Marilyn Diptych

Last updated

Marilyn Diptych
Marilyndiptych.jpg
Artist Andy Warhol
Year1962
MediumSilkscreen ink and acrylic paint on canvas [1]
Dimensions205.44 cm× 289.56 cm(80.88 in× 114.00 in)
Location Tate, London

The Marilyn Diptych (1962) is a silkscreen painting by American pop artist Andy Warhol depicting Marilyn Monroe. The monumental work is one of the artist's most noted of the movie star.

Contents

The painting consists of 50 images. [2] Each image of the actress is taken from the single publicity photograph from the film Niagara (1953). The underlying publicity photograph that Warhol used as a basis for his many paintings and prints of Marilyn, and the Marilyn Diptych, was owned and distributed by her movie studio. Marilyn Diptych was completed just weeks after Marilyn Monroe's death in August 1962.

Silk-screening was the technique used to create this painting. The twenty-five images on the left are painted in color, the right side is black and white.

The Marilyn Diptych is in the collection of the Tate. [3]

Analysis

The original 1953 publicity photo Monroe in Niagara (1953 publicity photo).jpg
The original 1953 publicity photo

It has been suggested that the relation between the left side of the canvas and the right side of the canvas is evocative of the relation between the celebrity's life and death. [1] [4] [5] The work has received praise from writers such as American academic and cultural critic Camille Paglia, who wrote in 2012's Glittering Images lauding how it shows the "multiplicity of meanings" in Monroe's life and legacy. [6]

In a December 2, 2004, article in The Guardian , the painting was named the third most influential piece of modern art in a survey of 500 artists, critics, and others. [7] The artwork was also ranked ninth in the past 1,000 years by Kathleen Davenport, Director, Rice University Art Gallery, Houston. [8]

Appropriation and fair use

Warhol is regarded as an artist known for the appropriation of images and he often made use of publicity photographs and publicly available photographs and motifs not owned by him, which often brought him into conflict with the owners of the source material. An example of this is Warhol's Marilyn series including the Marilyn Diptych, which resulted in a settlement with the owner of the Marilyn Monroe publicity photograph which he used as the source material for the paintings. Warhol and his estate have settled many copyright disputes including with regard to his famous flowers paintings and paintings of Jackie Kennedy, as discussed in detail in "Andy The Appropriator: The Copyright Battles You Won't Hear About at The Whitney's Warhol Exhibit" from The Columbia Journal of Law & the Arts:

"Although some of Warhol’s work was commissioned by individuals or companies, much of it was appropriated from other artists, photographers, and brands. Two of his most famous pieces, Marilyn Diptych and the collection of Campbell’s soup cans, are examples of his habit of appropriation. For the Marilyn series, Warhol took a promotional photograph of Marilyn Monroe and transferred it onto silkscreen print using different colors. He did not own the promotional photograph that he used and he did not have permission to use it. The resulting work was transformative enough that a strong fair use argument could be made today, but Warhol’s appropriation is undeniable. Similarly, Warhol used the Campbell’s Soup logo without permission from the company for dozens of silkscreen prints. Eventually, Campbell’s Soup tacitly approved of his use because of the free marketing they were receiving, but Warhol’s use of their logo without initial permission was still appropriation." [9]

See also

Related Research Articles

<span class="mw-page-title-main">Andy Warhol</span> American artist, film director, and producer (1928–1987)

Andy Warhol was an American visual artist, film director and producer. A leading figure in the pop art movement, Warhol is considered one the most important artists of the second half of the 20th century. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, sculpture, photography, and filmmaking. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental film Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).

<span class="mw-page-title-main">Carnegie Museums of Pittsburgh</span> United States historic place

Carnegie Museums of Pittsburgh is a nonprofit organization that operates four museums in Pittsburgh, Pennsylvania, United States. The organization is headquartered in the Carnegie Institute and Library complex in the Oakland neighborhood of Pittsburgh. The Carnegie Institute complex, which includes the original museum, recital hall, and library, was added to the National Register of Historic Places on March 30, 1979.

