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Joy of a Toy | ||||
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Studio album by | ||||
Released | November 1969 | |||
Recorded | 17 June – 11 September 1969 | |||
Studio | Abbey Road Studios, London | |||
Genre | Progressive rock [1] | |||
Length | 41:38 | |||
Label | Harvest | |||
Producer | Kevin Ayers & Peter Jenner | |||
Kevin Ayers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
Rolling Stone | [3] |
The Times | [4] |
Joy of a Toy is the debut solo album of Kevin Ayers, a founding member of Soft Machine. He is accompanied on the LP by pianist and arranger David Bedford as well as his erstwhile Soft Machine colleagues Robert Wyatt and Mike Ratledge, and his eventual replacement Hugh Hopper, who had previously worked with him in the semi-pro band Wilde Flowers. Among the session musicians are cellist and arranger Paul Buckmaster, jazz bassist Jeff Clyne, oboist Paul Minns (of Third Ear Band) and drummer Rob Tait (formerly of Pete Brown and His Battered Ornaments before going on to join Vinegar Joe).
After a Soft Machine tour of the US with the Jimi Hendrix Experience, Ayers had decided to retire from the music business. Hendrix, however, presented Ayers with an acoustic Gibson J-200 guitar on the condition that he continue his songwriting. Ayers repaired to a small London flat where he composed and arranged a whole LP which was then presented to Malcolm Jones' fledgling Harvest label, where it was produced by Peter Jenner for the then exorbitant sum of £4000 (equivalent to £83,200in 2023 [5] ).
Joy of a Toy featured many of Ayers' most enduring songs from "The Lady Rachel" to "Girl on a Swing", the latter still regularly covered by artists to this day such as Candie Payne and The Ladybug Transistor. It was on Joy that Ayers developed his sonorous vocal delivery, an avant-garde song construction and an affection for unusual instrumentation, that would have a deep influence far into the 1970s and up to the end of his career. He was assisted in this latter undertaking by David Bedford, who provided the musical arrangements for the album as well as playing piano and other keyboards.
For the recording of Syd Barrett's first solo album The Madcap Laughs , Soft Machine were brought in to do overdubs for a few of Barrett's tracks. [6] It was during this time that Barrett recorded a guitar part for the track "Religious Experience", [7] (later titled "Singing a Song in the Morning"); this version was not released until the 2003 reissue of Joy. [6]
All tracks are written by Kevin Ayers
No. | Title | Length |
---|---|---|
1. | "Joy of a Toy Continued" | 2:53 |
2. | "Town Feeling" | 4:51 |
3. | "The Clarietta Rag" | 3:20 |
4. | "Girl on a Swing" | 2:49 |
5. | "Song for Insane Times" | 4:01 |
No. | Title | Length |
---|---|---|
1. | "Stop This Train (Again Doing it)" | 6:06 |
2. | "Eleanor's Cake (Which Ate Her)" | 2:53 |
3. | "The Lady Rachel" | 5:17 |
4. | "Oleh Oleh Bandu Bandong" | 5:35 |
5. | "All This Crazy Gift of Time" | 3:53 |
Total length: | 41:38 |
No. | Title | Length |
---|---|---|
11. | "Religious Experience (Singing a Song in the Morning)" (take 9, previously unreleased) | 4:46 |
12. | "The Lady Rachel" (extended first mix, previously unreleased) | 6:42 |
13. | "Soon Soon Soon" | 3:23 |
14. | "Religious Experience (Singing a Song in the Morning)" (take 103, featuring Syd Barrett, previously unreleased) | 2:51 |
15. | "The Lady Rachel" (single version) | 4:51 |
16. | "Singing a Song in the Morning" (single version) | 2:55 |
Total length: | 1:07:06 |
Shortly after Barrett's death, Ayers told Mojo magazine that when Barrett arrived at the studio: "....he was out-of-it....wasn't able to tune his guitar or find the chords". A third guitar is present on track 14 [take 103], most noticeably at 0:54-1:03, 1:37-1:42 and 2:34-2:51.[ citation needed ]
Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge, Robert Wyatt, Kevin Ayers, Daevid Allen and Larry Nowlin. As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive and jazz rock, becoming a purely instrumental band in 1971. The band has undergone many line-up changes, with musicians such as Andy Summers, Hugh Hopper, Elton Dean, John Marshall, Karl Jenkins, Roy Babbington and Allan Holdsworth being members during the band's history. The current line-up consists of John Etheridge, Theo Travis, Fred Thelonious Baker and Asaf Sirkis.
