhettmatic, J.Rocc, and Coleman.[41] Some of the paintings exhibited included Smiley Copper H (2002), Leopard and Barcode (2002), Bomb Hugger (2002), and Love Is in the Air (2002).[42][44]
In 2003, at an exhibition called Turf War, held in a London warehouse, Banksy painted on animals. At the time he gave one of his very few interviews, to the BBC's Nigel Wrench.[45] Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[46] An example of his subverted paintings is Monet's Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper's Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the café. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[47]
Banksy, along with Shepard Fairey, Dmote, and others, created work at a warehouse exhibition in Alexandria, Sydney, for Semi-Permanent in 2003. Approximately 1,500 people attended.
In August 2004, Banksy produced a quantity of spoof British £10 notes[48] replacing the picture of the Queen's head with Diana, Princess of Wales's head and changing the text "Bank of England" to "Banksy of England". Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa's Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay. A wad of the notes was also thrown over a fence and into the crowd near the NME signing tent at the Reading Festival. A limited run of 50 signed posters containing ten uncut notes was also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.[49]
The reproduction of images of the banknotes classifies as a criminal offence (s.18 Forgery and Counterfeiting Act 1981). In 2016, the American Numismatic Society received an email from a Reproductions Officer at the Bank of England, which brought attention to the illegality of publishing photos of the banknotes on their website without prior permission.[50] The Bank of England holds the copyright over all its banknotes.[51]
Also in 2004, Banksy created a limited edition screenprint titled Napalm (Can't Beat That Feeling). In the print, Banksy appropriated the image of Phan Thi Kim Phuc, a Vietnamese girl who appeared in the iconic 1972 photograph "The Terror of War" by Nick Ut. Napalm shows the image of Kim Phuc as seen in the original photo, but no longer within the tragic war setting. Instead, he situates the young girl against an empty background, still screaming, but now accompanied by Ronald McDonald and Mickey Mouse. The two characters hold her hands as they cheerfully gesture to an invisible audience, seemingly oblivious to the terrified girl. The image of Kim Phuc is flat, grainy and monochromatic; in most of the prints, Ronald McDonald and Mickey Mouse are yellow. In a few limited prints, the corporate characters wear pink or orange. Banksy produced 150 signed and 500 unsigned copies of Napalm.[52][53][54]
Banksy held an exhibition called Barely Legal, billed as a "three-day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September 2006. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern, which, according to leaflets handed out at the exhibition, was intended to draw attention to the issue of world poverty. Although the Animal Services Department had issued a permit for the elephant, after complaints from animal rights activists, the elephant appeared unpainted on the final day. Its owners rejected claims of mistreatment and said that the elephant had done "many, many movies. She's used to makeup."[57] Banksy also made artwork displaying Queen Victoria as a lesbian and satirical pieces that incorporated art made by Andy Warhol and Leonardo da Vinci.[58]
Peter Gibson, a spokesman for Keep Britain Tidy, asserts that Banksy's work is simple vandalism.[59] Another official for the same organisation stated: "We are concerned that Banksy's street art glorifies what is essentially vandalism."[60]
Banksy effect (2006–2007)
Naked Man image by Banksy, on the wall of a sexual health clinic in Park Street, Bristol. Following popular support, the City Council decided it will be allowed to remain. (wider view)
After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[62] on 19 October 2006, a set of Kate Moss paintings sold in Sotheby's London for £50,400, setting an auction record for Banksy's work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol's Marilyn Monroe pictures, sold for five times their estimated price. Their stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[63] In December, journalist Max Foster coined the phrase, "the Banksy effect", to illustrate how interest in other street artists was growing on the back of Banksy's success.[64]
On 21 February 2007, Sotheby's auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for Bombing Middle England. Two of his other graffiti works, Girl with Balloon and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[65] The following day's auction saw a further three Banksy works reach soaring prices: Ballerina with Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above price estimates.[66] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can't Believe You Morons Actually Buy This Shit."[60]
In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural that comes with a house attached.[67]
In April 2007, Transport for London painted over Banksy's image of a scene from Quentin Tarantino's film Pulp Fiction (1994), featuring Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the graffiti created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[68] Banksy painted the same site again and, initially, the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Sometime later, Banksy made a tribute artwork over this second Pulp Fiction work. The tribute was for 19-year-old British graffiti artist Ozone who, along with fellow artist Wants, was hit by an underground train in Barking, east London on 12 January 2007.[69] Banksy depicted an angel wearing a bullet-proof vest holding a skull. He also wrote a note on his website saying:
Ozone's Angel
The last time I hit this spot I painted a crap picture of two men in banana costumes waving handguns. A few weeks later a writer called Ozone completely dogged it and then wrote "If it's better next time I'll leave it" in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone—rest in peace.[70]
On 27 April 2007, a new record high for the sale of Banksy's work was set with the auction of the work Space Girl and Bird fetching £288,000 (US$576,000) around 20 times the estimate at Bonhams of London.[71] On 21 May 2007 Banksy gained the award for Art's Greatest living Briton. Banksy, as expected, did not turn up to collect his award and continued with his anonymous status. On 4 June 2007, it was reported that Banksy's The Drinker had been stolen.[72][73] In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[74]
Banksy has published a "manifesto" on his website.[75] The text of the manifesto is credited as the diary entry of British Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy's Manifesto has been replaced with Graffiti Heroes No. 03, which describes Peter Chappell's graffiti quest of the 1970s that worked to free George Davis from imprisonment.[75] By 12 August 2009 he was relying on Emo Philips' "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn't work that way, so I stole one and prayed for forgiveness." A small number of Banksy's works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.[76]
