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In the philosophy of mind, neuroscience, and cognitive science, a mental image is an experience that, on most occasions, significantly resembles the experience of "perceiving" some object, event, or scene but occurs when the relevant object, event, or scene is not actually present to the senses. [1] [2] [3] [4] There are sometimes episodes, particularly on falling asleep (hypnagogic imagery) and waking up (hypnopompic imagery), when the mental imagery may be dynamic, phantasmagoric, and involuntary in character, repeatedly presenting identifiable objects or actions, spilling over from waking events, or defying perception, presenting a kaleidoscopic field, in which no distinct object can be discerned. [5] Mental imagery can sometimes produce the same effects as would be produced by the behavior or experience imagined. [6]
The nature of these experiences, what makes them possible, and their function (if any) have long been subjects of research and controversy in philosophy, psychology, cognitive science, and, more recently, neuroscience. As contemporary researchers use the expression, mental images or imagery can comprise information from any source of sensory input; one may experience auditory images, [7] olfactory images, [8] and so forth. However, the majority of philosophical and scientific investigations of the topic focus on visual mental imagery. It has sometimes been assumed that, like humans, some types of animals are capable of experiencing mental images. [9] Due to the fundamentally introspective (reflective) nature of the phenomenon, it has been difficult to assess whether or not non-human animals experience mental imagery.
Philosophers such as George Berkeley and David Hume, and early experimental psychologists such as Wilhelm Wundt and William James, understood ideas in general to be mental images. Today, it is very widely believed that much imagery functions as mental representations (or mental models), playing an important role in memory and thinking. [10] [11] [12] [13] William Brant (2013, p. 12) traces the scientific use of the phrase "mental images" back to John Tyndall's 1870 speech called the "Scientific Use of the Imagination". Some have suggested that images are best understood to be, by definition, a form of inner, mental, or neural representation. [14] [15] Others reject the view that the image experience may be identical with (or directly caused by) any such representation in the mind or the brain, [16] [17] [18] [19] [20] [21] but do not take account of the non-representational forms of imagery.
The notion of a "mind's eye" goes back at least to Cicero's reference to mentis oculi during his discussion of the orator's appropriate use of simile. [22]
In this discussion, Cicero observed that allusions to "the Syrtis of his patrimony" and "the Charybdis of his possessions" involved similes that were "too far-fetched"; and he advised the orator to, instead, just speak of "the rock" and "the gulf" (respectively)—on the grounds that "the eyes of the mind are more easily directed to those objects which we have seen, than to those which we have only heard". [23]
The concept of "the mind's eye" first appeared in English in Chaucer's (c. 1387) Man of Law's Tale in his Canterbury Tales , where he tells us that one of the three men dwelling in a castle was blind, and could only see with "the eyes of his mind"; namely, those eyes "with which all men see after they have become blind". [24]
The biological foundation of mental imagery is not fully understood. Studies using fMRI have shown that the lateral geniculate nucleus and the V1 area of the visual cortex are activated during mental imagery tasks. [25] Ratey writes:
The visual pathway is not a one-way street. Higher areas of the brain can also send visual input back to neurons in lower areas of the visual cortex. [...] As humans, we have the ability to see with the mind's eye—to have a perceptual experience in the absence of visual input. For example, PET scans have shown that when subjects, seated in a room, imagine they are at their front door starting to walk either to the left or right, activation begins in the visual association cortex, the parietal cortex, and the prefrontal cortex—all higher cognitive processing centers of the brain. [26]
A biological basis for mental imagery is found in the deeper portions of the brain below the neocortex. In a large study with 285 participants, Tabi, Maio, Attaallah, et al. (2022) investigated the association between an established measure of visual mental imagery, Vividness of Visual Imagery Questionnaire (VVIQ) scores, and volumes of brain structures including the hippocampus, amygdala, primary motor cortex, primary visual cortex and the fusiform gyrus. Tabi et al. (2022) found significant positive correlations between visual imagery vividness and the volumes of the hippocampus and primary visual cortex.
