Ethiopian chant

Last updated

Ethiopian liturgical chant, or Zema, is a form of Christian liturgical chant practiced by the Ethiopian Orthodox Tewahedo Church. [1] [2] The related musical notation is known as melekket. [3] The tradition began after the sixth century and is traditionally identified with Saint Yared. Through history, the Ethiopian liturgical chants have undergone an evolution similar to that of European liturgical chants.

Contents

Etymology

Zema means a pleasing sound, a song or a melody in Ge'ez, [1] [4] the liturgical language of the Ethiopian Orthodox Tewahedo Church. [5]

History

Saint Yared has been credited with the invention of the musical tradition of Ethiopian liturgical chants. [6] Yared, who lived in the sixth century, represents the first known case of indigenous Ethiopian musical notation and religious music. [7] He invented three forms of chanting. They are known as ararai, ezil and geeze. [8] The Synaxarium of the Ethiopian Church attests that Ethiopian liturgical chants are faithful to Yared and divine in nature. [5]

By the beginning of the sixth century, in Yared's lifetime, Ethiopia had been Christianized. Around that period, the Ethiopian Orthodox Tewahedo Church already had a corpus of prayers. Ethiopian liturgical chants were developed only after that. Book of Deggua , Ethiopian antiphons, in particular are of much later origin, dating from the second half of the 16th century. [5] Most of the Ethiopian Highlands had been Miaphysite Christian since the fourth century. Ancient chanted liturgy with congregation participating with clapping, ululation and rhythmic movements has been retained from that era. [9]

Ethiopian liturgical chants are based on both written and oral sources, [10] but the isolation of Ethiopia and the lack of source material make it difficult to reconstruct the exact history of Ethiopian church music. [11]

The musical notation (melekket) used for the chants, is not a typical notational system since it does not represent pitch or melody. Rather, it is as a mnemonic. Most studies conclude that there has been impressive consistency since the 1500s. It is likely that Ethiopian liturgical chants have undergone an evolution similar to that of European liturgical chants. [3] [10] It can be assumed that the notations have become more and more complex as time has passed. Regional varieties may have become standardized over time, and more symbols and segments of music have become available for composers. [3]

Any form of Ethiopian gospel music was not recorded until the 1950s when priest Mere Geta Lisanework assisted the Ethiopian Radio in recording. [7]

Practice

External media
Audio
Nuvola apps arts.svg Abetu Fetariachin by former members of Temero Mastemar and Meserete Haimanot Spiritual Associations choir, London, from http://www.ethiopianorthodox.org, retrieved 1 April 2017
Nuvola apps arts.svg Meskle Teshekemen, St. Mary Ethiopian Orthodox Tewahedo Church in Los Angeles, from http://www.ethiopianorthodox.org, retrieved 1 April 2017
Video
Nuvola apps kaboodle.svg Saint Yared's Hymn for the Feast of Saint Stephen on YouTube, recorded by Beide Mariam Ejigu Retta at St Stephen's Church in Addis Ababa, retrieved 1 April 2017

Students of Ethiopian liturgical chants study the Ge'ez language, and begin practicing singing in childhood. Education takes place in liturgical dance schools called aqwaqwam bét and includes, in addition to singing and dancing, training in traditional instruments such as the kebero , drums, tsanatsel , sistrum, and mequamia . Singing students (däqä mermur) become singers ( däbtära ) and some will eventually become masters (märigéta). A student is considered ready when he has mastered the complicated genre of qené . [5] It has been suggested by Monneret de Villard that liturgical dance, that always accompanies the music, has its origins in the Ancient Egyptian dance. [11]

Ethiopian Orthodox Christians form approximately 43.5% of the population of modern day Ethiopia. [12] Ethiopian Church music remains tightly bounded within the communities and rarely attracts attention by outsiders. Ethiopian Christian music is largely sustained by communities of descent. [13]

