Chant

Last updated

A chant (from French chanter , [1] from Latin cantare , "to sing") [2] is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech. In the later Middle Ages some religious chant evolved into song (forming one of the roots of later Western music). [3]

Contents

Chant as a spiritual practice

Chanting (e.g., mantra, sacred text, the name of God/Spirit, etc.) is a commonly used spiritual practice. Like prayer, chanting may be a component of either personal or group practice. Diverse spiritual traditions consider chant a route to spiritual development.

Monks chanting, Drepung monastery, Tibet, 2013

Some examples include chant in African, Hawaiian, Native American, Assyrian and Australian Aboriginal cultures, Gregorian chant, Vedic chant, Quran reading, Islamic Dhikr, Baháʼí chants, various Buddhist chants, various mantras, Jewish cantillation, Epicurean repetition of the Kyriai Doxai, and the chanting of psalms and prayers especially in Roman Catholic (see Gregorian chant or Taizé Community), Eastern Orthodox (see Byzantine chant or Znamenny chant, for examples), Lutheran, and Anglican churches (see Anglican Chant).

Historical or mythological examples include chant in Germanic paganism.

Chant practices vary. In the Theravada tradition, chanting is usually done in Pali, and mainly from Pāli Canon. Tibetan Buddhist chant involves throat singing, where multiple pitches are produced by each performer. The concept of chanting mantras is of particular significance in many Hindu traditions and other closely related Indian religions. India's bhakti devotional tradition centers on kirtan, which has a following in many countries and traditions such as Ananda Marga. The Hare Krishna movement is based especially on the chanting of Sanskrit Names of God in the Vaishnava tradition and is sung from the Dan tien (or lower abdomen)—the locus of power in Eastern traditions. [4]

See also

Related Research Articles

<span class="mw-page-title-main">Polyphony</span> Simultaneous lines of independent melody

Polyphony is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony).

<i>Sutra</i> Text in Hinduism, Buddhism or Jainism, often a collection of aphorisms

Sutra in Indian literary traditions refers to an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a condensed manual or text. Sutras are a genre of ancient and medieval Indian texts found in Hinduism, Buddhism and Jainism.

Plainsong or plainchant is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony.

<span class="mw-page-title-main">Gregorian chant</span> Form of song

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant.

<span class="mw-page-title-main">Bhajan</span> Singing of poems or hymns in Indian traditions

Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Dharmic religions, in any language. The term bhajanam means reverence and originates from the root word bhaj, which means to revere, as in 'Bhaja Govindam' . The term bhajana also means sharing.

<span class="mw-page-title-main">Monophony</span> Musical texture

In music, monophony is the simplest of musical textures, consisting of a melody, typically sung by a single singer or played by a single instrument player without accompanying harmony or chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers sings the same melody together at the unison or with the same melody notes duplicated at the octave. If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony. The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines.

<span class="mw-page-title-main">Mantra</span> Sacred utterance or sound used in meditation, often repeated

A mantra or mantram is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words believed by practitioners to have religious, magical or spiritual powers. Some mantras have a syntactic structure and a literal meaning, while others do not.

<span class="mw-page-title-main">Yajna</span> Ritual offering sacrifice in Hinduism

Yajnaor Yagna also known as Hawan in Hinduism refers to any ritual done in front of a sacred fire, often with mantras. Yajna has been a Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda. The tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire (Agni).

<span class="mw-page-title-main">Gayatri Mantra</span> Mantra of the Vedic tradition

The Gāyatrī Mantra, also known as the Sāvitrī Mantra, is a sacred mantra from the Ṛig Veda, dedicated to the Vedic deity Savitr. It is known as "Mother of the Vedas".

<i>Kirtan</i> Musically recited story in Indian traditions

Kirtana, also rendered as Kiirtan, Kirtan or Keertan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration, shared recitation, or devotional singing, particularly of spiritual or religious ideas, native to the Indian subcontinent. A person performing kirtan is known as a kirtankara.

<span class="mw-page-title-main">Buddhist music</span> Music genre

Buddhist music is music created for or inspired by Buddhism and includes numerous ritual and non-ritual musical forms. As a Buddhist art form, music has been used by Buddhists since the time of early Buddhism, as attested by artistic depictions in Indian sites like Sanchi. While certain early Buddhist sources contain negative attitudes to music, Mahayana sources tend to be much more positive to music, seeing it as a suitable offering to the Buddhas and as a skillful means to bring sentient beings to Buddhism.

