Songs for Drella | ||||
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Studio album by | ||||
Released | April 11, 1990 | |||
Recorded | December 1989 – January 1990 | |||
Studio | Sigma Sound, New York City | |||
Genre | Art rock | |||
Length | 52:54 | |||
Label | Sire | |||
Producer |
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Lou Reed chronology | ||||
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John Cale chronology | ||||
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Songs for Drella is a 1990 studio album by Lou Reed and John Cale, both formerly of the American rock band the Velvet Underground; it is a song cycle about Andy Warhol, [1] their mentor, who had died following routine surgery in 1987. Drella was a nickname for Warhol coined by Warhol superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd but never liked by Warhol himself. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs, in general, address events in their chronological order.
Lou Reed and John Cale spoke to one another for the first time in years at Warhol's memorial service at St. Patrick's Cathedral in New York on April 1, 1987. The painter Julian Schnabel suggested they write a memorial piece for Warhol. On January 7 and 8, 1989, Cale and Reed performed an almost-completed Songs for Drella at The Church of St. Anne's in Brooklyn. [2] Still, as Cale was wrapping up Words for the Dying , and Reed had finished and was touring with his New York studio album (both 1989), the project took another year to complete. The first full version (notably with the inclusion of "A Dream" in one performance) was played on November 29–30, and December 2–3 at the Next Wave Festival at the Brooklyn Academy of Music. [3] On December 4–5, 1989, a live performance—without an audience—was filmed at the Brooklyn Academy of Music, directed by Ed Lachman, and released on VHS and LaserDisc formats. [4] [5] Over the following two months, Reed and Cale proceeded to record the material for the album, which was released on April 11, 1990 by Sire Records.
The album was the pair's first full collaborative record since the Velvet Underground's second studio album White Light/White Heat (1968), and by the end of recording Cale vowed never to work with Reed again due to personal differences; plans to support the album with a tour were shelved. Nevertheless, Songs for Drella would prove to be the prelude to a Velvet Underground reunion: after playing a Drella selection on June 15, 1990, at a Warhol/Velvet Underground exhibition at the Cartier Foundation in Jouy-en-Josas, Reed and Cale were joined onstage by Sterling Morrison and Maureen Tucker for a rendition of the Velvet Underground song "Heroin", [6] which eventually led to the first and last Velvet Underground reunion, which took place in 1993 (after which Cale and Reed, again, vowed never to work with one another again).
Review scores | |
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Source | Rating |
AllMusic | [7] |
Chicago Sun-Times | [8] |
Chicago Tribune | [9] |
Entertainment Weekly | B− [10] |
Los Angeles Times | [11] |
NME | 8/10 [12] |
Q | [13] |
Rolling Stone | [14] |
Spin | [15] |
The Village Voice | A− [16] |
Songs for Drella received positive reviews and critical praise upon release. In a four-star review, Rolling Stone writer Paul Evans stated "Both nearing fifty, Reed and Cale are the survivors Warhol wasn't fated to become. In popular music, only bluesmen and country greats have managed the maturity these two display." [14] Spin described Songs for Drella as "a moving testament to one of the '60s most important icons" and named it one of the Top 20 albums of 1990. [17]
All tracks are written by Lou Reed and John Cale
No. | Title | Lead vocals | Length |
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1. | "Smalltown" | Lou Reed | 2:04 |
2. | "Open House" | Lou Reed | 4:18 |
3. | "Style It Takes" | John Cale | 2:54 |
4. | "Work" | Lou Reed | 2:38 |
5. | "Trouble with Classicists" | John Cale | 3:42 |
6. | "Starlight" | Lou Reed | 3:28 |
7. | "Faces and Names" | John Cale | 4:12 |
No. | Title | Lead vocals | Length |
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8. | "Images" | Lou Reed | 3:31 |
9. | "Slip Away (A Warning)" | Lou Reed | 3:05 |
10. | "It Wasn't Me" | Lou Reed | 3:30 |
11. | "I Believe" | Lou Reed | 3:18 |
12. | "Nobody But You" | Lou Reed | 3:46 |
13. | "A Dream" | John Cale | 6:33 |
14. | "Forever Changed" | John Cale | 4:52 |
15. | "Hello It's Me" | Lou Reed | 3:13 |
Total length: | 52:54 |
Chart (1990) | Peak position |
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Australian Albums (ARIA) [18] | 100 |
Austrian Albums (Ö3 Austria) [19] | 28 |
Dutch Albums (Album Top 100) [20] | 14 |
German Albums (Offizielle Top 100) [21] | 28 |
New Zealand Albums (RMNZ) [22] | 42 |
Swedish Albums (Sverigetopplistan) [23] | 43 |
Swiss Albums (Schweizer Hitparade) [24] | 18 |
UK Albums (OCC) [25] | 22 |
US Billboard 200 [26] | 103 |
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.
