Sister Ray

This article is about the song. For other uses, see Sister Ray (disambiguation).

"Sister Ray"
Song by the Velvet Underground
from the album White Light/White Heat
Released	January 30, 1968 (1968-01-30)
Recorded	September 1967
Studio	Scepter, New York City
Genre	Garage rock [1] [2] hard rock [3] avant-rock [4] noise rock [5] proto-punk [1] psychedelic rock [6]
Length	17:29
Label	Verve
Composer(s)	Lou Reed John Cale Sterling Morrison Maureen Tucker
Lyricist(s)	Lou Reed
Producer(s)	Tom Wilson

"Sister Ray" is a song by the Velvet Underground that closes side two of their 1968 album White Light/White Heat . The lyrics are by Lou Reed, with music composed by John Cale, Sterling Morrison, Maureen Tucker and Reed.

The song concerns drug use, violence, homosexuality, and transvestism. Reed said of the lyrics: "it has eight characters in it and this guy gets killed and nobody does anything. It was built around this story that I wrote about this scene of total debauchery and decay. I like to think of 'Sister Ray' as a transvestite smack dealer. The situation is a bunch of drag queens taking some sailors home with them, shooting up on smack and having this orgy when the police appear." ^{[7] [8]} Lou Reed also stated "'Sister Ray' was about a gay dealer". ^[9]

At 17 minutes and 29 seconds, it is the longest song on White Light/White Heat, taking up most of the second side of the record, as well as the longest song in the Velvet Underground's studio discography.

Rock critic Lester Bangs wrote in 1970, "The early Velvets had the good sense to realize that whatever your capabilities, music with a simple base structure was the best. Thus, 'Sister Ray' evolved from a most basic funk riff seventeen minutes into stark sound structures of incredible complexity." ^[10]

Recording

"Sister Ray" was recorded in one take. The band agreed to accept whatever faults occurred during recording, resulting in over 17 minutes of improvised material. The song was recorded with Reed on lead vocals and guitar, Morrison on guitar, Tucker on drums, and Cale on a Vox Continental organ routed through a distorted guitar amplifier. Morrison remarked that he was amazed at the volume of Cale's organ during the recording and that he had switched the guitar pickup on his Fender Stratocaster from the bridge position to the neck position to get "more oomph". ^[11] The song features no bass guitar because Cale, who usually played bass or viola, played organ on the take. The band had a sponsorship from Vox amplifiers, which allowed use of top-of-the-line amps and distortion pedals to create a distorted, noisy sound.

Reed wrote the song on a train going to New York from Connecticut. ^[12] After the opening sequence, which is a modally flavored I-♭VII-IV G-F-C chord progression, much of the song is led by Cale and Reed exchanging percussive chords and noise for over ten minutes, similar to avant-jazz. Reed recalled that recording engineer Gary Kellgren walked out while recording the song: "The engineer said, 'I don't have to listen to this. I'll put it in record, and then I'm leaving. When you're done, come get me.'" ^[13]

Personnel

• Lou Reed – vocals, electric guitar
• John Cale – Vox Continental organ
• Sterling Morrison – Fender Stratocaster electric guitar
• Maureen Tucker – drums

Live versions

"Sister Ray" was a concert favorite of the band, who regularly closed their set with the song. The studio recording of the song was recorded in one single take that lasts over 17 minutes. The triple live album Bootleg Series Volume 1: The Quine Tapes , released in 2001, features three live performances of "Sister Ray" from 1969, with approximate running times of 24, 38 and 29 minutes. The band also had an intro entitled "Sweet Sister Ray" that they would perform occasionally. On the single known recording of this intro (recorded during the April 30, 1968 show, without the complete subsequent performance of "Sister Ray"), "Sweet Sister Ray" alone lasts for over 38 minutes. ^[14]