Banksy, who "is not represented by any of the commercial galleries that sell his work second hand (including Lazarides Ltd, Andipa Gallery, Bank Robber, Dreweatts, etc.)",[77] claims that the exhibition at Vanina Holasek Gallery in New York City (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of their paintings and prints.[78]
In March, Nathan Wellard and Maev Neal, a couple from Norfolk, UK, made headlines in Britain when they decided to sell their mobile home that contains a 30-foot mural, entitled Fragile Silence, done by Banksy a decade prior to his rise to fame.[79] According to Nathan Wellard, Banksy had asked the couple if he could use the side of their home as a "large canvas", to which they agreed. In return for the "canvas", the Bristol stencil artist gave them two free tickets to the Glastonbury Festival. The mobile home purchased by the couple 11 years earlier for £1,000, was priced at £500,000.[80]
Also in March 2008, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this—Society!" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[81]
In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[82]
Work on building in the Lower Ninth Ward of New Orleans, August 2008
A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting, depicting a hooded member of the Ku Klux Klan hanging from a noose, was quickly covered with black spray paint and later removed altogether.[83] His first official exhibition in New York City, The Village Pet Store and Charcoal Grill, opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[84]
The Westminster City Council stated in October 2008 that the work One Nation Under CCTV, painted in April 2008 would be painted over as it was graffiti. The council said it would remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art."[85] The work was painted over in April 2009. In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne, Australia, was destroyed. The image had been protected by a sheet of clear perspex; however, silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely obliterated.[86]
Banksy has also been long criticised for copying the work of Blek le Rat, who created the life-sized stencil technique in early 1980s Paris and used it to express a similar combination of political commentary and humorous imagery. Blek has praised Banksy for his contribution to urban art,[87] but said in an interview for the documentary Graffiti Wars that some of Banksy's more derivative work makes him "angry", saying that "It's difficult to find a technique and style in art so when you have a style and you see someone else is taking it and reproducing it, you don't like that."[88]
The Cans Festival (2008)
In London, over the weekend 3–5 May 2008, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it did not cover anyone else's.[89] Banksy invited artists from around the world to exhibit their works.[90]
2009
The location of the damaged 1985 graffiti by Robbo in Camden, London, allegedly painted over by Banksy and subsequently painted over by Robbo in retaliation
In May 2009, Banksy parted company with agent Steve Lazarides and announced that Pest Control,[91] the handling service who act on his behalf, would be the only point of sale for new works. On 13 June 2009, the Banksy vs Bristol Museum show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[92][93] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[94] Over the course of the twelve weeks, the exhibition was visited over 300,000 times.[95] In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed it to be painted, was reported to have been in tears when she saw it was being painted over.[96]
In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included the phrase, "I don't believe in global warming", with the words being submerged in water.[97] A feud and graffiti war between Banksy and King Robbo broke out when Banksy allegedly painted over one of Robbo's tags. The feud has led to many of Banksy's works being altered by graffiti writers.[98]
Exit Through the Gift Shop and United States (2010)
In March 2010, a modified version of the work Forgive Us Our Trespassing–a kneeling boy with a spray-painted halo–was displayed at London Bridge Station on a poster. This version of the work did not possess the halo due to its stylistic nature and the prevalence of graffiti in the underground.[101] After a few days the halo was repainted by a graffitist, so Transport for London disposed of the poster.[101][102]
Banksy paints over the line between aesthetics and language, then stealthily repaints it in the unlikeliest of places. His works, whether he stencils them on the streets, sells them in exhibitions or hangs them in museums on the sly, are filled with wit and metaphors that transcend language barriers.
In April, to coincide with the premiere of Exit Through the Gift Shop in San Francisco, five of his works appeared in various parts of the city.[104] Banksy reportedly paid a San Francisco Chinatown building owner $50 for the use of their wall for one of his stencils.[105] In May 2010, seven new Banksy works of art appeared in Toronto, Canada.[106]
In May, to coincide with the premiere of Exit Through the Gift Shop in Royal Oak, Banksy visited the Detroit area and left his mark in several places in Detroit and Warren.[107] Shortly after, his work depicting a little boy holding a can of red paint next to the words "I remember when all this was trees" was excavated by the 555 Nonprofit Gallery and Studios. They claim that they do not intend to sell the work but plan to preserve it and display it at their Detroit gallery.[108] There was also an attempted removal of one of the Warren works known as Diamond Girl.[109] While in the United States, Banksy also completed a painting in Chinatown, Boston, known as Follow Your Dreams.[110]
In late January 2011, Exit Through the Gift Shop was nominated for a 2010 Oscar for Best Documentary Feature.[111] Banksy released a statement about the nomination, stating, "This is a big surprise... I don't agree with the concept of award ceremonies, but I'm prepared to make an exception for the ones I'm nominated for. The last time there was a naked man covered in gold paint in my house, it was me."[112] Leading up to the Oscars, Banksy blanketed Los Angeles with street art. Many people speculated if Banksy would show up at the Oscars in disguise and make a surprise appearance if he won the Oscar. Exit Through the Gift Shop did not win the award, which went to Inside Job. In early March 2011, Banksy responded to the Oscars with an artwork in Weston-super-Mare, UK, of a little girl holding the Oscar and pouting. Many people think that it is about 15-month-old Lara, who dropped and damaged her father's (The King's Speech co-producer Simon Egan) Oscar statue.[113]Exit Through the Gift Shop was broadcast on British public television station Channel 4 on 13 August 2011.