United States

Since the mid-1970s, large-scale emigration of Ethiopians has created a diaspora in the United States. The emigrants brought their secular and liturgical music traditions with them. There is a large concentration of qualified priests (qes) and musicians (däbtära) in Washington, D.C. However, Ethiopian Churches in smaller communities face challenges in maintaining the liturgical cycle and musical tradition. [13]

Notational system

Terms for rates of speed [8]
1. MeregedComparable to largo and grave . Very slow.
2. Nuis-meregedComparable to adagio . Slow.
3. Abiy-tsefatComparable to allegretto . Moderately fast.
4. TsefatComparable to allegro . Fast.
5. ArwastiComparable to prestissimo . Very fast.
Notational signs [8] (ቅርጽ)
1. Yizet (ይዘት)Comparable to staccato .
2. Deret (ደረት)Low and deep voice. Humming at the lowest range of the male voice.
3. Kinat (ቅናት)Comparable to upward glissando .
4. Chiret (ጭረት)Comparable to downward glissando .
5. Difat (ድፋት)Usually means a change to an octave lower.
6. Kurt (ቁርጥ)Comparable to coda .
7. Rikrik (ርክርክ)Comparable to tremolo .
8. Hidet (ሂደት)Comparable to simultaneous accelerando , crescendo and portamento .

See also

Related Research Articles

<span class="mw-page-title-main">Geʽez</span> Ancient Semitic language of Eritrea and Ethiopia

Geʽez is an ancient South Semitic language. The language originates from what is now Ethiopia and Eritrea.

<span class="mw-page-title-main">Ethiopian Orthodox Tewahedo Church</span> Oriental Orthodox Church branch of Ethiopia

The Ethiopian Orthodox Tewahedo Church is the largest of the Oriental Orthodox Churches. One of the few Christian churches in sub-Saharan Africa originating before European colonization of the continent, the Ethiopian Orthodox Tewahedo Church dates back to the Christianization of the Kingdom of Aksum in 330, and has between 36 million and 51 million adherents in Ethiopia. It is a founding member of the World Council of Churches. The Ethiopian Orthodox Tewahedo Church is in communion with the other Oriental Orthodox churches.

Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes.

<span class="mw-page-title-main">Frumentius</span> Phoenician Christian missionary; the first bishop of Axumite Empire

Frumentius was a Phoenician Christian missionary and the first bishop of Axum who brought Christianity to the Kingdom of Aksum. He is sometimes known by other names, such as Abuna and Aba Salama.

<span class="mw-page-title-main">Yared</span> Sixth century Aksumite composer (505–571)

Saint Yared was an Ethiopian Composer in the 6th century. Often credited with being the forerunner of traditional music of Ethiopia, he developed the music of the Ethiopian Orthodox Church and Eritrean Orthodox Church. In a broader context, he helped establish liturgical music in the Coptic Orthodox Church and Syriac Orthodox Church, as well as create the Ethiopian musical notation system. Additionally, he composed Zema, or the chant tradition of Ethiopia, particularly the chants of the Ethiopian-Eritrean Orthodox Tewahedo Churches, which are still performed today.

<span class="mw-page-title-main">Tabot</span> Replica of the Tablets of Law or the Ark of the Covenant in the Ethiopian Orthodox Church

Tabot is a replica of the Ark of the Covenant, and represents the presence of God, in Ethiopian Orthodox and Eritrean Orthodox Churches. Tabot may variously refer to an inscribed altar tablet, the chest in which this tablet is stored, or to the tablet and chest together.

<span class="mw-page-title-main">Geʽez script</span> Script used for languages in Ethiopia and Eritrea

Geʽez is a script used as an abugida (alphasyllabary) for several Afro-Asiatic and Nilo-Saharan languages of Ethiopia and Eritrea. It originated as an abjad and was first used to write the Geʽez language, now the liturgical language of the Ethiopian Orthodox Tewahedo Church, the Eritrean Orthodox Tewahedo Church, the Eritrean Catholic Church, the Ethiopian Catholic Church, and Haymanot Judaism of the Beta Israel Jewish community in Ethiopia. In the languages Amharic and Tigrinya, the script is often called fidäl (ፊደል), meaning "script" or "letter". Under the Unicode Standard and ISO 15924, it is defined as Ethiopic text.

