Before and After Science

Last updated

Before and After Science
Beforeandafterscience.jpg
Studio album by
Brian Eno
ReleasedDecember 1977 (1977-12)
Studio Basing Street, London; Conny's Studio, Cologne [1]
Genre
Length39:30
Label Island, Polydor
Producer Brian Eno, Rhett Davies
Brian Eno chronology
Cluster & Eno
(1977)		Before and After Science
(1977)		 Ambient 1: Music for Airports
(1978)
Singles from Before and After Science
  1. "King's Lead Hat"
    Released: January 1978

Before and After Science is the fifth solo studio album by English musician Brian Eno, originally released by Polydor Records in December 1977 in the United Kingdom and by Island U.S. soon after. Produced by Eno and Rhett Davies, it is the first of Eno's popular music works to be published under his full name (unlike all recordings that preceded the record and Discreet Music , where he was mononymously credited as "Eno").

Contents

Musicians from the United Kingdom and Germany had notably collaborated on the album, including Robert Wyatt, Fred Frith, Phil Manzanera, Paul Rudolph, Andy Fraser, Dave Mattacks, Jaki Liebezeit, Dieter Moebius, and Hans-Joachim Roedelius. Over one hundred tracks were written but only ten made the album's final cut. The musical styles range from energetic and jagged to languid and pastoral.

The album marks Eno's last foray into rock music as a solo artist in the 1970s, nearly all of his following work showcasing avant-garde and ambient music, which was hinted at predominantly on the second side of Before and After Science. It was Eno's second to chart in the United States. The song "King's Lead Hat", the title of which is an anagram for Talking Heads, was remixed and released as a single, although it did not chart in the United Kingdom. Critical response to the album has remained positive, several critics calling it one of Eno's best works.

Production

Unlike Eno's previous albums, which were recorded in a very short time, Before and After Science was two years in the making. [6] During this two-year period, Eno was busy working on his solo ambient music albums Music for Films and Discreet Music [6] and collaborating with David Bowie on the latter's albums Low and "Heroes" . [7] [8] Due to the very positive critical reception accorded his previous rock music-oriented album, Another Green World , Eno was afraid of repeating himself but still wanted to release a high-quality product. [6]

As on his previous rock-based recordings, Eno worked with a plethora of guest musicians. Several artists from German and British groups of the era contributed to the album, collaborating with Eno for the first time. Guitarist Fred Frith caught Eno's attention with "the timbral possibilities that [Frith had] been discovering" on his album Guitar Solos . [9] Jaki Liebezeit of the German krautrock group Can played drums on "Backwater", and German ambient music group Cluster contributed to the songwriting and instrumentation of the track "By This River". [1] [10] Eno had previously worked with Cluster on their album Cluster & Eno , released in 1977. [11] Other musicians included Dave Mattacks, who played drums on "Kurt's Rejoinder" and "Here He Comes", and Andy Fraser (normally a bass guitarist in British blues rock band Free) who played the drums on "King's Lead Hat". [1] [12] [13]

Several musicians who had worked with Eno on previous albums returned. Percy Jones of Brand X and Phil Collins of Genesis played bass and drums respectively. [10] Other returning contributors included Robert Fripp, Paul Rudolph, Bill MacCormick and Phil Manzanera. [14] "Shirley Williams" is credited on the album sleeve for "time" and "brush timbales" on "Through Hollow Lands" and "Kurt's Rejoinder"; Williams was a pseudonym for Robert Wyatt. [15] Working extensively with the musicians and his instructional cards—the Oblique Strategies—during the two years working on the album, Eno wrote over one hundred songs. [1] [6] [16]

