Transformer | ||||
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Studio album by | ||||
Released | November 8, 1972 | |||
Recorded | August 1972 | |||
Studio | Trident (London) | |||
Genre | ||||
Length | 36:40 | |||
Label | RCA Victor | |||
Producer | ||||
Lou Reed chronology | ||||
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Singles from Transformer | ||||
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Transformer is the second solo studio album by American recording artist Lou Reed. Produced by David Bowie and Mick Ronson, the album was released on November 8, 1972 by RCA Records. It is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, prostitution and drug use. Although Reed's self-titled debut solo album had been unsuccessful, Bowie had been an early fan of Reed's former band the Velvet Underground and used his fame to promote Reed, who had not yet achieved mainstream success. [2] [3]
As with its predecessor Lou Reed , Transformer contains songs Reed composed while in the Velvet Underground (here, four out of eleven). "Andy's Chest" was first recorded by the band in 1969 and "Satellite of Love" demoed in 1970; these versions were released on VU and Peel Slowly and See, respectively. For Transformer, the original up-tempo pace of these songs was slowed down.
"New York Telephone Conversation" and "Goodnight Ladies" [4] were played live during the band's summer 1970 residency at Max's Kansas City; the latter takes its title refrain from the last line of the second section ("A Game of Chess") of T. S. Eliot's modernist poem, The Waste Land : "Good night, ladies, good night, sweet ladies, good night, good night", which is itself a quote from Ophelia in Hamlet .
As in Reed's Velvet Underground days, the connection to artist Andy Warhol remained strong. According to Reed, Warhol told him he should write a song about someone vicious. When Reed asked what he meant by vicious, Warhol replied, "Oh, you know, like I hit you with a flower", [5] resulting in the song "Vicious". Reed wrote in his book, Between Thought and Expression, about his single "Walk on the Wild Side": "They were going to make a musical out of Nelson Algren's book A Walk on the Wild Side . When they dropped the project I took my song and changed the book's characters into people I knew from Warhol's factory. I don’t like to waste things." [6]
Transformer was produced by David Bowie and Mick Ronson, both of whom had been strongly influenced by Reed's work with the Velvet Underground. Bowie had obliquely referenced the Velvet Underground in the cover notes for his album Hunky Dory and regularly performed both "White Light/White Heat" and "I'm Waiting for the Man" in concerts and on the BBC during 1971–1973. He even began recording "White Light/White Heat" for inclusion on Pin Ups [ citation needed ], but it was never completed; Ronson ended up using the backing track for his solo album Play Don't Worry in 1974.
Mick Ronson (who was at the time the lead guitarist with Bowie's band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, London, [7] serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, contributing the string arrangement for "Perfect Day". Reed lauded Ronson's contribution in the Transformer episode of the documentary series Classic Albums , praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the album are now among Reed's best-known works, including "Walk on the Wild Side", "Perfect Day" and "Satellite of Love", and the album's commercial success elevated him from cult status to become an international star.
The cover art was from a Mick Rock photograph that inadvertently became over-exposed as he was printing it in the darkroom. Rock noticed the flaw but decided he liked the fortuitous effect enough to submit the image for the album cover. [8]
According to Rock, "When I showed Lou the contact sheets, he zeroed in on the transformer shot. I made the print myself – as I usually did in those days. The first test I made fell out of focus in the exposure. Lou loved the result. It took me twelve attempts to reproduce this accident for the final larger print for the album cover". [9]
Karl Stoecker (who also shot the first three Roxy Music album covers) took the back cover photo of a woman and a man. The woman is 1960s London supermodel Gala Mitchell. The man is portrayed by Ernie Thormahlen (a friend of Reed). The man appears to have a noticeable erection, [10] although Reed has said this was actually a banana which Thormahlen had stuffed down his jeans before the photo shoot.
