Henry Geldzahler (film)

Last updated
Henry Geldzahler
Directed by Andy Warhol
Produced byAndy Warhol
Starring Henry Geldzahler
Distributed by The Factory
Release date
July 1964
Running time
97 minutes
CountryUnited States
LanguageEnglish

Henry Geldzahler (1964) is a feature-length underground film directed by Andy Warhol, featuring art curator Henry Geldzahler smoking a cigar and becoming increasingly uncomfortable for 97 minutes. The film was shot silent and in black-and-white in the first week of July 1964, using unused film left from the filming of Empire . [1]

Contents

See also

Related Research Articles

<span class="mw-page-title-main">Andy Warhol</span> American artist, film director, and producer (1928–1987)

Andy Warhol was an American visual artist, film director, producer, and leading figure in the pop art movement. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental films Empire (1964) and Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).

<i>Basquiat</i> (film) 1996 American film by Julian Schnabel

Basquiat is a 1996 American biographical drama film directed, written and co-composed by Julian Schnabel in his feature directorial debut. The film is based on the life of American postmodernist/neo expressionist artist Jean-Michel Basquiat. It is the first film about an American painter written and directed by another artist.

<span class="mw-page-title-main">The Factory</span> Andy Warhols New York City studio

The Factory was Andy Warhol's studio in New York City, which had four locations between 1963 and 1987. The Factory became famed for its parties in the 1960s. It was the hip hangout spot for artists, musicians, celebrities and Warhol's superstars. The original Factory was often referred to as the Silver Factory. In the studio, Warhol's workers would make silkscreens and lithographs under his direction.

<span class="mw-page-title-main">Emile de Antonio</span> American film director (1919–1989)

Emile Francisco de Antonio was an American director and producer of documentary films, usually detailing political, social, and counterculture events circa 1960s–1980s. He has been referred to by Randolph Lewis as, "…the most important political filmmaker in the United States during the Cold War."

<i>Blue Movie</i> 1969 film by Andy Warhol

Blue Movie is a 1969 American erotic film written, produced and directed by Andy Warhol. It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn (1969–1984), which, before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969 with the release of Blue Movie at the Elgin Theater, and later, the New Andy Warhol Garrick Theatre, in New York City. Blue Movie helped inaugurate the "porno chic" phenomenon, in which porn was publicly discussed by celebrities and taken seriously by film critics, in modern American culture, and shortly thereafter, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film starring Marlon Brando and released a few years after Blue Movie was made. Viva and Louis Waldon, playing themselves, starred in Blue Movie.

<i>Lonesome Cowboys</i> 1968 film

Lonesome Cowboys is a 1968 American Western film directed by Andy Warhol and written and produced by Paul Morrissey. The film is a satire of Hollywood Westerns, and was initially screened in November 1968 at the San Francisco International Film Festival, where it won the Best Film Award. On May 5, 1969, it was shown for initial viewings at the New Andy Warhol Garrick Theatre in New York City.

Eat (1964) is a 45-minute underground film created by Andy Warhol and featuring painter Robert Indiana, filmed on Sunday, February 2, 1964, in Indiana's studio. The film was first shown by Jonas Mekas on July 16, 1964, at the Washington Square Gallery at 530 West Broadway.

<i>Screen Tests</i>

The Screen Tests are a series of short, silent, black-and-white film portraits by Andy Warhol, made between 1964 and 1966, generally showing their subjects from the neck up against plain backdrops. The Screen Tests, of which 472 survive, depict a wide range of figures, many of them part of the mid-1960s downtown New York cultural scene. Under Warhol's direction, subjects of the Screen Tests attempted to sit motionless for around three minutes while being filmed, with the resulting movies projected in slow motion. The films represent a new kind of portraiture—a slowly moving, nearly still image of a person. Warhol's Screen Tests connect on one hand with the artist's other work in film, which emphasized stillness and duration (for example, Sleep and Empire, and on the other hand with his focus after the mid-1960s on documenting his celebrity milieu in paintings and other works.