Music and lyrics

Jim DeRogatis, author of Turn on Your Mind: Four Decades of Great Psychedelic Rock, described the overall sound of Before and After Science as "the coldest and most clinical of Eno's pop efforts". [17] David Ross Smith of online music database AllMusic wrote that "Despite the album's pop format, the sound is unique and strays far from the mainstream". [10] According to David Bowie's biographer Thomas Jerome Seabrook, the album is "split between up-tempo art-rock on side one and more pastoral material on side two", [2] while Piotr Orlov of LA Weekly categorized it as an art pop record. [3] The album's opening tracks "No One Receiving" and "Backwater" start the album as upbeat and bouncy songs. [10] "King's Lead Hat" is an anagram of Talking Heads, a new wave group Eno had met after a concert in England when they were touring with Ramones. [18] [19] Eno would later produce Talking Heads' second, third and fourth albums, including Remain in Light . [20] The last five songs of the album have been described as having "an occasional pastoral quality" and being "pensive and atmospheric". [10]

Eno referred to the music of Before and After Science as "ocean music", as opposed to Another Green World', which he described as "sky music". [16] References to water in the lyrics appear in songs such as "Backwater", "Julie With..." and "By this River". [21] Author Simon Reynolds noted themes of "boredom" and "bliss" through the album, citing "Here He Comes", about "a boy trying to vanish by floating through the sky through a different time" and "Spider and I", about a boy watching the sky and dreaming about being carried away with a ship, as examples. [21] Eno's songwriting style was described as "a sound-over-sense approach". [10] Influenced by poet Kurt Schwitters, Eno consciously did not make songwriting or lyrics the main focus in the music. [10] Tom Carson of Rolling Stone noted this style, stating that the lyrics are "only complementary variables" to the music on the album. [22] Lester Bangs commented on Eno's lyrical style on "Julie with..." stating that the lyrics' themes "could be a murderer's ruminations, or simply a lovers' retreat... or Julie could be three years old". [16] Schwitters' influence is also shown on the song "Kurt's Rejoinder", on which samples of Schwitters' poem "Ursonate" can be heard. [10] [18]

Release

Peter Schmidt's "Four Years" was one of four prints included in the original pressings of the album Four Years.jpg
Peter Schmidt's "Four Years" was one of four prints included in the original pressings of the album

Before and After Science was released in December 1977 on Polydor in the United Kingdom and on Island in the United States. [24] The first pressings of the album included four offset prints by Peter Schmidt. [23] The back cover of the LP states "Fourteen Pictures" under the album title, referencing Eno's ten songs and Peter Schmidt's 4 prints. These prints included "The Road to the Crater", "Look at September, look at October", "The Other House" and "Four Years". [23] The album did not chart in the United Kingdom, but was Eno's first album since Here Come the Warm Jets to chart in the United States, where it peaked at 171 on the Billboard Top LPs & Tapes chart. [25] [26] "King's Lead Hat" was remixed and released as a single in January 1978, featuring the B-side "R.A.F.", which is credited to "Eno & Snatch" (in the UK, not the US). [24] This single failed to chart and has never been reissued in any form. [25] [26]

The album was re-issued on compact disc through E.G. Records in January 1987. [24] In 2004, Virgin Records began reissuing Eno's albums in batches of four to five. [27] The remastered digipak release of Before and After Science was released on 31 May 2004 in the United Kingdom and on 1 June 2004 in North America. [28]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [10]
Blender Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [29]
Christgau's Record Guide A− [30]
Entertainment Weekly A [31]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [32]
The New Zealand Herald Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [33]
Pitchfork 7.7/10 (2004) [34]
10/10 (2017) [35]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [36]
Spin Alternative Record Guide 9/10 [37]
Uncut 8/10 [38]

The album was critically acclaimed upon release. Writing for Creem , Joe Fernbacher called the Before and After Science "the perfect Eno album", [39] and Mitchell Schneider in Crawdaddy stated he could not "remember the last time a record took such a hold of [him]—and gave [him] such an extreme case of vertigo, too". [40] In DownBeat , Russell Shaw wrote that the album was "another typically awesome, stunning and numbing Brian Eno album—the record Pink Floyd could make if they set their collective mind to it". [41] Tom Carson of Rolling Stone considered the album "less immediately ingratiating than either Taking Tiger Mountain or Here Come the Warm Jets . Still, the execution here is close to flawless, and despite Eno's eclecticism, the disparate styles he employs connect brilliantly." [22] Critic Robert Christgau gave the album an A− rating, stating that he "didn't like the murkiness of the quiet, largely instrumental reflections that take over side two", but did not find that this "diminishes side one's oblique, charming tour of the popular rhythms of the day". [30] In 1979, Before and After Science was voted 12th best album of the year on The Village Voice's Pazz & Jop critics' poll for 1978. [42]