The first single from the album, "Walk on the Wild Side", became an international success, despite its controversial subject matter. The song's lyrics mention transgender issues, sex acts, and drugs, leading it to be edited in some countries and banned in others. [3] It is now generally regarded by fans and critics as Reed's signature tune. "Satellite of Love" was issued as the second single in February 1973. In 2002, a 30th anniversary edition of the album was released; in addition to demos of "Hangin' Round" and "Perfect Day", it includes a hidden track featuring an advert for the album. Following Reed's death in October 2013, digital sales of Transformer, "Walk on the Wild Side", and "Perfect Day" all rose more than 300%, and "Walk on the Wild Side" cracked the new Billboard Rock Digital Songs chart at No. 38. [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Blender | [13] |
Chicago Tribune | [14] |
Christgau's Record Guide | B− [15] |
Encyclopedia of Popular Music | [16] |
Pitchfork | 8.4/10 [2] |
Rolling Stone | [17] |
The Rolling Stone Album Guide | [18] |
Spin | [19] |
Spin Alternative Record Guide | 8/10 [20] |
In a mixed review for Rolling Stone , Nick Tosches noted the songs "Satellite of Love", "Vicious", "Walk on the Wild Side" and "Hangin' 'Round" which he felt expressed a stimulating sexuality saying "Reed himself says he thinks the album's great. I don't think it's nearly as good as he's capable of doing. He seems to have the abilities to come up with some really dangerous, powerful music, stuff that people like Jagger and Bowie have only rubbed knees with." [10] In a retrospective review for The New Rolling Stone Album Guide (2004), Tom Hull remarked that Reed "wrote a bunch of clever new songs and tried to cash in on producer David Bowie's trendily androgynous glam rock, which worked well enough to break 'Walk on the Wild Side.'" [18]
In 1997, Transformer was named the 44th greatest album of all time in a "Music of the Millennium" poll conducted in the United Kingdom by HMV, Channel 4, The Guardian and Classic FM. [21] In 2000, it was voted number 58 in Colin Larkin's All Time Top 1000 Albums . [22] Transformer is also ranked at number 55 on NME 's list of "Greatest Albums of All Time". In 2003, the album was ranked at number 194 on Rolling Stone's list of the 500 greatest albums of all time, [23] maintaining the rating in a 2012 revised list, and is ranked 109 on the 2020 list. [24] [25] It is also on Q magazine's list of the "100 Greatest Albums Ever".
In 2018, 33⅓ published a book by musician Ezra Furman about Transformer. [26]
All tracks are written by Lou Reed.
No. | Title | Length |
---|---|---|
1. | "Vicious" | 2:55 |
2. | "Andy's Chest" | 3:17 |
3. | "Perfect Day" | 3:43 |
4. | "Hangin' 'Round" | 3:39 |
5. | "Walk on the Wild Side" | 4:12 |
No. | Title | Length |
---|---|---|
1. | "Make Up" | 2:58 |
2. | "Satellite of Love" | 3:40 |
3. | "Wagon Wheel" | 3:19 |
4. | "New York Telephone Conversation" | 1:31 |
5. | "I'm So Free" | 3:07 |
6. | "Goodnight Ladies" | 4:19 |
Total length: | 36:40 |
No. | Title | Length |
---|---|---|
1. | "Hangin' 'Round" (acoustic demo) | 3:58 |
2. | "Perfect Day" (acoustic demo; includes a hidden track featuring an advert for the album) | 4:50 |
Adapted from the Transformer liner notes. [27]
Musicians
Production
Chart | Peak Position |
---|---|
Australia (Kent Music Report) [28] | 12 |
UK Albums Chart | 13 |
Dutch Album Chart | 11 |
US Billboard Top LPs & Tape [29] | 29 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [30] | Gold | 20,000^ |
Denmark (IFPI Danmark) [31] | Gold | 10,000‡ |
France (SNEP) [32] | Gold | 100,000* |
Italy (FIMI) [33] | Platinum | 50,000‡ |
United Kingdom (BPI) [34] 2003 release | Platinum | 424,666 [35] |
* Sales figures based on certification alone. |
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.
Michael Ronson was an English musician, songwriter, arranger, and producer. He achieved critical and commercial success working with David Bowie as the guitarist of the Spiders from Mars. He was a session musician who recorded five studio albums with Bowie followed by four with Ian Hunter, and also worked as a sideman in touring bands with Van Morrison and Bob Dylan. A classically trained musician, Ronson was known for his melodic approach to guitar playing.
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track "Candy Says" and the closing track "After Hours" is sung by drummer Maureen Tucker.
White Light/White Heat is the second studio album by the American rock band the Velvet Underground. Released on January 30, 1968, by Verve Records, it was the band's last studio album with multi-instrumentalist and founding member John Cale. Recorded after band leader Lou Reed fired Andy Warhol, who had produced their debut album The Velvet Underground & Nico, they hired Steve Sesnick as a manager and hired producer Tom Wilson, who had worked on the band's debut. White Light/White Heat was engineered by Gary Kellgren.
"Suffragette City" is a song by the English singer-songwriter David Bowie. It was originally released in April 1972 as the B-side of the single "Starman" and subsequently appeared on his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). The song was later reissued as a single in 1976, with the US single edit of "Stay" as the B-side, to promote the compilation album Changesonebowie in the UK. Co-produced by Bowie and Ken Scott, it was recorded by Bowie at Trident Studios in London with his backing band the Spiders from Mars, consisting of Mick Ronson, Trevor Bolder and Mick Woodmansey, at a late stage of the album's sessions. The song was originally offered to English band Mott the Hoople, who declined it and recorded Bowie's "All the Young Dudes" instead. It is a glam rock song that is influenced by the music of Little Richard and the Velvet Underground. The lyrics include a reference to Anthony Burgess' novel A Clockwork Orange and the lyric "Oooohh wham bam, thank you, ma'am".
