"Pale Blue Eyes" | |
---|---|
Song by The Velvet Underground | |
from the album The Velvet Underground | |
Released | March 1969 |
Recorded |
|
Genre | |
Length | 5:40 |
Label | MGM |
Songwriter(s) | Lou Reed |
Producer(s) | The Velvet Underground |
"Pale Blue Eyes" is a song by American rock band the Velvet Underground, written and sung by Lou Reed. He recorded a demo with John Cale in May 1965. It was included on the band's 1969 album The Velvet Underground .
Despite the name, "Pale Blue Eyes" was written about someone whose eyes were hazel, as Reed notes in his book Between Thought and Expression. [3] The song is said to have been inspired by Shelley Albin, Reed's first love, who at the time was married to another man. [4]
"Pale Blue Eyes" has been covered by a number of artists [5] in addition to Lou Reed and Maureen Tucker from Velvet Underground:
An instrumental version of the song was used in Julian Schnabel's 2007 film The Diving Bell and the Butterfly . [8] The song was also used in a scene of the 2008 film August , [9] as well as 2009's Adventureland , [10] the 2000 film The Vertical Ray of the Sun , [11] the 2015 film Regular Show: The Movie, and the 2023 film Perfect Days.
The song drives the plot in the 1997 South Korean romance film The Contact , in which a radio DJ receives an anonymous package containing the album The Velvet Underground and plays "Pale Blue Eyes," hoping to reconnect with his former lover.
The song and the LP version of the album were both featured in an episode of the 2009-2010 South Korean sitcom High Kick Through the Roof . The characters Shin Sekyung (Shin Se-kyung) and Lee Jihoon (Daniel Choi) listened to the song a number of times in a record bar and a cafe which Jihoon had often frequented as a college student. Later, Sekyung purchased the record as a souvenir; in a subsequent episode, she gave the record to Jihoon as a birthday gift.
The original song was featured during the final scenes of the January 25, 2009 episode of Cold Case (CBS) entitled "The Brush Man". This program regularly features music popular during the time when the cold case being investigated had occurred. Although the murder in this episode occurred in 1967, "Pale Blue Eyes" was recorded in 1969. The song was also featured in episodes of Crossing Jordan , Fringe and The Deuce .
The Killers paid tribute to Lou Reed on the day of his death by performing this song at the inaugural Life Is Beautiful Music & Art Festival in Las Vegas. [12]
Aziz Ansari used the song in his 2019 Netflix stand-up comedy special Aziz Ansari: Right Now .
The song was featured in the third episode of Season 2, of the Netflix series Sex Education.
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track “Candy Says” and the closing track "After Hours" is sung by drummer Maureen Tucker.
Loaded is the fourth studio album by the American rock band the Velvet Underground, released in November 1970 by Atlantic Records subsidiary Cotillion. It was the final album recorded featuring the band’s remaining original members, including the lead singer and primary songwriter Lou Reed, who left the band shortly before the album's release, and the guitarist Sterling Morrison, who left the band in 1971 along with the drummer Maureen Tucker. For this reason, it is often considered by fans to be the last "true" Velvet Underground album. The multi-instrumentalist Doug Yule remained and released the album Squeeze in 1973 before the band's dissolution the same year.
Chelsea Girl is the debut solo album and second studio album by German singer Nico. It was released in October 1967 by Verve Records and was recorded following Nico's collaboration with the Velvet Underground on their 1967 debut studio album. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, in which Nico starred.
"Satellite of Love" is a song by American musician Lou Reed. It is the second single from his 1972 album Transformer. At the time of its release, it achieved minor US chart success, though it later became a staple of his concerts and compilation albums.
The Very Best of The Velvet Underground is a compilation album by The Velvet Underground. It was released in Europe on March 31, 2003, by Polydor, the record label that oversees the band's Universal Music Group back catalog.
Live MCMXCIII is a live album by the American rock band the Velvet Underground, released in 1993 by Sire Records. It was released simultaneously in single and double CD/cassette formats on October 26, 1993. In 2006, a DVD version of the concert was released as Velvet Redux Live MCMXCIII by Warner Music Vision and Rhino Home Video.
Gold is a two-CD compilation album by the Velvet Underground. It was released for the North American market on June 14, 2005, by Polydor, the record label that oversees the band's Universal Music Group back catalogue.
The Best of The Velvet Underground: Words and Music of Lou Reed is a compilation album by The Velvet Underground. It was released in October 1989 by Verve Records.
20th Century Masters – The Millennium Collection: The Best of The Velvet Underground is a compilation album by The Velvet Underground. It was initially released for the North American market by Polydor in October 2000 as part of their "20th Century Masters" series of budget compilations celebrating the turn of the century. The album was subsequently released with varying titles and covers in Europe.
"Heroin" is a song by American rock band the Velvet Underground, released on their 1967 debut album The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin usage and its effects, is one of the band's most celebrated compositions. Critic Mark Deming of Allmusic writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners." In 2004, it was ranked at number 448 on Rolling Stone's list of "The 500 Greatest Songs of All Time", and was re-ranked at number 455 in 2010.
Le Bataclan '72 is a sixteen-track live album by Lou Reed, John Cale and Nico. It was recorded from the soundboard and heavily bootlegged over the years, before it gained an official release in 2004.
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released as a single in late November 1967 with the B-side "Here She Comes Now". The following year it appeared as the title track on their second studio album of the same name.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism and bondage.
"After Hours" is a 1969 song written by Lou Reed and originally performed by the Velvet Underground, "about a timid person watching others having fun and wishing they could join in". It is the tenth and final track on their self-titled third album. It is one of few songs with lead vocals by drummer Maureen Tucker, as Lou Reed stated the song was "so innocent and pure" that he could not possibly sing it himself. Tucker's vocals are accompanied by acoustic and bass guitar. The style of the lyrics and the music is somewhat reminiscent of Tin Pan Alley songs of the 1930s.
I Spent a Week There the Other Night is an album by the American musician Moe Tucker, released in 1991.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968, from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
"Run Run Run" is a song by the Velvet Underground originally released on the band's 1967 debut album, The Velvet Underground & Nico.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde resulted in little commercial success, they became one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
Andy Warhol's Velvet Underground featuring Nico is a compilation album of the Velvet Underground released by MGM Records in 1971 that features selections from the band's first three studio albums. Originally released as a double LP, the cover artwork and inside gatefold sleeve feature imitations of Andy Warhol's paintings of Coca-Cola bottles, but are credited to other artists on the back sleeve of the album. The album was released in the UK to capitalise on the interest from Warhol's Pork.