The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
Jacques Joseph Tissot, better known as James Tissot, was a French painter, illustrator, and caricaturist. He was born to a drapery merchant and a milliner and decided to pursue a career in art at a young age, coming to incorporate elements of realism, early Impressionism, and academic art into his work. He is best known for a variety of genre paintings of contemporary European high society produced during the peak of his career, which focused on the people and women's fashion of the Belle Époque and Victorian England, but he would also explore many medieval, biblical, and Japoniste subjects throughout his life. His career included work as a caricaturist for Vanity Fair under the pseudonym of Coïdé.
Sir Hubert von Herkomer was a Bavarian-born British painter, pioneering film-director, and composer. Though a very successful portrait artist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Hard Times showing the distraught family of a travelling day-labourer at the side of a road, is one of his best-known works.
Sophie Gengembre Anderson was a French-born British Victorian painter who was also active in America for extended periods. She specialised in genre paintings of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, Elaine, was the first public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.
Events from the year 1878 in art.
Sir Samuel Luke Fildes was a British painter and illustrator born in Liverpool and trained at the South Kensington and Royal Academy Schools. He was the grandson of the political activist Mary Fildes.
Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide.
George William Joy was an Irish painter in London.
Arthur John Elsley (1860–1952) was an English painter of the late Victorian and Edwardian periods, famous for his idyllic genre scenes of playful children and their pets. He achieved great popularity during his life and much of his work appeared in calendars, magazines and books.
Augustus Edwin Mulready was an English genre painter whose work often depicted London street scenes with urchins and flower-sellers.
Eventide, an archaic word for evening, may also refer to:
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual source that created a desire for people to produce representations which look objectively real.
Daniel Albert Wehrschmidt (1861-1932) was a German-American artist from Ohio who made a career for himself in England as a portrait painter, lithographer, and engraver.
Applicants for Admission to a Casual Ward is an 1874 oil painting by British painter Luke Fildes, a key work in nineteenth-century British social realism. The painting shows a street scene of impoverished and weary men, women and children waiting by the side of the road outside a police station, huddled against the cold evening, waiting to be given a ticket for temporary admission to a workhouse for the night. Many resisted taking up permanent residence at the workhouse, where men and women would be separated, and would be required to work to pay for their board and lodging; once they entered, many only left when they died. Instead, from 1864, if the police in London certified that a person was genuinely in need, they could stay for one night on a "casual" basis, and leave the next morning, but they would have to queue up again for temporary admission the next evening. Poverty and vagrancy were pressing issues in Victorian London, and the issuance of "casual" tickets doubled from around 200,000 in 1864 to over 400,000 in 1869.
Teresa Norah Copnall, was a British painter known for her flower studies and portrait painting.
The Last Muster is an 1875 oil painting by Sir Hubert von Herkomer, based on his wood engraving Sunday at the Chelsea Hospital published in The Graphic on 18 February 1871. The painting is in the Lady Lever Art Gallery in Port Sunlight, Wirral.
Elizabeth Gulland was a Scottish-born printmaker and painter.
George Harcourt RA (1868-1947) was a Scottish portrait and figure painter, known for painting influential members of society.
Ulysses and the Sirens is an 1891 painting by the Pre-Raphaelite artist John William Waterhouse. It is currently held in the National Gallery of Victoria, Melbourne, Australia.
Thomas Edwin Mostyn was an English artist who worked during the late Victorian era and the early 20th century. Mostyn's works are mainly remembered from his idealistic and romantic garden scenes, as well as various portraits.
Herkomer's 1877 engraving, "'Old Age - A Study at the Westminster Union"
"The workroom at St James's workhouse", from The Microcosm of London , 1808