Cover versions

• Jonathan Richman plays a portion of "Sister Ray" on his song "Velvet Underground." It has been argued that Richman's 1976 song "Roadrunner" (produced by Velvet Underground co-founder John Cale and Jerry Harrison) is, considering its distorted organ solo and chordal similarities, largely a reworking of "Sister Ray" in musical terms, although Richman's lyrics about the joys of driving around suburban Boston are in marked contrast to Reed's detached saga of debauchery and decay. ^{[15] [16]}
• Joy Division played a shortened version of the song at the Moonlight Club in London on April 2, 1980. ^[17] A recording of this song is on their rarities album Still . ^[18] New Order played it in their 1987 Glastonbury festival appearance. ^[19]
• The Sisters of Mercy regularly plays their version of Sister Ray on live shows. ^[20]

References

1. Gentile, John (November 20, 2015). "Velvet Underground release 36 minute live version of "Sister Ray"". Punknews.org. Retrieved May 1, 2016.
2. Petridis, Alexis (8 July 2021). "The Velvet Underground's greatest songs – ranked!". The Guardian . Retrieved 14 January 2025.
3. Hoffman, Tom (June 25, 2023). "10 Perfect Hard Rock Songs That Are Ridiculously Long". WhatCulture . Retrieved June 20, 2025.
4. Beeber, Steven Lee (2006). The Heebie-jeebies at CBGB's: A Secret History of Jewish Punk. Chicago, Illinois: Chicago Review Press. p. 59. ISBN   978-1-55652-613-8.
5. The following sources describe the song as noise rock:
   • Gross, Joe (April 2007). "Essentials: Noise Rock". Spin . p. 94.
   • Maloney, Sean L. (9 February 2017). The Modern Lovers. New York: Bloomsbury Publishing. p. 46. ISBN   978-1501322198.
   • Terich, Jeff (November 28, 2018). "30 Essential Noise Rock Tracks". Stereogum . Retrieved January 24, 2019.
   • Agarwal, Manish (2005). "The Velvet Underground - White Light/White Heat". In Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die (2016 ed.). London: Cassell Illustrated. p. 127.
   • "These 10 noise-rock tracks were built to defy your volume settings". Alternative Press . September 10, 2020. Retrieved February 17, 2025.
6. DeRogatis, Jim (1 January 2003). Turn on Your Mind: Four Decades of Great Psychedelic Rock. Milwaukee, Minnesota: Hal Leonard Corporation. p. 80. ISBN   978-0-634-05548-5.
7. Bockris, Victor; Malanga, Gerard (1983). Uptight: The Velvet Underground Story. London, England: Omnibus Press. p. 93. ISBN   978-0-7119-0168-1.
8. Thompson, Dave (2009). Your Pretty Face Is Going to Hell: The Dangerous Glitter of David Bowie, Iggy Pop, and Lou Reed. Milwaukee, Wisconsin: Backbeat Books. p. 37. ISBN   978-0-87930-985-5.
9. Bloom, Howard (April 1973). "The Eerie Roots of Lou Reed's New Transformer". Circus Magazine . 7 (7): 48 – via The Internet Archive.
10. Bangs, Lester (1987). Psychotic Reactions and Carburetor Dung. New York City: Alfred A. Knopf, Inc. p. 44. ISBN   0-394-53896-X.
11. "White Light / White Heat - The Velvet Underground". Rough Trade. Retrieved May 6, 2021.> ^{[ dead link ]}
12. Bockris, Victor (1994). Transformer : the Lou Reed story. New York : Simon & Schuster. p. 150. ISBN   978-0-684-80366-1.
13. American Masters: Lou Reed: Rock & Roll Heart documentary
14. "The Velvet Underground – Sweet Sister Ray". Discogs . 1996. Retrieved 29 September 2016.
15. Barton, Laura (20 July 2007). "The car, the radio, the night - and rock's most thrilling song". The Guardian . Retrieved 29 September 2016.
16. Crain, William (September 2002). "The Modern Lovers: Despite All the Amputations". Furious.com.
17. Whatley, Jack (January 2021). "Listen to Joy Division's rare cover of The Velvet Underground's 'Sister Ray'".
18. Patrin, Nate (January 30, 2018). "Gotcha Covered: White Light/White Heat".
19. "New Order online: Friday 1987-06-19 11:45:00 PM, Glastonbury, England, United Kingdom" . Retrieved 8 September 2024.
20. https://sisterswiki.org/Sister_Ray_(song)