This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(June 2020) |
Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.
The process of stencilling involves applying paint across a stencil to form an image on a surface below. Sometimes multiple layers of stencils are used on the same image to add colors or create the illusion of depth.
Because the stencil stays nearly unchanged throughout its use, it is easier for an artist to replicate what could be a complicated piece - at a high rate when compared to other conventional tagging methods.
Stencil graffiti began in the 1960s.
French artist Ernest Pignon-Ernest's stencilled silhouette of a nuclear bomb victim was spray painted in the south of France in 1966 (Plateau d'Albion, Vaucluse)[ citation needed ]
Dutch artist Hugo Kaagman is one of the key figures of the Amsterdam punk movement. While studying social geography at the city’s municipal university, he became interested in art movements like Dada and Fluxus. He started stencil graffiti in 1978 as part of the punk movement to demonstrate against the Dutch government.
Blek le Rat's first spray painted stencils were seen in Paris in 1981. He was influenced by the graffiti artists of New York City but wanted to create something of his own.
Australian photographer Rennie Ellis documented some of the earliest examples of stencil art to appear in Sydney and Melbourne in his 1985 book The All New Australian Graffiti. In the introduction to the book, Ellis noted that US photographer Charles Gatewood had written to him and sent him photographs of similar stencil graffiti that had recently appeared in New York City, leading Ellis to speculate that:
... unlike our subway-style graffiti, which is nothing more than a copy of a well-established New York tradition, the symbols of Australia and America had originated separately and unknown to each other. [1]
Over the years this form of graffiti has become a worldwide subculture. The members are linked through the Internet and the images spray-painted on the urban canvas they place throughout the world. Many of its members connect through blogs and websites that are specifically built to display works, get feedback on posted works, and receive news of what is going on in the world of stencil graffiti.
Stencil graffiti is illegal in some jurisdictions, and many of the members of this subculture shroud their identities in aliases. Above / Tavar Zawacki, Banksy, Blek le Rat, Vhils, Shepard Fairey and Jef Aérosol are some names that are synonymous with this subculture.
C215 Community Service, Criteres ed. 2011
Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Stencilling produces an image or pattern on a surface by applying pigment to a surface through an intermediate object, with designed holes in the intermediate object. The holes allow the pigment to reach only some parts of the surface creating the design. The stencil is both the resulting image or pattern and the intermediate object; the context in which stencil is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material.
Andre the Giant Has a Posse is a street art campaign based on a design by Shepard Fairey created in 1989 while Shepard attended the Rhode Island School of Design in Providence, Rhode Island. Distributed by the skater community and graffiti artists, the stickers featuring an image of André the Giant began showing up in many cities across the United States. At the time, Fairey declared the campaign to be "an experiment in phenomenology". Over time, the artwork has been reused in a number of ways and has become worldwide. Fairey also altered the work stylistically and semantically into OBEY Giant.
Spray paint is paint that comes in a sealed, pressurized container and is released in an aerosol spray when a valve button is depressed. The propellant is what the container of pressurized gas is called. When the pressure holding the gas is released through the valve, the aerosol paint releases as a fine spray. Aerosol painting is one form of spray painting; it leaves a smooth, even coat, unlike many traditional rolled and brushed paints. Aerosol primer can be applied directly to bare metal and many plastics.
Rash, written RASH, is a 2005 Australian documentary film, directed by Nicholas Hansen. Its subject is contemporary urban Australia and the artists who are making it a host for illegal street art. With the tagline 'Scratch it and it spreads', Rash explores the cultural value of unsanctioned public art and the ways that street art and graffiti contribute to public dialogue.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Tavar Zawacki formerly known as 'ABOVE' is an American abstract artist living and working between Berlin, Germany and Lisbon, Portugal. For twenty years (1996–2016) Tavar Zawacki created and signed all of his artworks with his street artist pseudonym, 'ABOVE'. Tavar was born and raised in California until the age of 19, at which time, Zawacki bought a one-way flight from California to Paris, France, bringing with him a backpack full of art supplies, all the money in his bank account (US$1,500), and a 'rise above your fears' approach to starting his art career. Starting in Paris in 2000, Tavar transitioned from painting traditional letter style graffiti of A-B-O-V-E, to his 'Above arrow' icon that represented his optimistic mentality to 'rise above fears, challenges, and anything holding you back from your goals.' During a 20-year period, the artworks of ABOVE could be seen in over 80 cities spanning 35 countries around the world.
James Dodd is a South Australian artist, arts educator and street artist who used the pseudonym Dlux for his street art when he operated out of Melbourne.
Meek is a notable street artist operating out of Melbourne, Australia, and specialising in the subgenre of stencil graffiti.
Vexta is an Australian stencil artist and street artist from Melbourne, Victoria.
Since the 1980s, the area surrounding the Sydney inner west suburb of Newtown, Australia, including the suburbs of Newtown, Enmore, Erskineville, Camperdown and St Peters, has been known for its wide range of prominent graffiti and street art on walls. The public visual art in the Newtown area consists of a variety of styles and methods of execution, including large-scale painted murals, hand-painted political slogans, hand-painted figurative designs, spray painted semi-abstract designs "tags"), and other stylistic developments such as stencil art and street poster art, "Yarn bombing", and sculptural items cast from plaster and other materials.
Dean Stockton, better known by his alias D*Face, is an English multimedia street artist who uses spray paint, stickers, posters, and stencils.
Melbourne, the capital of Victoria and the second largest city in Australia, has gained international acclaim for its diverse range of street art and associated subcultures. Throughout the 1970s and 1980s, much of the city's disaffected youth were influenced by the graffiti of New York City, which subsequently became popular in Melbourne's inner suburbs, and along suburban railway and tram lines.
Blek le Rat is a French graffiti artist. He was one of the first graffiti artists in Paris, and has been described as the "Father of stencil graffiti".
Urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or present urban lifestyle. Because the urban arts are characterized by existing in the public space, they are often viewed as vandalism and destruction of private property.
Jef Aérosol is the pseudonym of Jean-François Perroy, a French stencil graffiti artist. He has been an urban art proponent in France since 1982, and is a contemporary of Blek le Rat and Speedy Graphito.
Parachuting Rat was a series of artworks in Melbourne, Australia, created by Banksy. On 26 April 2010, one was painted over by council contractors, leading to local and international coverage and debate on the nature of street art and its preservation, and new measures for its protection.
Logan Hicks (1971) is an American contemporary artist born in 1971 and graduated from the Maryland Institute College of Art. He lives and works in Brooklyn, New York.