Banksy was credited with the opening couch gag for the 2010 The Simpsons episode "MoneyBart", depicting people working in deplorable conditions and using endangered or mythical animals to make both the episodes cel-by-cel and the merchandise connected with the program.[114] His name appears several times throughout the episode's opening sequence, spray-painted on assorted walls and signs. Fox sanitised parts of the opening "for taste" and to make it less grim. In January 2011, Banksy published the original storyboard on his website.[115] According to Banksy, the storyboard "led to delays, disputes over broadcast standards and a threatened walkout by the animation department." Executive director Al Jean jokingly said, "This is what you get when you outsource."[114]
2011–2013
In May 2011 Banksy released a lithographic print which showed a smoking petrol bomb contained in a 'Tesco Value' bottle. This followed a long-running campaign by locals against the opening of a Tesco Express supermarket in Banksy's home city of Bristol. Violent clashes had taken place between police and demonstrators in the Stokes Croft area. Banksy produced the poster ostensibly to raise money for local groups in the Stokes Croft area and to raise money for the legal defence of those arrested during the riots. The posters were sold exclusively at the Bristol Anarchists Bookfair in Stokes Croft for £5 each. In December, he unveiled Cardinal Sin at the Walker Art Gallery, Liverpool. The bust, which replaces a priest's face with a pixelated effect, was a statement on the child abuse scandal in the Catholic Church.[116]
In May 2012 his Parachuting Rat, painted in Melbourne in the late 1990s, was accidentally destroyed by plumbers installing new pipes.[117] In July, prior to the 2012 Olympic Games Banksy posted photographs of paintings with an Olympic theme on his website but did not disclose their location.[118][119]
On 18 February 2013, BBC News reported that a recent Banksy mural, known as the Slave Labour mural portraying a young child sewing Union Flag bunting (created around the time of the Diamond Jubilee of Elizabeth II), had been removed from the side of a Poundland store in Wood Green, north London, and soon appeared for sale in Fine Art Auctions Miami's catalogue (a US auction site based in Florida). News of this caused "lots of anger" in the local community and is considered by some to be a theft. Fine Art Auctions Miami had rejected claims of theft, saying it had signed a contract with a "well-known collector" and that "everything was above board"; despite this, the local councillor for Wood Green campaigned for the work's return.[120] On the scheduled day of the auction, Fine Art Auctions Miami withdrew the work of art from the sale.[121]
On 11 May, BBC News reported that the same Banksy mural was up for auction again in Covent Garden by the Sincura Group. The auction was scheduled to take place in June, and was expected to fetch up to £450,000.[122] On 24 September, after over a year since his previous piece, a new mural went up on his website along with the subtitle Better Out Than In.
Much criticism came forward during his series of works in New York in 2013. Many New York street artists, such as TrustoCorp, criticised Banksy, and much of his work was defaced.[123][124] In his column for The Guardian, satirist Charlie Brooker wrote in 2006 that Banksy's "work looks dazzlingly clever to idiots".[125]
On 1 October 2013, Banksy began a one-month "show on the streets of New York [City]", for which he opened a separate website[126] and granted an interview to The Village Voice via his publicist.[127]
A pop-up boutique of about 25 spray-art canvases appeared on Fifth Avenue near Central Park on 12 October. Tourists were able to buy Banksy art for just $60 each. In a note posted to his website, the artist wrote: "Please note this was a one-off. The stall will not be there again." The BBC estimated that the street-stall art pieces could be worth as much as $31,000. The booth was staffed by an unknown elderly man who went about four hours before making a sale, yawning and eating lunch as people strolled by without a second glance at the work. Banksy chronicled the surprise sale in a video posted to his website noting, "Yesterday I set up a stall in the park selling 100% authentic original signed Banksy canvases. For $60 each."[128][129][130] Two of the canvasses sold at a July 2014 auction for $214,000.[131]
Asked about the artist's presence in New York, then-New York City MayorMichael Bloomberg, who had led a citywide graffiti cleanup operation in 2002, said he did not consider graffiti a form of art.[132] One creation was a fiberglass sculpture of Ronald McDonald and a real person, barefoot and in ragged clothes, shining the oversized shoes of Ronald McDonald. The sculpture was unveiled in Queens but moved outside a different McDonald's around the city every day.[133][134][135] Other works included a YouTube video showing what appears to be footage of jihadist militants shooting down an animated Dumbo; travelling installations that toured the city including a slaughterhouse delivery truck full of stuffed animals and a waterfall; and a modified painting donated to a charity shop which was later sold in an online auction for $615,000.[136][137] Banksy also posted a mock-up of a New York Timesop-ed attacking the design of the One World Trade Center after the Times rejected his submission.[138] The residency in New York concluded on 31 October 2013;[136][139] many of the pieces, though, were either vandalised, removed or stolen.[140]
2015–2018
In February 2015 Banksy published a 2-minute video titled Make this the year YOU discover a new destination about his trip to the Gaza Strip. During the visit, he painted a few artworks including a kitten on the remains of a house destroyed by an Israeli air strike ("I wanted to highlight the destruction in Gaza by posting photos on my website—but on the internet people only look at pictures of kittens") and a swing hanging off a watchtower. In a statement to The New York Times his publicist said,
I don't want to take sides. But when you see entire suburban neighbourhoods reduced to rubble with no hope of a future—what you're really looking at is a vast outdoor recruitment centre for terrorists. And we should probably address this for all our sakes.[141]
Banksy opened Dismaland, a large-scale group show modelled on Disneyland on 21 August 2015. It lampooned the many disappointing temporary themed attractions in the UK at the time. Dismaland permanently closed on 27 September 2015. The "theme park" was located in Weston-super-Mare, United Kingdom.[142][143] According to the Dismaland website, artists represented on the show include Damien Hirst and Jenny Holzer.[144] In December, Banksy created several murals in the vicinity of Calais, France, including the so-called "Jungle" where migrants then lived as they attempted to enter the United Kingdom. One of the pieces, The Son of a Migrant from Syria, depicts Steve Jobs as a migrant.[145]
