This article includes a list of general references, but it lacks sufficient corresponding inline citations .(February 2015) |
Dream Theory in Malaya: Fourth World Volume Two | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1981 | |||
Recorded | 1981 | |||
Studio | Grant Avenue Studio, Hamilton, Ontario | |||
Genre | World fusion, minimal, experimental, transethnicism | |||
Length | 36:25 | |||
Label | EG EGED 13, Caroline (US) | |||
Producer | Jon Hassell; assisted by Bob and Daniel Lanois | |||
Jon Hassell chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Pitchfork | 8.4/10 [2] |
Dream Theory in Malaya: Fourth World Volume Two is an album by Jon Hassell, released in 1981. It is the sequel to his collaboration with Brian Eno, Fourth World Vol. 1: Possible Musics , which was released the previous year. The recording draws influence from the culture of the Senoi people of Malaya.
A 2017 reissue on the label Glitterbeat was named Best New Reissue by Pitchfork . [2]
Hassell got the idea for the album after reading a paper by anthropologist / adventurer-ethnologist Kilton Stewart about the Senoi, an aboriginal tribe Stewart first visited in 1935, who lived in the highlands of Malaya (as it was known before the present state of Malaysia was constructed).
The Senoi culture, he discovered, regarded dreams as an important part of life. Mornings were used by families to indulge in the custom of dream-telling, where, for instance, a "child's fearful dream of falling was praised as a gift to learn to fly the next night". Songs and dances learned in dreams were often taught to neighbouring tribes to foster good relations.
One of the tribes who lived nearby in the swamp regions, the Semelai, practiced the art of splashing water with the hands to form a rhythmic music. Hassell heard recordings of this on a BBC publication - a book (Primitive Peoples) which was accompanied by a vinyl record - and used it as "a thematic guide for the entire recording", especially the track "Malay", "the centerpiece of the record".
The album was recorded at Grant Avenue Studio, Hamilton, Ontario, Canada, with the engineering and production help of Bob and Daniel Lanois.
Hassell would experiment with "musical sketches" in the basement studio of Michael Brook's house in Toronto, who was helping him to coordinate the recording, and from there he'd commute to Grant Avenue and put things down on multitrack, along with Brian Eno who was also there. Eno's main input on the sessions was playing drums and bells on "Courage," "Dream Theory," and "These Times". These sessions also marked Hassell's first association with Lanois.[ citation needed ]
He spent a lot of time on an "invented exotic scale on top of a tambura-like drone consisting of a set of sine tones that I've tuned as a guide to keep me on the Indonesian-type tuning that nobody ever tried to play on a trumpet before". Hassell's unique playing style is additionally mixed, layered, looped and stretched so that it never really sounds like a trumpet at all.
"Chor Moiré" features digital delay, which at the time was a relatively new studio process, and is composed of rhythmic loops, short trumpet blasts and sharp intonations. "Courage" and "Dream Theory" share a raspy, treated, looped trumpet riff, with 3 employing waves of overdubs, bass and pottery drums. "Datu Bintung at Jelong" is based on a background of gongs and drums over which a breathy, distorted trumpet drones and blasts. The longest track, "Malay", features the sampled and looped "splash" rhythms mentioned above, along with occasional giggling of the people playing in the water, plus pottery drum, bowl gongs, and an over-riding lead trumpet. "These Times..." is the most ambient of all, being mostly chimes, gongs and birdsong. A year later, its trumpet solo reappeared in "Shadow", on Brian Eno's album Ambient 4/On Land . [3] "Gift of Fire" finally has a background of distorted trumpet waves and a gamelan-style beat.
All tracks written by Jon Hassell.
An early 1980s EG cassette also included an extra track, "Ordinary Mind", located between "Datu Bintung at Jelong" and "Malay". A 2017 CD issue adds it at the end of the original LP track sequence.
Country | Label | Cat. No. | Media | Release Date |
---|---|---|---|---|
US | Editions EG | EGM 114 | LP | 1981 |
France | Editions EG | 2335 226 | LP | 1981 |
US/UK | Editions EG | EG/EEGCD-13 | LP/CD | 1987 |
US | Plan 9/Caroline | 1537 | CD | 1987 |
US | Plan 9/Caroline | 1571 | CD | 1990 |
US | Editions EG | 13 | CD | 1991 |
US | EG | 13 | CD | 1999 |
Germany | Glitter Beat | GBLP 052 | LP/CD | 2017 |
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
Daniel Roland Lanois is a Canadian record producer and musician.
Jon Hassell was an American trumpet player and composer. He was best known for developing the concept of "Fourth World" music, which describes a "unified primitive/futurist sound" combining elements of various world ethnic traditions with modern electronic techniques. The concept was first articulated on Fourth World, Vol. 1: Possible Musics, his 1980 collaboration with Brian Eno.
Remain in Light is the fourth studio album by the American rock band Talking Heads, released on October 8, 1980, by Sire Records. It was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in Philadelphia during July and August 1980. It was the last Talking Heads album to be produced by Brian Eno.
