San Francisco | |
---|---|
Directed by | Anthony Stern |
Written by | Anthony Stern |
Produced by | Iris Sawyer Jeremy Mitchell Alan Callan |
Cinematography | Anthony Stern |
Edited by | Anthony Stern Anthony Sloman |
Music by | Pink Floyd |
Production company | |
Release date |
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Running time | 15 min |
Country | United Kingdom |
San Francisco is a 1968 impressionistic documentary short film directed by Anthony Stern. [1] [2]
The film, cut to a version of "Interstellar Overdrive" as performed by Pink Floyd in 1966, [3] pioneered the use of 16mm single frame cinematography in the late 1960s.[ citation needed ]
The film was produced by the British Film Institute (BFI) and by Iris Sawyer, Jeremy Mitchell and Alan Callan. [4]
The Monthly Film Bulletin wrote: "Anthony Stern's film revives the 'city symphony', a genre as old as avant-garde film-making. The city images he chooses range from the banal (supermarkets, neon signs) and the tourist cliché to a specially staged pseudo-occult game involving a nude girl. However, the subject is no more than an excuse for a display of virtuoso technique, whose speed is presumably in response to the frenetic pace of city life – an observation neither novel nor especially relevant to San Francisco. Stern's photography is his main strength: fast motion or long clusters of single frames occasionally slowing to normal speed for a single image of a striking face or location. He also employs a technique familiar from his collaboration with Peter Whitehead on Tonite Let's All Make Love in London – the jerky re-animation of frozen frames; and the filmis edited to the same version of The Pink Floyd's 'Interstellar Overdrive' as used in Whitehead's film. Stern's techniques are here a means without an end; and even on its simplest level, as a fast coloured lightshow, the film lacks the wit and subtlety of such American antecedents as Ben van Meter's Up Tight, L.A. is Burning . . . Shit." [5]
The film won awards for cinematography at the 1969 Oberhausen Short Film Festival, [6] the 1969 Melbourne International Film Festival [7] and the Sydney Film Festival [ citation needed ].
The Piper at the Gates of Dawn is the debut studio album by English rock band Pink Floyd, released on 4 August 1967 by EMI Columbia. It is the only Pink Floyd album made under the leadership of founder member Syd Barrett ; he wrote all but three tracks, with additional composition by members Roger Waters, Nick Mason (drums), and Richard Wright. The album followed the band's influential performances at London's UFO Club and their early chart success with the 1967 non-album singles "Arnold Layne" and "See Emily Play".
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
Tonite Lets All Make Love in London is a soundtrack album released on LP in 1968, for the 1967 documentary film of the same name, made by Peter Whitehead about the "swinging London" scene of the sixties. The film consists of a series of psychedelic performances and interviews and features live performance by Pink Floyd, together with footage of John Lennon, Yoko Ono, Mick Jagger, Vanessa Redgrave, Lee Marvin, Julie Christie, Allen Ginsberg, Eric Burdon, Michael Caine and many others attending one of the band's concerts.
Time-lapse photography is a technique in which the frequency at which film frames are captured is much lower than the frequency used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing. For example, an image of a scene may be captured at 1 frame per second but then played back at 30 frames per second; the result is an apparent 30 times speed increase.
"Interstellar Overdrive" is an instrumental composition written and performed by the English rock band Pink Floyd. The song was written in 1966 and is on their 1967 debut album, The Piper at the Gates of Dawn, clocking in at almost ten minutes in length. It features long sections of free-form instrumental improvisation reflective of the group's live performances.
Geoffrey Gilyard Unsworth, OBE, BSC was a British cinematographer who worked on nearly ninety feature films during a career that wound up spanning over more than forty years. He is best known for his work on critically acclaimed releases such as Stanley Kubrick's 2001: A Space Odyssey, Bob Fosse's Cabaret and Richard Donner's Superman.
"Arnold Layne" is a song by English rock band Pink Floyd. Released on 10 March 1967, it was the band's first single and was written by Syd Barrett.