In 2017, marking the 100th anniversary of the British control of Palestine, Banksy financed the creation of the Walled Off Hotel in Bethlehem. This hotel is open to the public and contains rooms designed by Banksy, Sami Musa, and Dominique Petrin, and each of the bedrooms faces the wall. It also houses a contemporary art gallery.[146] 2018 saw Banksy return to New York five years after his Better Out Than In residency. A trademark rat running around the circumference of a clock-face, dubbed Rat race, was torn down by developers within a week of it appearing on a former bank building at 101 West 14th Street,[147] but other works, including a mural of imprisoned Kurdish artist Zehra Doğan on the famed Bowery Wall and a series of others across Brooklyn, remain on display.[148]
Love is in the Bin (2018)
In October 2018, a Banksy work, initially titled the Balloon Girl, was sold for £1m at London auction house Sotheby's. The purchaser of the work was an unnamed European woman. As the gavel hit the sound-block, an alarm sounded within the picture frame and the Banksy canvas passed through a shredder hidden within the frame, partially shredding the picture.[149][150] Banksy then posted an image of the shredding on Instagram captioned "Going, going, gone...".[151] After the sale, the auction house acknowledged that the self-destruction of the work was a prank by the artist.[152] The prank received wide news coverage around the world, with one newspaper stating that it was "quite possibly the biggest prank in art history".[150] Joey Syer, co-founder of an online platform facilitating art dealer sales,[153] told the Evening Standard: "The auction result will only propel this further and given the media attention this stunt has received, the lucky buyer would see a great return on the £1m they paid last night, this is now part of art history in its shredded state and we'd estimate Banksy has added a minimum of 50% to its value, possibly as high as being worth £2m+."[154] A man seen filming the shredding of the picture during its auction has been suggested to be Banksy.[155][156] Banksy has since released a video on how the shredder was installed into the frame and the shredding of the picture, explaining that he had surreptitiously fitted the painting with the shredder a few years previously, in case it ever went up for auction. To explain his rationale for destroying his own artwork, Banksy quoted Picasso: "The urge to destroy is also a creative urge".[157][158] (Although Banksy cited Picasso, this quote is usually attributed to Mikhail Bakunin.)[159] It is not known how the shredder was activated.[160] Banksy has released another video indicating that the painting was intended to be shredded completely. The video shows a sample painting completely shredded by the frame and says: "In rehearsals it worked every time..."[161]
The woman who won the bidding at the auction decided to go through with the purchase. The partially shredded work has been given a new title, Love is in the Bin, and it was authenticated by Banksy's authentication body, Pest Control Office Ltd. Sotheby's released a statement that said "Banksy didn't destroy an artwork in the auction, he created one", and called it "the first artwork in history to have been created live during an auction".[162][163] On 14 October 2021, the remains of the partially-shredded painting was reported by The Guardian to have been re-sold by Sotheby's auction house, for £18,582,000, in London.[149][164]
2018–2019
Season's Greetings, Port Talbot, Wales
A two-sided graffiti piece, one side depicting a child tasting the falling snow, the other revealing that the snow is in fact smoke and embers from a dumpster fire, appeared on two walls of a steelworker's garage in Port Talbot in December.[165][166] Banksy then revealed that the painting was in fact his via an Instagram video soundtracked by the festive children's song "Little Snowflake".[167] Many fans of the artist went to see the painting and Plaid Cymrucouncillor for Aberavon, Nigel Thomas Hunt, stated that the town was "buzzing" with speculation that the work was Banksy's. The owner of the garage, Ian Lewis, said that he had lost sleep over fears that the image would be vandalised.[168] A plastic screen, partially funded by Michael Sheen, was installed to protect the mural, but was attacked by a "drunk halfwit".[169] Extra security guards were subsequently drafted to protect the graffiti piece.[170] In May 2019, the mural was moved to a gallery in the town's Ty'r Orsaf building.[171]
In early October 2019, Banksy opened a "pop-up shop" named Gross Domestic Product in Croydon, South London to strengthen his position in a trademark dispute with a greeting card company that had challenged his trademark on the grounds that he was not using it. In a statement, Banksy said "A [greeting card] company is contesting the trademark I hold to my art, and attempting to take custody of my name so they can sell their fake Banksy merchandise legally."[172] Mark Stephens, arts lawyer and founder of the Design and Artists Copyright Society, called the case a "ludicrous litigation" and is providing the artist legal advice. Stephens recommended opening the shop to Banksy on the grounds that it would show he is making use of his trademark, saying: "Because [Banksy] doesn't produce his own range of shoddy merchandise and the law is quite clear—if the trademark holder is not using the mark, then it can be transferred to someone who will."[173] On 4 October, greeting card distributor Full Colour Black publicly revealed itself as the company involved in the trademark dispute whilst rejecting Banksy's claims as "entirely untrue". The company claimed it had contacted Banksy's lawyers several times to offer to pay royalties.[174]
On 14 September 2020, the European Union Intellectual Property Office ruled in favour of Full Colour Black in the trademark dispute over Banksy's infamous "Flower Thrower".[175] The European panel judges in Full Colour Black Ltd v Pest Control Office Ltd [2020] E.T.M.R. 58) decided that Banksy's trademark was invalid as it had been filed in Bad Faith according to Regulation 2017/1001 art.59(1)(b).[176] The judges were not convinced that the opening of the artist's "pop-up shop" demonstrated a real intention to legitimise the trademark, condemning it as "inconsistent with the honest practices of the trade" [at 1141]. The artist's choice to be represented anonymously was not received well by the court either, noting that even if they found in favour of Banksy, legal rights could not be attributed to an unidentifiable person [1151]. However, counsel for the defence strongly argued that to reveal his identity would diminish the persona of the artist [at 1135]. Although not binding, the judges also referenced Banksy's previously critical statements about copyright, which contributed to the lack of sympathy for the artist's case [at 1144].
