- Holy Family with Music Making Angels
c. 1510–1520
Established | 1877 |
---|---|
Location | William Brown Street, Liverpool, England, United Kingdom |
Coordinates | 53°24′36″N02°58′47″W / 53.41000°N 2.97972°W |
Visitors | 391,765 (2019) [1] |
Founder | Sir Andrew Barclay Walker |
Architect | Cornelius Sherlock & H. H. Vale |
Public transit access | Liverpool Lime Street |
Website | www |
The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates.
In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing.
The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society for the Fine Arts, founded in 1858. The competition between the academy and society eventually led to both collapsing.
William Brown Library and Museum opened in 1860, named after a Liverpool merchant whose generosity enabled the Town Council to act upon an 1852 Act of Parliament which allowed the establishment of a public library, museum and art gallery, and in 1871 the council organised the first Liverpool Autumn Exhibition, held at the new library and museum.
The success of the exhibition enabled the Library, Museum and Arts Committee to purchase works for the council's permanent collection, buying around 150 works between 1871 and 1910. Works acquired included WF Yeames' And when did you last see your father? and Dante Gabriel Rossetti's Dante's Dream . [2]
Designed by local architects Cornelius Sherlock and H. H. Vale, the Walker Art Gallery was opened on 6 September 1877 by Edward Henry Stanley, 15th Earl of Derby. It is named after its founding benefactor, Sir Andrew Barclay Walker (1824–1893), a former mayor of Liverpool and wealthy brewer born in Ayrshire who expanded the family business to England and moved to live in Gateacre.
In 1893, the Liverpool Royal Institution placed its collection on long-term loan to the gallery and in 1948 presented William Roscoe's collection and other works. This occurred during post-war reconstruction when the gallery was closed, re-opening in 1951. During the Second World War the gallery was taken over by the Ministry of Food and the collection was dispersed for safety.
Extensions to the gallery were opened in 1884 and 1933 (following a two-year closure) when the gallery re-opened with an exhibition including Picasso and Gauguin. In 2002 the gallery re-opened following a major refurbishment.
In 1986, the gallery achieved national status, as part of the National Museums and Galleries on Merseyside. [3] [4]
The gallery is housed in a neo-Classical building located on William Brown Street. The neighbouring area includes the William Brown Library, World Museum Liverpool, St. George's Hall, Wellington's Column, Lime Street Station and the entrance to the Queensway Tunnel. The other major art gallery in Liverpool is Tate Liverpool, at the Albert Dock, which houses modern art.
The Walker's collection includes Italian and Netherlandish paintings from 1300 to 1550, European art from 1550 to 1900, including works by Giambattista Pittoni, Rembrandt, Poussin and Degas, 18th and 19th-century British art, including a major collection of Victorian painting and many Pre-Raphaelite works, a wide collection of prints, drawings and watercolours, 20th-century works by artists such as Lucian Freud, David Hockney and Gilbert and George and a major sculpture collection. [5] The select collection of minor or decorative arts covers a wide range, from Gothic ivories to British ceramics up to the present day. The Gallery also houses the only original Stuart Sutcliffe painting on permanent display in Liverpool.
On 17 December 2011, the Walker Art Gallery got a new addition to its collection – a statue of a priest vandalised by Banksy. The renowned graffiti artist has sawn off the face of an 18th-century replica stone bust and glued on a selection of bathroom tiles. The resulting 'pixellated' portrait is entitled Cardinal Sin and is believed to be a comment on the abuse scandal in the Church and its subsequent cover-up. This piece of art is displayed in Room three, which is one of the 17th-century Old Master galleries. [6]
As of 2 July 2013, the La Masseuse sculpture by Edgar Degas, previously owned by Lucian Freud, found a permanent home at the Walker Art Gallery, thanks to the donation-in-payment system put in place by the Arts Council England. [7]
The first John Moores Contemporary Painting Prize exhibition was held in 1957. Sponsored by Sir John Moores, founder of Littlewoods, the competition has been held every two years ever since and is the biggest painting prize in the UK. [8]
There is a regular programme of temporary exhibitions which in 2009-10 has included Aubrey Williams, Bridget Riley, Sickert and Freud. [9]
In 2004, the gallery staged The Stuckists Punk Victorian , the first national museum exhibition of the Stuckist art movement. [10] The Gallery also takes part in the Liverpool Biennial.
