"Run Run Run" | |
---|---|
Song by the Velvet Underground | |
from the album The Velvet Underground & Nico | |
Released | March 12, 1967 |
Recorded |
|
Genre | |
Length | 4:22 |
Label | Verve |
Songwriter(s) | Lou Reed |
Producer(s) | Andy Warhol |
"Run Run Run" is a song by the Velvet Underground originally released on the band's 1967 debut album, The Velvet Underground & Nico .
The song was written on the back of an envelope by Lou Reed while he and the band were on their way to a gig at the Café Bizarre. [3] The song details a number of characters living in New York City, including Teenage Mary, Margarita Passion, Seasick Sarah, and Beardless Harry, all of whom are detailed using or seeking drugs. In addition to mentioning New York scenery such as Union Square and 47th Street, the song makes use of drug terms paired with religious imagery. Two of the four verses directly speak of heroin use, a theme found in the album. In the song, Marguerita Passion tried to sell her soul in order to get "a fix", while Seasick Sarah "turned blue", causing her angels to panic. The song is also well known because of Reed's guitar solo, and its lack of a conventional approach.[ citation needed ]
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.
Peel Slowly and See is a five-disc box set of material by the Velvet Underground. It was released in September 1995 by Polydor.
Holmes Sterling Morrison Jr. was an American guitarist, best known as one of the founding members of the rock band the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals.
Chelsea Girl is the debut solo album and second studio album by German singer Nico. It was released in October 1967 by Verve Records and was recorded following Nico's collaboration with the Velvet Underground on their 1967 debut studio album. Chelsea Girl was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, in which Nico starred.
Gold is a two-CD compilation album by the Velvet Underground. It was released for the North American market on June 14, 2005, by Polydor, the record label that oversees the band's Universal Music Group back catalogue.
"Femme Fatale" is a song by American rock band the Velvet Underground from their 1967 debut album The Velvet Underground & Nico, with lead vocals by Nico.
"Heroin" is a song by American rock band the Velvet Underground, released on their 1967 debut album The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin usage and its effects, is one of the band's most celebrated compositions. Critic Mark Deming of Allmusic writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners." In 2004, it was ranked at number 448 on Rolling Stone's list of "The 500 Greatest Songs of All Time", and was re-ranked at number 455 in 2010.
"I'm Waiting for the Man" is a song by American rock band the Velvet Underground. Written by Lou Reed, it was first released on their 1967 debut album, The Velvet Underground & Nico. The lyrics describe a man's efforts to obtain heroin in Harlem.
"The Black Angel's Death Song" is a song by the Velvet Underground, from their 1967 debut album The Velvet Underground & Nico. It was written by Lou Reed and John Cale. In a footnote to the lyrics, Lou Reed wrote: "The idea here was to string words together for the sheer fun of their sound, not any particular meaning."
"Sunday Morning" is a song by the Velvet Underground. It is the opening track on their 1967 debut album The Velvet Underground & Nico. It was first released as a single in December 1966. The song is written in the key of F major.
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released as the band's debut single in 1966. The song is from their 1967 debut studio album, The Velvet Underground & Nico.
"European Son", also known as "European Son ", is a song written and performed by the American experimental rock band The Velvet Underground. It appears as the final track on their 1967 debut album The Velvet Underground & Nico. It is also the album's longest track at more than seven and a half minutes.
"I'll Be Your Mirror" is a song by the Velvet Underground and Nico. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with "All Tomorrow's Parties" in 1966.
"There She Goes Again" is a song by American rock band the Velvet Underground. It first appeared on their debut studio album, The Velvet Underground & Nico (1967). The syncopated guitar riff is taken from the 1962 Marvin Gaye song "Hitch Hike". Guitarist Sterling Morrison has stated:
Metronomically, we were a pretty accurate band. If we were speeding up or slowing down, it was by design. If you listen to the solo break on "There She Goes Again," it slows down—slower and slower and slower. And then when it comes back into the "bye-bye-byes" it's double the original tempo, a tremendous leap to twice the speed.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism and bondage.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968, from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde earned them little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, experimentation, and nihilistic attitude were also instrumental in the development of punk rock, new wave and several other genres.
Released in late 2012, Odes is the fourth studio album from The Flowers of Hell. It is a covers record and the first release from the group to feature vocals and verse-chorus-verse song structures. It was premiered by Lou Reed, who opened the twelfth and final episode of his New York Shuffle radio show praising the group and airing three songs in a row, "O Superheroin", "Mr. Tambourine Man", and "Calling Occupants of Interplanetary Craft".
"Andy's Chest" is a song written by Lou Reed, inspired by the 1968 attempted assassination of Andy Warhol. In June 1968, radical feminist writer Valerie Solanas shot artist and filmmaker Andy Warhol and Mario Amaya, art critic and curator, at Warhol's studio, The Factory. The Velvet Underground, of which Reed was the frontman, initially recorded the song in 1969, but this version went unreleased at the time. It was later re-recorded for Reed's solo release Transformer, co-produced by David Bowie and Mick Ronson.