Prayer is considered to be an integral part of the Hindu religion; it is practiced during Hindu worship (puja) and is an expression of devotion (Bhakti). The chanting of mantras is the most popular form of worship in Hinduism. The Vedas are liturgical texts. Stuti is an umbrella term for religious literary creations, but it literally means "praise."

<span class="mw-page-title-main">Japa</span> Spiritual discipline involving the meditative repetition of a mantra or name of a divine power

Japa is the meditative repetition of a mantra or a divine name. It is a practice found in Hinduism, Jainism, Sikhism, and Buddhism, with parallels found in other religions.

<span class="mw-page-title-main">Introit</span> Feature of the Eucharist celebration

The Introit is part of the opening of the liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, psalm verse and Gloria Patri, which are spoken or sung at the beginning of the celebration. It is part of the proper of the liturgy: that is, the part that changes over the liturgical year.

<span class="mw-page-title-main">Dharani</span> Genre of Buddhist mantras or incantations

Dharanis, also known as (Skt.) vidyās and paritas or (Pal.) parittas, are lengthier Buddhist mantras functioning as mnemonic codes, incantations, or recitations, and almost exclusively written originally in Sanskrit while Pali dharanis also exist. Believed to generate protection and the power to generate merit for the Buddhist practitioner, they constitute a major part of historic Buddhist literature. Most dharanis are in Sanskrit written in scripts such as Siddhaṃ as can be transliterated into Chinese, Korean, Japanese, Vietnamese, Sinhala, Thai and other regional scripts. They are similar to and reflect a continuity of the Vedic chants and mantras.

The oral tradition of the Vedas consists of several pathas, "recitations" or ways of chanting the Vedic mantras. Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts (samhitas) as preserved dating to roughly the time of Homer.

A spiritual practice or spiritual discipline is the regular or full-time performance of actions and activities undertaken for the purpose of inducing spiritual experiences and cultivating spiritual development. A common metaphor used in the spiritual traditions of the world's great religions is that of walking a path. Therefore, a spiritual practice moves a person along a path towards a goal. The goal is variously referred to as salvation, liberation or union. A person who walks such a path is sometimes referred to as a wayfarer or a pilgrim.

<span class="mw-page-title-main">Offering (Buddhism)</span> Buddhist religious practice

In Buddhism, a Pūjā is a rite made to a Buddha, deity or to the Triple Gem, giving rise to contemplative gratitude, inspiration and blessings (adhiṣṭhāna) from the Buddhas.

Devotion, a central practice in Buddhism, refers to commitment to religious observances or to an object or person, and may be translated with Sanskrit or Pāli terms like saddhā, gārava or pūjā. Central to Buddhist devotion is the practice of Buddhānussati, the recollection of the inspiring qualities of the Buddha. Although buddhānussati was an important aspect of practice since Buddhism's early period, its importance was amplified with the arising of Mahāyāna Buddhism. Specifically, with Pure Land Buddhism, many forms of devotion were developed to recollect and connect with the celestial Buddhas, especially Amitābha.

<i>Samaveda</i> Veda of melodies and chants

The Samaveda, is the Veda of melodies and chants. It is an ancient Vedic Sanskrit text, and is one of the sacred scriptures in Hinduism. One of the four Vedas, it is a liturgical text which consists of 1,875 verses. All but 75 verses have been taken from the Rigveda. Three recensions of the Samaveda have survived, and variant manuscripts of the Veda have been found in various parts of India.

References

  1. Harper, Douglas (November 2001). "Chant". In McCormack, Dan (ed.). Online Etymology Dictionary . MaoningTech. Archived from the original on 26 October 2004. Retrieved 17 March 2019.
  2. Chisholm, Hugh, ed. (1911). "Chant"  . Encyclopædia Britannica . Vol. 5 (11th ed.). Cambridge University Press. p. 846.
  3. Stolba, K. Marie (1994). The Development of Western Music: A History (2nd ed.). McGraw Hill. p. 734. ISBN   9780697293794.
  4. ReShel, Azriel (23 February 2018). "Neuroscience and the 'Sanskrit Effect'". Uplift. Retrieved 13 January 2020.