Berlin | ||||
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Studio album by | ||||
Released | October 5, 1973 | |||
Studio |
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Genre | ||||
Length | 49:23 | |||
Label | RCA Victor | |||
Producer | Bob Ezrin | |||
Lou Reed chronology | ||||
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Singles from Berlin | ||||
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Berlin is the third solo studio album by American rock musician Lou Reed, released in October 1973 by RCA Records. A concept album, Berlin tells the story of a couple's struggle with drug addiction and abuse. Initially, critical reception was mixed but appraisals of the album have warmed over the years: in 1973 Rolling Stone declared the album "a disaster", but by 2012 the album was ranked No. 344 on its list of the 500 greatest albums of all time. [3] [4]
The album is a tragic rock opera about a doomed couple, Jim and Caroline, and addresses themes of drug use, prostitution, depression, domestic violence and suicide. [5]
The concept was created when producer Bob Ezrin mentioned to Reed that although the stories told by Reed's songs had great beginnings, they never really had an ending. Specifically, Ezrin wanted to know what happened to the couple from "Berlin" – a song from Reed's first solo album. [6]
"The Kids" tells of Caroline having her children taken from her by the authorities and features the sounds of children crying for their mother.
Reed and producer Bob Ezrin planned a stage adaptation of the album upon its initial release but shelved the plans due to mixed reviews and poor sales. In 2007 Reed fulfilled his original hopes by touring the album with a 30-piece band, 12 choristers and Anohni. [7] Director Julian Schnabel filmed the concert and released it in 2008 as Berlin: Live at St. Ann's Warehouse , which opened to strong reviews. [8] [9] The album was digitally re-mastered and re-released on compact disc to commemorate the event.
Instrumentally, Reed plays acoustic guitar. As with Reed's previous two studio albums, Berlin re-drafts several songs that had been written and recorded previously. The title track first appeared on Reed's solo debut album, only here it is simplified, the key changed and re-arranged for solo piano. "Oh, Jim" makes use of the Velvet Underground outtake "Oh, Gin". "Caroline Says II" is a rewrite of "Stephanie Says" from VU (though the latter was not released until 1985). The Velvet Underground had also recorded an alternative demo of "Sad Song", which had much milder lyrics in its original form. "Men of Good Fortune" had also been played by the Velvet Underground as early as 1966; an archival live recording, which can be heard only at the Andy Warhol Museum in Pittsburgh, Pennsylvania, features the song.
The album cover was conceived by Pacific Eye & Ear, which also designed Alice Cooper's Muscle of Love the same year. [10] [11] The first lyrical lines of "Berlin" are shown beneath a collage of characters from the concept album. [12]
Review scores | |
---|---|
Source | Rating |
AllMusic | [13] |
Chicago Tribune | [14] |
Creem | C [15] |
Encyclopedia of Popular Music | [16] |
Pitchfork | 9.2/10 [17] |
Q | [18] |
The Rolling Stone Album Guide | [19] |
Spin | [20] |
Spin Alternative Record Guide | 8/10 [21] |
Stephen Davis, in a December 1973 review for Rolling Stone , felt the album was a "disaster"; he disliked the world of "paranoia, schizophrenia, degradation, pill-induced violence and suicide" that the album introduced to the listener, as well as Reed's "spoken and shouted" performance. [3] Robert Christgau in a February 1974 review for Creem felt that the story about "two drug addicts who fall into sadie-mazie in thrillingly decadent Berlin" was "lousy" and the music was "only competent". [15]
Berlin reached No. 7 on the UK album chart (Reed's best achievement there until 1992's Magic and Loss ). The BPI awarded the record a silver certification. Poor sales in the US (No. 98) and harsh criticism made Reed feel disillusioned about the album; however, he often featured Berlin material in his live shows, and concert renditions of most of the album's songs including "Berlin", "Lady Day", "Caroline Says I", "How Do You Think It Feels", "Oh, Jim", "The Kids", "The Bed" and "Sad Song" can be found on various live albums preceding his 2006 staging of the entire album in concert.
Cash Box said of "How Do You Think it Feels" that it is "that kind of infectious track that folks will not forget," although it is "lyrically heavy." [22] Record World said of it that this "heavy metal item from his Berlin lp should blitz the charts." [23]
In 2003 Rolling Stone ranked Berlin at number 344 on its list of the 500 greatest albums of all time, [24] with the album maintaining this position in a 2012 update of the list. [4] In 2008 a filmed live performance of the album was well received. When asked if he felt vindicated, Reed said, "For what? I always liked Berlin." [25] The album was also included in the book 1001 Albums You Must Hear Before You Die . [26]
The Scottish folk rock band the Waterboys takes its name from a line in the song "The Kids". [27] The Mexican and Spanish singer Alaska's name was inspired by the song "Caroline Says II". [28]
"Caroline Says II" has been covered by several artists, including the Soft Boys, Human Drama, Mercury Rev and Marc and the Mambas. Siouxsie Sioux did a cover version of the song with the musicians of Suede in 1993. [29] In 2008 Rick de Leeuw recorded a Dutch translation of the song, with the approval of Lou Reed himself.
