Robert Wolfe Quine was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians."
Hypocrisy Is the Greatest Luxury is the debut album by alternative hip hop crew The Disposable Heroes of Hiphoprisy, released in 1992. Hypocrisy Is the Greatest Luxury was met with critical acclaim.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen."
Pazz & Jop was an annual poll of top musical releases, compiled by American newspaper The Village Voice and created by music critic Robert Christgau. It published lists of the year's top releases for 1971 and, after Christgau's two-year absence from the Voice, each year from 1974 onward. The polls are tabulated from the submitted year-end top 10 lists of hundreds of music critics. It was named in acknowledgement of the defunct magazine Jazz & Pop, and adopted the ratings system used in that publication's annual critics poll.
Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings."
Wild Gift is the second studio album by American rock band X, released on May 4, 1981, by Slash Records. It was very well received critically, and was voted the year's second best album in The Village Voice's Pazz & Jop poll. Wild Gift was later ranked at number 334 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Hootenanny is the second studio album by the American rock band The Replacements, released on April 29, 1983, by Twin/Tone Records. The album received positive reviews from critics.
New Sensations is the thirteenth solo studio album by American rock musician Lou Reed, released in April 1984 by RCA Records. John Jansen and Reed produced the album. New Sensations peaked at No. 56 on the U.S. Billboard 200 and at No. 92 on the UK Albums Chart. This marked the first time that Reed charted within the US Top 100 since his eighth solo studio album Street Hassle (1978), and the first time that Reed had charted in the UK since his sixth solo studio album Coney Island Baby (1976). Three singles were released from the album: "I Love You, Suzanne", "My Red Joystick" and "High in the City", with "I Love You, Suzanne" being the only single to chart, peaking at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" did, however, receive light rotation on MTV.
The Blue Mask is the eleventh solo studio album by American rock musician Lou Reed, released on February 23, 1982, by RCA Records. Reed had returned to the label after having left Arista Records. The album was released around Reed's 40th birthday, and covers topics of marriage and settling down, alongside themes of violence, paranoia, and alcoholism.
Magic and Loss is the sixteenth solo studio album by American rock musician Lou Reed, released on January 14, 1992, by Sire Records. A concept album, it was Reed's highest-charting album on the UK Albums Chart, peaking at No. 6.
Mistrial is the fourteenth solo studio album by American rock musician Lou Reed, released in April 1986 by RCA Records two years after his previous studio album, New Sensations (1984). Fernando Saunders and Reed produced the album.
Ecstasy is the eighteenth solo studio album by American rock musician Lou Reed, released on April 4, 2000, by Reprise Records. A concept album about Reed's personal experiences with marriage and relationships, it is his final rock album that is not a collaboration.
Live In Italy is an album by Lou Reed recorded live over two nights in September 1983 using the Rolling Stones Mobile Unit. It was issued on vinyl only in Germany, the United Kingdom and Japan. At the time, Reed and his band were on a world tour to promote the album Legendary Hearts. A live video, A Night with Lou Reed, filmed at a New York concert, was also released to coincide with the album. The video omitted the songs "Betrayed", "Sally Can't Dance", "Average Guy" and "Some Kinda Love"/"Sister Ray" from the 10th show, while adding "Don't Talk to Me About Work", "Women", "Turn Out the Light" and "New Age" from the 7th.
Fourth World, Vol. 1: Possible Musics is an album by Jon Hassell and Brian Eno. It was recorded at Celestial Sounds in New York City and released in 1980 by Editions EG, an imprint label of E.G. Records. "Fourth world music" is a musical aesthetic described by Hassell as "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." The album received praise from many critics.
The Individuals were an American, Hoboken, New Jersey-based power pop band, led by Glenn Morrow and featuring Janet Wygal, Janet's brother Doug Wygal, and Jon Light Klages. They were an outgrowth of several jam sessions that also included, at various times, Bernie Kugel, and Dee Pop. The band played regularly at Maxwell's and were a central part of the early 1980s Hoboken music scene. Village Voice critic Robert Christgau called them "easily the best of En Why's Pop Three on stage [the other two being the Bongos and the dB's], scruffy and forceful and lithe".
...And a Time to Dance is a 1983 EP by Los Lobos. It was co-produced by T-Bone Burnett and Steve Berlin and was the band's first release on Slash Records. The EP brought the band its first wide acclaim. It was voted best EP of the year in the Village Voice's influential Pazz & Jop critics poll. Critic Robert Christgau gave the record an "A−" in his Consumer Guide, calling it "good old rock and roll East L.A. style." Trouser Press raved about "a spicy romp back and forth across musical borders few can traverse with such ease," while Rolling Stone called it "an infectious dance record that deserves to be heard by rock fans."
Spinning Around the Sun is an album by country music singer-songwriter Jimmie Dale Gilmore. It was released in 1993 on Elektra Records, and was his second record for the label.
On Fyre is the first full-length studio album by American garage rock band Lyres. It was released in 1984 by the label Ace of Hearts and reissued in 1998 by Matador Records. It features "Help You Ann," arguably the band's signature song and the best-known song of the 1980s garage revival, which a commentator at KQED radio in San Francisco called "one of the greatest singles ever made."
The Curse of the Mekons is the ninth studio album by English rock band the Mekons, released in 1991. Due to a disagreement with A&M Records, the album was not released in the U.S. until a decade later, being available only as an import from their British label Blast First. It has been hailed by critics as one of the best of the Mekons' career.
"After Awhile" is an album by country music singer-songwriter Jimmie Dale Gilmore. It was released in 1991 as his debut album for Elektra Nonesuch Records.