The Unforgettable Fire is the fourth studio album by Irish rock band U2. It was produced by Brian Eno and Daniel Lanois, and released on 1 October 1984 by Island Records. The band wanted to pursue a new musical direction following the harder-hitting rock of their previous album, War (1983). As a result, they employed Eno and Lanois to produce and assist in their experimentation with a more ambient sound. The resulting change in direction was at the time the band's most dramatic. The album's title is a reference to "The Unforgettable Fire", an art exhibit about the atomic bombing of Hiroshima.
Ambient 4: On Land is the eighth solo studio album by Brian Eno, released in March 1982 by EG Records. It was the final edition in Eno's ambient series, which began in 1978 with the release of Ambient 1: Music for Airports. The album was released to critical acclaim, and is, along with the rest of the ambient series, recognised as a landmark album in the history of the ambient music genre.
The Pearl is the second collaborative studio album by Harold Budd and Brian Eno, released in August 1984 by Editions EG and produced by Eno and Daniel Lanois in Hamilton, Ontario. The Pearl is similar to Budd and Eno's previous collaboration, Ambient 2: The Plateaux of Mirror (1980), consisting mostly of subtly treated piano textures, but with more pronounced electronic treatments and nature recordings. The album has been well received by music critics, and is considered by some as a landmark work in ambient music.
Invincible Summer is the fifth solo album by k.d. lang, released by Warner Bros. Records in 2000. The album's title derives from a quote by Albert Camus: "In the depths of winter, I finally learned that within me there lay an invincible summer."
Abdul Mati Klarwein was a French painter of German origin best known for his works used on the covers of music albums.
My Life in the Bush of Ghosts is the first collaborative studio album by Brian Eno and David Byrne, released in February 1981. It was Byrne's first album without his band Talking Heads. The album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded before Eno and Byrne's work on Talking Heads' 1980 album Remain in Light, but problems clearing samples delayed its release by several months.
Acadie is the debut studio album by record producer and singer-songwriter Daniel Lanois. It was largely written and recorded in the city of New Orleans. Lanois sings on it in both French and English, sometimes even on the same track. The album was originally released in 1989 on Opal Records and Warner Bros. Records. It was reissued in 2005 with new cover art. Acadie was named the 20th greatest Canadian album of all time in Bob Mersereau's 2007 book The Top 100 Canadian Albums. The album is not available on the streaming services.
"New York" is the tenth track from U2's 2000 album, All That You Can't Leave Behind. It is notable as the subject matter is a picturesque description of New York City and of the people who live there, and was later altered following the events of September 11, 2001. The song's lyrics were written by lead singer Bono, who has a residence in New York City.
Fourth World, Vol. 1: Possible Musics is an album by Jon Hassell and Brian Eno. It was recorded at Celestial Sounds in New York City and released in 1980 by Editions EG, an imprint label of E.G. Records. "Fourth world music" is a musical aesthetic described by Hassell as "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." The album received praise from many critics.
The Million Dollar Hotel: Music from the Motion Picture is the soundtrack to the 2000 film The Million Dollar Hotel. The album was released alongside the film in March 2000, and featured Bono as its executive producer, with new music from U2 and other artists.
Brian Peter George St John le Baptiste de la Salle Eno, also known by the mononym Eno, is an English musician, composer, record producer and visual artist. He is best known for his pioneering contributions to the ambient music and electronic genres, and for producing, recording, and writing works in rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
"Moment of Surrender" is a song by rock band U2 and the third track on their 2009 album No Line on the Horizon. During the initial recording sessions for the album in 2007 in Fez, Morocco, the band wrote the song with producers Brian Eno and Daniel Lanois within a few hours. Together, they recorded the song in a single take; Eno called the song's recording "the most amazing studio experience [he's] ever had". According to him and Lanois, the track is the closest the band came to realising their original concept for the album of writing "future hymns". The seven-minute song features gospel-like vocals in the chorus, along with a predominantly organ- and piano-based musical accompaniment. Lyrically, the song is about a drug addict who is undergoing a crisis of faith.
The Senoi are a group of Malaysian peoples classified among the Orang Asli, the indigenous peoples of Peninsular Malaysia. They are the most numerous of the Orang Asli and widely distributed across the peninsula. The Senois speak various branches of Aslian languages, which in turn form a branch of Austroasiatic languages. Many of them are also bilingual in the national language, the Malaysian language.
Power Spot is an album by American trumpet player and composer Jon Hassell recorded in 1983 and 1984 and released on the ECM label.
Aka/Darbari/Java: Magic Realism is a 1983 album by American trumpet player and composer Jon Hassell, released on the label Editions EG. It was co-produced by Daniel Lanois and features Abdou M'Boup on drums.
Flash of the Spirit is an album by the American musician Jon Hassell and the Burkinabé musicians Farafina. It was released in 1988, with an American release the following year. A remastered edition was released in 2020.