This article needs additional citations for verification .(June 2022) |
Fourth World, Vol. 1: Possible Musics | ||||
---|---|---|---|---|
Studio album by Jon Hassell and Brian Eno | ||||
Released | April 1980 | |||
Studio | Celestial Sounds, New York | |||
Genre | ||||
Length | 45:05 | |||
Label | ||||
Producer | Brian Eno, Jon Hassell | |||
Jon Hassell chronology | ||||
| ||||
Brian Eno chronology | ||||
|
Fourth World, Vol. 1: Possible Musics is an album by Jon Hassell and Brian Eno. [1] It was recorded at Celestial Sounds in New York City and released in 1980 by Editions EG, an imprint label of E.G. Records. [2] "Fourth world music" is a musical aesthetic described by Hassell as "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." [3] The album received praise from many critics. [4]
Hassell's trumpet is the dominant instrument on the whole album.[ citation needed ]
Handclaps are used as percussion in "Griot", which was recorded live at the Art Gallery of Ontario.[ citation needed ]
"Rising Thermal" repeats a 4-note, tape-looped trumpet with a heavily treated trumpet over the top that sounds like a human voice. "Charm (Over 'Burundi Cloud')", which took up the whole second side of the original LP release, is based on some of the longer pieces of Hassell's 1977 album "Vernal Equinox" (1 Archived 22 February 2007 at the Wayback Machine ). The trumpets feature a reverse echo.[ citation needed ]
The album's cover photo is a Landsat photo of the area south of Khartoum in Sudan. The map coordinates in "Rising Thermal" ("14°16'N, 32°28'E") translate to the area shown in the photo. The river is the White Nile, which is also the name of a Sudanese state.[ citation needed ]
Eno took what he learned from making this album and put it to use in his collaboration with David Byrne, My Life in the Bush of Ghosts . Hassell apparently considered that album too "commercial", and castigated Eno in Andy Warhol's Interview magazine for his methods and "lack of musical pedigree". Eventually, they were reconciled. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Christgau's Record Guide | A [7] |
Exclaim! | 10/10 [8] |
Mojo | [9] |
Pitchfork | 8.5/10 [10] |
PopMatters | 9/10 [11] |
Q | [12] |
Record Collector | [13] |
Spin Alternative Record Guide | 8/10 [14] |
Uncut | 8/10 [15] |
At the end of 1980, Fourth World, Vol. 1 was named one of the year's ten best albums by many critics, including Robert Palmer from The New York Times . [4] Village Voice critic Robert Christgau ranked it sixth on his year-end list for the Pazz & Jop poll. [16] In Christgau's Record Guide: The '80s (1990), he deemed the record "ambient esoteric kitsch" that was "the most seductive (and best) thing Eno's put his name on since Another Green World ". [7] Clyde Macfarlane from The Quietus was even more impressed, writing that the album's five "brilliant" recordings channel "some deep psychological urges", "breathe excitement, and are underlined by a heart-pumping, stick-whacking, distinctly human pulse." [17] According to Ann Powers in the Spin Alternative Record Guide (1995), Fourth World, Vol. 1 "pioneered the syncretic approach to world music with which so many artists experimented during the '80s". [14]
Individual expressions specific to the album credits are set in italics.
Country | Label | Cat. No. | Media | Release Date |
---|---|---|---|---|
UK | Editions EG | EGED 7 | LP | April 1980 |
US | Editions EG | EGS 107 | LP | April 1980 |
France | Polydor | 2335 207 | LP | 1980 |
US | Caroline | 1537-2 | LP | 1980 |
US | Editions EG | EEGCD 7 | CD | 1992 |
US | Plan 9/Caroline | 107 | CD | 1992 |
Germany | Glitter Beat | GPLP 019 | LP/CD | 2014 |
Fourth World refers to a sub-population subjected to social exclusion in global society, or stateless and notably impoverished or marginalized nations.
Another Green World is the third solo studio album by Brian Eno, released by Island Records on 14 November 1975. The album marked a transition from the rock-based music of Eno's previous releases toward the minimalist instrumentals of his late 1970s ambient work. Only five of its fourteen tracks feature vocals, a contrast with his previous vocal albums.
Jon Hassell was an American trumpet player and composer. He was best known for developing the concept of "Fourth World" music, which describes a "unified primitive/futurist sound" combining elements of various world ethnic traditions with modern electronic techniques. The concept was first articulated on Fourth World, Vol. 1: Possible Musics, his 1980 collaboration with Brian Eno.
