| Coney Island Baby | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | December 1975 | |||
| Recorded | October 18–28, 1975 | |||
| Studio | Mediasound, New York City | |||
| Genre | Soft rock | |||
| Length | 35:15 | |||
| Label | RCA Victor | |||
| Producer |
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| Lou Reed chronology | ||||
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Coney Island Baby is the sixth solo studio album by American rock musician Lou Reed, released in december 1975 by RCA Records. [1]
The album has been described by Anthony DeCurtis as "perhaps the most romantic album of Reed's career". [2] Many of the album's songs were inspired by and dedicated to Reed's girlfriend and muse at the time, Rachel Humphreys. [3] [4] According to Aidan Levy, Coney Island Baby was "as much a love letter to Rachel as it was to the nostalgic Coney Island of the mind." [5]
The album's title track directly references Rachel with the line: "I'd like to send this one out to Lou and Rachel, and all the kids at P.S. 192." [6] "P.S. 192" refers to P.S. 192 – which at that time was a public school for kindergarten to 6th grade, in Brooklyn, New York City, NY, where Reed went to school before moving to Long Island, New York. [7] In 1979 Reed said "Saying 'I'm a Coney Island baby' at the end of that song is like saying I haven't backed off an inch. And don't you forget it." [8] [9] It is a direct continuation of the poem "The Coach and Glory of Love", written by Reed and published in the Fall 1971 edition of The Harvard Advocate .
The album includes the song "She's My Best Friend", a version of which was originally recorded by Reed's band the Velvet Underground in 1969, and eventually released on the 1985 compilation album VU . The 30th-anniversary re-issue of Coney Island Baby includes bonus tracks featuring Reed's Velvet Underground bandmate Doug Yule.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [10] |
| Blender |  [11] |
| Chicago Tribune | [12] |
| Christgau's Record Guide | B+ [13] |
| Encyclopedia of Popular Music | [14] |
| The Guardian | [15] |
| Pitchfork | 8.5/10 [16] |
| Q | [17] |
| The Rolling Stone Album Guide | [18] |
| Spin Alternative Record Guide | 7/10 [19] |
Reviewing for Rolling Stone in 1976, Paul Nelson wrote, "For the eight superb songs on Coney Island Baby, Reed assembled the best band he has performed with since the Velvet Underground. Michael Suchorsky's versatile, controlled drumming is especially praiseworthy, and Reed himself has even managed to rekindle his intense, individualistic guitar playing of the late Sixties. Better yet, he has shelved his recent FM-DJ vocal style in favor of confident, expressive singing. The songs themselves—as structured and melodic as any Reed has written — are timeless, terrific rock & roll, and the strength of the genre is accentuated by the simplicity and logic of crisp, tactile production (by Reed and Godfrey Diamond) and careful, resourceful arrangements which emphasize both electric and acoustic guitars and inventive background vocals." [20]
In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said of the record, "At first it's gratifying to ascertain that he's trying harder, but very soon that old cheapjack ennui begins to poke through. Oddly, though, most of the cheap stuff is near the surface—the songs sound warmer when you listen close. And not even in his most lyrical moments with the Velvets has he let his soft side show as nakedly as it does on the title cut." [13]
For the entry on Reed in Rock: The Rough Guide (1996), Roy Edroso highlighted Coney Island Baby as "the most pleasing of Reed's soft-rock albums" and said, "His sense of humour has never been better than on 'A Gift', and the title track reminds you why Jonathan Richman idolized Reed: who else would have had the nerve to try to find 'the glory of love' in the reveries of a troubled would-be high-school football player (in doo-wop style, no less)?". [21]
All tracks are written by Lou Reed.
Side one
Side two
"Nowhere at All" was released as the B-side to "Charley's Girl".
Musicians
Production and artwork
| Chart (1976) | Peak position |
|---|---|
| Australian Albums (Kent Music Report) [22] | 25 |
| Dutch Albums (Album Top 100) [23] | 4 |
| New Zealand Albums (RMNZ) [24] | 16 |
| Swedish Albums (Sverigetopplistan) [25] | 23 |
| UK Albums (OCC) [26] | 52 |
| US Billboard 200 [27] | 41 |
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.
Loaded is the fourth studio album by the American rock band the Velvet Underground, released in November 1970 by Atlantic Records subsidiary Cotillion. It was the final album recorded featuring the band’s remaining original members, including the lead singer and primary songwriter Lou Reed, who left the band shortly before the album's release, and the guitarist Sterling Morrison, who left the band in 1971 along with the drummer Maureen Tucker. For this reason, it is often considered by fans to be the last "true" Velvet Underground album. The multi-instrumentalist Doug Yule remained and released the album Squeeze in 1973 before the band's dissolution the same year.
Douglas Alan Yule is an American musician and singer, most notable for being a member of the Velvet Underground from 1968 to 1973, serving as the bassist, guitarist, keyboardist and vocalist.
Street Hassle is the eighth solo studio album by American rock musician Lou Reed, released in February 1978 by Arista Records. Richard Robinson and Reed produced the album. It is the first commercially released pop album to employ binaural recording technology. Street Hassle combines live concert tapes and studio recordings.
