Soundboard recording

Last updated

A soundboard recording is a sound recording of a concert taken from a direct connection to the soundboard at the venue. Soundboard recordings are considered to be among the highest quality bootleg recordings of live performances [1] [2] [3] though some soundboard recordings may have an off-balance audio mix. [4]

Because access is required to sensitive equipment to make the recording, most soundboard recordings are authorized in some way either through a liberal policy on the part of the artists or specific permission granted to production staff. Though many soundboard recordings are only available as bootlegs, some are eventually released as legitimate live albums.

Related Research Articles

The Beatles' bootleg recordings are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid 1990s, the Beatles have been, and continue to be, among the most bootlegged artists.

<i>Bootleg Series Volume 1: The Quine Tapes</i> 2001 live album by The Velvet Underground

Bootleg Series Volume 1: The Quine Tapes is a triple live album by The Velvet Underground. It was released on October 16, 2001, by Polydor, the record label overseeing the band's UMG back catalogue. It was recorded by Robert Quine, a fan of the band who would later become an influential guitarist, playing with Richard Hell, Lou Reed, and Lloyd Cole.

<span class="mw-page-title-main">Bootleg recording</span> Unauthorized recording or release

A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as bootlegging. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases.

<i>The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert</i> 1998 live album by Bob Dylan

Live 1966: The "Royal Albert Hall" Concert is a two-disc live album by Bob Dylan, released in 1998. It is the second installment in the ongoing Bob Dylan Bootleg Series on Legacy Recordings, and has been certified a gold record by the RIAA. It was recorded at the Manchester Free Trade Hall during Dylan's 1966 world tour, though early bootlegs attributed the recording to the Royal Albert Hall so it became known as the Royal Albert Hall Concert. Extensively bootlegged for decades, it is an important document in the development of popular music during the 1960s.

<i>The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall</i> 2004 live album by Bob Dylan

The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a live album by Bob Dylan, released in 2004 on Legacy Records. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. The album is the complete recording from the October 31, 1964 "Halloween" show at Philharmonic Hall in Manhattan by Bob Dylan.

<i>One from the Vault</i> 1991 live album by Grateful Dead

One from the Vault is a live album by the Grateful Dead, recorded on August 13, 1975, at the Great American Music Hall in San Francisco, California, for a small audience of radio programmers. Three weeks later, the concert was broadcast nationwide on FM radio through Metromedia, after which the radio show was widely traded by fans on cassettes, and sold in bootleg LP versions under various titles including Make Believe Ballroom, becoming the most widely circulated Grateful Dead bootleg.

Mike Millard, nicknamed "Mike The Mic" was an avid concert taper circa 1973 to 1994, recording over 300 concerts, including Led Zeppelin, Pink Floyd and The Rolling Stones concerts in California. He taped virtually every show at the Forum from 1974 to 1980. Many of his recordings found their way into the hands of bootleggers who sold Millard's work to fans.

<i>Le Bataclan 72</i> 2004 live album by Lou Reed, John Cale and Nico

Le Bataclan '72 is a sixteen-track live album by Lou Reed, John Cale and Nico. It was recorded from the soundboard and heavily bootlegged over the years, before it gained an official release in 2004.

Tangerine Tree was a fan project operating from 2002 through 2006 with the goal of collecting, preserving and distributing unreleased concerts and other audio material by the band Tangerine Dream. The creators of the Tangerine Tree project received permission from Tangerine Dream to release the collection on a strict non-profit basis. Several of the Tangerine Tree volumes have been used as the basis for official Tangerine Dream releases. The project collected just under 300 hours of material (291:39:26).

The Led Zeppelin bootleg recordings are a collection of audio and video recordings of musical performances by the English rock band Led Zeppelin which were never officially released by the band, or under other legal authority. The recordings consist of both live concert performances and outtakes from studio sessions conducted by the band. Many hundreds of Led Zeppelin bootlegs exist, and are widely collected by fans.

