Peter Jenner | |
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 2013 Woodstock, by Ralf Lotys | |
| Born | Peter Julian Jenner 3 March 1943 (age 80) Bath, Somerset, England |
| Alma mater | Sidney Sussex College, Cambridge |
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Peter Julian Jenner (born 3 March 1943) [1] is a British music manager and a record producer. Jenner, Andrew King and the original four members of Pink Floyd were partners in Blackhill Enterprises.
Peter Jenner is the son of William Jack Jenner, a vicar, and grandson of British Labour Party Politician Frank Wise. Jenner was educated at Westminster School and Sidney Sussex College, Cambridge, where he attained a first-class honours degree in Economics in 1963, aged 20. [2] [3] Appointed as a lecturer at the London School of Economics, after four years he left to manage the then up-and-coming band Pink Floyd. Jenner put on a number of free concerts in London's Hyde Park which included the 1969 concert by The Rolling Stones. [4] He was asked to manage David Bowie, but turned the offer down.[ citation needed ]
 | This section of a biography of a living person does not include any references or sources .(June 2022) |
John "Hoppy" Hopkins, Peter Jenner, Joe Boyd, Ron Atkins, Barry Miles, Michael de Freitas, John Michell, Julie Felix, Michael Horovitz and Nigel Waymouth and others, met at Hoppy's flat in Queensway, London, twice a month. Inspired by the American Free Universities and the Victorian Jewish Free School in Spitalfields, the group wanted to offer a wide range of classes including photography, music, and mental health. Everyone involved had had some form of further education but felt that it wasn't what it set out to be and wasn't very good. So they set out to create a school that did the opposite. They set up the first meeting on 8 March 1966 and 120 people turned up, 50 expressing an interest in lessons. Over the spring and summer months, classes began. They were not official classes, more just people sitting and talking and smoking. By the autumn, things picked up and there were too many people wanting to attend. Rhaune Laslett offered the free school the use of her house for classes. The Free School needed funding, so Jenner set up a Pink Floyd at All Saints Hall in September. It was not a big hall: it could not hold more than 300 people. This was when Pink Floyd started the course to fame. By Christmas, the events were getting centre-page spreads in the Melody Maker .
Laslett later went on to work with the London Free School to set up the first Notting Hill Fayre. Talk of a carnival-style celebration floated around a few discussions about how to promote the Free School and the idea bloomed from there. Michael De Frietas suggested moving an indoor Trinidadian celebration to the streets around Portobello Road. Once everything was organised and in place, two musicians, Dave Tomlin and Joe Gannon led a small procession down Portobello Road to promote the fayre. Initially intended as a children's event, the fayre began with a small pageant procession starting at Tavistock Square and passing through Ladbroke Grove, Notting Hill Gate, Westbourne Grove, and Acklam Road.
Alongside childhood friend and music producer Andrew King, Jenner co-founded Blackhill Enterprises, in 1966, where they produced songs and albums for Pink Floyd, T. Rex, Ian Dury, Roy Harper, The Clash, The Disposable Heroes of Hiphoprisy, Robyn Hitchcock, Baaba Maal, Sarah Jane Morris, Denzil, Susheela Raman and Eddi Reader (Fairground Attraction). Jenner has also managed Billy Bragg for more than 30 years and still acts as his advisor/consultant.[ when? ]. [4] While managing Ian Dury and the Blockheads, Jenner was the co-producer of the albums New Boots and Panties and Do It Yourself .
Jenner set up Blackhill Enterprises with King and his wife, Sumi Nishihata (1935-2006), [5] in 1966 after discovering Pink Floyd. Blackhill Enterprises set up Pink Floyd's Games for May concert, the first pop concert in South Bank, in 1967. With support from MPs, such as Ben Whittaker, Blackhill was able to set up the first Hyde Park Free Festival. [6] The concerts were held in June, July and August in 1968. 120,000 people gathered in the park to see artists such as Pink Floyd, Roy Harper, and Tyrannosaurus Rex. About the festival, Jenner said, "The main reason we do them is because we feel a great interest in the importance of pop music in Britain". The free festivals continued for another eight years. Blackhill Enterprises disintegrated in 1981.
Jenner was also a contributor to the Blackhill Bullshit, [7] a magazine which was distributed to concert promoters and agents in order publicise artists. The first issues were edited by Hugh Nolan, but it was taken over by Adrian Boot, who also designed the artwork layout. Jenner is featured in an interview with Edgar and Steve Broughton in the magazine's sixth issue.