Significant positive correlations were also obtained between VVIQ scores and hippocampal structures including Bilateral CA1, CA3, CA4 and Granule Cell (GC) and Molecular Layer (ML) of the Dentate Gyrus (DG). Follow-up analysis revealed that visual imagery was in particular correlated with the four subfields presented in the above illustration (Tabi et al., 2022).
The thalamus has been found to be discrete to other components in that it processes all forms of perceptional data relayed from both lower and higher components of the brain. Damage to this component can produce permanent perceptual damage, however when damage is inflicted upon the cerebral cortex, the brain adapts to neuroplasticity to amend any occlusions for perception [ citation needed ]. It can be thought that the neocortex is a sophisticated memory storage warehouse in which data received as an input from sensory systems are compartmentalized via the cerebral cortex. This would essentially allow for shapes to be identified, although given the lack of filtering input produced internally, one may as a consequence, hallucinate—essentially seeing something that isn't received as an input externally but rather internal (i.e. an error in the filtering of segmented sensory data from the cerebral cortex may result in one seeing, feeling, hearing or experiencing something that is inconsistent with reality).
Not all people have the same mental imagery ability. For many, when the eyes are closed, the perception of darkness prevails. However, some people are able to perceive colorful, dynamic imagery (McKellar, 1957). The use of hallucinogenic drugs increases the subject's ability to consciously access mental imagery including synaestesia (McKellar, 1957).
Furthermore, the pineal gland is a hypothetical candidate for producing a mind's eye. Rick Strassman and others have postulated that during near-death experiences (NDEs) and dreaming, the gland might secrete the hallucinogenic chemical N,N-Dimethyltryptamine (DMT) to produce internal visuals when external sensory data is occluded. [27] However, this hypothesis has yet to be fully supported with neurochemical evidence and plausible mechanism for DMT production.
The condition where a person lacks mental imagery is called aphantasia. The term was first suggested in a 2015 study. [28]
Common examples of mental images include daydreaming and the mental visualization that occurs while reading a book. Another is of the pictures summoned by athletes during training or before a competition, outlining each step they will take to accomplish their goal. [29] When a musician hears a song, they can sometimes "see" the song notes in their head, as well as hear them with all their tonal qualities. [30] This is considered different from an after-effect, such as an afterimage. Calling up an image in our minds can be a voluntary act, so it can be characterized as being under various degrees of conscious control.
There are several theories as to how mental images are formed in the mind. These include the dual-code theory, the propositional theory, and the functional-equivalency hypothesis. The dual-code theory, created by Allan Paivio in 1971, is the theory that we use two separate codes to represent information in our brains: image codes and verbal codes. Image codes are things like thinking of a picture of a dog when you are thinking of a dog, whereas a verbal code would be to think of the word "dog". [31] Another example is the difference between thinking of abstract words such as justice or love and thinking of concrete words like elephant or chair. When abstract words are thought of, it is easier to think of them in terms of verbal codes—finding words that define them or describe them. With concrete words, it is often easier to use image codes and bring up a picture of a human or chair in your mind rather than words associated or descriptive of them.
The propositional theory involves storing images in the form of a generic propositional code that stores the meaning of the concept not the image itself. The propositional codes can either be descriptive of the image or symbolic. They are then transferred back into verbal and visual code to form the mental image. [32]
The functional-equivalency hypothesis is that mental images are "internal representations" that work in the same way as the actual perception of physical objects. [33] In other words, the picture of a dog brought to mind when the word dog is read is interpreted in the same way as if the person was observing an actual dog before them.
