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Bootleg Series Volume 1: The Quine Tapes | ||||
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Live album by | ||||
Released | October 16, 2001 | |||
Recorded | May, November–December 1969, St. Louis and San Francisco, United States | |||
Genre | Rock | |||
Length | 230:03 | |||
Label | ||||
Producer | The Velvet Underground | |||
The Velvet Underground chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Robert Christgau | A− [2] |
Pitchfork | (9.4/10) [3] |
Bootleg Series Volume 1: The Quine Tapes is a triple live album by the Velvet Underground. It was released on October 16, 2001, by Polydor, the record label overseeing the band's UMG back catalogue. It was recorded by Robert Quine, a fan of the band who would later become an influential guitarist, playing with Richard Hell, Lou Reed, and Lloyd Cole.
During 1969, the Velvet Underground toured the United States and Canada, playing well over 70 dates. By this time, the band had picked up a sizeable fan base and every now and then a fan would bring along, with consent of the band, recording equipment to record a set. Most of the time, this would mean relatively simple hand-held recorders resulting in lo-fi mono audience recordings, as with this set and the live album Live at Max's Kansas City (1972) ( 1969: The Velvet Underground Live was the notable exception, using stereo soundboard recordings).
Robert Quine, an avid Velvet Underground fan, used to travel to as many concerts as possible. He became friends with the band and they allowed him to record sets from the audience, occasionally asking for playbacks. Quine recorded many concerts, but as his original musicassette tapes began to wear out, he compiled four reels of what he considered the best material. These "best-of" reels were ultimately released in 2001 as the present The Quine Tapes set. The original musicassettes from which the reels were compiled no longer exist.
Musically, The Quine Tapes finds the band in the same phase in their history as documented on 1969—the two sets even share a performance of "Rock and Roll", recorded at the same concert by both Quine and the Matrix sound personnel. Quine's tapes, although lo-fi audience recordings, capture much more of the music's ambience, especially in the larger venues, such as Washington University in St. Louis. Additionally, The Quine Tapes contains songs that the band only rarely performed by this time, such as "Sunday Morning", "Venus in Furs" and "The Black Angel's Death Song", along with other obscurities such as "Over You", "Ride into the Sun", and "Follow the Leader", which had never even been bootlegged in its original form.
The Quine Tapes is, to date, the only entry in the Bootleg Series. The second volume was to be a recording of an April 1967 show at the Gymnasium in New York City, which marked the live debut of "Sister Ray". Two songs from the show, "Guess I'm Falling in Love" and "Booker T", appeared on the box set Peel Slowly and See (1995), and the full show was released in December 2013 as part of the "Super Deluxe" reissue of White Light/White Heat.
All tracks are written by Lou Reed, except where noted
No. | Title | Writer(s) | Recording date and venue | Length |
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1. | "I'm Waiting for the Man" | November 8, 1969, Family Dog Ballroom | 7:46 | |
2. | "It's Just Too Much" | November 8, 1969, Family Dog Ballroom | 4:08 | |
3. | "What Goes On" | November 8, 1969, Family Dog Ballroom | 8:25 | |
4. | "I Can't Stand It" | November 8, 1969, Family Dog Ballroom | 6:20 | |
5. | "Some Kinda Love" | November 8, 1969, Family Dog Ballroom | 4:48 | |
6. | "Foggy Notion" | Reed, Sterling Morrison, Doug Yule, Maureen Tucker, Hy Weiss | November 8, 1969, Family Dog Ballroom | 4:41 |
7. | "Femme Fatale" | November 7, 1969, Family Dog Ballroom | 3:14 | |
8. | "After Hours" | November 8, 1969, Family Dog Ballroom | 3:05 | |
9. | "I'm Sticking with You" | November 8, 1969, Family Dog Ballroom | 2:48 | |
10. | "Sunday Morning" | Reed, John Cale | November 9, 1969, Family Dog Ballroom | 2:56 |
11. | "Sister Ray" | Reed, Cale, Morrison, Tucker | November 7, 1969, Family Dog Ballroom | 24:03 |
No. | Title | Writer(s) | ... | Length |
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1. | "Follow the Leader" | November 27, 1969, The Matrix | 17:05 | |
2. | "White Light/White Heat" | December 1, 1969, The Matrix | 10:03 | |
3. | "Venus in Furs" | December 1, 1969, The Matrix | 5:14 | |
4. | "Heroin" | November 23, 1969, The Matrix | 8:11 | |
5. | "Sister Ray" | Reed, Cale, Morrison, Tucker | December 3, 1969, The Matrix | 38:00 |
No. | Title | Writer(s) | ... | Length |
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1. | "Rock and Roll" | November 25, 1969, The Matrix | 6:49 | |
2. | "New Age" | November 24, 1969, The Matrix | 11:21 | |
3. | "Over You" | November 25, 1969, The Matrix | 2:41 | |
4. | "The Black Angel's Death Song" | Reed, Cale | November 23, 1969, The Matrix | 5:54 |
5. | "I'm Waiting for the Man" | November 27, 1969, The Matrix | 11:37 | |
6. | "Ride into the Sun" | November 24, 1969, The Matrix | 11:11 | |
7. | "Sister Ray" / "Foggy Notion" | Reed, Cale, Morrison, Tucker / Reed, Morrison, Yule, Tucker, Weiss | May 11, 1969, Washington University | 28:43 |
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
Robert Wolfe Quine was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians."