Henry Geldzahler was a Belgian-born American curator of contemporary art in the late 20th century, as well as a historian and critic of modern art. He is best known for his work at the Metropolitan Museum of Art and as New York City Commissioner of Cultural Affairs, and for his social role in the art world with a close relationship with contemporary artists.

<span class="mw-page-title-main">Paul America</span> American actor

Paul Johnson, better known as Paul America, was an American actor who was a member of Andy Warhol's Superstars. He starred in one Warhol-directed film, My Hustler (1965), and also appeared in Edie Sedgwick's final film Ciao! Manhattan (1972).

Eating Too Fast is a 1966 Andy Warhol film made at The Factory. It was originally titled Blow Job #2 and features art critic and writer Gregory Battcock (1937–1980). The film is 67 minutes long and is, in effect, a black and white sound film remake of Warhol's Blow Job (1964). Battcock had previously appeared in Warhol's films Batman Dracula (1964) and Horse (1965).

<i>The Autobiography and Sex Life of Andy Warhol</i>

The Autobiography and Sex Life of Andy Warhol (ISBN 978-0-9706126-1-8) is a 1971 book by the British journalist John Wilcock. It was republished in June 2010 by Trela Media.

Bike Boy is a 1967 American avant garde film directed by Andy Warhol, and was shown, for initial viewings, at the New Andy Warhol Garrick Theatre, at 152 Bleecker Street, Manhattan, New York City. The film has a bit part by Valerie Solanas.

Since is a 1966 film directed by Andy Warhol about the assassination of the President of the United States, John F. Kennedy. The film reconstructs the assassination with both Kennedy and Lyndon B. Johnson present, both before and after the event. The roles in Since are performed by Warhol's "superstars" from The Factory.

Harlot is a 1964 American underground film directed by Andy Warhol, written by Ronald Tavel, and featuring Mario Montez lounging on a sofa, eating bananas, with Gerard Malanga in a tuxedo, and with Tavel, Billy Name, and Harry Fainlight having an off-screen discussion. This was Warhol's first sync-sound movie, filmed in December 1964 with his new Auricon camera.

Soap Opera, subtitled The Lester Persky Story, is a 1964 feature-length underground film directed by Andy Warhol, starring Baby Jane Holzer, and featuring Gerard Malanga, Sam Green, and Ivy Nicholson. The subtitle was used by Warhol since he used old television advertisement footage provided by Lester Persky.

Couch (1964) is a feature-length underground film directed by Andy Warhol, and starring Gerard Malanga, Piero Heliczer, Naomi Levine, Gregory Corso, Allen Ginsberg, John Palmer, Baby Jane Holzer, Ivy Nicholson, Amy Taubin, Ondine, Peter Orlovsky, Jack Kerouac, Taylor Mead, Kate Heliczer, Rufus Collins, Joseph LeSeuer, Binghamton Birdie, Mark Lancaster, Gloria Wood, and Billy Name.

<i>Orange Prince</i> (1984) 1984 painting by Andy Warhol

Orange Prince(1984) is a painting by American artist Andy Warhol of Prince, the American singer, songwriter, record producer, multi-instrumentalist, actor, and director. The painting is one of twelve silkscreen portraits on canvas of Prince created by Warhol in 1984, based on an original photograph provided to Warhol by Vanity Fair. The photograph was taken by Lynn Goldsmith. These paintings and four additional works on paper are collectively known as the Prince Series. Each painting is unique and can be distinguished by colour.

<span class="mw-page-title-main">Garrick Cinema</span> Former theater in Manhattan, New York

The Garrick Cinema was a 199-seat movie house at 152 Bleecker Street in the Greenwich Village neighborhood of Lower Manhattan in New York City. Andy Warhol debuted many of his notable films in this building in the late 1960s. Frank Zappa and the Mothers of Invention played here nightly for 6 months in 1967.

<i>Colored Mona Lisa</i> 1963 painting by Andy Warhol

Colored Mona Lisa is a painting created by the American artist Andy Warhol in 1963. The painting, which depicts Leonardo da Vinci’s Mona Lisa, sold for $56.2 million at Christie's in 2015.

References