Research has occurred to designate a specific neural correlate of imagery; however, studies show a multitude of results. Most studies published before 2001 suggest neural correlates of visual imagery occur in Brodmann area 17. [34] Auditory performance imagery have been observed in the premotor areas, precunes, and medial Brodmann area 40. [35] Auditory imagery in general occurs across participants in the temporal voice area (TVA), which allows top-down imaging manipulations, processing, and storage of audition functions. [36] Olfactory imagery research shows activation in the anterior piriform cortex and the posterior piriform cortex; experts in olfactory imagery have larger gray matter associated to olfactory areas. [37] Tactile imagery is found to occur in the dorsolateral prefrontal area, inferior frontal gyrus, frontal gyrus, insula, precentral gyrus, and the medial frontal gyrus with basal ganglia activation in the ventral posteriomedial nucleus and putamen (hemisphere activation corresponds to the location of the imagined tactile stimulus). [38] Research in gustatory imagery reveals activation in the anterior insular cortex, frontal operculum, and prefrontal cortex. [34] Novices of a specific form of mental imagery show less gray matter than experts of mental imagery congruent to that form. [39] A meta-analysis of neuroimagery studies revealed significant activation of the bilateral dorsal parietal, interior insula, and left inferior frontal regions of the brain. [40] Causal evidence from neurological patients with brain lesions demonstrates that vivid visual mental imagery is possible even when occipital visual areas are lesioned or disconnected from more anterior cortex. Visual mental imagery can instead be impaired by left temporal damage. [41] Consistent with these findings, a meta-analysis of 27 neuroimaging studies demonstrated imagery-related activity in a region of the left ventral temporal cortex, which was dubbed the Fusiform Imagery Node. [42] An additional Bayesian analysis excluded a role for occipital cortex in visual mental imagery, consistent with the evidence from neurological patients.
Imagery has been thought to cooccur with perception; however, participants with damaged sense-modality receptors can sometimes perform imagery of said modality receptors. [43] Neuroscience with imagery has been used to communicate with seemingly unconscious individuals through fMRI activation of different neural correlates of imagery, demanding further study into low quality consciousness. [44] A study on one patient with one occipital lobe removed found the horizontal area of their visual mental image was reduced. [45]
Visual imagery is the ability to create mental representations of things, people, and places that are absent from an individual’s visual field. This ability is crucial to problem-solving tasks, memory, and spatial reasoning. [46] Neuroscientists have found that imagery and perception share many of the same neural substrates, or areas of the brain that function similarly during both imagery and perception, such as the visual cortex and higher visual areas. Kosslyn and colleagues (1999) [47] showed that the early visual cortex, Area 17 and Area 18/19, is activated during visual imagery. They found that inhibition of these areas through repetitive transcranial magnetic stimulation (rTMS) resulted in impaired visual perception and imagery. Furthermore, research conducted with lesioned patients has revealed that visual imagery and visual perception have the same representational organization. This has been concluded from patients in which impaired perception also experience visual imagery deficits at the same level of the mental representation. [48]
Behrmann and colleagues (1992) [49] describe a patient C.K., who provided evidence challenging the view that visual imagery and visual perception rely on the same representational system. C.K. was a 33-year old man with visual object agnosia acquired after a vehicular accident. This deficit prevented him from being able to recognize objects and copy objects fluidly. Surprisingly, his ability to draw accurate objects from memory indicated his visual imagery was intact and normal. Furthermore, C.K. successfully performed other tasks requiring visual imagery for judgment of size, shape, color, and composition. These findings conflict with previous research as they suggest there is a partial dissociation between visual imagery and visual perception. C.K. exhibited a perceptual deficit that was not associated with a corresponding deficit in visual imagery, indicating that these two processes have systems for mental representations that may not be mediated entirely by the same neural substrates.
Schlegel and colleagues (2013) [50] conducted a functional MRI analysis of regions activated during manipulation of visual imagery. They identified 11 bilateral cortical and subcortical regions that exhibited increased activation when manipulating a visual image compared to when the visual image was just maintained. These regions included the occipital lobe and ventral stream areas, two parietal lobe regions, the posterior parietal cortex and the precuneus lobule, and three frontal lobe regions, the frontal eye fields, dorsolateral prefrontal cortex, and the prefrontal cortex. Due to their suspected involvement in working memory and attention, the authors propose that these parietal and prefrontal regions, and occipital regions, are part of a network involved in mediating the manipulation of visual imagery. These results suggest a top-down activation of visual areas in visual imagery. [51]
Using Dynamic Causal Modeling (DCM) to determine the connectivity of cortical networks, Ishai et al. (2010) [52] demonstrated that activation of the network mediating visual imagery is initiated by prefrontal cortex and posterior parietal cortex activity. Generation of objects from memory resulted in initial activation of the prefrontal and the posterior parietal areas, which then activate earlier visual areas through backward connectivity. Activation of the prefrontal cortex and posterior parietal cortex has also been found to be involved in retrieval of object representations from long-term memory, their maintenance in working memory, and attention during visual imagery. Thus, Ishai et al. suggest that the network mediating visual imagery is composed of attentional mechanisms arising from the posterior parietal cortex and the prefrontal cortex.
