A mononym is a name composed of only one word. An individual who is known and addressed by a mononym is a mononymous person.
A mononym may be the person's only name, given to them at birth. This was routine in most ancient societies, and remains common in modern societies such as in Afghanistan, [1] Bhutan, Indonesia (especially by the Javanese), Myanmar, Mongolia, Tibet, [2] and South India.
In other cases, a person may select a single name from their polynym or adopt a mononym as a chosen name, pen name, stage name, or regnal name. A popular nickname may effectively become a mononym, in some cases adopted legally. For some historical figures, a mononym is the only name that is still known today.
The word mononym comes from English mono- ("one", "single") and -onym ("name", "word"), ultimately from Greek mónos (μόνος, "single"), and ónoma (ὄνομα, "name"). [a] [b]
The structure of persons' names has varied across time and geography. In some societies, individuals have been mononymous, receiving only a single name. Alulim, first king of Sumer, is one of the earliest names known; Narmer, an ancient Egyptian pharaoh, is another. In addition, Biblical names like Adam, Eve, Moses, or Abraham, were typically mononymous, as were names in the surrounding cultures of the Fertile Crescent. [4]
Ancient Greek names like Heracles, Homer, Plato, Socrates, and Aristotle, also follow the pattern, with epithets (similar to second names) only used subsequently by historians to distinguish between individuals with the same name, as in the case of Zeno the Stoic and Zeno of Elea; likewise, patronymics or other biographic details (such as city of origin, or another place name or occupation the individual was associated with) were used to specify whom one was talking about, but these details were not considered part of the name. [5]
A departure from this custom occurred, for example, among the Romans, who by the Republican period and throughout the Imperial period used multiple names: a male citizen's name comprised three parts (this was mostly typical of the upper class, while others would usually have only two names): praenomen (given name), nomen (clan name) and cognomen (family line within the clan) – the nomen and cognomen were almost always hereditary. [6]
Mononyms in other ancient cultures include Hannibal, the Celtic queen Boudica, and the Numidian king Jugurtha.
During the early Middle Ages, mononymity slowly declined, with northern and eastern Europe keeping the tradition longer than the south. The Dutch Renaissance scholar and theologian Erasmus is a late example of mononymity; though sometimes referred to as "Desiderius Erasmus" or "Erasmus of Rotterdam", he was christened only as "Erasmus", after the martyr Erasmus of Formiae. [7]
Composers in the ars nova and ars subtilior styles of late medieval music were often known mononymously—potentially because their names were sobriquets—such as Borlet, Egardus, Egidius, Grimace, Solage, and Trebor. [8]
Naming practices of indigenous peoples of the Americas are highly variable, with one individual often bearing more than one name over a lifetime. In European and American histories, prominent Native Americans are usually mononymous, using a name that was frequently garbled and simplified in translation. For example, the Aztec emperor whose name was preserved in Nahuatl documents as Motecuhzoma Xocoyotzin was called "Montezuma" in subsequent histories. In current histories he is often named Moctezuma II, using the European custom of assigning regnal numbers to hereditary heads of state.
Some French authors have shown a preference for mononyms. In the 17th century, the dramatist and actor Jean-Baptiste Poquelin (1622–73) took the mononym stage name Molière. [9]
In the 18th century, François-Marie Arouet (1694–1778) adopted the mononym Voltaire, for both literary and personal use, in 1718 after his imprisonment in Paris' Bastille, to mark a break with his past. The new name combined several features. It was an anagram for a Latinized version (where "u" become "v", and "j" becomes "i") of his family surname, "Arouet, l[e] j[eune]" ("Arouet, the young"); it reversed the syllables of the name of the town his father came from, Airvault; and it has implications of speed and daring through similarity to French expressions such as voltige, volte-face and volatile. "Arouet" would not have served the purpose, given that name's associations with "roué" and with an expression that meant "for thrashing". [10]
The 19th-century French author Marie-Henri Beyle (1783–1842) used many pen names, most famously the mononym Stendhal, adapted from the name of the little Prussian town of Stendal, birthplace of the German art historian Johann Joachim Winckelmann, whom Stendhal admired. [11]
Nadar [12] (Gaspard-Félix Tournachon, 1820–1910) was an early French photographer.