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track "Candy Says" and the closing track "After Hours" is sung by drummer Maureen Tucker.
Peel Slowly and See is a five-disc box set of material by the Velvet Underground. It was released in September 1995 by Polydor.
Holmes Sterling Morrison Jr. was an American guitarist, best known as one of the founding members of the rock band the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals.
Douglas Alan Yule is an American musician and singer, most notable for being a member of the Velvet Underground from 1968 to 1973, serving as the bassist, guitarist, keyboardist and vocalist.
1969: The Velvet Underground Live is a live album by the Velvet Underground. It was originally released as a double album in September 1974 by Mercury Records. The September 1988 CD re-release was issued as two separate single CD volumes, with one extra track per disc. Since many of the band's studio albums were out of print in the United States from the early 1970s through the mid-1980s, 1969 was one of the more popular albums by the band, and is a fan favorite. Spin magazine's Alternative Record Guide included it in the top 100 alternative albums of all time in 1995.
Final V.U. 1971–1973 is a box set by the Velvet Underground, comprising live recordings from after founding members Lou Reed and Sterling Morrison had left the group. It was released by Japanese record company Captain Trip Records in August 2001.
Live at Max's Kansas City is a live album by the Velvet Underground recorded at the famous nightclub and restaurant at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records.
"Sister Ray" is a song by the Velvet Underground that closes side two of their 1968 album White Light/White Heat. The lyrics are by Lou Reed, with music composed by John Cale, Sterling Morrison, Maureen Tucker and Reed.
"Femme Fatale" is a song by American rock band the Velvet Underground from their 1967 debut album The Velvet Underground & Nico, with lead vocals by Nico.
The Blue Mask is the eleventh solo studio album by American rock musician Lou Reed, released in February 1982, by RCA Records. Reed had returned to the label after having left Arista Records. The album was released around Reed's 40th birthday, and covers topics of marriage and settling down, alongside themes of violence, paranoia, and alcoholism.
Le Bataclan '72 is a live album by Lou Reed, John Cale and Nico, released on October 19, 2004. The album was recorded from the soundboard during the 1972 concert and heavily bootlegged over the years, before it gained an official release in 2004.
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released as a single in late November 1967 with the B-side "Here She Comes Now". The following year it appeared as the title track on their second studio album of the same name.
"Sunday Morning" is a song by the Velvet Underground. It is the opening track on their 1967 debut album The Velvet Underground & Nico. It was first released as a single in December 1966. The song is written in the key of F major.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism and bondage.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968, from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde earned them little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, experimentation, and nihilistic attitude were also instrumental in the development of punk rock, new wave and several other genres.
Live'r Than You'll Ever Be is a bootleg recording of the Rolling Stones' concert in Oakland, California, from 9 November 1969. It was one of the first live rock music bootlegs and was made notorious as a document of their 1969 tour of the United States. The popularity of the bootleg forced the Stones' labels Decca Records in the UK, and London Records in the US, to release the live album Get Yer Ya-Ya's Out! The Rolling Stones in Concert in 1970. Live'r is also one of the earliest commercial bootleg recordings in rock history, released in December 1969, just two months after the Beatles' Kum Back and five months after Bob Dylan's Great White Wonder. Like the two earlier records, Live'r's outer sleeve is plain white, with its name stamped on in ink.
The Complete Matrix Tapes is a live album by the New York City-based experimental rock band the Velvet Underground, released on November 20, 2015. It features unexpurgated recordings of the band's two-night stint on November 26 and 27, 1969, at San Francisco club The Matrix, owned and operated by Jefferson Airplane's Marty Balin.