This article includes a list of general references, but it lacks sufficient corresponding inline citations .(May 2016) |
The Shutov Assembly | ||||
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Studio album by | ||||
Released | 10 November 1992 (US, Germany) 28 June 2005 (re-issue) | |||
Recorded | 1985–1990 | |||
Genre | Ambient, dark ambient | |||
Length | 57:04 | |||
Label | Warner (Opal) All Saints Records (re-issue) | |||
Producer | Brian Eno | |||
Brian Eno chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [1] |
Drowned in Sound | 7/10 [2] |
Pitchfork | 5.8/10 [3] |
PopMatters | 9/10 [4] |
Q | [5] |
Tom Hull – on the Web | B− [6] |
Uncut | [7] |
The Shutov Assembly is the twelfth solo studio album by Brian Eno, released on 10 November 1992 on Opal via Warner Bros. Records. One of Eno's ambient albums, it was reissued in 2014 with a second disc with bonus tracks. It is considered the follow-up to Nerve Net , which was released that same year.
The album is dedicated to Russian artist Sergei Shutov, and was created as an assembly of tracks for him, as he had mentioned to Eno the difficulty he had of getting Eno's music in the then-communist Russia.
Shutov is a Russian painter who I know in Moscow, and a while ago he gave me a painting as a present. He uses my music in his studio a lot; he's got a little blaster there, and plays my music as he's working. So I thought I’d put together a tape for him of unreleased pieces from the past few years. I kept a copy of the tape, and when I started playing it I started to enjoy it and see a thread running through the pieces that I hadn't really seen before. They’d never been put together before, you see. [8]
On the rear cover of the CD, the ten tracks of nine letters are arranged in a grid as seen in a word search puzzle.
The album's Rykodisc entry describes it as "a journey through Eno's sumptuous audio-visual installations from around the world, each track touching down on a particular event and atmosphere." [10]
Talking to Mojo magazine in 1998, Eno explained that The Shutov Assembly tracks were originally proposals for orchestral pieces. The Netherlands Metropole Orkest played two performances of the music in June 1999, orchestrated by Steve Gray, at the Holland Festival, which ran from 5 to 26 June in Amsterdam, the first of which was broadcast live on Dutch radio.
Though the music can certainly be classified amongst his other ambient works, most of the compositions have a certain "dark" feel to them. In an interview, Eno said "it's the association with danger that I didn't use to like, and it's exactly that, what I do like now". [11]
Country | Label | Cat. No. | Media | Release Date |
---|---|---|---|---|
US | Opal/Warner Bros | 9-45010-2 | CD | 1992 |
US | Rykodisc/All Saints | 42/HNCD 1478 | CD | 2004 |
US | Hannibal | 1478 | CD | 2005 |
Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released in March 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting". While not Eno's earliest entry in the style, it is credited with coining the term.
Thursday Afternoon is the tenth solo studio album by Brian Eno, released in October 1985 on EG Records. Consisting of one 60-minute eponymous composition, it is the rearranged soundtrack to an 80-minute video production of the same title made in 1984.
Here Come the Warm Jets is the debut solo album by Brian Eno, released on Island Records on 8 February 1974. It was recorded and produced by Eno following his departure from Roxy Music, and blends glam and pop stylings with avant-garde approaches. The album features numerous guests, including several of Eno's former Roxy Music bandmates along with members of Hawkwind, Matching Mole, Pink Fairies, Sharks, Sweetfeed, and King Crimson. Eno employed unusual directions and production methods to coax unexpected results from the musicians.
Another Day on Earth is the twenty-second solo studio album by Brian Eno, released on 13 June 2005 in the UK and Europe through Hannibal Records, and on 14 June 2005 in the US. The album predominantly recorded and mixed on Macintosh software, using Logic Pro, over a period of four years.