In October 2019, a 2009 painting by Banksy entitled "Devolved Parliament", showing Members of Parliament depicted as chimpanzees in the House of Commons, sold at Sotheby's in London for just under £9.9million. On Instagram, the artist said it was a "record price for a Banksy painting" and "shame I didn't still own it".[177] At 13 feet (4.0m) wide it is Banksy's biggest known work on canvas. The auction house stated: "Regardless of where you sit in the Brexit debate, there's no doubt that this work is more pertinent now than it has ever been."[177]
2020s
On 13 February 2020, the Valentine's Banksy mural appeared on the side of a building in Bristol's Barton Hill neighbourhood, depicting a young girl firing a slingshot of real red flowers and leaves.[178] In the early hours of Valentine's Day (14 February), Banksy confirmed this was his work on his Instagram account and website.[179] The painting was defaced just days after appearing.[180] Banksy dedicated a painting titled Painting for Saints or Game Changer to NHS staff, and donated it to the University Hospital of Southampton during the global coronavirus pandemic in May 2020.[181] The painting was sold for £14.4m (£16.8m including buyer premium) on 23 March 2021, which is a record for an artwork by Banksy. The proceeds from the sale would benefit a number of NHS-related organisations and charities.[182]
In March 2021, the image of an escaping prisoner appeared overnight on the side of Reading Prison.[183] Two days later Banksy claimed the artwork. The former prison's next use had been disputed locally, some wanting it to be used as an arts hub, while developers proposed it could be sold to a housing developer.[184] The escaping prisoner was said to resemble Oscar Wilde, who had been imprisoned in Reading Prison, with the "rope" as tied together bedsheets with a typewriter attached to the end.[184]
In November 2022, Banksy posted on social media images of a mural on the side of a damaged building at the town of Borodianka, appearing to confirm a visit to Ukraine following the Russian invasion.[188] He also created six murals in Kyiv, Irpin, Hostomel and Horenka.[189][190] One of the images he produced in Borodianka was of Russian president Vladimir Putin in a judo throw. The image has since been turned into a stamp in Ukraine.[191]
Banksy was accused of being "inconsistent with honest practices" when trying to trademark his image of a protester throwing a bouquet of flowers. The European Union trademark office threw out his trademark claim, "saying he had filed it in order to avoid using copyright laws, which are separate and would have required [him] to reveal his true identity. The ruling quoted from one of his books, in which he said 'copyright is for losers'."[192]
On St Patricks Day, 2024, a confirmed Banksy "mural" appeared overnight on a flank wall of a housing estate near to Finsbury Park.[193] The artwork is located in an area known as Upper Holloway, in the London Borough of Islington. The mural is behind a stark heavily pruned tree, which dominates the foreground.[194] The artwork's green shades and leafy foliage used paint that matches Islington's own municipal green, which is used on their housing estate nameplates. The sprawling artwork gives the impression of lush foliage in full leaf on the wall backdrop. An adjoining life size figure is stencilled onto the wall at ground level, showing a worker using a pressure washer, as if they were spontaneously spraying the artwork.[195] One of the first to visit the Banksy, was the local MP, Jeremy Corbyn.[195][196] Experts have speculated that the choice of subject and the location make it difficult to remove to sell at auction, as the context of the setting is everything and the sale value would be minimal.
In August 2024, he claimed credit for a number of black silhouette compositions, that appeared in London and were part of an animal-themed series. Various theories exist for what they mean and represent, with the artist himself declining to comment.[197][198]
Other artworks
Banksy has claimed responsibility for a number of high-profile artworks, including the following:
At London Zoo, he climbed into the penguin enclosure and painted "We're bored of fish" in 7-foot-high (2.1m) letters.[199]
At London Zoo, he left the message "I want out. This place is too cold. Keeper smells. Boring, boring, boring." in the elephant enclosure.[200]
In May 2005 Banksy's version of a primitive cave painting depicting a human figure hunting wildlife while pushing a shopping trolley was hung in gallery 49 of the British Museum, London.[203]
In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[55][204][205]
In October 2005, Banksy designed six station IDs for Nickelodeon.[206]
In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a side street in Soho, London. It was later removed by Westminster Council.[207]
In June 2006, Banksy created Well Hung Lover, an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked "a heated debate",[208] with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[209] After an internet discussion in which 97% of the 500 people surveyed supported the stencil, the city council decided it would be left on the building.[208] The mural was later defaced with blue paint.[210]
In August/September 2006, Banksy placed up to 500 copies of Paris Hilton's debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why Am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Hilton digitally altered to appear topless. Other pictures feature her with her chihuahua Tinkerbell's head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up."[211][212][213]
He makes stickers (the Neighbourhood Watch subvert) and was responsible for the cover art of Blur's 2003 album Think Tank.