<i>Perks and Tit</i> 2004 live album by Deep Purple

Perks & Tit is a live album released by Deep Purple, recorded at the San Diego Sports Arena on 9 April 1974 during the band's U.S. tour in support of Burn. It was released in 2004 in celebration of its 30th anniversary. The album was made officially available by Purple Records and the Deep Purple Appreciation Society (DPAS) for a limited time through its Sonic Zoom imprint, although many bootlegs of the show had circulated for years.

<i>Destroyer</i> (Led Zeppelin bootleg recording)

Destroyer is a bootleg recording from the English rock group Led Zeppelin’s performance at Richfield Coliseum, Cleveland, Ohio, on 27 April 1977. The soundboard recording is from the first show of two nights at the venue, which were part of the band’s 1977 North American Tour. The album is technically titled simply Destroyer.

<i>Queen Live at Golders Green Hippodrome</i> Live album bootleg by Queen

Queen Live at Golders Green Hippodrome is a live performance of the band Queen which was recorded at the Golders Green Hippodrome in London on 13 September 1973, the first date on the Queen I Tour and broadcast on BBC Radio 1 as part of its In Concert series on 20 October 1973.

<i>For Badgeholders Only</i> Live album by Led Zeppelin

For Badgeholders Only is a bootleg recording of a rock concert by English band Led Zeppelin, performed on June 23, 1977 at the Los Angeles Forum in Los Angeles, California, a show which came towards the end of the band's 1977 North American concert tour.

<i>Burn Like a Candle</i> Live album by Led Zeppelin

Burn Like a Candle is a bootleg recording of the English rock group Led Zeppelin's performance at the Los Angeles Forum on June 25, 1972. It was originally released on CD format in the 1990s by the Smoking Pig label.

The Nirvana bootleg recordings are a number of recordings of musical performances by the American rock band Nirvana, which were previously not officially released by the band, or under any other legal authority. The recordings consist of both live performances and outtakes from studio sessions unavailable as a legal release.

<span class="mw-page-title-main">Taper (concert)</span>

A taper is a person who records musical events, often from standing microphones in the audience, for the benefit of the musical group's fanbase. Such taping was popularized in the late 1960s and early 1970s by fans of the Grateful Dead. Audio recording, while not officially allowed until the creation by the band of a "tapers' section" behind the soundboard in the mid-1980s, was generally tolerated at shows and fans would share their tapes through trade. Taping and trading became a Grateful Dead subculture.

<span class="mw-page-title-main">Stevie Ray Vaughan discography</span> Cataloging of published recordings by Stevie Ray Vaughan

Stevie Ray Vaughan was an American blues rock guitarist, singer, and songwriter, and the frontman for the band Double Trouble. He is often regarded as one of the greatest guitarists and blues musicians of all time. During his career, he released four studio albums, one live album, and several singles.

Bob Dylan bootleg recordings are unreleased performances by American singer-songwriter Bob Dylan, that have been circulated throughout the public without undergoing an official, sanctioned release. It is commonly misconceived that bootlegs are only restricted to audio, but bootleg video performances, such as Dylan's 1966 film Eat the Document, which remains officially unreleased, are considered to be bootlegs. Dylan is generally considered to be the most bootlegged artist in rock history, rivaled only by the Grateful Dead.

Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.

References

  1. Shambro, Joe. "How To Record a Live Concert: Capturing Your Gig On tape". About.com . Retrieved October 18, 2012.
  2. UrbanSteel (March 17, 2009). "Explanation about Matrix/ALD/IEM/Soundboard". U2start.com. Archived from the original on 2013-07-05. Retrieved October 18, 2012.
  3. Jordan, Jeff. "Myinstants chalega" . Retrieved 26 April 2021.
  4. Michael Bell (July 1995), "Part 3: Tape Trading Information And Etiquette", Guide to Cassette Decks and Tape Trading , retrieved 2016-09-02