My Life in the Bush of Ghosts is the first collaborative studio album by Brian Eno and David Byrne, released in February 1981. It was Byrne's first album without his band Talking Heads. The album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded before Eno and Byrne's work on Talking Heads' 1980 album Remain in Light, but problems clearing samples delayed its release by several months.
Nerve Net is the eleventh solo studio album by Brian Eno, released on 1 September 1992 on Opal and Warner Bros. Records. It marked a return to more rock-oriented material, mixed with heavily syncopated rhythms, experimental electronic compositions and occasional elements of jazz. The ambient sensibility is still present on several tracks, though it is often darker and moodier than the pieces Eno is best known for.
Sound + Vision is the first box set by English musician David Bowie, released by Rykodisc in 1989. By the end of the 1980s, the rights to Bowie's pre-1983 catalogue reverted to Bowie and his former management company, MainMan. Rykodisc had approached Bowie in 1988 to re-release his albums on CD and Bowie agreed, and in September 1989 the Sound + Vision box set was released. By April 1990, the box set had sold over 200,000 copies, which, for a set costing $50–$60, was considered "phenomenal".
Fame and Fashion is a compilation album by English musician David Bowie, issued in 1984 by RCA Records featuring songs recorded from 1969's David Bowie through 1980's Scary Monsters. It was released on LP, cassette, and CD formats. The subtitle "David Bowie's All-Time Greatest Hits" appears along with the title on LP and cassette labels, as well as on the CD face and inserts.
Fourth World, Vol. 1: Possible Musics is an album by Jon Hassell and Brian Eno. It was recorded at Celestial Sounds in New York City and released in 1980 by Editions EG, an imprint label of E.G. Records. "Fourth world music" is a musical aesthetic described by Hassell as "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." The album received praise from many critics.
Music for Civic Recovery Centre is the nineteenth solo studio album by Brian Eno, released in 2000. Part of Eno's Quiet Club series of Installations, is Eno's third release that has a sole composition.
Kite Stories is the eighteenth solo studio album from Brian Eno, released in 1999 by Opal Music.
I Dormienti is the seventeenth solo studio album Brian Eno, released in 1999. It is also the title of an art-book by Eno and Italian painter, sculptor and set designer Mimmo Paladino, released in 2000, packaged with a copy of the album and featuring pictures & sketches of the installation from which the music is drawn. The music on the album is taken from an installation that took place at the undercroft of the Roundhouse, Chalk Farm Road, Camden, London, from 9 September to 6 October 1999.
"Compact Forest Proposal" is the twentieth solo studio album from Brian Eno, released in February 2001.
Spinner is an instrumental album by British musicians Brian Eno and Jah Wobble, released in 1995.
The Drop is the fourteenth solo studio album by Brian Eno, released on 7 July 1997 through All Saints Records. The album continues in the same style as much of his work of the period exploring impressionistic, ambient instrumental soundscapes rather than more conventional songwriting. The 2014 reissue includes the 77 Million Paintings album as a bonus disc and edits the track "Iced World" from its original 32 minutes down to 18 minutes – the same duration on both vinyl and CD.
Neroli is the thirteenth solo studio album by Brian Eno, released on August 3, 1993 by All Saints Records. It is Eno's second album to feature a sole ambient, continuous work throughout.
Tracks and Traces is a collaborative album by German kosmische supergroup Harmonia and British musician Brian Eno, initially credited to Harmonia 76. Eno joined the group at Harmonia's studio in Forst, Germany for the September 1976 recording sessions.
Textures is a 1989 album by British musician Brian Eno, consisting of edited and unedited ambient music produced exclusively for licensed use in television programs and films. It was not commercially released to the public.
Brian Peter George St John le Baptiste de la Salle Eno, also mononymously known as Eno, is an English musician, songwriter, record producer and visual artist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
Music to Be Born By is an album by percussionist Mickey Hart that is based on the fetal heartbeat of his son Taro Hart, who was born on January 13, 1983. The album was released in 1989 by Rykodisc, and was later reissued by Smithsonian Folkways as part of their Mickey Hart Collection.