Vividness of visual imagery is a crucial component of an individual’s ability to perform cognitive tasks requiring imagery. Vividness of visual imagery varies not only between individuals but also within individuals. Dijkstra and colleagues (2017) [46] found that the variation in vividness of visual imagery is dependent on the degree to which the neural substrates of visual imagery overlap with those of visual perception. They found that overlap between imagery and perception in the entire visual cortex, the parietal precuneus lobule, the right parietal cortex, and the medial frontal cortex predicted the vividness of a mental representation. The activated regions beyond the visual areas are believed to drive the imagery-specific processes rather than the visual processes shared with perception. It has been suggested that the precuneus contributes to vividness by selecting important details for imagery. The medial frontal cortex is suspected to be involved in the retrieval and integration of information from the parietal and visual areas during working memory and visual imagery. The right parietal cortex appears to be important in attention, visual inspection, and stabilization of mental representations. Thus, the neural substrates of visual imagery and perception overlap in areas beyond the visual cortex and the degree of this overlap in these areas correlates with the vividness of mental representations during imagery.
Mental images are an important topic in classical and modern philosophy, as they are central to the study of knowledge. In the Republic , Book VII, Plato has Socrates present the Allegory of the Cave: a prisoner, bound and unable to move, sits with his back to a fire watching the shadows cast on the cave wall in front of him by people carrying objects behind his back. These people and the objects they carry are representations of real things in the world. Unenlightened man is like the prisoner, explains Socrates, a human being making mental images from the sense data that he experiences.
The eighteenth-century philosopher Bishop George Berkeley proposed similar ideas in his theory of idealism. Berkeley stated that reality is equivalent to mental images—our mental images are not a copy of another material reality but that reality itself. Berkeley, however, sharply distinguished between the images that he considered to constitute the external world, and the images of individual imagination. According to Berkeley, only the latter are considered "mental imagery" in the contemporary sense of the term.
The eighteenth century British writer Dr. Samuel Johnson criticized idealism. When asked what he thought about idealism, he is alleged to have replied "I refute it thus!" [53] as he kicked a large rock and his leg rebounded. His point was that the idea that the rock is just another mental image and has no material existence of its own is a poor explanation of the painful sense data he had just experienced.
David Deutsch addresses Johnson's objection to idealism in The Fabric of Reality when he states that, if we judge the value of our mental images of the world by the quality and quantity of the sense data that they can explain, then the most valuable mental image—or theory—that we currently have is that the world has a real independent existence and that humans have successfully evolved by building up and adapting patterns of mental images to explain it. This is an important idea in scientific thought.[ why? ]
Critics of scientific realism ask how the inner perception of mental images actually occurs. This is sometimes called the "homunculus problem" (see also the mind's eye). The problem is similar to asking how the images you see on a computer screen exist in the memory of the computer. To scientific materialism, mental images and the perception of them must be brain-states. According to critics,[ who? ] scientific realists cannot explain where the images and their perceiver exist in the brain. To use the analogy of the computer screen, these critics argue that cognitive science and psychology have been unsuccessful in identifying either the component in the brain (i.e., "hardware") or the mental processes that store these images (i.e. "software").
Cognitive psychologists and (later) cognitive neuroscientists have empirically tested some of the philosophical questions related to whether and how the human brain uses mental imagery in cognition.