In the 20th century, Sidonie-Gabrielle Colette (1873–1954, author of Gigi , 1945), used her actual surname as her mononym pen name, Colette. [13]
In the 17th and 18th centuries, most Italian castrato singers used mononyms as stage names (e.g. Caffarelli, Farinelli). The German writer, mining engineer, and philosopher Georg Friedrich Philipp Freiherr von Hardenberg (1772–1801) became famous as Novalis. [14]
The 18th-century Italian painter Bernardo Bellotto, who is now ranked as an important and original painter in his own right, traded on the mononymous pseudonym of his uncle and teacher, Antonio Canal (Canaletto), in those countries—Poland and Germany—where his famous uncle was not active, calling himself likewise "Canaletto". Bellotto remains commonly known as "Canaletto" in those countries to this day. [15]
The 19th-century Dutch writer Eduard Douwes Dekker (1820–87), better known by his mononymous pen name Multatuli [16] (from the Latin multa tuli, "I have suffered [or borne] many things"), became famous for the satirical novel, Max Havelaar (1860), in which he denounced the abuses of colonialism in the Dutch East Indies (now Indonesia).
The 20th-century British author Hector Hugh Munro (1870–1916) became known by his pen name, Saki. In 20th-century Poland, the theater-of-the-absurd playwright, novelist, painter, photographer, and philosopher Stanisław Ignacy Witkiewicz (1885–1939) after 1925 often used the mononymous pseudonym Witkacy, a conflation of his surname (Witkiewicz) and middle name (Ignacy). [17]
Monarchs and other royalty, for example Napoleon, have traditionally availed themselves of the privilege of using a mononym, modified when necessary by an ordinal or epithet (e.g., Queen Elizabeth II or Charles the Great). This is not always the case: King Carl XVI Gustaf of Sweden has two names. While many European royals have formally sported long chains of names, in practice they have tended to use only one or two and not to use surnames. [c]
In Japan, the emperor and his family have no surname, only a given name, such as Hirohito, which in practice in Japanese is rarely used: out of respect and as a measure of politeness, Japanese prefer to say "the Emperor" or "the Crown Prince". [19]
Roman Catholic popes have traditionally adopted a single, regnal name upon their election. John Paul I broke with this tradition – adopting a double name honoring his two predecessors [20] – and his successor John Paul II followed suit, but Benedict XVI reverted to the use of a single name.
Surnames were introduced in Turkey only after World War I, by the country's first president, Mustafa Kemal Atatürk, as part of his Westernization and modernization programs. [21]
Some North American Indigenous people continue their nations' traditional naming practices, which may include the use of single names. In Canada, where government policy often included the imposition of Western-style names, one of the recommendations of the Truth and Reconciliation Commission of Canada was for all provinces and territories to waive fees to allow Indigenous people to legally assume traditional names, including mononyms. [22] In Ontario, for example, it is now legally possible to change to a single name or register one at birth, for members of Indigenous nations which have a tradition of single names. [23]
In modern times, in countries that have long been part of the East Asian cultural sphere (Japan, the Koreas, Vietnam, and China), mononyms are rare. An exception pertains to the Emperor of Japan.
Mononyms are common in Indonesia, especially in Javanese names. [24]
Single names still also occur in Tibet. [2] Most Afghans also have no surname. [25]
In Bhutan, most people use either only one name or a combination of two personal names typically given by a Buddhist monk. There are no inherited family names; instead, Bhutanese differentiate themselves with nicknames or prefixes. [26]
In the Near East's Arab world, the Syrian poet Ali Ahmad Said Esber (born 1930) at age 17 adopted the mononym pseudonym, Adunis, sometimes also spelled "Adonis". A perennial contender for the Nobel Prize in Literature, he has been described as the greatest living poet of the Arab world. [27]
In the West, mononymity, as well as its use by royals in conjunction with titles, has been primarily used or given to famous people such as prominent writers, artists, entertainers, musicians and athletes. [d]
The comedian and illusionist Teller, the silent half of the duo Penn & Teller, legally changed his original polynym, Raymond Joseph Teller, to the mononym "Teller" and possesses a United States passport issued in that single name. [29] [30]
While some have chosen their own mononym, others have mononyms chosen for them by the public. Oprah Winfrey, American talk show host, is usually referred to by only her first name, Oprah. Elvis Presley, American singer, is usually referred to by only his first name, Elvis.
Western computer systems do not always support monynyms, most still requiring a given name and a surname. Some companies get around this by entering the mononym as both the given name and the surname.
Marie-Henri Beyle, better known by his pen name Stendhal, was a French writer. Best known for the novels Le Rouge et le Noir and La Chartreuse de Parme, he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist, he coined the same characteristic in his characters' "Beylism".
