"High in the City" | ||||
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Single by Lou Reed | ||||
from the album New Sensations | ||||
Released | 1984 | |||
Studio | Skyline Studios (New York City) | |||
Genre | ||||
Length | 3:27 | |||
Label | RCA | |||
Songwriter(s) | Lou Reed | |||
Producer(s) |
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Lou Reed singles chronology | ||||
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High in the City is a song written and recorded by American rock musician Lou Reed, released on his thirteenth solo studio album, New Sensations (1984). Released as a 7" single exclusively in the Netherlands by RCA Records, it was the third and final single from the album, but like the single that preceded it, "My Red Joystick", it failed to chart. [1] "High in the City" is the only single released from the album that didn't have a music video made for it.
A reggae-tinged track, it features a trombone solo by jazz musician Tom Malone towards the end of it, Malone had also arranged the horns on the track. [2]
The Raven is the nineteenth solo studio album by American rock musician Lou Reed, released on January 28, 2003 by Sire Records. It is a concept album, recounting the short stories and poems of Edgar Allan Poe through word and song, and was based on his 2000 opera co-written with Robert Wilson, POEtry.
Transformer is the second solo studio album by American recording artist Lou Reed. Produced by David Bowie and Mick Ronson, the album was released in November 1972 by RCA Records. It is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, prostitution and drug use. Although Reed's self-titled debut solo album had been unsuccessful, Bowie had been an early fan of Reed's former band The Velvet Underground and used his fame to promote Reed, who had not yet achieved mainstream success.
"Walk on the Wild Side" is a song by American rock musician Lou Reed from his second solo studio album, Transformer (1972). It was produced by David Bowie and Mick Ronson and released as a double A-side with "Perfect Day". Known as a counterculture anthem, the song received wide radio coverage and became Reed's biggest hit and signature song while touching on topics considered taboo at the time, such as transgender people, drugs, male prostitution, and oral sex.
Lou Reed is the debut solo studio album by American rock musician Lou Reed, released in May 1972 by RCA Records, two years after he left the Velvet Underground. It was produced by Richard Robinson and Reed and features London session musicians as Reed's backing band, two of whom, Rick Wakeman and Steve Howe, were from the British progressive rock band Yes. Wakeman recalled that during the recording sessions, "the lights had to be out so nobody could see." The album was recorded at Morgan Studios in London, between December 1971 and January 1972.
Berlin is the third solo studio album by American rock musician Lou Reed, released in October 1973 by RCA Records. A concept album, Berlin tells the story of a couple's struggle with drug addiction and abuse. Initially, critical reception was mixed but appraisals of the album have warmed over the years: in 1973 Rolling Stone declared the album "a disaster", but by 2012 the album was ranked No. 344 on its list of the 500 greatest albums of all time.
Sally Can't Dance is the fourth solo studio album by American rock musician Lou Reed, released in September 1974 by RCA Records. Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. It is also the first solo Lou Reed album not to feature any songs originally recorded by Reed's earlier band, the Velvet Underground, as well as the first of Reed's solo studio albums to be recorded in the United States. The album art was designed by noted Fillmore and Broadway poster artist David Edward Byrd and was one of the few album covers he ever designed.
Growing Up in Public is the tenth solo studio album by American rock musician Lou Reed, released in April 1980 by Arista Records.
New Sensations is the thirteenth solo studio album by American rock musician Lou Reed, released in April 1984 by RCA Records. John Jansen and Reed produced the album. New Sensations peaked at No. 56 on the U.S. Billboard 200 and at No. 92 on the UK Albums Chart. This marked the first time that Reed charted within the US Top 100 since 1978's Street Hassle, and the first time that Reed had charted in the UK altogether since 1976's Coney Island Baby. Three singles were released from the album: "I Love You, Suzanne", "My Red Joystick" and "High in the City", with "I Love You, Suzanne" being the only single to chart, peaking at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" did, however, receive light rotation on MTV.
New York is the fifteenth solo studio album by American musician Lou Reed, released in January 1989 by Sire Records.
Rock 'n' Roll Animal is a live album by American musician Lou Reed, released in February 1974 by RCA Records. In its original form, it features five songs, four of which were initially recorded by The Velvet Underground. Reed's band included Pentti Glan (drums), Prakash John (bass), Ray Colcord (keyboards), and Dick Wagner and Steve Hunter (guitars).
Mistrial is the fourteenth solo studio album by American rock musician Lou Reed, released in April 1986 by RCA Records two years after his previous studio album, New Sensations (1984). Fernando Saunders and Reed produced the album.
Legendary Hearts is the twelfth solo studio album by American rock musician Lou Reed, released in March 1983 by RCA Records. Reed self-produced the album, and dedicated it to his then-wife, Sylvia, who was credited with the cover concept. Due to tensions with Reed, most of Robert Quine's guitar parts were mixed down or removed entirely.
Walk on the Wild Side: The Best of Lou Reed is the first greatest hits compilation by Lou Reed, formerly of The Velvet Underground. It was issued by RCA Records after Reed's first contract with them ended in 1976. Issued on compact disc on October 25, 1990, the album cover features photos by Mick Rock of Reed and then-girlfriend Rachel Humphreys.
Perfect Night: Live in London is a live album by American musician Lou Reed recorded during the Meltdown '97 festival. It includes a version of the Velvet Underground's "I'll Be Your Mirror", originally sung by Nico. The album includes two songs, "Talking Book" and "Into the Divine" from the 1996 play Time Rocker Reed's collaboration with Robert Wilson, and Darryl Pinckney (text). The cover photograph was taken by Timothy Greenfield-Sanders. In Australia, the 2-CD tour edition of Reed's 2000 album Ecstasy included Perfect Night as the second disc.
Words for the Dying is the twelfth solo studio album by Welsh musician John Cale, released in 1989 by record labels Opal and Warner Bros.
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached No. 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the Billboard Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James.
Hudson River Wind Meditations is the twentieth and final solo studio album by American musician Lou Reed, released in April 2007 by Sounds True. Hal Willner and Reed produced the album, a collection of meditational music intended to relax the body, mind and spirit, adjunct to Tai chi and bodywork. It is a departure from his regular rock output.
"I Love You, Suzanne" is a song written and recorded by American musician Lou Reed, released as both a 7" and 12" single from his thirteenth solo studio album, New Sensations (1984). The lead and only single to chart from the album, it peaked at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" received light rotation on MTV.
"My Red Joystick" is a song written and recorded by American musician Lou Reed, released as both a 7" and 12" single from his thirteenth solo studio album, New Sensations (1984). Following the minor success of "I Love You, Suzanne", "My Red Joystick" was released as the second single from the album however it failed to chart. Like "I Love You, Suzanne" it also had an official music video made for it, featuring the same blond woman who had featured in the aforementioned video. Reed once introduced the song in concert as his "version of James Brown", joking that it wasn't obvious hence why he had to inform the audience before he played it.
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