In September 2007, Banksy covered a wall in Portobello Road with a French artist painting graffiti of Banksy's name.[216]
A guard/police officer with a balloon animal was painted in the Canadian city of Toronto in 2010, and has since been removed from its original location and preserved.[217]
In July 2012, in the run up to the London 2012 Olympic games he created several pieces based upon this event. One included an image of an athlete throwing a missile instead of a javelin, evidently taking a poke at the surface to air missile sites positioned in the Stratford area to defend the games.[218][219]
In April 2014, he created a piece in Cheltenham, near the Government Communications Headquarters (GCHQ) headquarters, which depicts three men wearing sunglasses and using listening devices to "snoop" on a telephone box, evidently criticising the recent global surveillance disclosures of 2013. This was only confirmed by Banksy as his work later in June 2014.[220] This piece 'disappeared' on 20 August 2016 during renovations to the building it was on, and may have been destroyed.[221]
In October 2014, Ten days before the 2014 Clacton by-election, Banksy painted a mural on a wall in Clacton which showed five grey pigeons holding three placards. They held the words "go back to Africa" "migrants not welcome", and "keep off our worms". They were directed towards a more colourful migratory swallow perched further along the same wire. The mural was removed by Tendring District Council who had received a complaint that "offensive and racist remarks" had appeared on a wall.[222]
In June 2016, a 14ft painting of a child with a stick chasing a burning tyre was found in the Bridge Farm Primary School in Bristol with a letter from Banksy thanking the school for naming one of its houses after him. BBC News reported that a spokesman for Banksy confirmed that the artwork was genuine. In the letter, Banksy wrote that if the members of the school did not like the painting, they should add their own elements.[223][224]
In May 2017, Banksy claimed the authorship of a giant Brexitmural, painted on a house in Dover (Kent).[225]
Banksy's Dream Boat, originally made for the Dismaland exhibition, was donated to the NGO Help Refugees (now called Choose Love) to help raise funds for the charity. The artwork was displayed in Help Refugees' London Choose Love pop-up shop in the run-up to Christmas 2018, and members of the public could pay £2.00 to enter a competition to guess the weight of the piece. The person with the closest guess would win Dream Boat.[226] The 'guess-the-weight' competition was seen as 'deliberately school fair' in style.[227]
Many artworks by Banksy have been vandalised, painted over or destroyed.
In 2008, in Melbourne, paint was poured over a stencil of an old-fashioned diver wearing a trench coat.[228] In April 2010, the Melbourne City Council reported that they had inadvertently ordered private contractors to paint over a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre.
In July 2011 one of Banksy's early works, Gorilla in a Pink Mask, was unwittingly painted over after the premises became a Muslim cultural centre. The art piece had been a prominent landmark on the exterior wall of a former social club in Eastville for over ten years.[229][230]
Many works that make up the Better Out Than In series in New York City have been defaced, some just hours after the piece was unveiled.[231][232] At least one defacement was identified as done by a competing artist, OMAR NYC, who spray-painted over Banksy's red mylar balloon piece in Red Hook.[233] OMAR NYC also defaced some of Banksy's work in May 2010.[234][235]
In the case of the 2013 vandalism of Banksy's Praying Boy in Park City, Utah, United States,[236] the perpetrator was tried, pled guilty, and convicted of criminal mischief.[237][238] The artwork was restored to its original state by a painting conservator, who was hired by the owners of the building where Praying Boy is located.[239]
Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in the stencils, though it is assumed he uses computers for some images due to the photographic quality of much of his work. He mentions in his book Wall and Piece that as he was starting to do graffiti, he was always either caught or could never finish the art in one sitting. He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number. He then devised a series of intricate stencils for minimising time and overlapping of the colour.
In a 2003 interview, Banksy described his technique, when making a piece in a public area, as "quick" and "I want to get it done and dusted."[26]
There exists a debate about the influence behind his work. Some critics claim Banksy was influenced by musician and graffiti artist 3D. Another source credits the artist's work to resemble that of French graffiti artist Blek le Rat. It is said that Banksy was inspired by their use of stencils, later taking this visual style and transforming it through modern political and social pieces.[240]
Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, apes, policemen, soldiers, children, and the elderly.
In the broader art world, stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. This technique allows artists to paint quickly to protect their anonymity.[241] There is dispute in the street art world over the legitimacy of stencils, with many artists criticising their use as "cheating".[242][243]
In 2018, Banksy created a piece live as it was being auctioned at Sotheby's. The piece originally consisted of a framed painting of Girl with Balloon. While the bidding was in progress, a shredder was activated from within the frame, partially destroying the painting, and thus creating a new piece. The shredder had been preemptively built into the frame a few years prior in case the painting was put up for auction.[244] The new artwork, consisting of the half-shredded painting still in its frame, is titled Love is in the Bin.[245]
Political and social themes
Shop Until You Drop in Mayfair, London. Banksy has said "We can't do anything to change the world until capitalism crumbles. In the meantime we should all go shopping to console ourselves."