Among later reviews of Before and After Science, the editors of AllMusic awarded the album the highest rating of five stars, with David Ross Smith stating that it ranks alongside Here Come the Warm Jets and Another Green World "as the most essential Eno material". [10] The music webzine Tiny Mix Tapes awarded the album their highest rating, stating that it "is not only one of the best albums in Eno's catalog, but of the 1970s as a whole". [43] Douglas Wolk of the webzine Pitchfork gave Before and After Science a perfect rating, calling the album "the most conceptually elegant of Eno’s '70s song-albums". [35] Pitchfork placed Before and After Science at number 100 on their list of "Top 100 Albums of the 1970s", referring to it as a "lovely, charming album" and going on to state that, while "not formally groundbreaking, it's frequently overlooked when discussing great albums from an era that's romanticized as placing premiums on progression and innovation—and particularly in the context of Eno's career, which is so full of both". [44]

Track listing

All tracks are written by Brian Eno, except where noted [1] [45]

Side one
No.TitleWriter(s)Length
1."No One Receiving" 3:52
2."Backwater" 3:43
3."Kurt's Rejoinder" 2:55
4."Energy Fools the Magician"Eno, arranged by Percy Jones, Eno2:04
5."King's Lead Hat" 3:56
Side two
No.TitleWriter(s)Length
6."Here He Comes" 5:38
7."Julie With..." 6:19
8."By this River"Eno, Hans-Joachim Roedelius, Dieter Moebius 3:03
9."Through Hollow Lands" (for Harold Budd)Eno, arranged by Fred Frith, Eno3:56
10."Spider and I" 4:10

Personnel

Musicians [1]

Production [1]

Chart positions

Chart (1978)Peak
position
Australian (Kent Music Report)45 [46]
New Zealand Albums Chart [47] 18
Swedish Albums Chart [48] 25

