June 1, 1974 | ||||
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Live album by various | ||||
Released | 28 June 1974 | |||
Recorded | 1 June 1974 | |||
Venue | Rainbow Theatre, London, England | |||
Genre | Art rock [1] | |||
Length | 45:54 | |||
Label | Island | |||
Producer | Richard Williams | |||
Kevin Ayers chronology | ||||
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John Cale chronology | ||||
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Brian Eno chronology | ||||
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Nico chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Christgau's Record Guide | B+ [1] |
Spin Alternative Record Guide | 6/10 [3] |
June 1,1974 is a live album of songs performed at the Rainbow Theatre in London on the titular date. The album is officially attributed to all principal performers Kevin Ayers,John Cale,Brian Eno and Nico,although other well-known musicians,including Mike Oldfield,Robert Wyatt,and Ollie Halsall,also contributed to the concert. The record has often been referred to as the "A.C.N.E." album,for the initials of Ayers,Cale,Nico,and Eno. [4]
The cover photograph was taken by Mick Rock in the foyer of the Rainbow Theatre shortly before the concert began. The wry stare between John Cale (right) and Kevin Ayers is said to be explained by the fact that Cale had caught Ayers sleeping with his wife the night before the show. [5] The couple would divorce the next year.
Other songs that were performed but did not make the LP include Ayers' "I've Got a Hard-On for You Baby" (with Cale on backing vocals),Cale's "Buffalo Ballet" and "Gun", [6] and Nico's "Janitor of Lunacy" and her rendition of "Das Lied der Deutschen". [7]
Nico’s performance of "Das Lied der Deutschen" was released as a bonus track on the 2012 reissue of her 1974 album The End... . [8]
Robert Christgau wrote of the record in Christgau's Record Guide:Rock Albums of the Seventies (1981):
"The highlights of a concert organized by genial eccentric Kevin Ayers (ex-Soft Machine, but he got out when the getting was good), this offers one side of Ayers's genially eccentric songs and one of Eno singing Eno songs at full volume (note demonic cackle) and John Cale singing an Elvis Presley song at full volume (note lupine howl). And also, oh well, Nico singing 'The End.' But if there's gotta be art-rock, Lord, let it be like this." [1]
All tracks are written by Kevin Ayers, except where noted.
No. | Title | Writer(s) | Length |
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1. | "Driving Me Backwards" | Brian Eno | 6:07 |
2. | "Baby's on Fire" | Eno | 3:52 |
3. | "Heartbreak Hotel" | Mae Boren Axton, Tommy Durden, Elvis Presley | 5:19 |
4. | "The End" | John Densmore, Robbie Krieger, Ray Manzarek, Jim Morrison | 9:14 |
No. | Title | Length |
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1. | "May I?" | 5:30 |
2. | "Shouting in a Bucket Blues" | 5:07 |
3. | "Stranger in Blue Suede Shoes" | 3:27 |
4. | "Everybody's Sometime and Some People's All the Time Blues" | 4:35 |
5. | "Two Goes into Four" | 2:28 |
Kevin Ayers was an English singer-songwriter who was active in the English psychedelic music movement. Ayers was a founding member of the psychedelic band Soft Machine in the mid-1960s, and was closely associated with the Canterbury scene. He recorded a series of albums as a solo artist and over the years worked with Brian Eno, Syd Barrett, Bridget St John, John Cale, Elton John, Robert Wyatt, Andy Summers, Mike Oldfield, Nico and Ollie Halsall, among others. After living for many years in Deià, Mallorca, he returned to the United Kingdom in the mid-1990s before moving to the south of France. His last album, The Unfairground, was released in 2007. The British rock journalist Nick Kent wrote: "Kevin Ayers and Syd Barrett were the two most important people in British pop music. Everything that came after came from them."
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