Prosper Mérimée was a French writer in the movement of Romanticism, one of the pioneers of the novella, a short novel or long short story. He was also a noted archaeologist and historian, an important figure in the history of architectural preservation. He is best known for his novella Carmen, which became the basis of Bizet's opera Carmen. He learned Russian, a language for which he had great affection, before translating the work of several notable Russian writers, including Pushkin and Gogol, into French. From 1830 until 1860 he was the inspector of French historical monuments, responsible for the protection of many historic sites, including the medieval citadel of Carcassonne and the restoration of the façade of the cathedral of Notre-Dame de Paris. Along with the writer George Sand, he discovered the series of tapestries called The Lady and the Unicorn, arranging for their preservation. He was instrumental in the creation of Musée national du Moyen Âge in Paris, where the tapestries now are displayed. The official database of French monuments, the Base Mérimée, bears his name.
Giovanni Antonio Canal, commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.
A personal name, full name or prosoponym is the set of names by which an individual person or animal is known. When taken together as a word-group, they all relate to that one individual. In many cultures, the term is synonymous with the birth name or legal name of the individual. In linguistic classification, personal names are studied within a specific onomastic discipline, called anthroponymy. As of 2023, aside from humans, dolphins and elephants have been known to use personal names.
Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal, known as Canaletto, and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting.
Stanisław Ignacy Witkiewicz, commonly known as Witkacy, was a Polish writer, painter, philosopher, theorist, playwright, novelist, and photographer active before World War I and during the interwar period.
Stanisław Witkiewicz was a Polish painter of Lithuanian origin, art theoretician, and amateur architect, known for his creation of "Zakopane Style".
Klephts were highwaymen turned self-appointed armatoloi, anti-Ottoman insurgents, and warlike mountain-folk who lived in the countryside when Greece was a part of the Ottoman Empire. They were the descendants of Greeks who retreated into the mountains during the 15th century in order to avoid Ottoman rule. Klepht bands also included many ethnic Albanians. They carried on a continuous war against Ottoman rule and remained active as brigands until the 19th century.
Helena Modrzejewska, known professionally as Helena Modjeska, was a Polish-American actress who specialized in Shakespearean and tragic roles.
Johann Froben, in Latin: Johannes Frobenius, was a famous printer, publisher and learned Renaissance humanist in Basel. He was a close friend of Erasmus and cooperated closely with Hans Holbein the Younger. He made Basel one of the world's leading centres of the book trade. He passed his printing business on to his son, Hieronymus, and grandson, Ambrosius Frobenius.
Teller is an American magician. He is half of the comedy magic duo Penn & Teller, along with Penn Jillette, and usually does not speak during performances. Teller is a H.L. Mencken Fellow at the Cato Institute.
The Gemäldegalerie Alte Meister in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstanding works by German, French, and Spanish painters of the period are also among the gallery's attractions.
A veduta is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of vedute are referred to as vedutisti.
Insatiability is a speculative fiction novel by the Polish writer, dramatist, philosopher, painter and photographer, Stanisław Ignacy Witkiewicz (Witkacy). Nienasycenie was written in 1927 and was first published in 1930. It is Witkiewicz's third novel, considered by some to be his best. The novel consists of two parts: Przebudzenie (Awakening) and Obłęd.
Krakowskie Przedmieście is one of the best known streets of Poland's capital Warsaw, surrounded by historic palaces, churches and manor-houses. It constitutes the northernmost part of Warsaw's Royal Route, and links the Old Town and Royal Castle with some of the most notable institutions in Warsaw, including, proceeding southward, the Presidential Palace, Warsaw University, and the Polish Academy of Sciences headquartered in the Staszic Palace. The immediate southward extension of the street along the Royal Route is New World Street.
Ernest François Eugène Douwes Dekker also known as Setyabudi or Setiabudi was an Indonesian-Dutch nationalist and politician of Indo descent. He was related to the famous Dutch anti-colonialism writer Multatuli, whose real name was Eduard Douwes Dekker. In his youth, he fought in the Second Boer War in South Africa on the Boer side. His thoughts were highly influential in the early years of the Indonesian freedom movement.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola is a painting by Canaletto in the J. Paul Getty Museum in Los Angeles, California. Painted around 1738, it may have been commissioned by the English merchant and art collector Joseph Smith (1682–1770).
The Canaletto Blick of Vienna in Austria is a famous perspective of the city center of Vienna, as seen from the Upper Belvedere Palace. It was popularized by a painting from Bernardo Bellotto, who sometimes used the name of his famous uncle, Canaletto.
each autumn is credibly tipped for the Nobel in literature