<span class="mw-page-title-main">Ethiopian Catholic Church</span> Eastern Catholic church

The Ethiopian Catholic Church or Ethiopian Eastern Catholic Church is a sui iuris (autonomous) Eastern Catholic church that is based in Ethiopia. As a particular church of the Catholic Church, it is in full communion with the Holy See. Established in 1930, the church is organised under a metropolitan bishop who exercises oversight of a number suffragan dioceses. In its liturgical services, it uses the Alexandrian Rite in the Ge'ez language.

<span class="mw-page-title-main">Christianity in Eritrea</span>

Eritrea as a country and the Eritrean community are multi-religious. Eritrea has two dominant religions, Christianity and Islam.

Peter Jeffery is an American musicologist.

<span class="mw-page-title-main">Orthodox Tewahedo biblical canon</span> Biblical canon used by Ethiopian and Eritrean Orthodox Tewahedo Churches

The Orthodox Tewahedo biblical canon is a version of the Christian Bible used in the two Oriental Orthodox Churches of the Ethiopian and Eritrean traditions: the Ethiopian Orthodox Tewahedo Church and the Eritrean Orthodox Tewahedo Church. At 81 books, it is the largest and most diverse biblical canon in traditional Christendom.

A debtera is an itinerant religious figure in the Ethiopian and Eritrean Orthodox Tewahedo Churches, and the Beta Israel, who sings hymns and dances for churchgoers, and who performs exorcisms and white magic to aid the congregation. A debtera will claim an ecclesiastical identity and behave as in minor orders. They may in fact be officially ordained as deacons, or may act outside the Church hierarchy. They are usually feared by the local population.

<span class="mw-page-title-main">Eritrean Orthodox Tewahedo Church</span> Oriental Orthodox Christian denomination from Eritrea

The Eritrean Orthodox Tewahedo Church is one of the Oriental Orthodox Churches with its headquarters in Asmara, Eritrea. It was given autocephaly by Pope Shenouda III of Alexandria, Pope of the Coptic Orthodox Church, after Eritrea gained its independence from Ethiopia in 1993. Thus, the Eritrean Church accords a primacy of honor to the Coptic Church.

<span class="mw-page-title-main">Giyorgis of Segla</span> Ethiopian Orthodox Tewahedo monk and author of religious book

Giyorgis of Segla, also known as Giyorgis of Gasicha or Abba Giyorgis, was an Ethiopian Oriental Orthodox monk, saint, and author of religious books.

Kay Kaufman Shelemay is the G. Gordon Watts Professor of Music and Professor of African and African American Studies at Harvard University. She received her PhD in Musicology from the University of Michigan and won a Guggenheim Fellowship in 2007. Shelemay was elected to the American Philosophical Society in 2013.

<span class="mw-page-title-main">Bible translations into Geʽez</span> One of the worlds oldest Bible translations

Bible translations into Geʽez, an ancient South Semitic language of the Ethiopian branch, date back to the 6th century at least, making them one of the world's oldest Bible translations.

<span class="mw-page-title-main">Ethiopia in the Middle Ages</span> History of Ethiopia from 7th to 16th centuries

The history of Ethiopia in the Middle Ages roughly spans the period from the decline of the Kingdom of Aksum in the 7th century to the Gondarine period beginning in the 17th century. Aksum had been a powerful empire during late antiquity, appearing in the Periplus of the Erythraean Sea and mentioned by Iranian prophet Mani as one of the "four great kingdoms on earth", along with the Sasanian Empire of Persia, the Roman Empire, and China's Three Kingdoms. The kingdom was an integral part of the trade route between Rome and the Indian subcontinent, had substantial cultural ties to the Greco-Roman world, and was a very early adopter of Christianity under Ezana of Aksum in the mid-4th century. The use of "Ethiopia" to refer to the region dates back to the 4th century. At its height, the kingdom spanned what is now Eritrea, northern Ethiopia, eastern Sudan, Yemen and the southern part of what is now Saudi Arabia. However, by the 7th century, the kingdom had begun a slow decline, for which several possible political, economic, and ecological reasons have been proposed. This decline, which has been termed the "Post-Aksumite Period", saw extreme loss of territory and lasted until the ascension of the Zagwe dynasty.

