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The Pavilion of Dreams | ||||
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Studio album by | ||||
Released | 1978 | |||
Recorded | November 1976 | |||
Studio | Basing Street Studios, London [1] | |||
Length | 47:38 | |||
Label | Editions EG | |||
Producer | Brian Eno | |||
Harold Budd chronology | ||||
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The Pavilion of Dreams is the second album from minimalist composer Harold Budd. It was produced by Brian Eno. [2] Billed as "an extended cycle of works begun in 1972," it was recorded in 1976 but not released until 1978 on Eno's label Obscure Records. [3] It was later re-released on Editions EG in 1981. [3]
Review scores | |
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Source | Rating |
AllMusic | [3] |
AllMusic wrote positively of the album, stating that in "mixing ethereal melodies communicated by voice or saxophone with glissando accompaniment, Harold Budd creates a series of siren songs on The Pavilion of Dreams that shimmer like light reflected on the water's surface." [3]
Harold Montgomory Budd was an American music composer and poet. Born in Los Angeles and raised in the Mojave Desert, he became a respected composer in the minimal music and avant-garde scene of Southern California in the late 1960s, and later became better known for his work with figures such as Brian Eno and Robin Guthrie. Budd developed what he called a "soft pedal" technique for playing piano, with use of slow playing and prominent sustain.
Ambient 2: The Plateaux of Mirror is a 1980 studio album by Harold Budd and Brian Eno. A work of ambient music, it is the second installment of Eno's Ambient series, which began in 1978 with Ambient 1: Music for Airports. Ambient 2 consists mainly of minimalist composer Budd playing improvisational piano in soundscapes produced by Eno. The album received positive reviews and led to Budd and Eno collaborating again for the sonically similar The Pearl (1984).
The Pearl is the second collaborative studio album by Harold Budd and Brian Eno, released in August 1984 by Editions EG and produced by Eno and Daniel Lanois in Hamilton, Ontario. The Pearl is similar to Budd and Eno's previous collaboration, Ambient 2: The Plateaux of Mirror (1980), consisting mostly of subtly treated piano textures, but with more pronounced electronic treatments and nature recordings. The album has been well received by music critics, and is considered by some as a landmark work in ambient music.
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Harold Budd was an American ambient/avant-garde composer and poet. Born in Los Angeles, he was raised in the Mojave Desert.
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