One theory of the mind that was examined in these experiments was the "brain as serial computer" philosophical metaphor of the 1970s. Psychologist Zenon Pylyshyn theorized that the human mind processes mental images by decomposing them into an underlying mathematical proposition. Roger Shepard and Jacqueline Metzler challenged that view by presenting subjects with 2D line drawings of groups of 3D block "objects" and asking them to determine whether that "object" is the same as a second figure, some of which rotations of the first "object". [54] Shepard and Metzler proposed that if we decomposed and then mentally re-imaged the objects into basic mathematical propositions, as the then-dominant view of cognition "as a serial digital computer" [55] assumed, then it would be expected that the time it took to determine whether the object is the same or not would be independent of how much the object had been rotated. Shepard and Metzler found the opposite: a linear relationship between the degree of rotation in the mental imagery task and the time it took participants to reach their answer.
This mental rotation finding implied that the human mind—and the human brain—maintains and manipulates mental images as topographic and topological wholes, an implication that was quickly put to test by psychologists. Stephen Kosslyn and colleagues [56] showed in a series of neuroimaging experiments that the mental image of objects like the letter "F" are mapped, maintained and rotated as an image-like whole in areas of the human visual cortex. Moreover, Kosslyn's work showed that there are considerable similarities between the neural mappings for imagined stimuli and perceived stimuli. The authors of these studies concluded that, while the neural processes they studied rely on mathematical and computational underpinnings, the brain also seems optimized to handle the sort of mathematics that constantly computes a series of topologically-based images rather than calculating a mathematical model of an object.
Recent studies in neurology and neuropsychology on mental imagery have further questioned the "mind as serial computer" theory, arguing instead that human mental imagery manifests both visually and kinesthetically. For example, several studies have provided evidence that people are slower at rotating line drawings of objects such as hands in directions incompatible with the joints of the human body, [57] and that patients with painful, injured arms are slower at mentally rotating line drawings of the hand from the side of the injured arm. [58]
Some psychologists, including Kosslyn, have argued that such results occur because of interference in the brain between distinct systems in the brain that process the visual and motor mental imagery. Subsequent neuroimaging studies [59] showed that the interference between the motor and visual imagery system could be induced by having participants physically handle actual 3D blocks glued together to form objects similar to those depicted in the line-drawings. Amorim et al. have shown that, when a cylindrical "head" was added to Shepard and Metzler's line drawings of 3D block figures, participants were quicker and more accurate at solving mental rotation problems. [60] They argue that motoric embodiment is not just "interference" that inhibits visual mental imagery but is capable of facilitating mental imagery.
As cognitive neuroscience approaches to mental imagery continued, research expanded beyond questions of serial versus parallel or topographic processing to questions of the relationship between mental images and perceptual representations. Both brain imaging (fMRI and ERP) and studies of neuropsychological patients have been used to test the hypothesis that a mental image is the reactivation, from memory, of brain representations normally activated during the perception of an external stimulus. In other words, if perceiving an apple activates contour and location and shape and color representations in the brain’s visual system, then imagining an apple activates some or all of these same representations using information stored in memory. Early evidence for this idea came from neuropsychology. Patients with brain damage that impairs perception in specific ways, for example by damaging shape or color representations, seem to generally to have impaired mental imagery in similar ways. [61] Studies of brain function in normal human brains support this same conclusion, showing activity in the brain’s visual areas while subjects imagined visual objects and scenes. [62]
The previously mentioned and numerous related studies have led to a relative consensus within cognitive science, psychology, neuroscience, and philosophy on the neural status of mental images. In general, researchers agree that, while there is no homunculus inside the head viewing these mental images, our brains do form and maintain mental images as image-like wholes. [63] The problem of exactly how these images are stored and manipulated within the human brain, in particular within language and communication, remains a fertile area of study.