"Satellite of Love" is a song by American musician Lou Reed. It is the second single from his 1972 album Transformer. At the time of its release, it achieved minor US chart success, though it later became a staple of his concerts and compilation albums.
"Walk on the Wild Side" is a song by American rock musician Lou Reed from his second solo studio album, Transformer (1972). It was produced by David Bowie and Mick Ronson and released as a double A-side with "Perfect Day". Known as a counterculture anthem, the song received wide radio coverage and became Reed's biggest hit and signature song while touching on topics considered taboo at the time, such as transgender people, drugs, male prostitution, and oral sex.
Sally Can't Dance is the fourth solo studio album by American rock musician Lou Reed, released in September 1974 by RCA Records. Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. It is also the first solo Lou Reed album not to feature any songs originally recorded by Reed's earlier band, the Velvet Underground, as well as the first of Reed's solo studio albums to be recorded in the United States. The album art was designed by noted Fillmore and Broadway poster artist David Edward Byrd and was one of the few album covers he ever designed.
"Queen Bitch" is a song by the English singer-songwriter David Bowie. It was originally released on his 1971 album Hunky Dory before appearing as the B-side of the single "Rebel Rebel" in the United Kingdom in early 1974. Co-produced by Bowie and Ken Scott, the lineup consisted of the musicians who would later become known as the Spiders from Mars: Mick Ronson, Trevor Bolder and Mick Woodmansey.
"I'm Waiting for the Man" is a song by American rock band the Velvet Underground. Written by Lou Reed, it was first released on their 1967 debut album, The Velvet Underground & Nico. The lyrics describe a man's efforts to obtain heroin in Harlem.
Lou Reed Live is a live album by Lou Reed, released in 1975. It was recorded at the same concert as Rock 'n' Roll Animal ; on December 21, 1973, at Howard Stein's Academy of Music in New York. It features three songs from Transformer, one song from The Velvet Underground & Nico and two songs from Berlin. Between this album and the remastered Rock 'n' Roll Animal, the entire show has been released, albeit in a different order than the original concert setlist.
Perfect Night: Live in London is a live album by American musician Lou Reed recorded during the Meltdown '97 festival. It includes a version of the Velvet Underground's "I'll Be Your Mirror", originally sung by Nico. The album includes two songs, "Talking Book" and "Into the Divine" from the 1996 play Time Rocker Reed's collaboration with Robert Wilson, and Darryl Pinckney (text). The cover photograph was taken by Timothy Greenfield-Sanders. In Australia, the 2-CD tour edition of Reed's 2000 album Ecstasy included Perfect Night as the second disc.
American Poet is an album of an early solo concert by American rock musician Lou Reed, recorded live at the Calderone Concert Hall, Hempstead, New York, on Boxing Day 1972 during the Transformer tour. The backing band are the Tots. It features material from The Velvet Underground's first album, The Velvet Underground & Nico, and Reed's first two 1972 solo albums, debut Lou Reed and Transformer. The version of "Berlin" is the arrangement from that debut album. American Poet was released in 2001. It is an unauthorized release.
NYC Man is a 2-CD anthology of Lou Reed's work. All songs of this career spanning collection were chosen, sequenced and remastered by Lou Reed himself.
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released as a single in late November 1967 with the B-side "Here She Comes Now". The following year it appeared as the title track on their second studio album of the same name.
The Best of Lou Reed & The Velvet Underground is a compilation of some of Lou Reed's and some of The Velvet Underground's songs. It was released in 1995, but not in the U.S.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde earned them little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, experimentation, and nihilistic attitude were also instrumental in the development of punk rock, new wave and several other genres.
"Vicious" is a song written by Lou Reed, released as a single in 1973 and originally featured on Transformer, Reed's second post-Velvet Underground solo album.
"Andy's Chest" is a song written by Lou Reed, inspired by the 1968 attempted assassination of Andy Warhol. In June 1968, radical feminist writer Valerie Solanas shot artist and filmmaker Andy Warhol and Mario Amaya, art critic and curator, at Warhol's studio, The Factory. The Velvet Underground, of which Reed was the frontman, initially recorded the song in 1969, but this version went unreleased at the time. It was later re-recorded for Reed's solo release Transformer, co-produced by David Bowie and Mick Ronson.
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