"Astronomy Domine" is a song by the English rock band Pink Floyd. The song, written and composed by the original vocalist/guitarist Syd Barrett, is the opening track on their debut album, The Piper at the Gates of Dawn (1967). The lead vocal was sung by Barrett and the keyboard player Richard Wright. Its working title was "Astronomy Dominé ". Domine is a word frequently used in Gregorian chants.
Pink Floyd is an English progressive rock band, formed in the mid-1960s in London.
Wholly Communion is a short documentary film made in 1965 by British filmmaker Peter Whitehead. It was filmed at the Royal Albert Hall, London, and documents a poetry event held on 11 June 1965 called the International Poetry Incarnation. It features poetry readings by Beat poets from the UK and U.S.
Anthony Stern was a British experimental filmmaker and glass maker. He first started making films while at Cambridge University, then worked as assistant to the avant-garde documentary film maker Peter Whitehead.
Here We Go Round the Mulberry Bush is a 1968 British comedy film produced and directed by Clive Donner and starring Barry Evans, Judy Geeson and Angela Scoular. The screenplay is by Hunter Davies based on his 1965 novel of the same name.
Great Expectations is a 1974 film made for television based on the Charles Dickens 1861 novel of the same name. It was directed by Joseph Hardy, with screenwriter Sherman Yellen and music by Maurice Jarre, starring Michael York as Pip, Simon Gipps-Kent as Young Pip and Sarah Miles as Estella. The production, for Transcontinental Films and ITC, was made for US television and released to cinemas in the UK. It broke with tradition by having the same actress play both the younger and older Estella. The film was shot by Freddie Young. It was filmed in Eastmancolor and it was entered into the 9th Moscow International Film Festival in 1975.
Pink Floyd World Tour 1968 was a Pink Floyd world tour spanning February to December 1968 in which the group visited Europe and North America.
Tomorrow at Ten is a 1962 British second feature thriller film directed by Lance Comfort and starring John Gregson, Robert Shaw and Kenneth Cope. It was written by James Kelley and Peter Miller.
Journey into Spring is a 1958 British short documentary film directed by Ralph Keene, and made by British Transport Films. It won the 1958 BAFTA Award for Best Documentary, and was nominated for two Academy Awards: one for Best Documentary Short, the other for Best Live Action Short.
San Demetrio London is a 1943 British World War II docudrama based on the true story of the 1940 salvage of the tanker MV San Demetrio by some of her own crew, who reboarded her after she had been set on fire by the German heavy cruiser Admiral Scheer and then abandoned, during the Battle of the Atlantic. The film was produced by Michael Balcon for Ealing Studios and directed by Charles Frend.
Gangway is a 1937 British musical film directed by Sonnie Hale and starring Jessie Matthews, Barry MacKay, Nat Pendleton and Alastair Sim. Its plot involves a young reporter goes undercover to unmask a gang of criminals who are planning a jewel heist. AKA as Sparkles in Australia and on Australian release 78rpm records. Jessie Matthews was nicknamed SPARKLE in the film.
The Early Years 1965–1972 is a box set that compiles the early work of the English rock band Pink Floyd, released on 11 November 2016. It was released by Pink Floyd Records with distribution held by Warner Music for the UK and Europe and Sony Music for the rest of the world.
Tonite Let’s All Make Love in London is a 1967 documentary film by Peter Whitehead. It includes sequences of “Swinging London” with accompanying contemporary pop music, concert and studio performances by musicians including the Rolling Stones and the first professional footage filmed of Pink Floyd, and several interviews. It is notable for showing footage shot inside the short-lived UFO Club, the British counter-culture night club in the basement of 31 Tottenham Court Road, and at The 14 Hour Technicolor Dream multi-artist event held in the Great Hall of the Alexandra Palace, including John Lennon. The film also shows scenes of soldiers parading in scarlet jackets and bearskins, London street scenes, a protest march, psychedelic patterns being painted on a semi-naked girl, the arrival of Playboy Bunny girls by plane, and guests including Roman Polanski and Sharon Tate, Terence Stamp, and Jim Brown arriving at the premiere of Polanski’s film Cul-de-sac.