Author | Martha Cooper, Henry Chalfant |
---|---|
Language | English |
Subject | Graffiti in New York City |
Genre | Photography |
Publisher | Thames & Hudson |
Publication date | 1984 |
Publication place | London, England |
Pages | 100 |
ISBN | 978-0805006780 |
Subway Art is a collaborative book by Martha Cooper and Henry Chalfant, which documents the early history of the New York City graffiti movement. Originally published in 1984, the book has been described as a "landmark photographic history". [1]
Two photographers in New York City had been separately documenting the artwork seen on the subway cars for 10 years, through the 1970s and into the 1980s. Each planned to put out a book and neither could find a publisher. They agreed to work together on one book to increase the chance of finding a publisher. [2]
They did not find one in the US mainly because graffiti was viewed as vandalism, not as art. Removal of graffiti was a problem for public agencies. The two went to the Frankfurt Book Fair, where they found their publisher, the art publisher Thames & Hudson, based in London. [2]
The book was known as 'the bible' of graffiti, because the photographs of this ephemeral art were accompanied by text describing techniques of the drawing styles and how it was done on public property without permission. [3]
The book described the culture around graffiti, how to do it, the lingo and who did it. Cooper and Chalfant consider this as public art, a major global art movement, and do not consider it as vandalism. [2]
Often the tags or drawings were removed the next day, so the photographs were the only record of these artistic efforts. The authors of this book often printed their images quickly to share with the graffiti artists, who did not have cameras in that decade to record the mark they left on their city, on a subway car. The police worked with the transit authority to stop this practice, even if the artists considered themselves as risking their lives to leave their mark. [2]
These photographs were taken in an era of decline of the condition of the subway system in New York City, before David L. Gunn was brought in to lead a turnaround in 1984, including daily cleaning of rail cars. [4] [5]
Subway Art quickly acquired the dubious accolade of becoming one of the most stolen books in the United Kingdom, and marked the start of graffiti on London rail cars. [6]
The title is a reference to the New York City Subway, where much of the city's graffiti was painted during the late 20th century, on the sides of subway cars.
This was done without permission of the transit authority and considered as vandalism in the time the two were taking pictures of the art on passing trains.
The book featured the artists by name, including Zephyr, Seen, Kase2, Dondi, and Lady Pink.
The book was first published in London by Thames & Hudson. It sold 500,000 copies. [2]
The first US edition was published by Holt, Rinehart and Winston in New York, also in 1984.
The 25th anniversary edition was released in 2009, with new and larger photographs included, and printed in a larger format than the first book, measuring 43x30.5 cm. It was published by Chronicle Books in San Francisco ISBN 978-0811868877.
Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Sticker art is a form of street art in which an image or message is publicly displayed using stickers. These stickers may promote a political agenda, comment on a policy or issue, or comprise a subcategory of graffiti.
Leonard Hilton McGurr, known as Futura, and formerly known as Futura 2000, is an American contemporary artist and former graffiti artist.
TAKI 183 is the "tag" of a Greek-American graffitist who was active during the late 1960s and early 1970s in New York City. The graffitist, whose given name is Demetrios, has never revealed his full name.
Henry Chalfant is an American photographer and videographer most notable for his work on graffiti, breakdance, and hip hop culture.
George Lee Quiñones is a Puerto Rican artist and actor. Quiñones rose to prominence by creating massive New York City subway car graffiti that carried his moniker "LEE". His style is rooted in popular culture and often with political messages.
Lady Pink, born Sandra Fabara, is an Ecuadorian-born American graffiti and mural artist, active in New York City.
Zoo York is a style and social philosophy inspired by the New York City graffiti art subculture of the 1970s. Its name originates from a subway tunnel running underneath the area of the Central Park Zoo. This tunnel, called the Zoo York Tunnel, or simply "Zoo York," was a haunt of very early "old school" graffiti writers who hung out with the hippies around the Central Park Bandshell in the late 1960s and 1970s.
Martha Cooper is an American photojournalist. She worked as a staff photographer for the New York Post during the 1970s. She is best known for documenting the New York City graffiti scene of the 1970s and 1980s.
Raghubir Singh (1942–1999) was an Indian photographer, most known for his landscapes and documentary-style photographs of the people of India. He was a self-taught photographer who worked in India and lived in Paris, London and New York. During his career he worked with National Geographic Magazine, The New York Times, The New Yorker and Time. In the early 1970s, he was one of the first photographers to reinvent the use of color at a time when color photography was still a marginal art form.
Dean Stockton, better known by his alias D*Face, is an English multimedia street artist who uses spray paint, stickers, posters, and stencils.
George Ibañez, also known as “Crime79”, is a New York City-based graffiti artist. His style is rooted in popular culture and often with political messages.
Graffiti are writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public place. Graffiti ranges from simple written words to elaborate wall paintings. Graffiti, consisting of the defacement of public spaces and buildings, remains a nuisance issue for cities.
Niels Shoe Meulman is a visual artist, graffiti writer, graphic designer and art director, born, raised and based in Amsterdam, Netherlands. ”Experimenting within the traditional medium of paint-on-canvas, but also venturing into other domains like conceptual installations and poetry, Niels Shoe Meulman keeps pushing the limits of the global urban contemporary art movement," writes the Museum of Graffiiti, who collected his artwork into their permanent collection, as has the Stedelijk Museum in Amsterdam and The San Francisco Museum of Modern Art, and private collectors.
Graffiti in New York City has had a substantial local, national, and international influence.
Jack Stewart was an American artist. Born in Atlanta, Georgia, he began private art lessons when he was seven. When he was about nine he went to classes at the High Museum of Art. In his early to mid-teens he apprenticed to the sculptor/painter Steffen Thomas. During WWII he served in Patton's Third Army as a combat infantryman, entering combat in the Battle of the Bulge. After the war he earned a BFA degree at Yale University, where he studied with Josef Albers and Willem de Kooning. He studied architecture at Columbia University and later earned MA and Ph.D. degrees at New York University. In 1976 Stewart married painter and art administrator Regina Serniak Stewart. His first wife and their son are deceased.
Spraycan Art is the first book that documented the initial stages of the worldwide spread of New York City Subway graffiti style and subculture. Authored by Henry Chalfant and James Prigoff and published by Thames & Hudson on September 1, 1987.
James Prigoff was an American photographer, author, and lecturer focusing on public murals, graffiti, and spraycan art. He has traveled extensively throughout the world documenting these art forms.
United Graffiti Artists was an early American graffiti artists collective, founded in 1972 by Hugo Martinez in New York City. UGA was the first organized group of writers, and the first to promote graffiti as a high art. Martinez, then a student activist at City College of New York, organized a group of teenagers who had been tagging the subways into a loose collective, formalizing their work and paving the way for commercialization. In September 1973, UGA organized the first ever gallery show of graffiti at the Razor Gallery in SoHo.
Danielle E. "Utah" Bremner and Jim Clay "Ether" Harper VI are American graffiti artists, dubbed the "Bonnie and Clyde of the graffiti world". They have tagged trains and buildings in over 30 countries on five continents, and have made books and videos about their exploits. They have also been arrested, fined, and served multiple prison sentences for vandalism. Their use of social media has been used as an example in a book about graffiti artists, and they have been the subjects of a video exhibit and a song.