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The Piper at the Gates of Dawn is the debut studio album by English rock band Pink Floyd, released on 4 August 1967 by EMI Columbia. It is the only Pink Floyd album made under the leadership of founder member Syd Barrett ; he wrote all but three tracks, with additional composition by members Roger Waters, Nick Mason (drums), and Richard Wright. The album followed the band's influential performances at London's UFO Club and their early chart success with the 1967 non-album singles "Arnold Layne" and "See Emily Play".
Atom Heart Mother is the fifth studio album by the English rock band Pink Floyd. It was released by Harvest on 2 October 1970 in the United Kingdom, and on 10 October 1970 in the United States. It was recorded at EMI Studios in London, and was the band's first album to reach number 1 in the UK, while it reached number 55 in the US, eventually going gold there.
A Saucerful of Secrets is the second studio album by English rock band Pink Floyd, released on 28 June 1968 by EMI Columbia in the UK and in the US by Tower Records. The mental health of singer and guitarist Syd Barrett deteriorated during recording, so guitarist David Gilmour was recruited; Barrett left the band before the album's completion.
Peter Julian Jenner is a British music manager and a record producer. Jenner, Andrew King and the original four members of Pink Floyd were partners in Blackhill Enterprises.
Blackhill Enterprises was a rock music management company, founded as a partnership by the four original members of Pink Floyd, with Peter Jenner and Andrew King.
The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a lengthy recording history, with work beginning in May 1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner, Malcolm Jones, and fellow Pink Floyd members David Gilmour and Roger Waters. Among the guest musicians are Willie Wilson from Gilmour's old band Jokers Wild and several members of Soft Machine.
"Atom Heart Mother" is a six-part suite by the progressive rock band Pink Floyd, composed by all members of the band and Ron Geesin. It appeared on the Atom Heart Mother album in 1970, taking up the first side of the original vinyl record. At 23:38, it is Pink Floyd's longest uncut studio piece. Pink Floyd performed it live between 1970 and 1972, occasionally with a brass section and choir in 1970–71.
"See Emily Play" is a song by the English rock band Pink Floyd, released as their second single on 16 June 1967 on the Columbia label. Written by original frontman Syd Barrett, it was released as a non-album single, but appeared as the opening track of Pink Floyd, the US edition of the band's debut album The Piper at the Gates of Dawn (1967).
"Interstellar Overdrive" is an instrumental composition written and performed by the English rock band Pink Floyd. The song was written in 1966 and is on their 1967 debut album, The Piper at the Gates of Dawn, clocking in at almost ten minutes in length. It features long sections of free-form instrumental improvisation reflective of the group's live performances.
Steve O'Rourke was an English music manager and racing driver. He was the manager of Pink Floyd, a position he held from 1968 until his death. Among his accomplishments was negotiating Pink Floyd's split with bass player and main songwriter Roger Waters.
"Octopus" is a song by Syd Barrett. In January 1970 it appeared on his first solo album The Madcap Laughs.
"Jugband Blues" is a song by English rock band Pink Floyd, released on their second album, A Saucerful of Secrets, in 1968. Written by Syd Barrett, it was his sole compositional contribution to the album, as well as his last published for the band. Barrett and Pink Floyd's management wanted the song to be released as a single, but were vetoed by the rest of the band and producer Norman Smith.
"Arnold Layne" is a song by English rock band Pink Floyd. Released on 10 March 1967, it was the band's first single and was written by Syd Barrett.
"Astronomy Domine" is a song by the English rock band Pink Floyd. The song, written and composed by the original vocalist/guitarist Syd Barrett, is the opening track on their debut album, The Piper at the Gates of Dawn (1967). The lead vocal was sung by Barrett and the keyboard player Richard Wright. Its working title was "Astronomy Dominé ". Domine is a word frequently used in Gregorian chants.
Pink Floyd are an English progressive rock band, formed in the mid-1960s in London.
Roger Keith "Syd" Barrett was an English singer, guitarist and songwriter who co-founded the rock band Pink Floyd in 1965. Until his departure in 1968, he was Pink Floyd's frontman and primary songwriter, known for his whimsical style of psychedelia, English-accented singing, and stream-of-consciousness writing style. As a guitarist, he was influential for his free-form playing and for employing effects such as dissonance, distortion, echo and feedback.
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics, and elaborate live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time.
Games for May was a rock music concert that took place at the Queen Elizabeth Hall on 12 May 1967, three months after the venue opened. It was one of the first significant concert events held by Pink Floyd. The show was organized by Pink Floyd managers Andrew King and Peter Jenner of Blackhill Enterprises, and promoted by classical music promoter Christopher Hunt.
Richard William Wright was an English keyboardist and songwriter who co-founded the progressive rock band Pink Floyd. He appeared on almost every Pink Floyd album and performed on all their tours. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Pink Floyd.
References
- 1 2 3 4 Mabbett, Andy (2010). Pink Floyd - The Music and the Mystery. London: Omnibus. ISBN 978-1-84938-370-7.
- ↑ Cunningham, Mark (March 1997). "Welcome to the Machine - the story of Pink Floyd's live sound: part 1". All Pink Floyd Fan Network. Sound on Stage. Archived from the original on 26 December 2014. Retrieved 29 May 2014.
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