Pink Floyd, then an unknown band, began to receive paid bookings including at the Marquee Club in March 1966 where they were watched by Jenner. The band played mostly rhythm and blues songs, but Jenner was impressed with the strange acoustic effects that Barrett and Wright created during their performance. [8] Jenner traced Waters and Mason to their flat, [9] and with his business partner and friend Andrew King was subsequently invited to become their manager. Although the pair had little experience of the music industry, they shared an appreciation of music, as well as a childhood history. Using inherited money they set up Blackhill Enterprises [10] and purchased new instruments for the band, as well as equipment which included a Selmer PA system. [11] Under their guidance, Pink Floyd began performing on London's underground music scene, notably at a venue booked by the London Free School in Notting Hill, as well as the notorious "Games For May" concert at London's Queen Elizabeth Hall on 12 May 1967, an event set up by both Jenner and King. [12] Jenner and King's diverse array of social connections were meritorious, gaining the band important coverage in The Financial Times and The Sunday Times . [13] Jenner's voice can be heard at the start of Pink Floyd's 1967 "Astronomy Domine", the opening track on the album The Piper at the Gates of Dawn (UK edition). [14]
As the relationship between Syd Barrett and the other three members of Pink Floyd deteriorated, Jenner and King, believing Barrett to be the principal songwriter and the main creative force in the band, chose to continue to manage Barrett's career, while permitting Waters, Mason, Wright, and new addition Gilmour, to continue to operate under the name Pink Floyd. [15] Jenner and King parted company with Pink Floyd and continued as the managers of Barrett and other British rock bands. [10]
After Blackhill Enterprises disintegrated in the early 1980s, Jenner and Sumi set up Sincere Management, located on Bravington Road in West Kilburn, which managed a range of artists including Billy Bragg, Eddi Reader, Sarah Jane Morris, Robyn Hitchcock, The Unbending Trees, Sid Griffin and Outside Royalty. [5]
Jenner was an executive of the International Music Manager's Forum until 2006, [4] and a director of the UK Music Managers' Forum. Jenner was involved in the Featured Artists Coalition. [16]
In August 2010, he wrote for the Labour Uncut website, during the guest editorship of Tom Watson MP. [17]
Jenner has been a regular commentator on copyright and the music industry. Amongst others he was interviewed on copyright by NetzpolitikTV [18] and for the documentary Good Copy Bad Copy . [19] An extensive interview with the Future of Music Coalition about copyright and technology is available as a podcast as part of the Coalition's podcast series. [20] In this, he explains that new technology is the future of the music industry and that 'copyright is going to die because no-one will enforce it'.
Jenner has been critical of Digital Rights Management (DRM). He has argued that in response to Napster the music industry invested heavily in DRM. He argues that the music industry "persuaded themselves they could follow these files around and every time they were used a small amount of money would come magically to the companies. And then everything would be fantastic. But of course it did not work out that way because the public hates DRM as it stops them doing things they want to do in the digital domain." [21] Jenner has long argued that governments should impose blanket licences for music online to counter copyright infringement, with a fee being collected by internet service providers (ISPs). He reasoned that "If we can get £1 a month from every person in this island for music, that would give us £60 million a month," which according to Jenner comes close to the revenues of the music industry in the UK. [22]
In 2006, [23] Jenner wrote a paper, and gave a conference, called 'Beyond the Soundbytes', where he proposed an 'access to music charge', which is a compensation for artists, while removing any attraction and use of unauthorised digital music sites.
More recently,[ when? ] Jenner has been involved in efforts to build a music rights registry at European Union level, and has argued for an international music registry, supported by the World Intellectual Property Organization (WIPO). According to Jenner, "we don't know who owns what and where" and this holds back the copyright licensing of music online. Jenner now wants to see a wide variety of online music services and business models being licensed, through a mixture of blanket licences and individual licences. Jenner argues that copyright, and intellectual property more generally, is a system which ensures that people get paid. He argues that "Intellectual property is not something like a chair." [21]
The Piper at the Gates of Dawn is the debut studio album by English rock band Pink Floyd, released on 4 August 1967 by EMI Columbia. It is the only Pink Floyd album made under the leadership of founder member Syd Barrett ; he wrote all but three tracks, with additional composition by members Roger Waters, Nick Mason (drums), and Richard Wright. The album followed the band's influential performances at London's UFO Club and their early chart success with the 1967 non-album singles "Arnold Layne" and "See Emily Play".