Lou Reed is the debut solo studio album by American rock musician Lou Reed, released in May 1972 by RCA Records, two years after he left the Velvet Underground. It was produced by Richard Robinson and Reed and features London session musicians as Reed's backing band, two of whom, Rick Wakeman and Steve Howe, were from the British progressive rock band Yes. Wakeman recalled that during the recording sessions, "the lights had to be out so nobody could see." The album was recorded at Morgan Studios in London, between December 1971 and January 1972.
Berlin is the third solo studio album by American rock musician Lou Reed, released in October 1973 by RCA Records. A concept album, Berlin tells the story of a couple's struggle with drug addiction and abuse. Initially, critical reception was mixed but appraisals of the album have warmed over the years: in 1973 Rolling Stone declared the album "a disaster", but by 2012 the album was ranked No. 344 on its list of the 500 greatest albums of all time.
1969: The Velvet Underground Live is a live album by the Velvet Underground. It was originally released as a double album in September 1974 by Mercury Records. The September 1988 CD re-release was issued as two separate single CD volumes, with one extra track per disc. Since many of the band's studio albums were out of print in the United States from the early 1970s through the mid-1980s, 1969 was one of the more popular albums by the band, and is a fan favorite. Spin magazine's Alternative Record Guide included it in the top 100 alternative albums of all time in 1995.
VU is a 1985 album by the American musical group the Velvet Underground, a compilation album of outtakes recorded 1968–69. It was released in February 1985 by Verve Records.
Sally Can't Dance is the fourth solo studio album by American rock musician Lou Reed, released in September 1974 by RCA Records. Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the Billboard 200 album chart in October 1974. It is also the first solo Lou Reed album not to feature any songs originally recorded by Reed's earlier band, the Velvet Underground, as well as the first of Reed's solo studio albums to be recorded in the United States. The album art was designed by noted Fillmore and Broadway poster artist David Edward Byrd and was one of the few album covers he ever designed.
Growing Up in Public is the tenth solo studio album by American rock musician Lou Reed, released in April 1980 by Arista Records.
New Sensations is the thirteenth solo studio album by American rock musician Lou Reed, released in April 1984 by RCA Records. John Jansen and Reed produced the album. New Sensations peaked at No. 56 on the U.S. Billboard 200 and at No. 92 on the UK Albums Chart. This marked the first time that Reed charted within the US Top 100 since his eighth solo studio album Street Hassle (1978), and the first time that Reed had charted in the UK since his sixth solo studio album Coney Island Baby (1976). Three singles were released from the album: "I Love You, Suzanne", "My Red Joystick" and "High in the City", with "I Love You, Suzanne" being the only single to chart, peaking at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" did, however, receive light rotation on MTV.
Barry Manilow II is the second studio album by Barry Manilow released in 1974. Propelled by the major success of its lead single "Mandy" and featuring a further international hit in "It's a Miracle", the album was a commercial breakthrough for Manilow. First issued by Bell Records, it was reissued after the company was reorganized into Arista Records. The album's success spawned a notable parody in the picture sleeve of Ray Stevens' 1979 single, "I Need Your Help Barry Manilow".
Rock 'n' Roll Animal is a live album by American musician Lou Reed, released in February 1974 by RCA Records. In its original form, it features five songs, four of which were initially recorded by The Velvet Underground. Reed's band included Pentti Glan (drums), Prakash John (bass), Ray Colcord (keyboards), and Dick Wagner and Steve Hunter (guitars).
Lou Reed Live is a live album by Lou Reed, released in 1975. It was recorded at the same concert as Rock 'n' Roll Animal ; on December 21, 1973, at Howard Stein's Academy of Music in New York. It features three songs from Transformer, one song from The Velvet Underground & Nico and two songs from Berlin. Between this album and the remastered Rock 'n' Roll Animal, the entire show has been released, albeit in a different order than the original concert setlist.
The Bells is the ninth solo studio album by American rock musician Lou Reed, released in May 1979 by Arista Records. It was recorded in binaural sound at Delta Studios in Wilster, West Germany. Production was handled by Reed with Michael Fonfara serving as executive producer. Three out of nine songs on the album are the product of a short-lived writing partnership between Reed and Nils Lofgren. More of the team's work appeared on Nils' solo studio album Nils, released the same year. Lofgren released his version of "Stupid Man" as "Driftin' Man" on Break Away Angel (2001). Lofgren resurrected five songs he wrote with Reed in the late 70s on Blue with Lou (2019).
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Walk on the Wild Side: The Best of Lou Reed is the first greatest hits compilation by Lou Reed, formerly of The Velvet Underground. It was issued by RCA Records after Reed's first contract with them ended in 1976. Issued on compact disc on October 25, 1990, the album cover features photos by Mick Rock of Reed and then-girlfriend Rachel Humphreys.
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Live: Take No Prisoners is a 1978 live album by American musician Lou Reed, recorded during May 1978 at The Bottom Line in New York.
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