John Davies Cale is a Welsh musician, composer, and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various styles across rock, drone, classical, avant-garde and electronic music.
White Light/White Heat is the second studio album by the American rock band the Velvet Underground. Released on January 30, 1968, by Verve Records, it was the band's last studio album with multi-instrumentalist and founding member John Cale. Recorded after band leader Lou Reed fired Andy Warhol, who had produced their debut album The Velvet Underground & Nico, they hired Steve Sesnick as a manager and hired producer Tom Wilson, who had worked on the band's debut. White Light/White Heat was engineered by Gary Kellgren.
Chelsea Girl is the debut solo album and second studio album by German singer Nico. It was released in October 1967 by Verve Records and was recorded following Nico's collaboration with the Velvet Underground on their 1967 debut studio album. Chelsea Girl was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, in which Nico starred.
Douglas Alan Yule is an American musician and singer, most notable for being a member of the Velvet Underground from 1968 to 1973, serving as the bassist, guitarist, keyboardist and vocalist.
Live MCMXCIII is a live album by the American rock band the Velvet Underground, released in 1993 by Sire Records. It was released simultaneously in single and double CD/cassette formats on October 26, 1993. In 2006, a DVD version of the concert was released as Velvet Redux Live MCMXCIII by Warner Music Vision and Rhino Home Video.
The Best of The Velvet Underground: Words and Music of Lou Reed is a compilation album by The Velvet Underground. It was released in October 1989 by Verve Records.
"Femme Fatale" is a song by American rock band the Velvet Underground from their 1967 debut album The Velvet Underground & Nico, with lead vocals by Nico.
New York is the fifteenth solo studio album by American musician Lou Reed, released in January 1989 by Sire Records.
"The Black Angel's Death Song" is a song by the Velvet Underground, from their 1967 debut album The Velvet Underground & Nico. It was written by Lou Reed and John Cale. In a footnote to the lyrics, Lou Reed wrote: "The idea here was to string words together for the sheer fun of their sound, not any particular meaning."
"Sunday Morning" is a song by the Velvet Underground. It is the opening track on their 1967 debut album The Velvet Underground & Nico. It was first released as a single in December 1966. The song is written in the key of F major.
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released as the band's debut single in 1966. The song is from their 1967 debut studio album, The Velvet Underground & Nico.
Honi Soit is the seventh solo studio album by the Welsh rock musician John Cale, released in March 1981 by A&M Records, and was his first studio album in six years following 1975's Helen of Troy. It was recorded and mixed by Harvey Goldberg at CBS Studios, East 30th Street and Mediasound in New York City with the intention of making a more commercial album with record producer Mike Thorne at the helm, Thorne would soon be known for his work with Soft Cell. "Dead or Alive" was the only single released from the album but it did not chart. However, Honi Soit is Cale's only studio album to date to chart on the US Billboard 200, peaking at No. 154.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism and bondage.
The discography of the American rock band The Velvet Underground consists of five studio albums, six live albums, 14 compilation albums, six box sets and eleven singles.
The Doors: Original Soundtrack Recording is the soundtrack to Oliver Stone's 1991 film The Doors. It contains several studio recordings by the Doors, as well as the Velvet Underground's "Heroin" and the introduction to Carl Orff's Carmina Burana. None of Val Kilmer's performances of the Doors' songs that are featured in the movie are included in the soundtrack.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised the singer and guitarist Lou Reed, the Welsh multi-instrumentalist John Cale, the guitarist Sterling Morrison and the drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde resulted in little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
John Cale is a Welsh musician, composer, singer-songwriter and record producer who was a founding member of the experimental rock band the Velvet Underground in the 1960s. In the subsequent four decades, Cale has released varied solo albums, film soundtracks, and collaborations with Lou Reed, Brian Eno, Bob Neuwirth and others.
Andy Warhol's Velvet Underground featuring Nico is a compilation album of the Velvet Underground released by MGM Records in 1971 that features selections from the band's first three studio albums. Originally released as a double LP, the cover artwork and inside gatefold sleeve feature imitations of Andy Warhol's paintings of Coca-Cola bottles, but are credited to other artists on the back sleeve of the album. The album was released in the UK to capitalise on the interest from Warhol's Pork.