Related Research Articles
Ars subtilior is a musical style characterized by rhythmic and notational complexity, centered on Paris, Avignon in southern France, and also in northern Spain at the end of the fourteenth century. The style also is found in the French Cypriot repertory. Often the term is used in contrast with ars nova, which applies to the musical style of the preceding period from about 1310 to about 1370; though some scholars prefer to consider ars subtilior a subcategory of the earlier style. Primary sources for ars subtilior are the Chantilly Codex, the Modena Codex, and the Turin Manuscript.
Solage, possibly Jean So(u)lage, was a French composer, and probably also a poet. He composed the most pieces in the Chantilly Codex, the principal source of music of the ars subtilior, the manneristic compositional school centered on Avignon at the end of the century.
The Chantilly Codex is a manuscript of medieval music containing pieces from the style known as the Ars subtilior. It is held in the museum at the Château de Chantilly in Chantilly, Oise.
The Ivrea Codex is a parchment manuscript containing a significant body of 14th century French polyphonic music.
Trebor was a 14th-century composer of polyphonic chansons, active in Navarre and other southwest European courts c. 1380-1400. He may be the same person also called Triboll, Trebol, and Borlet in other contemporaneous sources. His name is likely a reversal of Robert.
Grimace was a French composer-poet in the ars nova style of late medieval music. Virtually nothing is known about Grimace's life other than speculative information based on the circumstances and content of his five surviving compositions of formes fixes; three ballades, a virelai and rondeau. He is though to have been a younger contemporary of Guillaume de Machaut and based in southern France. Three of his works were included in the Chantilly Codex, which is an important source of ars subtilior music. However, along with P. des Molins, Jehan Vaillant and F. Andrieu, Grimace was one of the post-Machaut generation whose music shows few distinctly ars subtilior features, leading scholars to recognize Grimace's work as closer to the ars nova style of Machaut. His best known and most often performed work in modern-times is the virelai and proto-battaglia: A l’arme A l’arme.
Fritz Dietrich was a German musicologist and composer.
Friedrich Ludwig was a German historian, musicologist, and college instructor. His name is closely associated with the exploration and rediscovery of medieval music in the 20th century, particularly the compositional techniques of the Ars Nova and the isorhythmic motet.
Jehan Vaillant was a French composer and music theorist. He is named immediately after Guillaume de Machaut by the Règles de la seconde rhétorique, which describes him as a "master … who had a school of music in Paris". Besides five pieces of music surviving to his name, he was also the author of a treatise on tuning. With Grimace and F. Andrieu and P. des Molins, Vaillant was part of the post-Machaut generation whose music shows few distinctly ars subtilior features, leading scholars to recognize Vaillant's work as closer to the ars nova style of Machaut.
Ursula Günther was a German musicologist specializing in the fourteenth and early fifteenth centuries and the music of Giuseppe Verdi. She coined the term ars subtilior, to categorize the rhythmically complex music that followed ars nova.
P. des Molins, probably Pierre des Molins, was a French composer-poet in the ars nova style of late medieval music. His two surviving compositions – the ballade De ce que fol pensé and rondeau Amis, tout dous vis – were tremendously popular as they are among the most transmitted pieces of fourteenth-century music. The ballade is found in 12 medieval manuscript sources and featured in a c. 1420 tapestry; the rondeau is found in 8 sources and referenced by the Italian poet Simone de' Prodenzani. Along with Grimace, Jehan Vaillant and F. Andrieu, Molins was one of the post-Guillaume de Machaut generation whose music shows few distinctly ars subtilior features, leading scholars to recognize Molins's work as closer to the ars nova style of Machaut.
Laurenz Lütteken is a German musicologist. Since 2001, he has been Ordinarius for musicology at the University of Zürich. Since 2013, he is General editor of MGG Online.
Albrecht Riethmüller is a German musicologist.
Giselher Schubert is a German musicologist
Werner Hermann Georg Braun was a German musicologist.
Rudolf Gerber was a German musicologist. He was professor and director of the musicology department of the University of Gießen and from 1943 professor of musicology at the University of Göttingen.
Arno Forchert was a German musicologist.
Manfred Weiss is a German composer.
Jesper Bøje Christensen is a Danish harpsichordist and music researcher, especially in the field of basso continuo.
Gilbert Reaney was an English musicologist who specialized in medieval and Renaissance music, theory and literature. Described as "one of the most prolific and influential musicologists of the past century", Reaney made significant contributions to his fields of expertise, particularly on the life and works of Guillaume de Machaut, as well as medieval music theory.
References
- ↑ Reaney, Gilbert (2001). "Borlet" . Grove Music Online . Oxford, England: Oxford University Press. doi:10.1093/gmo/9781561592630.article.03608 . Retrieved 14 November 2020.(subscription or UK public library membership required)
