Chant

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A chant (from French chanter , [1] from Latin cantare , "to sing") [2] is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech. In the later Middle Ages some religious chant evolved into song (forming one of the roots of later Western music). [3]

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Chant as a spiritual practice

Chanting (e.g., mantra, sacred text, the name of God/Spirit, etc.) is a commonly used spiritual practice. Like prayer, chanting may be a component of either personal or group practice. Diverse spiritual traditions consider chant a route to spiritual development.

Monks chanting, Drepung monastery, Tibet, 2013

Some examples include chant in African, Hawaiian, Native American, Assyrian and Australian Aboriginal cultures, Gregorian chant, Vedic chant, Quran reading, Islamic Dhikr, Baháʼí chants, various Buddhist chants, various mantras, Jewish cantillation, Epicurean repetition of the Kyriai Doxai, and the chanting of psalms and prayers especially in Roman Catholic (see Gregorian chant or Taizé Community), Eastern Orthodox (see Byzantine chant or Znamenny chant, for examples), Lutheran, and Anglican churches (see Anglican Chant).

Historical or mythological examples include chant in Germanic paganism.

Chant practices vary. In the Theravada tradition, chanting is usually done in Pali, and mainly from Pāli Canon. Tibetan Buddhist chant involves throat singing, where multiple pitches are produced by each performer. The concept of chanting mantras is of particular significance in many Hindu traditions and other closely related Indian religions. India's bhakti devotional tradition centers on kirtan, which has a following in many countries and traditions such as Ananda Marga. The Hare Krishna movement is based especially on the chanting of Sanskrit Names of God in the Vaishnava tradition and is sung from the Dan tien (or lower abdomen)—the locus of power in Eastern traditions. [4]

See also

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<span class="mw-page-title-main">Antiphon</span> Short chant in Christian ritual

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<i>Kirtan</i> Musically recited story in Indian traditions

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<span class="mw-page-title-main">Introit</span> Part of the opening of the liturgical celebration of the Eucharist for many Christian denominations

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<span class="mw-page-title-main">Dharani</span> Genre of Buddhist chants or incantations

Dharanis, also known as Parittas, are Buddhist chants, mnemonic codes, incantations, or recitations, usually the mantras consisting of Sanskrit or Pali phrases. Believed to be protective and with powers to generate merit for the Buddhist devotee, they constitute a major part of historic Buddhist literature. Many of these chants are in Sanskrit and Pali, written in scripts such as Siddhaṃ as well as transliterated into Chinese, Korean, Japanese, Vietnamese, Sinhala, Thai and other regional scripts. They are similar to and reflect a continuity of the Vedic chants and mantras.

The oral tradition of the Vedas consists of several pathas, "recitations" or ways of chanting the Vedic mantras. Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts (samhitas) as preserved dating to roughly the time of Homer.

A spiritual practice or spiritual discipline is the regular or full-time performance of actions and activities undertaken for the purpose of inducing spiritual experiences and cultivating spiritual development. A common metaphor used in the spiritual traditions of the world's great religions is that of walking a path. Therefore, a spiritual practice moves a person along a path towards a goal. The goal is variously referred to as salvation, liberation or union. A person who walks such a path is sometimes referred to as a wayfarer or a pilgrim.

Devotion, a central practice in Buddhism, refers to commitment to religious observances or to an object or person, and may be translated with Sanskrit or Pāli terms like saddhā, gārava or pūjā. Central to Buddhist devotion is the practice of Buddhānussati, the recollection of the inspiring qualities of the Buddha. Although buddhānussati was an important aspect of practice since Buddhism's early period, its importance was amplified with the arising of Mahāyāna Buddhism. Specifically, with Pure Land Buddhism, many forms of devotion were developed to recollect and connect with the celestial Buddhas, especially Amitābha.

<span class="mw-page-title-main">Samaveda</span> Veda of melodies and chants

The Samaveda, is the Veda of melodies and chants. It is an ancient Vedic Sanskrit text, and is one of the sacred scriptures in Hinduism. One of the four Vedas, it is a liturgical text which consists of 1,875 verses. All but 75 verses have been taken from the Rigveda. Three recensions of the Samaveda have survived, and variant manuscripts of the Veda have been found in various parts of India.

References

  1. Harper, Douglas (November 2001). "Chant". In McCormack, Dan (ed.). Online Etymology Dictionary . MaoningTech. Archived from the original on 26 October 2004. Retrieved 17 March 2019.
  2. Chisholm, Hugh, ed. (1911). "Chant"  . Encyclopædia Britannica . Vol. 5 (11th ed.). Cambridge University Press. p. 846.
  3. Stolba, K. Marie (1994). The Development of Western Music: A History (2nd ed.). McGraw Hill. p. 734. ISBN   9780697293794.
  4. ReShel, Azriel (23 February 2018). "Neuroscience and the 'Sanskrit Effect'". Uplift. Retrieved 13 January 2020.