Banksy once characterised graffiti as a form of underclass "revenge", or guerrilla warfare that allows an individual to snatch away power, territory and glory from a bigger and better equipped enemy.[56] Banksy sees a social class component to this struggle, remarking "If you don't own a train company then you go and paint on one instead."[56] Banksy's work has also shown a desire to mock centralised power, hoping that their work will show the public that although power does exist and works against you, that power is not terribly efficient and it can and should be deceived.[56]
Banksy's works have dealt with various political and social themes, including anti-war, anti-consumerism, anti-fascism, anti-imperialism, anti-authoritarianism, anarchism, nihilism, and existentialism. Additionally, the components of the human condition that his works commonly critique are greed, poverty, hypocrisy, boredom, despair, absurdity, and alienation.[247] Although Banksy's works usually rely on visual imagery and iconography to put forth their message, Banksy has made several politically related comments in various books. In summarising his list of "people who should be shot", he listed "Fascist thugs, religious fundamentalists, (and) people who write lists telling you who should be shot."[248] While facetiously describing his political nature, Banksy declared that "Sometimes I feel so sick at the state of the world, I can't even finish my second apple pie."[249]
Banksy's work has also critiqued the environmental impacts of big businesses. When speaking about his 2005 work Show me the Monet, Banksy explained:
The vandalised paintings reflect life as it is now. We don't live in a world like Constable's Haywain anymore and, if you do, there is probably a travellers' camp on the other side of the hill. The real damage done to our environment is not done by graffiti writers and drunken teenagers, but by big business... exactly the people who put gold-framed pictures of landscapes on their walls and try to tell the rest of us how to behave.[250]
Show me the Monet repurposes Claude Monet's Bridge over a Pond of Water Lilies, with the inclusion of two shopping carts and an orange traffic cone. This painting was later sold for £7.5million at Sotheby's Contemporary Evening Auction in 2020.[250]
During the 2017 United Kingdom general election, Banksy offered voters a free print if they cast a ballot against the Conservative candidates standing in the Bristol North West, Bristol West, North Somerset, Thornbury, Kingswood and Filton constituencies.[251] According to a note posted on Banksy's website, an emailed photo of a completed ballot paper showing it marked for a candidate other than the Conservative candidate would result in the voter being mailed a limited edition piece of Banksy art. On 5 June 2017 the Avon and Somerset Constabulary announced it had opened an investigation into Banksy for the suspected corrupt practice of bribery,[252] and the following day Banksy withdrew the offer stating "I have been warned by the Electoral Commission that the free print offer will invalidate the election result. So I regret to announce that this ill-conceived and legally dubious promotion has now been cancelled."[253]
Banksy has donated a number of works to promote various causes, such as Civilian Drone Strike, which was sold in 2017 at £205,000 to raise funds for Campaign Against Arms Trade and Reprieve. It was part of the exhibition "Art the Arms Fair" set up in opposition to the DSEI arms fair.[255] In 2018, a sculpture titled Dream Boat, which was exhibited in Dismaland in 2015, was raffled off in aid of the NGO Help Refugees (now called Choose Love) for a minimum donation of £2 for every guesses of its weight in a pop-up Choose Love shop in Carnaby Street.[256] In 2002, he produced artwork for the Greenpeace campaign Save or Delete. He also provided works to support local causes; in 2013, a work titled The Banality of the Banality of Evil was sold for an undisclosed amount after a failed auction to support an anti-homelessness charity in New York.[257] In 2014, an artwork on a doorway titled Mobile Lovers was sold £403,000 to keep a youth club in Bristol open,[258][259] and he created merchandise for homeless charities in Bristol in 2019.[260]
Banksy has been producing a number of works and projects in support of the Palestinians since the mid-2000s, including The Walled Off Hotel in Bethlehem.[261][262][263][264] In July 2020, Banksy sold three paintings forming a triptych titled Mediterranean Sea View 2017, which raised £2.2million for a hospital in Bethlehem. The paintings were original created for The Walled Off Hotel, and are Romantic-era paintings of the seashore that have been modified with images of lifebuoys and orange life jackets washed up on the shore, a reference to the European migrant crisis.[265]
Banksy gifted a painting titled Game Changer to a hospital in May 2020 as a tribute to National Health Service workers during the COVID-19 pandemic.[266] It was later sold for £14.4m in March 2021 to benefit a number of NHS-related organisations and charities.[182]
In August 2020, it was revealed that Banksy had privately funded a rescue boat to save refugees at risk in the Mediterranean Sea. The former French Navy boat, renamed after Louise Michel, has been painted pink with an image of a young girl holding a heart-shaped safety float.[267]
Books
Banksy has published several books that contain photographs of his work accompanied by his own writings:
Banging Your Head Against a Brick Wall, Existencilism, and Cut It Out were a three-part self-published series of small booklets.[268]
Pictures of Walls is a compilation book of pictures of the work of other graffiti artists, curated and self-published by Banksy. None of them are still in print, or were ever printed in any significant number.[269]
Banksy's Wall and Piece compiled large parts of the images and writings in his original three-book series, with heavy editing and some new material.[270] It was intended for mass print, and published by Random House.[270]
The writings in his original three books had numerous grammatical errors, and his writings in them often took a dark, and angry, and a (self-described) paranoid tone.[271][272][273] While the content in them was almost entirely kept in Wall and Piece, the stories were edited and generally took a less provocative tone, and the grammatical errors were resolved (presumably to make it suitable for mass market distribution).[270]
Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
The Bristol underground scene is a cultural movement in Bristol, England, beginning in the early 1980s. The scene was born out of a lack of mainstream clubs catering for the emergence of hip hop music, with street and underground parties a mainstay. Many DJ crews formed in the early '80s playing hip hop, house and soul in disused venues with sound systems were borrowed from the reggae scene: City Rockers, 2 Bad, 2 Tuff, KC Rock, UD4, FBI, Dirty Den, Juice Crew, Rene & Bacus, Soul Twins, Fresh 4 and Bristol ultimate DJ Masters The Wild Bunch. These names were the precursors to the more well known ones that came from this scene. It is characterized by musicians and graffiti artists. The scene was influenced by the city's multiculturalism, political activism, and the art movements of reggae, punk, hip hop, hippies and new age.
Blek le Rat is a French graffiti artist. He was one of the first graffiti artists in Paris, and has been described as the "Father of stencil graffiti".
King Robbo was an English underground graffiti artist. His feud with the artist Banksy was the subject of a Channel 4 television documentary called Graffiti Wars, first shown in August 2011.
Inkie is a London-based painter and street artist, originally from Clifton, Bristol. He is cited as being part of Bristol's graffiti heritage, along with Banksy, 3D and Nick Walker.
Darren Cullen is a London-based professional graffiti artist who is commonly known by the tag name SER. Cullen emerged as an artist from the British graffiti art scene in the early 1980s.
