Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released in 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting". While not Eno's earliest entry in the style, it is credited with coining the term.
Discreet Music is the fourth studio album by Brian Eno, and the first released under his full name. The album is a minimalist work, with the titular A-side consisting of one 30-minute piece featuring synthesizer and tape delay. The B-side features three variations on Canon in D Major by Johann Pachelbel, performed by the Cockpit Ensemble and conducted by Gavin Bryars.
Evening Star is the second studio album by British musicians Robert Fripp and Brian Eno. It was recorded from 1974 to 1975 and released in December 1975 by Island Records.
Ambient 2: The Plateaux of Mirror is a 1980 studio album by Harold Budd and Brian Eno. A work of ambient music, it is the second installment of Eno's Ambient series, which began in 1978 with Ambient 1: Music for Airports. Ambient 2 consists mainly of minimalist composer Budd playing improvisational piano in soundscapes produced by Eno. The album received positive reviews and led to Budd and Eno collaborating again for the sonically similar The Pearl (1984).
Ambient 4: On Land is the eighth solo studio album by Brian Eno, released in March 1982 by EG Records. It was the final edition in Eno's ambient series, which began in 1978 with the release of Ambient 1: Music for Airports. The album was released to critical acclaim, and is, along with the rest of the ambient series, recognised as a landmark album in the history of the ambient music genre.
The Pearl is the second collaborative studio album by Harold Budd and Brian Eno, released in August 1984 by Editions EG and produced by Eno and Daniel Lanois in Hamilton, Ontario. The Pearl is similar to Budd and Eno's previous collaboration, Ambient 2: The Plateaux of Mirror (1980), consisting mostly of subtly treated piano textures, but with more pronounced electronic treatments and nature recordings. The album has been well received by music critics, and is considered by some as a landmark work in ambient music.
Thursday Afternoon is the tenth solo studio album by Brian Eno, released in October 1985 on EG Records. Consisting of one 60-minute eponymous composition, it is the rearranged soundtrack to an 80-minute video production of the same title made in 1984.
Get Up with It is an 1974 studio album by American jazz musician Miles Davis. Released by Columbia Records on November 22, 1974, it collected previously unreleased material that Davis had recorded between 1970 and 1974, some of which dated from the sessions for his studio albums Jack Johnson (1971) and On the Corner (1972).
Another Day on Earth is the twenty-second solo studio album by Brian Eno, released on 13 June 2005 in the UK and Europe through Hannibal Records, and on 14 June 2005 in the US. The album predominantly recorded and mixed on Macintosh software, using Logic Pro, over a period of four years.
Music for Films is the seventh solo studio album by Brian Eno, released in September 1978 on EG Records. His third release of experimental electronic material, it is a conceptual work intended as a soundtrack for imaginary films, although many of the pieces had already appeared in actual films. It charted at #55 on the UK.
The Shutov Assembly is the twelfth solo studio album by Brian Eno, released on 10 November 1992 on Opal via Warner Bros. Records. One of Eno's ambient albums, it was reissued in 2014 with a second disc with bonus tracks. It is considered the follow-up to Nerve Net, which was released that same year.
Nerve Net is the eleventh solo studio album by Brian Eno, released on September 1, 1992 on Opal and Warner Bros. Records. It marked a return to more rock-oriented material, mixed with heavily syncopated rhythms, experimental electronic compositions and occasional elements of jazz. The ambient sensibility is still present on several tracks, though it is often darker and moodier than the pieces Eno is best known for.
Fourth World, Vol. 1: Possible Musics is an album by Jon Hassell and Brian Eno. It was recorded at Celestial Sounds in New York City and released in 1980 by Editions EG, an imprint label of E.G. Records. "Fourth world music" is a musical aesthetic described by Hassell as "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." The album received praise from many critics.
Music for Civic Recovery Centre is the nineteenth solo studio album by Brian Eno, released in 2000. Part of Eno's Quiet Club series of Installations, is Eno's third release that has a sole composition.
The Drop is the fourteenth solo studio album by Brian Eno, released on 7 July 1997 through All Saints Records. The album continues in the same style as much of his work of the period exploring impressionistic, ambient instrumental soundscapes rather than more conventional songwriting. The 2014 reissue includes the 77 Million Paintings album as a bonus disc and edits the track "Iced World" from its original 32 minutes down to 18 minutes – the same duration on both vinyl and CD.
Textures is a 1989 album by British musician Brian Eno, consisting of edited and unedited ambient music produced exclusively for licensed use in television programs and films. It was not commercially released to the public.
Lux is the twenty-fifth solo studio album from Brian Eno, released through Warp on 13 November 2012. The album is a collection of ambient soundscapes that have been installed in art galleries and airport terminals. Critical reception has positively compared it with Eno's previous ambient work and noted that it is both relaxing as well as challenging music for those who engage it critically. In 2013, Brian Eno created a number of limited edition prints featuring the cover artwork from Lux made available only from his website.
Brian Peter George Eno, also mononymously known as Eno, is an English musician, songwriter, record producer and visual artist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
(No Pussyfooting) is the debut studio album by the British duo Fripp & Eno, released in 1973. (No Pussyfooting) was the first of three major collaborations between the musicians, growing out of Brian Eno's early tape delay looping experiments and Robert Fripp's "Frippertronics" electric guitar technique.
Reflection is the twenty-seventh studio album by Brian Eno, released on 1 January 2017 on Warp Records. It is a piece of generative ambient music produced by Eno, which plays indefinitely via an app, modulating its output at different times of the day. A pre-recorded version of the album is available on CD and vinyl, which runs for 54 minutes. Digital streaming versions of the album update on a seasonal basis. It was nominated for the 2017 Grammy Award for Best New Age Album and was released to a positive acclaim by critics.
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