A Saucerful of Secrets is the second studio album by English rock band Pink Floyd, released on 28 June 1968 by EMI Columbia in the UK and on 27 July 1968 in the US by Tower Records. The mental health of singer and guitarist Syd Barrett deteriorated during recording, so guitarist David Gilmour was recruited; Barrett left the band before the album's completion.
Blackhill Enterprises was a rock music management company, founded as a partnership by the four original members of Pink Floyd, with Peter Jenner and Andrew King.
The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a lengthy recording history, with work beginning in May 1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner, Malcolm Jones, and fellow Pink Floyd members David Gilmour and Roger Waters. Among the guest musicians are Willie Wilson from Gilmour's old band Jokers Wild and several members of Soft Machine.
"Interstellar Overdrive" is an instrumental composition written and performed by the English rock band Pink Floyd. The song was written in 1966 and is on their 1967 debut album, The Piper at the Gates of Dawn, clocking in at almost ten minutes in length. It features long sections of free-form instrumental improvisation reflective of the group's live performances.
"Set the Controls for the Heart of the Sun" is a song by the English rock band Pink Floyd, appearing on their second album, A Saucerful of Secrets (1968). It was written by Roger Waters, taking lyrics from a Chinese poetry book, and features a drum part by Nick Mason played with timpani mallets. It is the only song recorded by Pink Floyd to feature material from all five band members, as there are several different guitar parts recorded by both David Gilmour and Syd Barrett, although the guitar parts are buried in the mix.
Steve O'Rourke was an English music manager and racing driver. He was the manager of Pink Floyd, a position he held from 1968 until his death. Among his accomplishments was negotiating Pink Floyd's split with bass player and main songwriter Roger Waters.
"Jugband Blues" is a song by English rock band Pink Floyd, released on their second album, A Saucerful of Secrets, in 1968. Written by Syd Barrett, it was his sole compositional contribution to the album, as well as his last published for the band. Barrett and Pink Floyd's management wanted the song to be released as a single, but were vetoed by the rest of the band and producer Norman Smith.
"Arnold Layne" is a song by English rock band Pink Floyd. Released on 10 March 1967, it was the band's first single and was written by Syd Barrett.
"Astronomy Domine" is a song by the English rock band Pink Floyd. The song, written and composed by the original vocalist/guitarist Syd Barrett, is the opening track on their debut album, The Piper at the Gates of Dawn (1967). The lead vocal was sung by Barrett and the keyboard player Richard Wright. Its working title was "Astronomy Dominé ". "Domine" is a word frequently used in Gregorian chants.
In their live performances, from the mid-60s until their very last concerts several decades later, Pink Floyd was known to utilize immersive live visuals. Pink Floyd set standards in sound quality with innovative use of sound effects and panning quadrophonic speaker systems.
Roger Keith "Syd" Barrett was an English singer, guitarist and songwriter who co-founded the rock band Pink Floyd in 1965. Barrett was the band's frontman and primary songwriter, known for his whimsical style of psychedelia, English-accented singing, and stream-of-consciousness writing style. As a guitarist, he was influential for his free-form playing and for employing effects such as dissonance, distortion, echo and feedback.
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics and elaborate live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time.
Games for May was a rock music concert that took place at the Queen Elizabeth Hall on 12 May 1967, three months after the venue opened. It was one of the first significant concert events held by Pink Floyd. The show was organized by Pink Floyd managers Andrew King and Peter Jenner of Blackhill Enterprises, and promoted by classical music promoter Christopher Hunt.
"Vegetable Man" is a song by the English rock band Pink Floyd, written by the frontman, Syd Barrett, and recorded in 1967. It was considered for a release as a single or for inclusion on their second album, A Saucerful of Secrets, but went unreleased. Bootlegged for decades, the song did not have an official release until 2016, when it was included on the box set The Early Years 1965–1972.
Pink Floyd World Tour 1968 was a Pink Floyd world tour spanning February to December 1968 in which the group visited Europe and North America.
Richard William Wright was an English musician who co-founded the progressive rock band Pink Floyd. He played keyboards and sang, appearing on almost every Pink Floyd album and performing on all their tours. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Pink Floyd.
Andrew King is a music manager, formerly for Blackhill Enterprises, where he co-managed Pink Floyd and others.
The London Free School (LFS) was founded on 8 March 1966, principally by John "Hoppy" Hopkins and Rhaune Laslett.
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