Before and After Science is the fifth solo studio album by Brian Eno, originally released by Polydor Records in December 1977 in the United Kingdom and by Island U.S. soon after. Produced by Eno and Rhett Davies, it is the first of Eno's popular music works to be published under his full name.
Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released in 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting". While not Eno's earliest entry in the style, it is credited with coining the term.
Remain in Light is the fourth studio album by the American rock band Talking Heads, released on October 8, 1980, by Sire Records. Produced by Brian Eno, his third album with the band, the album was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in New York in July and August 1980.
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers, predominantly in the Congo, the Central African Republic and Cameroon.
Ambient 4: On Land is the eighth solo studio album by Brian Eno, released in March 1982 by EG Records. It was the final edition in Eno's Ambient series, which began in 1978 with Ambient 1: Music for Airports. The album was released to critical acclaim, and is recognised along with its predecessors as a landmark album in the history of the ambient genre.
The Pearl is the second collaborative studio album by Harold Budd and Brian Eno, released in August 1984 by Editions EG and produced by Eno and Daniel Lanois in Hamilton, Ontario. The Pearl is similar to Budd and Eno's previous collaboration, Ambient 2: The Plateaux of Mirror (1980), consisting mostly of subtly treated piano textures, but with more pronounced electronic treatments and nature recordings. The album has been well received by music critics, and is considered by some as a landmark work in ambient music.
No New York is a No Wave compilation album released in 1978 by record label Antilles under the curation of producer Brian Eno. Although it only contains songs by four different artists, it has been considered important in defining and documenting the scene and movement, with the name "no wave" being influenced by that of the album according to some accounts.
Here Come the Warm Jets is the debut solo album by Brian Eno, released on Island Records on 8 February 1974. It was recorded and produced by Eno following his departure from Roxy Music, and blends glam and pop stylings with avant-garde approaches. The album features numerous guests, including several of Eno's former Roxy Music bandmates along with members of Hawkwind, Matching Mole, Pink Fairies, Sharks, Sweetfeed, and King Crimson. Eno employed unusual directions and production methods to coax unexpected results from the musicians.
My Life in the Bush of Ghosts is the first collaborative studio album by Brian Eno and David Byrne, released in February 1981. It was Byrne's first album without his band Talking Heads. The album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded before Eno and Byrne's work on Talking Heads' 1980 album Remain in Light, but problems clearing samples delayed its release by several months.
Aïyb Dieng is a Senegalese drummer and percussionist specializing in hand drums. He has recorded two solo album, including Rhythmagick (1995), and has worked with a wide range of musicians, including as a regular collaborator of bassist/producer Bill Laswell.
Loop Guru is a worldbeat group consisting of bassist/guitarist Salman Gita and programmer Jamuud. They first met around 1980 and initially played together in The Transmitters and released their debut single as Loop Guru, "Shrine", in 1992. The band's music is a melange of Asian and Western music, infusing Western dance beats with the rich textures and sounds of Indonesian gamelan and traditional Indian music. Heavy emphasis is placed on electronic samples of traditional instruments, voices, and miscellaneous sounds.
Dream Theory in Malaya: Fourth World Volume Two is an album by Jon Hassell, released in 1981. It is the sequel to his collaboration with Brian Eno, Fourth World Vol. 1: Possible Musics, which was released the previous year. The recording draws influence from the culture of the Senoi people of Malaya.
Ambient 3: Music Of Changes is a 1994 compilation album released by Virgin Records as part of its Ambient series. The compilation was issued as a double CD.
(No Pussyfooting) is the debut studio album by the British duo Fripp & Eno, released in 1973. (No Pussyfooting) was the first of three major collaborations between the musicians, growing out of Brian Eno's early tape delay looping experiments and Robert Fripp's "Frippertronics" electric guitar technique.
Power Spot is an album by American trumpet player and composer Jon Hassell recorded in 1983 and 1984 and released on the ECM label.
Aka/Darbari/Java: Magic Realism is a 1983 album by American trumpet player and composer Jon Hassell, released on the label Editions EG. It was co-produced by Daniel Lanois and features Abdou M'Boup on drums.
Flash of the Spirit is an album by the American musician Jon Hassell and the Burkinabé musicians Farafina. It was released in 1988, with an American release the following year. A remastered edition was released in 2020.