One of the longest-running research topics on the mental image has basis on the fact that people report large individual differences in the vividness of their images. Special questionnaires have been developed to assess such differences, including the Vividness of Visual Imagery Questionnaire (VVIQ) developed by David Marks. Laboratory studies have suggested that the subjectively reported variations in imagery vividness are associated with different neural states within the brain and also different cognitive competences such as the ability to accurately recall information presented in pictures [64] Rodway, Gillies and Schepman used a novel long-term change detection task to determine whether participants with low and high vividness scores on the VVIQ2 showed any performance differences. [65] Rodway et al. found that high vividness participants were significantly more accurate at detecting salient changes to pictures compared to low-vividness participants. [66] This replicated an earlier study. [67]
Recent studies have found that individual differences in VVIQ scores can be used to predict changes in a person's brain while visualizing different activities. [68] Functional magnetic resonance imaging (fMRI) was used to study the association between early visual cortex activity relative to the whole brain while participants visualized themselves or another person bench pressing or stair climbing. Reported image vividness correlates significantly with the relative fMRI signal in the visual cortex. Thus, individual differences in the vividness of visual imagery can be measured objectively.
Logie, Pernet, Buonocore and Della Sala (2011) used behavioural and fMRI data for mental rotation from individuals reporting vivid and poor imagery on the VVIQ. Groups differed in brain activation patterns suggesting that the groups performed the same tasks in different ways. These findings help to explain the lack of association previously reported between VVIQ scores and mental rotation performance.
Beyond visual imagery is the Plymouth Sensory Imagery Questionnaire which measures seven senses. This form of imagery assessment correlates with the VVIQ for visual imagery and shows how other senses vary dependent on individual differences. [69]
Some educational theorists [ who? ] have drawn from the idea of mental imagery in their studies of learning styles. Proponents of these theories state that people often have learning processes that emphasize visual, auditory, and kinesthetic systems of experience.[ citation needed ] According to these theorists, teaching in multiple overlapping sensory systems benefits learning, and they encourage teachers to use content and media that integrates well with the visual, auditory, and kinesthetic systems whenever possible.
Educational researchers have examined whether the experience of mental imagery affects the degree of learning. For example, imagining playing a five-finger piano exercise (mental practice) resulted in a significant improvement in performance over no mental practice—though not as significant as that produced by physical practice. The authors of the study stated that "mental practice alone seems to be sufficient to promote the modulation of neural circuits involved in the early stages of motor skill learning". [70]
Imagery training has been effective in a series of studies, mostly in sport where participants are taught formal skills to improve a mental image. [71] Imagery training has also been effective with individuals with low abilities. [72]
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Mental visualization is used across world religions, particularly as an aid for prayer or meditation.
Opinions on the value of visualization vary within Christianity. In Catholicism, visualization plays a central role in the recitation of the Rosary, where it may be used to visualize Biblical scenes.[ clarification needed ] In Eastern Orthodoxy, however, image-based prayer is generally frowned upon, because it is seen as an opening for demonic influence, and as contradictory to the aims of hesychastic prayer.[ citation needed ]
In general, Vajrayana Buddhism and Bön utilize sophisticated visualization or imaginal (in the language of Jean Houston of Transpersonal Psychology) processes in the Tulpa construction of the yidam sadhana, kye-rim, and dzog-rim modes of meditation and in the yantra, thangka, and mandala traditions, where holding the fully realized form in the mind is a prerequisite prior to creating an 'authentic' new art work that will provide a sacred support or foundation for deity. [73] [74]
Mental imagery can act as a substitute for the imagined experience: Imagining an experience can evoke similar cognitive, physiological, and behavioral consequences as having the corresponding experience in reality. [75] At least four classes of such effects have been documented. [6]
Working memory is a cognitive system with a limited capacity that can hold information temporarily. It is important for reasoning and the guidance of decision-making and behavior. Working memory is often used synonymously with short-term memory, but some theorists consider the two forms of memory distinct, assuming that working memory allows for the manipulation of stored information, whereas short-term memory only refers to the short-term storage of information. Working memory is a theoretical concept central to cognitive psychology, neuropsychology, and neuroscience.
In neuroanatomy, the precuneus is the portion of the superior parietal lobule on the medial surface of each brain hemisphere. It is located in front of the cuneus. The precuneus is bounded in front by the marginal branch of the cingulate sulcus, at the rear by the parieto-occipital sulcus, and underneath by the subparietal sulcus. It is involved with episodic memory, visuospatial processing, reflections upon self, and aspects of consciousness.
The consciousness and binding problem is the problem of how objects, background, and abstract or emotional features are combined into a single experience.