Notes

  1. 1 2 3 4 5 6 7 Before and After Science (Vinyl back cover). Brian Eno. Island Records. 1977. ILPS-9478.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  2. 1 2 Seabrook 2008, p. 160.
  3. 1 2 Orlov, Piotr (16 December 2004). "Enorchestra at the Knitting Factory, December 8". LA Weekly . Archived from the original on 17 September 2009. Retrieved 16 October 2020.
  4. ↑ O'Brien, Glenn (22 November 2016). "New Again: Brian Eno". Interview . New York. Retrieved 16 October 2020.
  5. ↑ Pickard, Joshua (10 October 2015). "Record Bin: The experimental pop lucidity of Brian Eno's "Before and After Science"". Nooga.com. Archived from the original on 6 October 2016. Retrieved 1 June 2016.
  6. 1 2 3 4 Tamm 1989, p. 107.
  7. ↑ Perone, James E. (2007). The Words and Music of David Bowie. Westport, Connecticut: Greenwood Publishing Group. p. 60. ISBN   978-0-27599-245-3.
  8. ↑ Seabrook 2008, pp. 161–162.
  9. ↑ Jónsson, Darryl (January 2007). "Interview with Fred Frith". MOFFOM (Music on Film-Film on Music). Archived from the original on 14 December 2007. Retrieved 16 July 2009.
  10. 1 2 3 4 5 6 7 8 9 10 Smith, David Ross. "Before and After Science – Brian Eno". AllMusic . Retrieved 16 October 2020.
  11. ↑ Waynick, Michael. "Cluster & Eno – Cluster / Brian Eno". AllMusic . Retrieved 16 October 2020.
  12. ↑ True, Chris. "Andy Fraser". AllMusic . Retrieved 16 October 2020.
  13. ↑ McDonald, Steven. "Dave Mattacks". AllMusic . Retrieved 16 October 2020.
  14. ↑ Mills, Ted. "Quiet Sun". AllMusic . Retrieved 16 October 2020.
  15. ↑ Maconie, Stuart (1 February 2003). A Quantity of Stuff – The Brian Eno Story. BBC Radio 2.
  16. 1 2 3 Bangs, Lester (4 March 1978). "Eno Sings with the Fishes". The Village Voice . New York. p. 49.
  17. ↑ DeRogatis 2003, p. 245.
  18. 1 2 DeRogatis 2003, p. 246.
  19. ↑ Gittins 2004, p. 36.
  20. ↑ "More Songs About Buildings and Food – Talking Heads | Credits". AllMusic . Retrieved 16 October 2020.
  21. 1 2 Reynolds 1996, p. 203.
  22. 1 2 Carson, Tom (18 May 1978). "Brian Eno: Before and After Science". Rolling Stone . New York. Archived from the original on 19 June 2009. Retrieved 29 May 2009.
  23. 1 2 3 "Peter Schmidt". Peter Schmidt Web. Archived from the original on 19 June 2009. Retrieved 31 May 2009.
  24. 1 2 3 Strong 1998, p. 245.
  25. 1 2 "Brian Eno | Awards". AllMusic. Archived from the original on 7 July 2017. Retrieved 16 October 2020.
  26. 1 2 Warwick, Kutner & Brown 2004, p. 379.
  27. ↑ "The Musical Life of Brian!". NME . London. Archived from the original on 17 May 2009. Retrieved 30 May 2009.
  28. ↑ Goff, Jon (29 July 2004). "Brian Eno: Before and After Science [reissue]". PopMatters . Archived from the original on 20 June 2009. Retrieved 30 May 2009.
  29. ↑ Wolk, Douglas (2004). "Brian Eno: (various reissues)". Blender . New York. Archived from the original on 6 August 2004. Retrieved 21 December 2014.
  30. 1 2 Christgau 1981, p. 127.
  31. ↑ Brunner, Rob (4 June 2004). "Here Come the Warm Jets, Taking Tiger Mountain (by Strategy), Another Green World, Before and After Science". Entertainment Weekly . New York. Archived from the original on 7 November 2016. Retrieved 24 August 2016.
  32. ↑ Buckley, David (June 2004). "Brian Eno: Here Come the Warm Jets / Taking Tiger Mountain (By Strategy) / Another Green World / Before and After Science". Mojo . No. 127. London. p. 123.
  33. ↑ Reid, Graham (18 June 2004). "Brian Eno". The New Zealand Herald . Auckland. Retrieved 3 February 2018.
  34. ↑ "Brian Eno: Colours: Pitchfork Review". Archived from the original on 18 June 2004. Retrieved 20 June 2023.
  35. 1 2 Wolk, Douglas (3 August 2017). "Brian Eno: Here Come the Warm Jets / Taking Tiger Mountain (By Strategy) / Before and After Science". Pitchfork . Retrieved 3 August 2017.
  36. ↑ Considine 2004, p. 278.
  37. ↑ Powers 1995, p. 129.
  38. ↑ Bonner, Michael (September 2017). "Brian Eno: Here Come the Warm Jets / Taking Tiger Mountain (By Strategy) / Another Green World / Before and After Science". Uncut . No. 244. London. p. 46.
  39. ↑ Fernbacher, Joe (April 1978). "Brian Eno: Before and After Science". Creem . No. 9. Detroit. p. 67.
  40. ↑ Schneider, Mitchell (May 1978). "Brave New Eno". Crawdaddy . No. 84. New York. p. 64. Brian Eno is an agent from some other time and some other place who seems to know something that we don't but should... I can't remember the last time a record took such a hold of me—and gave such an extreme case of vertigo, too.)
  41. ↑ Shaw, Russell (13 July 1978). "Brian Eno: Before and After Science". DownBeat . No. 45. Chicago. p. 36. What a wonderland of a zoo, a cross between steaming smoke, atonal mystery and hanging, frothy ditties... This is another typically awesome, stunning, numbing Brian Eno album—the record Pink Floyd could make if they set their collective mind to it.)
  42. ↑ "The 1978 Pazz & Jop Critics Poll". The Village Voice . New York. 22 January 1979. Archived from the original on 19 June 2009. Retrieved 31 May 2009.
  43. ↑ Eyad (11 April 2008). "Brian Eno – Before and After Science". Tiny Mix Tapes . Archived from the original on 20 June 2009. Retrieved 31 May 2009.
  44. ↑ "The 100 Best Albums of the 1970s". Pitchfork . 23 June 2004. p. 1. Archived from the original on 31 May 2009. Retrieved 16 October 2020.
  45. ↑ "Before and After Science (CD – Virgin #68659) – Brian Eno". AllMusic . Retrieved 16 October 2020.
  46. ↑ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 103. ISBN   0-646-11917-6.
  47. ↑ "charts.nz – Brian Eno – Before and After Science". Recording Industry Association of New Zealand . Retrieved 8 July 2010.
  48. ↑ "swedishcharts.com – Brian Eno – Before and After Science". Sverigetopplistan . Archived from the original on 24 October 2012. Retrieved 8 July 2010.

