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Edith Minturn Sedgwick Post was an American actress and fashion model who was one of Andy Warhol's superstars, starring in several of his short films during the 1960s. Her prominence led to her being dubbed an "It Girl", while Vogue magazine named her a "Youthquaker".
Warhol superstars were a clique of New York City personalities promoted by the pop artist Andy Warhol during the 1960s and early 1970s. These personalities appeared in Warhol's artworks and accompanied him in his social life, epitomizing his dictum, "In the future everyone will be famous for fifteen minutes". Warhol would simply film them, and declare them "superstars".
The Factory was Andy Warhol's studio in New York City, which had four locations between 1963 and 1987. The Factory became famed for its parties in the 1960s. It was the hip hangout spot for artists, musicians, celebrities and Warhol's superstars. The original Factory was often referred to as the Silver Factory. In the studio, Warhol's workers would make silkscreens and lithographs under his direction.
Gerard Joseph Malanga is an American poet, photographer, filmmaker, actor, curator and archivist.
Blue Movie is a 1969 American erotic film written, produced and directed by Andy Warhol. It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn (1969–1984), which, before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969 with the release of Blue Movie at the Elgin Theater, and later, the New Andy Warhol Garrick Theatre, in New York City. Blue Movie helped inaugurate the "porno chic" phenomenon, in which porn was publicly discussed by celebrities and taken seriously by film critics, in modern American culture, and shortly thereafter, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film starring Marlon Brando and released a few years after Blue Movie was made. Viva and Louis Waldon, playing themselves, starred in Blue Movie.
Eat (1964) is a 45-minute underground film created by Andy Warhol and featuring painter Robert Indiana, filmed on Sunday, February 2, 1964, in Indiana's studio. The film was first shown by Jonas Mekas on July 16, 1964, at the Washington Square Gallery at 530 West Broadway.
Chelsea Girls is a 1966 American experimental underground film directed by Andy Warhol and Paul Morrissey. The film was Warhol's first major commercial success after a long line of avant-garde art films. It was shot at the Hotel Chelsea and other locations in New York City, and follows the lives of several of the young women living there, and stars many of Warhol's superstars. The film is presented in a split screen, accompanied by alternating soundtracks attached to each scene and an alternation between black-and-white and color photography. The original cut runs at just over three hours long.
Ronald Tavel was an American screenwriter, director, novelist, poet and actor, best known for his work with Andy Warhol and The Factory.
Eating Too Fast is a 1966 Andy Warhol film made at The Factory. It was originally titled Blow Job #2 and features art critic and writer Gregory Battcock (1937–1980). The film is 67 minutes long and is, in effect, a black and white sound film remake of Warhol's Blow Job (1964). Battcock had previously appeared in Warhol's films Batman Dracula (1964) and Horse (1965).
Bike Boy is a 1967 American avant garde film directed by Andy Warhol, and was shown, for initial viewings, at the New Andy Warhol Garrick Theatre, at 152 Bleecker Street, Manhattan, New York City. The film has a bit part by Valerie Solanas.
The Life of Juanita Castro is a 1965 American underground film directed by Andy Warhol, filmed in March 1965.
Beverly Grant was an actress and filmmaker who appeared in films by Andy Warhol, Jack Smith, Gregory Markopoulos, Ira Cohen, Ron Rice, and Stephen Dwoskin, on the off-off Broadway stage in works by Ronald Tavel and LeRoi Jones, as well as collaborated with her one-time husband, experimental filmmaker and musician, Tony Conrad. Smith, the avant-garde filmmaker of Flaming Creatures and Normal Love, in which Grant appeared, called her "the queen of the underground – both undergrounds."
Kitchen is a 1966 feature-length underground film directed by Andy Warhol and Ronald Tavel, and starring Edie Sedgwick, Rene Ricard, Tavel, Roger Trudeau, David McCabe, Donald Lyons, and Electrah. The entire film takes place in the New York City kitchen of Bud Wirtschafter, the sound man.
Henry Geldzahler (1964) is a feature-length underground film directed by Andy Warhol, featuring art curator Henry Geldzahler smoking a cigar and becoming increasingly uncomfortable for 97 minutes. The film was shot silent and in black-and-white in the first week of July 1964, using unused film left from the filming of Empire.
Soap Opera, subtitled The Lester Persky Story, is a 1964 feature-length underground film directed by Andy Warhol, starring Baby Jane Holzer, and featuring Gerard Malanga, Sam Green, and Ivy Nicholson. The subtitle was used by Warhol since he used old television advertisement footage provided by Lester Persky.
Couch (1964) is a feature-length underground film directed by Andy Warhol, and starring Gerard Malanga, Piero Heliczer, Naomi Levine, Gregory Corso, Allen Ginsberg, John Palmer, Baby Jane Holzer, Ivy Nicholson, Amy Taubin, Ondine, Peter Orlovsky, Jack Kerouac, Taylor Mead, Kate Heliczer, Rufus Collins, Joseph LeSeuer, Binghamton Birdie, Mark Lancaster, Gloria Wood, and Billy Name.
Space (1965) is an underground film directed by Andy Warhol, written by Ronald Tavel, and starring Edie Sedgwick, Gino Piserchio, Dorothy Dean, Ed Hennessey, singer-songwriter Eric Andersen, and Norman Levine. Unlike many of Warhol's other films made at The Factory, this film involved a moving camera, moving around the actors as they stood still.
Horse is a 1965 underground film directed by Andy Warhol, written by Ronald Tavel, and starring Edie Sedgwick, Gregory Battcock, Tosh Carillo, Ondine, Norman Glick, Daniel Cassidy Jr., and Larry Latrae (Latreille). Warhol makes a cameo.
The Garrick Cinema was a 199-seat movie house at 152 Bleecker Street in the Greenwich Village neighborhood of Lower Manhattan in New York City. Andy Warhol debuted many of his notable films in this building in the late 1960s. Frank Zappa and the Mothers of Invention played here nightly for 6 months in 1967.
The 55th Street Playhouse—periodically referred to as the 55th Street Cinema and Europa Theatre—was a 253-seat movie house at 154 West 55th Street, Midtown Manhattan, New York City, that opened on May 20, 1927. Many classic art and foreign-language films, including those by Jean Cocteau, Sergei Eisenstein, Federico Fellini, Abel Gance, Fritz Lang, Josef Von Sternberg and Orson Welles, were featured at the theater. Later, Andy Warhol presented many of his notable films in this building in the late 1960s. Other notable films were also shown at the theater, including Boys in the Sand (1971) and Him (1974).