<span class="mw-page-title-main">Orthodox Tewahedo music</span> Sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church

Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared. It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles.

<span class="mw-page-title-main">Book of Deggua</span> 6th-century hymnary guideline of the Ethiopian and Eritrean Orthodox Tewahedo Church

The Book of Deggua is a hymnary guideline of the Ethiopian and Eritrean Orthodox Tewahedo Churches written by the 6th-century composer Yared. The great Deggua is called Mahlete Yared (treasury).

<span class="mw-page-title-main">Kidase</span> Church service of the Ethiopian and Eritrean Orthodox Tewahedo Church

Kidase is an Orthodox Tewahedo daily worship service originated by the sixth century Aksumite composer Saint Yared hymnary works. The word "Kidase" means thanksgiving to the Lord by mankind and angels alike, which has a purpose of converting the wine and bread into the Holy Sacrament, as this day is eve of Jesus crucifixion.

References

  1. 1 2 "Ethiopian chant | vocal music | Britannica". Encyclopædia Britannica. Retrieved 19 January 2022.
  2. "Zema for Christ". Music In Africa. Retrieved 1 April 2017.[ permanent dead link ]
  3. 1 2 3 Scelta, Gabe F. (2011). "Ethiopian Christian Liturgical Chant & Historical Context" (PDF). University of London. Archived (PDF) from the original on 22 February 2017. Retrieved 1 April 2017.
  4. Jacob Olupona; Regina Gemignani (1 May 2007). African Immigrant Religions in America. NYU Press. p. 213. ISBN   978-0-8147-6212-7.
  5. 1 2 3 4 "Choeur Saint Yared: Chants de L'église Éthiopienne" [Choir of Saint Yared: Songs of the Ethiopian Church] (in French). Maison des Cultures du Monde. Archived from the original on 10 April 2017. Retrieved 1 April 2017.
  6. Howard, Sarah (4 January 2011). Ethiopia - Culture Smart!: The Essential Guide to Customs & Culture. Kuperard. p. 64. ISBN   978-1-85733-620-7.
  7. 1 2 "Zema for Christ". Music In Africa. Retrieved 1 April 2017.[ permanent dead link ]
  8. 1 2 3 "The Ethiopian Orthodox Tewahedo Church". Archived from the original on 1 April 2017. Retrieved 1 April 2017.
  9. Tribe, Tania (1 January 2000). "Ethiopian Christian Liturgical Chant". Journal of Religion in Africa. 30 (487). Leiden: 487–490. doi:10.1163/157006600X00438. Archived from the original on 19 January 2022. Retrieved 1 April 2017.
  10. 1 2 Kay Kaufman Shelemay; Peter Jeffery; Ingrid Monson (January 1993). "Oral and Written Transmission in Ethiopian Christian Chant" (PDF). Early Music History. 12. Cambridge University Press: 55–117. doi:10.1017/S0261127900000140. S2CID   193208295. Archived (PDF) from the original on 10 April 2017. Retrieved 1 April 2017.
  11. 1 2 Tamrat, Taddesse (1985). "A short Note on the Ethiopian Church Music". Annales d'Ethiopie. 13 (1): 137–143. doi:10.3406/ethio.1985.928.
  12. "2007 Ethiopian census, first draft" (PDF). Ethiopian Central Statistical Agency. Archived from the original (PDF) on 4 June 2012. Retrieved 6 May 2009.
  13. 1 2 Shelemay, Kay Kaufman (2009). Music in the Ethiopian American Diaspora: A Preliminary Overview (PDF). Trondheim: Norwegian University of Science and Technology. Archived from the original (PDF) on 1 April 2016. Retrieved 5 April 2017.

Further reading