Related Research Articles

<span class="mw-page-title-main">Dave Mattacks</span> English drummer

David James Mattacks is an English rock and folk drummer, best known for his work with British folk rock band Fairport Convention.

<i>Another Green World</i> 1975 studio album by Eno

Another Green World is the third solo studio album by English musician Brian Eno, released by Island Records on 14 November 1975. The album marked a transition from the rock-based music of Eno's previous releases towards his late 1970s ambient work. Only five of its fourteen tracks feature vocals, a contrast with his previous vocal albums.

<i>Commercial Album</i> 1980 studio album by The Residents

Commercial Album is the seventh studio album released by art rock group the Residents in 1980. It is commonly considered a follow-up to their 1978 album Duck Stab/Buster & Glen, in that it retains the former album's pop-oriented song structures. The album contains 40 songs, each lasting exactly one minute - a deliberate allusion to Top 40 mainstream radio. The album's liner notes state that, to form a complete pop song, tracks from the album should be played three times in a row.

<span class="mw-page-title-main">Fred Frith</span> English musician and composer

Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as a founding member of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including Traffic Continues and Freedom in Fragments. Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics.

<i>Taking Tiger Mountain (By Strategy)</i> 1974 studio album by Eno

Taking Tiger Mountain (By Strategy) is the second solo studio album by English musician Brian Eno (mononymously credited as "Eno"), released in November 1974 by Island Records. Unlike his debut album Here Come the Warm Jets, which featured 16 musicians, this album utilized a core band of five instrumentalists: Eno (keyboards, guitar), Phil Manzanera (guitar), Brian Turrington (bass guitar), Freddie Smith (drums), and Robert Wyatt (percussion). Manzanera also participated in the writing and production. To help guide the musicians, Eno and Peter Schmidt developed instruction cards called Oblique Strategies to facilitate creativity during the recording process.

<i>June 1, 1974</i> 1974 live album by various

June 1, 1974 is a live album of songs performed at the Rainbow Theatre in London on the titular date. The album is officially attributed to all principal performers Kevin Ayers, John Cale, Brian Eno and Nico, although other well-known musicians, including Mike Oldfield, Robert Wyatt, and Ollie Halsall, also contributed to the concert. The record has often been referred to as the "A.C.N.E." album, for the initials of Ayers, Cale, Nico, and Eno.

<i>"Heroes"</i> (album) 1977 studio album by David Bowie

"Heroes" is the twelfth studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by the King Crimson guitarist Robert Fripp.

<i>Here Come the Warm Jets</i> 1974 studio album by Eno

Here Come the Warm Jets is the debut solo studio album by English musician Brian Eno, released on Island Records on 8 February 1974. It was recorded and produced by Eno following his departure from Roxy Music, and blends glam and pop stylings with avant-garde approaches. The album features numerous guests, including several of Eno's former Roxy Music bandmates along with members of Hawkwind, Matching Mole, Pink Fairies, Sharks, Sweetfeed, and King Crimson. Eno employed unusual directions and production methods to coax unexpected results from the musicians.

<i>Low</i> (David Bowie album) 1977 studio album by David Bowie

Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.