Stuckism is an international art movement founded in 1999 by Billy Childish and Charles Thomson to promote figurative painting as opposed to conceptual art. By May 2017, the initial group of 13 British artists had expanded to 236 groups in 52 countries.
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.
The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool.
Philip Absolon is a British artist and a founder member of the Stuckists art group, exhibiting in the group shows, including The Stuckists Punk Victorian at the Walker Art Gallery in 2004, and taking part in Stuckist demonstrations against the Turner Prize. He has had long-term unemployment problems, depicted in his work with imagery of skeletons; his other main subject is cats, which he studies and depicts in motion.
Terry Marks is a Stuckist artist in New York City. She was one of the US artists in the show The Stuckists Punk Victorian at the Walker Art Gallery during the 2004 Liverpool Biennial. She is also a tattooist and actor for film and television. Terry is a member of the Screen Actors Guild and the American Federation of Television and Radio Artists.
Joe Machine is an English artist, poet and writer. He is a founding member of the Stuckists art group.
Paul Arthur Harvey is a British musician and Stuckist artist, whose work was used to promote the Stuckists' 2004 show at the Liverpool Biennial. His paintings draw on pop art and the work of Alphonse Mucha, and often depict celebrities, including Madonna.
Wolf Howard is an English artist, poet and filmmaker living in Rochester, Kent and was a founder member of the Stuckists art group. He is also a drummer who has played in garage and punk bands, currently as a member of The Musicians of the British Empire (MBE's) with Billy Childish.
The Stuckists Punk Victorian was the first national gallery exhibition of Stuckist art. It was held at the Walker Art Gallery and Lady Lever Art Gallery in Liverpool from 18 September 2004 to 20 February 2005 and was part of the 2004 Liverpool Biennial.
Eamon Everall is an English artist and educator. He was one of the 12 founder members of the Stuckists art group. He paints in a "neo-cubist" style, with subjects from life worked on over a long period.
John Bourne is a British artist and painter, living and working in Wales, and a member of the Stuckists art movement. He founded the Wrexham Stuckists group in 2001 and has been exhibited in the group's shows since then, including The Stuckists Punk Victorian. He has also taken part in Stuckist demonstrations against the Turner Prize. The subject matter for his paintings, which are done in a simplified style, comes from his memories.
Godfrey Blow is a British-born contemporary artist based in Kalamunda, Western Australia. A painter whose work is inspired by myths and mythical landscapes, he founded the Perth Stuckists in 2003.
Elsa Dax is a French painter and a member of the Stuckists art movement. Major themes in her work are myth, legend and fairytale.
Stuckism is an art movement that began in London, England, in 1999. In 2000, Melbourne artist Regan Tamanui started the first international branch of the movement. As of 2010, there are seven Australian Stuckist groups, who have held shows—sometimes concurrently with UK activities—received coverage in the Australian press and on TV, and also been represented in UK shows. The Stuckists take a strong pro-painting and anti-conceptual art stance, and were co-founded by Charles Thomson and Billy Childish.
The Stuckism art movement was started in London in 1999 to promote figurative painting and oppose conceptual art. This was mentioned in the United States media, but the first Stuckist presence in US was not until the following year, when former installation artist, Susan Constanse, founded a Pittsburgh chapter.
Naive John is a British artist and figurative painter. His work shows attention to detail with subjects that combine elements from popular culture alongside the mythic and mundane. He has also in the past been involved in the Stuckism art movement.
Stuckist photographers develop the values of the Stuckism art painting movement into film and photography. Some of them are in a group called the Stuckist Photographers.
Rémy Noë, is a British painter, a member of the international art movement Stuckism and co-founder of the Maidstone Stuckists.
Sir Nicholas Serota Makes an Acquisitions Decision is one of the paintings that was made as a part of the Stuckism art movement, and is recognized as a "signature piece" for the movement. It was painted in 2000 by the Stuckism co-founder Charles Thomson, and has been exhibited in a number of shows since, as well as being featured on placards during Stuckist demonstrations against the Turner Prize.