Neuroesthetics is a relatively recent sub-discipline of applied aesthetics. Empirical aesthetics takes a scientific approach to the study of aesthetic experience of art, music, or any object that can give rise to aesthetic judgments. Neuroesthetics is a term coined by Semir Zeki in 1999 and received its formal definition in 2002 as the scientific study of the neural bases for the contemplation and creation of a work of art. Anthropologists and evolutionary biologists alike have accumulated evidence suggesting that human interest in, and creation of, art evolved as an evolutionarily necessary mechanism for survival as early as the 9th and 10th century in Gregorian monks and Native Americans. Neuroesthetics uses neuroscience to explain and understand the aesthetic experiences at the neurological level. The topic attracts scholars from many disciplines including neuroscientists, art historians, artists, art therapists and psychologists.
Visual memory describes the relationship between perceptual processing and the encoding, storage and retrieval of the resulting neural representations. Visual memory occurs over a broad time range spanning from eye movements to years in order to visually navigate to a previously visited location. Visual memory is a form of memory which preserves some characteristics of our senses pertaining to visual experience. We are able to place in memory visual information which resembles objects, places, animals or people in a mental image. The experience of visual memory is also referred to as the mind's eye through which we can retrieve from our memory a mental image of original objects, places, animals or people. Visual memory is one of several cognitive systems, which are all interconnected parts that combine to form the human memory. Types of palinopsia, the persistence or recurrence of a visual image after the stimulus has been removed, is a dysfunction of visual memory.
Auditory imagery is a form of mental imagery that is used to organize and analyze sounds when there is no external auditory stimulus present. This form of imagery is broken up into a couple of auditory modalities such as verbal imagery or musical imagery. This modality of mental imagery differs from other sensory images such as motor imagery or visual imagery. The vividness and detail of auditory imagery can vary from person to person depending on their background and condition of their brain. Through all of the research developed to understand auditory imagery behavioral neuroscientists have found that the auditory images developed in subjects' minds are generated in real time and consist of fairly precise information about quantifiable auditory properties as well as melodic and harmonic relationships. These studies have been able to recently gain confirmation and recognition due to the arrival of Positron emission tomography and fMRI scans that can confirm a physiological and psychological correlation.
Creative visualization is the cognitive process of purposefully generating visual mental imagery, with eyes open or closed, simulating or recreating visual perception, in order to maintain, inspect, and transform those images, consequently modifying their associated emotions or feelings, with intent to experience a subsequent beneficial physiological, psychological, or social effect, such as expediting the healing of wounds to the body, minimizing physical pain, alleviating psychological pain including anxiety, sadness, and low mood, improving self-esteem or self-confidence, and enhancing the capacity to cope when interacting with others.
Neuroanthropology is the study of the relationship between culture and the brain. This field of study emerged from a 2008 conference of the American Anthropological Association. It is based on the premise that lived experience leaves identifiable patterns in brain structure, which then feed back into cultural expression. The exact mechanisms are so far ill defined and remain speculative.
Imagination is the production of sensations, feelings and thoughts informing oneself. These experiences can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes. Imagination helps apply knowledge to solve problems and is fundamental to integrating experience and the learning process. As a way of building theory, it is called "disciplined imagination". A way of training imagination is by listening to storytelling (narrative), in which the exactness of the chosen words is how it can "evoke worlds".
The Vividness of Visual Imagery Questionnaire (VVIQ) was developed in 1973 by the British psychologist David Marks. The VVIQ consists of 16 items in four groups of 4 items in which the participant is invited to consider the mental image formed in thinking about specific scenes and situations. The vividness of the image is rated along a 5-point scale. The questionnaire has been widely used as a measure of individual differences in vividness of visual imagery. The large body of evidence confirms that the VVIQ is a valid and reliable psychometric measure of visual image vividness.
The temporoparietal junction (TPJ) is an area of the brain where the temporal and parietal lobes meet, at the posterior end of the lateral sulcus. The TPJ incorporates information from the thalamus and the limbic system as well as from the visual, auditory, and somatosensory systems. The TPJ also integrates information from both the external environment as well as from within the body. The TPJ is responsible for collecting all of this information and then processing it.