<i>Original Soundtracks 1</i> 1995 studio album by Passengers

Original Soundtracks 1 is a studio album recorded by rock band U2 and Brian Eno under the pseudonym Passengers as a side project. Released on 6 November 1995, the album is a collection of songs written for mostly imaginary films. Owing to Eno's involvement as a full songwriting partner and the album's experimental nature, the moniker "Passengers" was chosen to distinguish it from U2's conventional albums. It was commercially unnoticed by the band's standards and received generally mixed reviews. Guest musicians on the record included Italian opera singer Luciano Pavarotti and producer Howie B, who would co-produce U2's following album, Pop (1997).

<span class="mw-page-title-main">The Shadows</span> English instrumental rock group

The Shadows were an English instrumental rock group, who dominated the British popular music charts in the pre-Beatles era from the late 1950s to the early 1960s. They served as the backing band for Cliff Richard from 1958 to 1968, and have joined him for several reunion tours.

<i>Go 2</i> 1978 studio album by XTC

Go 2 is the second studio album by the English band XTC, released 6 October 1978 on Virgin Records. The United Kingdom version contained no singles, but the American and Canadian versions included the single "Are You Receiving Me?" released on 27 October 1978 along with a music video produced for the song.

<span class="mw-page-title-main">D.J. (David Bowie song)</span> 1979 song by David Bowie

"D.J." is a song by English musician David Bowie, released on 29 June 1979 as the second single from his 1979 album Lodger. It was written by Bowie, Brian Eno and Carlos Alomar and recorded in Montreux and New York City in September 1978 and March 1979. A cynical comment on the cult of the DJ, the track includes a guitar solo by Adrian Belew, which was recorded in multiple takes, and then mixed back together for the album track. Bowie mimics David Byrne of Talking Heads in his vocal performance. Its accompanying music video, directed by David Mallet, features Bowie casually walking down London's Earl's Court Road as passersby recognise him and follow him, interjected with Bowie as the tortured DJ destroying his studio. The single charted at number 29 in the UK and has received positive reviews.

<i>Music for Films</i> 1978 studio album by Brian Eno

Music for Films is the seventh solo studio album by Brian Eno, released in September 1978 on EG Records. His third release of experimental electronic material, it is a conceptual work intended as a soundtrack for imaginary films, although many of the pieces had already appeared in actual films. It charted at #55 in the UK.

<i>Gravity</i> (Fred Frith album) 1980 studio album by Fred Frith

Gravity is a 1980 solo album by English guitarist and composer Fred Frith. It was Frith's second solo album, and his first since Henry Cow disbanded in 1978. It was originally released in the United States on the Residents' Ralph Records, as the first of three solo albums Frith would record for the label. Gravity has been described as an avant-garde "dance" record that draws on rhythm and dance from folk music across the world.

<span class="mw-page-title-main">Paul Rudolph (musician)</span> Canadian musician

Paul Fraser Rudolph is a Canadian guitarist, bassist, singer, and cyclist. He made his mark in the UK underground music scene, and then as a session musician, before returning to Canada to indulge his passion for cycling. He resided in Gibsons, British Columbia, where he owned and operated a bicycle business, Spin Cycle. He has since retired to Victoria, British Columbia.

<span class="mw-page-title-main">Make It wit Chu</span> Single by Queens of the Stone Age

"Make It wit Chu" is the third single by Queens of the Stone Age from their 2007 album Era Vulgaris.

<span class="mw-page-title-main">You Don't Miss Your Water</span> 1961 single by William Bell

"You Don't Miss Your Water" is a soul song and the debut single written and recorded by American singer William Bell. It was released by Stax Records in 1961. It is Bell's signature song and best known recording.

"Baby's on Fire" is the third track on English musician Brian Eno's 1974 debut solo album Here Come the Warm Jets.

<i>(No Pussyfooting)</i> 1973 studio album by Fripp & Eno

(No Pussyfooting) is the debut studio album by the British duo Fripp & Eno, released 9 November 1973. (No Pussyfooting) was the first of three major collaborations between the musicians, growing out of Brian Eno's early tape delay looping experiments and Robert Fripp's "Frippertronics" electric guitar technique.

References

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.