| Slow Dazzle | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 25 March 1975 | |||
| Studio | Sound Techniques (Chelsea, London) | |||
| Genre | ||||
| Length | 35:49 | |||
| Label | Island | |||
| Producer | John Cale | |||
| John Cale chronology | ||||
| ||||
Slow Dazzle is the fifth solo studio album by the Welsh rock musician John Cale, released on 25 March 1975, his second album for record label Island.
"Mr. Wilson" is about seminal American musician Brian Wilson; the Beach Boys founding member has been a strong influence on Cale's work over the years. The song reflects the strong, divisive personal struggles in Wilson's life. The music's tone fluctuates from paranoid and unhappy to warm and pleasant moment by moment. [1]
"Heartbreak Hotel" is a cover version of the Elvis Presley song (written by Mae Boren Axton and Tommy Durden) with fundamental elements of the track changed such the singing taking in "chilling" screams and dark synthesizer elements added to the background.
The track "Guts" opens with the line "The bugger in the short sleeves fucked my wife". [1] This refers to rock musician Kevin Ayers sleeping with Cale's wife before the concert that's captured on the June 1, 1974 live album; Cale related the details in his autobiography, with Victor Bockris, What's Welsh for Zen, that was published in 1998.
"The Jeweler" is a spoken word piece under an instrumental backdrop that recalls, at least in its poetic and freeform structure, the track "The Gift" from the Velvet Underground's second studio album White Light/White Heat (1968). While Cale speaks in a calm, monotone voice, "The Jeweller" features a drone-like set of unsettling sounds that appear to build and build without reaching a conclusion.
Track 2, "Taking It All Away", was misprinted on all Island Record CD releases of the album as "Talking It All Away".
The cover photography was by Keith Morris. It is also the second consecutive album to feature both Brian Eno and Phil Manzanera of Roxy Music.
Slow Dazzle was released on 25 March 1975. No singles were released off the album, although there was a promotional-only single of "Dirty-Ass Rock 'n' Roll" b/w "Heartbreak Hotel".
The album was remastered in 1996 as part of the 2CD release The Island Years , containing also both Fear (1974) and Helen of Troy (1975). It contained two bonus tracks; also, the last track "The Jeweller" was shortened to 4:11.
There was a month-long tour around the UK and Europe promoting the album. The musicians were Cale, Chris Spedding on guitar, Pat Donaldson on bass guitar, Timi Donald on drums and Chris Thomas on keyboards. [2] When the tour finished, Spedding joined the Roy Harper's backing band Trigger, consisting of Dave Cochran on bass and Bill Bruford on drums.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Christgau's Record Guide | A− [3] |
| The Rolling Stone Album Guide |  [4] |
| Spin Alternative Record Guide | 8/10 [5] |
Trouser Press described the album as "more restrained, but no less entrancing than Fear". [6] Cale's cover of "Heartbreak Hotel" has been cited by music critic Ned Raggett as one of the best cover songs ever recorded. [1]
All tracks composed by John Cale, except where indicated.
Side A
Side B
Bonus tracks 1996 remaster
Credits are adapted from the Slow Dazzle liner notes. [7]
Musicians
Production and artwork
"Heartbreak Hotel" is a song recorded by American singer Elvis Presley. It was released as a single on January 27, 1956, Presley's first on his new record label RCA Victor. It was written by Mae Boren Axton and Tommy Durden, with credit being given also to Presley. A newspaper article about the suicide of a lonely man who jumped from a hotel window inspired the song. Axton presented the song to Presley in November 1955 at a country music convention in Nashville. Presley recorded it on January 10, 1956, in a session with his band, the Blue Moon Boys, the guitarist Chet Atkins and the pianist Floyd Cramer. "Heartbreak Hotel" comprises an eight-bar blues progression, with heavy reverberation throughout the track, to imitate the character of Presley's Sun recordings.
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