The concept of motor cognition grasps the notion that cognition is embodied in action, and that the motor system participates in what is usually considered as mental processing, including those involved in social interaction. The fundamental unit of the motor cognition paradigm is action, defined as the movements produced to satisfy an intention towards a specific motor goal, or in reaction to a meaningful event in the physical and social environments. Motor cognition takes into account the preparation and production of actions, as well as the processes involved in recognizing, predicting, mimicking, and understanding the behavior of other people. This paradigm has received a great deal of attention and empirical support in recent years from a variety of research domains including embodied cognition, developmental psychology, cognitive neuroscience, and social psychology.
Motor imagery is a mental process by which an individual rehearses or simulates a given action. It is widely used in sport training as mental practice of action, neurological rehabilitation, and has also been employed as a research paradigm in cognitive neuroscience and cognitive psychology to investigate the content and the structure of covert processes that precede the execution of action. In some medical, musical, and athletic contexts, when paired with physical rehearsal, mental rehearsal can be as effective as pure physical rehearsal (practice) of an action.
Recognition memory, a subcategory of explicit memory, is the ability to recognize previously encountered events, objects, or people. When the previously experienced event is reexperienced, this environmental content is matched to stored memory representations, eliciting matching signals. As first established by psychology experiments in the 1970s, recognition memory for pictures is quite remarkable: humans can remember thousands of images at high accuracy after seeing each only once and only for a few seconds.
Guided imagery is a mind-body intervention by which a trained practitioner or teacher helps a participant or patient to evoke and generate mental images that simulate or recreate the sensory perception of sights, sounds, tastes, smells, movements, and images associated with touch, such as texture, temperature, and pressure, as well as imaginative or mental content that the participant or patient experiences as defying conventional sensory categories, and that may precipitate strong emotions or feelings in the absence of the stimuli to which correlating sensory receptors are receptive.
Cultural neuroscience is a field of research that focuses on the interrelation between a human's cultural environment and neurobiological systems. The field particularly incorporates ideas and perspectives from related domains like anthropology, psychology, and cognitive neuroscience to study sociocultural influences on human behaviors. Such impacts on behavior are often measured using various neuroimaging methods, through which cross-cultural variability in neural activity can be examined.
Melvyn Alan Goodale FRSC, FRS is a Canadian neuroscientist. He was the founding Director of the Brain and Mind Institute at the University of Western Ontario where he holds the Canada Research Chair in Visual Neuroscience. He holds appointments in the Departments of Psychology, Physiology & Pharmacology, and Ophthalmology at Western. Goodale's research focuses on the neural substrates of visual perception and visuomotor control.
Audio therapy is the clinical use of recorded sound, music, or spoken words, or a combination thereof, recorded on a physical medium such as a compact disc (CD), or a digital file, including those formatted as MP3, which patients or participants play on a suitable device, and to which they listen with intent to experience a subsequent beneficial physiological, psychological, or social effect.
Social cognitive neuroscience is the scientific study of the biological processes underpinning social cognition. Specifically, it uses the tools of neuroscience to study "the mental mechanisms that create, frame, regulate, and respond to our experience of the social world". Social cognitive neuroscience uses the epistemological foundations of cognitive neuroscience, and is closely related to social neuroscience. Social cognitive neuroscience employs human neuroimaging, typically using functional magnetic resonance imaging (fMRI). Human brain stimulation techniques such as transcranial magnetic stimulation and transcranial direct-current stimulation are also used. In nonhuman animals, direct electrophysiological recordings and electrical stimulation of single cells and neuronal populations are utilized for investigating lower-level social cognitive processes.
Hyperphantasia is the condition of having extremely vivid mental imagery. It is the opposite condition to aphantasia, where mental visual imagery is not present. The experience of hyperphantasia is more common than aphantasia and has been described as being "as vivid as real seeing". Hyperphantasia constitutes all five senses within vivid mental imagery, although literature on the subject is dominated by "visual" mental imagery research, with a lack of research on the other four senses.