Overview
The album is dedicated to Russian artist Sergei Shutov, and was created as an assembly of tracks for him, as he had mentioned to Eno the difficulty he had of getting Eno's music in the then-communist Russia.
Shutov is a Russian painter who I know in Moscow, and a while ago he gave me a painting as a present. He uses my music in his studio a lot; he's got a little blaster there, and plays my music as he's working. So I thought I’d put together a tape for him of unreleased pieces from the past few years. I kept a copy of the tape, and when I started playing it I started to enjoy it and see a thread running through the pieces that I hadn't really seen before. They’d never been put together before, you see. [8]
On the rear cover of the CD, the ten tracks of nine letters are arranged in a grid as seen in a word search puzzle.
- Triennale – Milan festival where Eno had an installation in 1985.
- Alhondiga – Spanish installation in 1988.
- Markgraph – German exhibition music & light company that helps with installations.
- Lanzarote – Canary Islands, host to a yearly music festival. Originally released as "Glint (East of Woodbridge)" on flexi disc in ARTFORUM Magazine, 1986. [9]
- Francisco – Installation at the Exploratorium in 1988.
- Riverside – Riverside Studios in London was the site of a 1986 installation.
- Innocenti – 1987 Florence installation (In Harmonic Space).
- Stedelijk – Amsterdam museum with the video installation of Mistaken Memories of Mediaeval Manhattan .
- Ikebukuro – Tokyo installation in 1989.
- Cavallino – Venice gallery with 1985 installation
The album's Rykodisc entry describes it as "a journey through Eno's sumptuous audio-visual installations from around the world, each track touching down on a particular event and atmosphere." [10]
The music
Talking to Mojo magazine in 1998, Eno explained that The Shutov Assembly tracks were originally proposals for orchestral pieces. The Netherlands Metropole Orkest played two performances of the music in June 1999, orchestrated by Steve Gray, at the Holland Festival, which ran from 5 to 26 June in Amsterdam, the first of which was broadcast live on Dutch radio.
Though the music can certainly be classified amongst his other ambient works, most of the compositions have a certain "dark" feel to them. In an interview, Eno said "it's the association with danger that I didn't use to like, and it's exactly that, what I do like now". [11]
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