<i>Campbells Soup Cans</i> 1962 artwork by Andy Warhol

Campbell's Soup Cans is a work of art produced between November 1961 and June 1962 by the American artist Andy Warhol. It consists of thirty-two canvases, each measuring 20 inches (51 cm) in height × 16 inches (41 cm) in width and each consisting of a painting of a Campbell's Soup can—one of each of the canned soup varieties the company offered at the time. The works were Warhol's hand-painted depictions of printed imagery deriving from commercial products and popular culture and belong to the pop art movement.

<span class="mw-page-title-main">Andy Warhol Museum of Modern Art</span> Modern art museum in Medzilaborce, Slovakia

The Andy Warhol Museum of Modern Art in Medzilaborce, Slovakia, was established in 1991 by the American family of the artist Andy Warhol and the Slovak Ministry of Culture. Until 1996, AWMMA was called The Warhol Family Museum of Modern Art.

Two exhibitions in 1962 announced Andy Warhol's dramatic entry into the art world. In July, at the Ferus Gallery in Los Angeles, he exhibited his now-iconic Campbell's Soup Cans. The work's 32 canvases, each one featuring a different variety of the company's 32 soups, were lined up in a single row on a ledge that wrapped around the gallery. 'Cans sit on shelves,' the gallery director, Irving Blum, later said of the installation. 'Why not?' The paintings marked a breakthrough for Warhol, who had previously worked as a commercial illustrator: they were among his first works based on consumer goods, and among the first to embrace serial repetition. Although he hand-painted each canvas, they were made to seem mechanically produced

<i>Campbells Soup Cans II</i> 1969 artwork by Andy Warhol

Campbell's Soup Cans II is a work of art produced in 1969 by Andy Warhol as part of his Campbell's Soup Cans series that consists of 250 sets of 10 screenprints. This set is held by several notable museums. It differs from the preceding set of 1968 Campbell's Soup I screenprints and has variations within the series.

<i>Shot Marilyns</i> 1964 series of paintings by Andy Warhol

Shot Marilyns is a series of silkscreen paintings produced in 1964 by Andy Warhol, each canvas measuring 40 inches square, and each a portrait of Marilyn Monroe.

In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts. In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp.

<i>Green Coca-Cola Bottles</i> 1962 painting by Andy Warhol

Green Coca-Cola Bottles is a 1962 painting by Andy Warhol that depicts one hundred and twelve almost identical Coca-Cola bottles.

Thirteen Most Wanted Men was a 1964 mural by Andy Warhol. The artwork was created for the New York State Pavilion at the 1964 World's Fair at Flushing Meadows Park, Queens, New York. The mural was Warhol's only public work. It was painted over with silver paint before the fair opened, reportedly due to official objections.

<i>Ethel Scull 36 Times</i> 1963 painting by Andy Warhol

Ethel Scull 36 Times is a 1963 painting by American artist Andy Warhol. It was Warhol's first commissioned work. The work consists of four rows of nine equal columns, depicting Ethel Redner Scull, a well-known collector of modern art. The artwork is jointly owned by the Metropolitan Museum of Art and the Whitney Museum of American Art.

<span class="mw-page-title-main">Steve Kaufman</span> American pop artist (1960–2010)

Steven Alan Kaufman was an American pop artist, fine artist, sculptor, stained glass artist, filmmaker, photographer and humanitarian. His entry into the world of serious pop art began in his teens when he became an assistant to Andy Warhol at The Factory studio, who nicknamed him "SAK". Kaufman eventually executed such pieces as a 144-foot-long canvas which later toured the country.

<span class="mw-page-title-main">Michael McKenzie (artist)</span> American artist and writer (born 1953)

Michael McKenzie is an American artist and writer. His mother a fourth generation Irish/German and his father of recent Scottish immigrants. He began writing, drawing, painting and publishing at a young age, his first publication, at age 5, was Two Cents Plain, a four-page magazine he made using a mimeograph machine at his father's office. A fluke meeting at the 1964 World's Fair with his grandmother introduced him to Philip Johnson, Andy Warhol and Robert Indiana, all three of whom he would later work with.

<i>Race Riot</i> (Warhol) 1964 painting by Andy Warhol

Race Riot is a 1964 acrylic and silkscreen painting by the American artist Andy Warhol that he executed in 1964. It fetched $62,885,000 at Christie's in New York on 13 May 2014.