Slave Labour is a mural that was painted by a British graffiti artist, Banksy, on the side wall of a Poundland store in Wood Green, London in May 2012. The artwork is 48 inches (122 cm) high by 60 inches (152 cm) wide, and depicts an urchin child at a sewing machine assembling a bunting of Union Jack patches. The work was a protest against the use of sweatshops to manufacture Diamond Jubilee and London Olympics memorabilia in 2012.
Better Out Than In was a residency undertaken by the pseudonymous graffiti artist and political activist Banksy in New York City during October 2013. Banksy unveiled at least one work of art daily, documenting it on both a dedicated website and an Instagram account. The majority of the works were stencil graffiti and chiefly political, a distinctive characteristic of Banksy. Other pieces and multimedia exhibits toyed with dark humor and satire.
Art Buff is a graffiti artwork by Banksy which was created in Folkestone in 2014, Banksy announcing it as "part of the Folkestone triennial. Kind of". The work depicts a woman wearing headphones and staring at a plinth, upon which rests a patch of painted-out graffiti. The name of the piece is a play on words, "buff" being a slang term for the painting over of graffiti.
Pulp Fiction is a type of work by stencil graffiti artist Banksy. Instances of it depict the characters played by Samuel L. Jackson and John Travolta in the 1994 film Pulp Fiction, with their guns replaced by bananas. A stencil graffiti work existed on a wall near the Old Street tube station in the City of London from 2002 to 2007. Prints of the image had been sold for more than £1,000 on the original site. A print of the Pulp Fiction stencil was sold for £10,600 in 2012. On 24 November 2020, a signed print has fetched £125,000 at Tate Ward Auctions' "By Collectors for Collectors" event.
The Mild Mild West is a 1999 mural by graffiti artist Banksy, sited on No. 80 Stokes Croft, Bristol. It depicts a teddy bear throwing a Molotov cocktail at three riot police.
Girl with Balloon is a series of stencil murals around London by the graffiti artist Banksy, started in 2002. They depict a young girl with her hand extended toward a red heart-shaped balloon carried away by the wind. The locations for this work include street murals in Shoreditch and the South bank in London on the Waterloo Bridge and other murals were around London, though none remain there.
The Drinker is a statue by graffiti artist Banksy, not to be confused with the stencil of the same name, a graffiti artwork of a rat drinking a cocktail, on a wall at North Beach, Lowestoft, England.
Well Hung Lover, also called Naked Man Hanging From Window and simply Naked Man, is a mural by the anonymous street artist Banksy, on a wall in Frogmore Street, Bristol, England.
Kissing Coppers is a Banksy stencil that pictures two British policemen kissing. It was originally unveiled on the wall of The Prince Albert pub in Brighton in 2004. It gained significant attention due to Banksy's notoriety as a provocative street artist and activist. Kissing Coppers has frequently been regarded as one of Banksy’s most notable works, so much so that it was selected as the most iconic British piece of art at The Other Art Fair in London.
Girl with a Pierced Eardrum is a 2014 mural by anonymous street artist Banksy, on the wall of a building in Hanover Place, Spike Island, Bristol, England. Appearing overnight on 20 October 2014, it is a parody of Girl with a Pearl Earring, c. 1665 by Johannes Vermeer, instead replacing the pearl earring with an existing security alarm.
↑ Baker, Lindsay (28 March 2008). "Banksy: off the wall". The Daily Telegraph. London. Archived from the original on 13 April 2009. Retrieved 24 June 2009.
1 2 Hattenstone, Simon (17 July 2003). "Something to spray". The Guardian. UK. Archived from the original on 30 January 2018. Retrieved 29 January 2018.
↑ "Street art show comes to Bristol". BBC News. 9 February 2009. Archived from the original on 28 September 2013. Retrieved 31 August 2011. Street art [...] erupted in the UK in the early 1980s [...] active on the Bristol scene at that time included Banksy, Nick Walker, Inkie and Robert del Naja, or '3D', of Massive Attack.
↑ Reid, Julia (6 February 2008). "Banksy Hits Out at Street Art Auctions". London: Sky News. Archived from the original on 17 November 2011. Retrieved 31 August 2011. Along with Banksy, Bristol's graffiti heritage includes 3D, who went on to form Massive Attack, Inkie, and one of the original stencil artists Nick Walker.
↑ Child, Andrew (28 January 2011). "Urban Renewal: Steve Lazarides continues to expand his street art empire". Financial Times. London. Archived from the original on 28 March 2014. Retrieved 4 November 2013. He had discovered Banksy on a chance photo shoot in Bristol in 2001 while working as picture editor of Sleaze Nation magazine, and brought him to public attention along with a roster of other urban artists... Lazarides and Banksy parted company in 2009, a mysterious split about which both parties have remained tight-lipped.
↑ "Banksy biography". Brian Sewell Art Directory (briansewell.com). 4 August 2005. Archived from the original on 15 February 2009. Retrieved 26 January 2009.
↑ Addley, Esther (26 January 2007). "Blood on the tracks". The Guardian. London. Archived from the original on 21 October 2013. Retrieved 26 January 2009.
↑ Bull, Martin (2011). Banksy Locations & Tours: A collection of Graffiti Locations and Photographs in London, England. PM Press. ISBN978-1-60486-320-8.
Gary Shove and Patrick Potter, You Are an Acceptable Level of Threat And If You Were Not You Would Know About It (2012, new edition in 2015) ISBN978-1908211088
Stallabrass, J. (2020). Contemporary Art: A Very Short Introduction. United Kingdom: OUP Oxford. ISBN9780192561282.
Dery, Mark (2017). Culture Jamming: Activism and the Art of Cultural Resistance. United States: NYU Press. ISBN9781479879724.
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