Kevin Ayers was an English singer-songwriter who was active in the English psychedelic music movement. Ayers was a founding member of the psychedelic band Soft Machine in the mid-1960s, and was closely associated with the Canterbury scene. He recorded a series of albums as a solo artist and over the years worked with Brian Eno, Syd Barrett, Bridget St John, John Cale, Elton John, Robert Wyatt, Andy Summers, Mike Oldfield, Nico and Ollie Halsall, among others. After living for many years in Deià, Mallorca, he returned to the United Kingdom in the mid-1990s before moving to the south of France. His last album, The Unfairground, was released in 2007. The British rock journalist Nick Kent wrote: "Kevin Ayers and Syd Barrett were the two most important people in British pop music. Everything that came after came from them."
Sir Karl William Pamp Jenkins,, HonFLSW is a Welsh multi-instrumentalist and composer. His best known works include the song "Adiemus", Palladio (1995), The Armed Man (2000), his Requiem (2005) and his Stabat Mater (2008).
Hugh Colin Hopper was a British progressive rock and jazz fusion bass guitarist. He was a prominent member of the Canterbury scene, as a member of Soft Machine and other bands.
Opel is a 1988 album compiled from recordings made by former Pink Floyd frontman Syd Barrett between 1968 and 1970. The album is a compilation of unreleased material and alternative takes of recordings from sessions for Barrett's solo albums, The Madcap Laughs and Barrett.
The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a lengthy recording history, with work beginning in May 1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner, Malcolm Jones, and fellow Pink Floyd members David Gilmour and Roger Waters. Among the guest musicians are Willie Wilson from Gilmour's old band Jokers Wild and several members of Soft Machine.
Volume Two is the second album by The Soft Machine, released in 1969. The album combined humour, dada, psychedelia and jazz. In 2000 it was voted number 715 in Colin Larkin's All Time Top 1000 Albums.
"Octopus" is a song by Syd Barrett. In January 1970 it appeared on his first solo album The Madcap Laughs.
The Soft Machine is the debut album by the British psychedelic rock band Soft Machine, released in 1968. It is the group's only album to feature Kevin Ayers as a member.
Roger Keith "Syd" Barrett was an English singer, guitarist and songwriter who co-founded the rock band Pink Floyd in 1965. Until his departure in 1968, he was Pink Floyd's frontman and primary songwriter, known for his whimsical style of psychedelia, English-accented singing, and stream-of-consciousness writing style. As a guitarist, he was influential for his free-form playing and for employing effects such as dissonance, distortion, echo and feedback.
Picnic – A Breath of Fresh Air is a sampler issued by the Harvest Records label, originally released in 1970 and notable for including the previously unreleased Pink Floyd song, "Embryo".
Shooting at the Moon is the second solo album of Kevin Ayers, on Harvest Records. David Ross Smith of AllMusic writes:
A snapshot of the era, the album is saturated with original ideas, experimentation, and lunacy, all powered by the bottled grape.
Whatevershebringswesing is the third solo album by Kevin Ayers, on Harvest Records.
Bananamour is the fourth studio album by Kevin Ayers and it featured some of his most accessible recordings, including "Shouting in a Bucket Blues" and his whimsical tribute to Syd Barrett, "Oh! Wot A Dream". After Whatevershebringswesing, Ayers assembled a new band anchored by drummer Eddie Sparrow and bassist Archie Legget and employed a more direct lyricism. The centrepiece of the album is "Decadence", his withering portrait of Nico: "Watch her out there on display / Dancing in her sleepy way / While all her visions start to play / On the icicles of our decay / And all along the desert shore / She wanders further evermore / The only thing that's left to try / She says to live I have to die." The song was later covered by the Australian psychedelic rock band The Church on their 1999 album A Box of Birds.
Yes We Have No Mañanas is the seventh studio album by Kevin Ayers, released in June 1976. This LP marked Kevin Ayers' return to the leftfield Harvest label. Producer Muff Winwood employed a straightforward pop production that clipped some of Ayers' usual eccentricities from the tapes.
"Joy of a Toy" was the first USA single by the psychedelic rock band Soft Machine. It was released in 1968 to promote the group's debut album The Soft Machine. The single features edited versions of two songs, both being the only known mono mixes from that album. Kevin Ayers would employ the song's title for his debut solo album, Joy of a Toy, a year later, even though it does not feature the song. According to Rob Chapman, the title of the A-side was taken from the name of an otherwise unrelated composition by Ornette Coleman.
"Singing a Song in the Morning" was the first solo single released by Kevin Ayers, one of the founding members of the band Soft Machine. It was issued three months after Ayers' debut solo LP Joy of a Toy, and the artist was credited on the record label as Kevin Ayers and the Whole World. Although the song was not included on the original Joy of a Toy album, the single's B-side, "Eleanor's Cake ", was on the album.
'68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013.
Things May Come and Things May Go but the Art School Dance Goes on Forever is the first album by Pete Brown and Piblokto!, released in 1970 on Harvest Records. The title and cover celebrate Brown's art school background.
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