"The Gift" | |
---|---|
Song by the Velvet Underground | |
from the album White Light/White Heat | |
Released | January 30, 1968 |
Recorded | September 1967 |
Studio | Scepter Studios, New York City |
Genre | |
Length | 8:19 |
Label | Verve |
Composer(s) | |
Lyricist(s) | Lou Reed |
Producer(s) | Tom Wilson |
"The Gift" is the second track that appears on White Light/White Heat , the 1968 second album by the Velvet Underground. The song is over eight minutes long and, in the stereo version, mixed in such a way that a short story can be heard in the left speaker, while a rock instrumental is heard on the right.
This section possibly contains original research .(November 2019) |
The short story, recited by a deadpan John Cale, was written by Lou Reed as a writing project during his college days. [5]
The narrative concerns Waldo Jeffers, a lovesick youth, who has engaged in a distressing long-distance relationship with his college girlfriend Marsha Bronson. After their school terms end, Waldo returns to his hometown of Locust, Pennsylvania. He becomes increasingly paranoid over the course of two months, worried that Marsha might not stay faithful to him as promised. More than anything, he fears constantly that she will engage in sexual promiscuity. Lacking the requisite money to visit her in Wisconsin, he concocts a plan to mail himself to her in a large cardboard box, expecting it will be a welcome surprise to Marsha. He ships himself on Friday.
The following Monday, Marsha is having a discussion with her friend Sheila Klein about Bill, a man that Marsha slept with the previous night. When the package arrives at the door, the two struggle to open the box while Waldo waits excitedly inside. Unable to open the box by other means and frustrated, Marsha retrieves a sheet metal cutter from her basement and gives it to Sheila, who stabs straight through the box and right through the center of Waldo's head.
It appears in five versions on the Super Deluxe 45th Anniversary Edition of White Light/White Heat: stereo, mono, vocal only, instrumental only, and live instrumental.
The instrumental track was originally developed from live jams. Contrary to rumor, it is not the same song as "Booker T.", as noted in David Fricke's essay in the 2013 deluxe reissue of White Light/White Heat. [6]
At the urging of Frank Zappa, Reed provided the sound effect of Waldo's head being cut by stabbing a cantaloupe either by using a knife or a wrench. [7]
The remastered version was released on the 1995 Peel Slowly and See box set, and subsequently released on a standalone 1996 CD.
A live version appears on Live MCMXCIII .
The British punk band the Bollock Brothers did a cover version called "The Gift II".
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track “Candy Says” and the closing track "After Hours" is sung by drummer Maureen Tucker.
White Light/White Heat is the second studio album by the American rock band the Velvet Underground. Released on January 30, 1968, by Verve Records, it was the band's last studio album with multi-instrumentalist and founding member John Cale. Recorded after band leader Lou Reed fired Andy Warhol, who had produced their debut album The Velvet Underground & Nico, they hired Steve Sesnick as a manager and hired producer Tom Wilson, who had worked on the band's debut. White Light/White Heat was engineered by Gary Kellgren.
Loaded is the fourth studio album by the American rock band the Velvet Underground, released in November 1970 by Atlantic Records subsidiary Cotillion. It was the final album recorded featuring the band’s remaining original members, including the lead singer and primary songwriter Lou Reed, who left the band shortly before the album's release, and the guitarist Sterling Morrison, who left the band in 1971 along with the drummer Maureen Tucker. For this reason, it is often considered by fans to be the last "true" Velvet Underground album. The multi-instrumentalist Doug Yule remained and released the album Squeeze in 1973 before the band's dissolution the same year.
Holmes Sterling Morrison Jr. was an American guitarist, best known as one of the founding members of the rock band the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals.
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Gold is a two-CD compilation album by the Velvet Underground. It was released for the North American market on June 14, 2005, by Polydor, the record label that oversees the band's Universal Music Group back catalogue.
"Sister Ray" is a song by the Velvet Underground that closes side two of their 1968 album White Light/White Heat. The lyrics are by Lou Reed, with music composed by John Cale, Sterling Morrison, Maureen Tucker and Reed.
"I Heard Her Call My Name" is a song by American rock band the Velvet Underground. It is the fifth track from the band's second album, White Light/White Heat. It is a particularly loud, brash and aggressive song that features a pair of atonal guitar solos performed by Lou Reed and repeated use of high pitched feedback.
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released as a single in late November 1967 with the B-side "Here She Comes Now". The following year it appeared as the title track on their second studio album of the same name.
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released as the band's debut single in 1966. The song is from their 1967 debut studio album, The Velvet Underground & Nico.
"European Son", also known as "European Son ", is a song written and performed by the American experimental rock band The Velvet Underground. It appears as the final track on their 1967 debut album The Velvet Underground & Nico. It is also the album's longest track at more than seven and a half minutes.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism and bondage.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968, from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
"Pale Blue Eyes" is a song by American rock band the Velvet Underground, written and sung by Lou Reed. He recorded a demo with John Cale in May 1965. It was included on the band's 1969 album The Velvet Underground.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised the singer and guitarist Lou Reed, the Welsh multi-instrumentalist John Cale, the guitarist Sterling Morrison and the drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde resulted in little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
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