All tracks are written by Lou Reed.
Side one
Side two
The album was recorded as a 64 minute double LP, but the tracks were edited into shorter versions after RCA got cold feet about an expensive double package with no obvious hits. None of the original long versions have been subsequently released, with one exception. [30] The initial 8-track tape and cassette tape release of Berlin, there was an untitled one-minute instrumental piano solo performed by Allan Macmillan. It played between the songs "Berlin" and "Lady Day". It has otherwise never been featured on any vinyl or CD editions, or any subsequent reissue. [31] There has never been any official explanation for this, although it may have been placed there in order to fill time and allow for uninterrupted song sequencing between the four programs on the 8-track version. In 2006, when Reed performed the entire album at St. Ann's Warehouse in New York, this solo was reinstated, performed before "Caroline Says II", arguably suggesting this is where the piece may have been originally intended to appear in the track sequence. [32]
Credits are adapted from the Berlin liner notes. [33]
Musicians
Production
Chart | Peak Position |
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Australia (Kent Music Report) [34] | 59 |
Dutch Album Chart | 16 |
UK Album Chart | 7 |
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track “Candy Says” and the closing track "After Hours" is sung by drummer Maureen Tucker.
Loaded is the fourth studio album by the American rock band the Velvet Underground, released in November 1970 by Atlantic Records subsidiary Cotillion. It was the final album recorded featuring the band’s remaining original members, including the lead singer and primary songwriter Lou Reed, who left the band shortly before the album's release, and the guitarist Sterling Morrison, who left the band in 1971 along with the drummer Maureen Tucker. For this reason, it is often considered by fans to be the last "true" Velvet Underground album. The multi-instrumentalist Doug Yule remained and released the album Squeeze in 1973 before the band's dissolution the same year.
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Pat Garrett & Billy the Kid is the twelfth studio album and first soundtrack album by American singer-songwriter Bob Dylan, released on July 13, 1973, by Columbia Records for the Sam Peckinpah film Pat Garrett and Billy the Kid. Dylan himself appeared in the film as the character "Alias". The soundtrack consists mainly of instrumental music and was inspired by the movie itself. The album includes "Knockin' on Heaven's Door", which became a trans-Atlantic Top 20 hit.
Destroyer is the fourth studio album by American hard rock band Kiss, released on March 15, 1976, by Casablanca Records in the US. It was the third successive Kiss album to reach the top 40 in the US, as well as the first to chart in Germany and New Zealand. The album was certified gold by the RIAA on April 22, 1976, and platinum on November 11 of the same year, the first Kiss album to achieve platinum. The album marked a departure from the raw sound of the band's first three albums.
Hard Rain is a live album by American singer-songwriter Bob Dylan, released on September 13, 1976, by Columbia Records. The album was recorded during the second leg of the Rolling Thunder Revue.
Welcome to My Nightmare is the debut solo studio album by American rock musician Alice Cooper, released on February 28, 1975 by Atlantic Records. A concept album, its songs played in sequence form a journey through the nightmares of a child named Steven. The album inspired the Alice Cooper: The Nightmare TV special, a worldwide concert tour in 1975, and his Welcome to My Nightmare concert film in 1976. The tour was one of the most over-the-top excursions of that era. Most of Lou Reed's band joined Cooper for this record. Welcome to My Nightmare is his only album under the Atlantic Records label in North America; internationally, it was released on the ABC subsidiary Anchor Records.
Lou Reed is the debut solo studio album by American rock musician Lou Reed, released in May 1972 by RCA Records, two years after he left the Velvet Underground. It was produced by Richard Robinson and Reed and features London session musicians as Reed's backing band, two of whom, Rick Wakeman and Steve Howe, were from the British progressive rock band Yes. Wakeman recalled that during the recording sessions, "the lights had to be out so nobody could see." The album was recorded at Morgan Studios in London, between December 1971 and January 1972.
VU is a 1985 album by the American musical group the Velvet Underground, a compilation album of outtakes recorded 1968–69. It was released in February 1985 by Verve Records.
Coney Island Baby is the sixth solo studio album by American rock musician Lou Reed, released in January 1976 by RCA Records.
New Sensations is the thirteenth solo studio album by American rock musician Lou Reed, released in April 1984 by RCA Records. John Jansen and Reed produced the album. New Sensations peaked at No. 56 on the U.S. Billboard 200 and at No. 92 on the UK Albums Chart. This marked the first time that Reed charted within the US Top 100 since his eighth solo studio album Street Hassle (1978), and the first time that Reed had charted in the UK since his sixth solo studio album Coney Island Baby (1976). Three singles were released from the album: "I Love You, Suzanne", "My Red Joystick" and "High in the City", with "I Love You, Suzanne" being the only single to chart, peaking at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" did, however, receive light rotation on MTV.
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Berlin: Live at St. Ann's Warehouse is a concert film and live album by Lou Reed released in 2008. The concert film was directed by Julian Schnabel, live at St. Ann's Warehouse in Brooklyn during five nights in December 2006. Background shots of the characters Jim and Caroline were done by Lola Schnabel.
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