<i>Orange Prince</i> 1984 painting by Andy Warhol

Orange Prince is a painting by American artist Andy Warhol of Prince, the American singer, songwriter, record producer, multi-instrumentalist, actor, and director. The painting is one of twelve silkscreen portraits on canvas of Prince created by Warhol in 1984, based on an original photograph provided to Warhol by Vanity Fair. The photograph was taken by Lynn Goldsmith. These paintings and four additional works on paper are collectively known as the Prince Series. Each painting is unique and can be distinguished by colour.

<i>Triple Elvis</i> 1963 painting by Andy Warhol

Triple Elvis is a 1963 painting of Elvis Presley by the American artist Andy Warhol. The photographic image of Elvis used by Warhol as a basis for this work, taken from a publicity still from the movie Flaming Star, has become iconic and synonymous with the singer.

<span class="mw-page-title-main">Revolver Gallery</span> Art gallery in West Hollywood, California, United States

Revolver Gallery is a Los Angeles-based art gallery with a one-artist program focused on Andy Warhol's pop art career. With over 400 Warhols in its collection, Revolver houses the largest gallery-owned collection of Andy Warhol's artwork world-wide.

<i>Marilyn Monroe portfolio</i> 1967 print by Andy Warhol

The Marilyn Monroe portfolio is a portfolio or series of ten 36×36 inch silkscreened prints on paper by the pop artist Andy Warhol, first made in 1967, all showing the same image of the 1950s film star Marilyn Monroe but all in different, mostly very bright, colors. They were made five years after her death in 1962. The original image was taken by Warhol from a promotional still by Gene Kornman for Monroe's film Niagara (1953).

<i>Gold Marilyn Monroe</i> 1962 artwork by Andy Warhol

Gold Marilyn Monroe is a screenprint painting by Andy Warhol based on a photograph of the actress Marilyn Monroe's face centered on a large gold-painted canvas. Warhol used silkscreen ink on synthetic polymer paint on canvas. It was completed in 1962, the same year as Monroe's death. The image of Monroe is a direct copy of a close-up photograph, a publicity still from her 1953 film Niagara.

Andy Warhol Foundation for the Visual Arts, Inc. v. Goldsmith, 598 U.S. 508 (2023), is a U.S. Supreme Court case dealing with transformative use, a component of fair use, under U.S. copyright law. At issue was the Prince Series created by Andy Warhol based on a photograph of the musician Prince by Lynn Goldsmith. It held Warhol's changes were insufficiently transformative to fall within fair use for commercial purposes, resolving an issue arising from a split between the Second and Ninth circuits among others.

Factory Additions was the business established by Andy Warhol in 1967 for publishing and printmaking. Some of the first "Additions" include the silkscreen Marilyn Monroe portfolio, and a silkscreen Addition of "Flowers", and series of silkscreens based on his Campbell's Soup Can labels. Campbell's Soup Cans I consisted of a set of 10 silkscreens produced in an addition of 250.

References

  1. 1 2 "Andy Warhol Marilyn Diptych 1962". Tate. February 2016. Retrieved October 14, 2018.
  2. "Marilyn Diptych by Andy Warhol – Facts & History of the Painting". Totally History. May 12, 2013.
  3. Andy Warhol; Marilyn Diptych 1962. Tate Museum web page
  4. Helen Gardner, et al. Gardner's Art Through the Ages . Thompson Wadsworth, 2004. 1054.
  5. Carol Salus. "Behind the Celestial Enchantment". The Poetry of Life in Literature. Ed. Anna-Teresa Tymieniecka. Springer, 2000. 198.
  6. Rosen, Gary (October 16, 2014). "The Pagan Aesthetic". The Wall Street Journal . Retrieved July 17, 2014.
  7. Charlotte Higgins. "Work of art that inspired a movement ... a urinal". The Guardian . December 2, 2004. Retrieved October 22, 2019.
  8. (May 19, 2000). Which art will top the Chartres? Four curators share their Top 10 picks and reasoning behind the most influential visual artworks of the past 1,000 years. Christian Science Monitor, p. 12. Retrieved October 22, 2019.
  9. "Andy The Appropriator: The Copyright Battles You Won't Hear About at The Whitney's Warhol Exhibit | The Columbia Journal of Law & the Arts". journals.library.columbia.edu. Retrieved March 31, 2021.