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Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product, such as a book (often on a dust jacket), magazine, newspaper (tabloid), comic book, video game (box art), music album (album art), CD, videotape, DVD, or podcast. Cover art can include various things such as logos, symbols, images, colors, or anything that represents what is being sold or advertised. [1] The art has a commercial function (i.e., to promote the product it is displayed on), but can also have an aesthetic function, and may be artistically connected to the product (such as with art by, or commissioned by, the creator of the product).
Album Cover art has a long history dating back to the late 19th century. This art is artwork created for a music album and is one of the most representative techniques to show the changes and trends found within the music, art, culture, and technological industries. [2] As music became popularized, so did creating cover art. Throughout the years, cover art went through different stages and styles.
In 1938, Columbia Records hired Alex Steinweiss as its first art director. [3] Notable album cover art includes Pink Floyd's The Dark Side of the Moon , King Crimson's In the Court of the Crimson King , Kanye West's My Beautiful Dark Twisted Fantasy, [4] [5] the Beatles' Sgt. Pepper's Lonely Hearts Club Band , Abbey Road and their self-titled "White Album", among others. Albums can have cover art created by the musician, as with Joni Mitchell's Clouds , [6] or by an associated musician, such as Bob Dylan's artwork for the cover of Music from Big Pink , by the Band, Dylan's backup band's first album.
Artists known for their album cover art include Alex Steinweiss, an early pioneer in album cover art, Roger Dean, and the Hipgnosis studio. Some album art may cause controversy because of nudity (for example, John Lennon and Yoko Ono's Unfinished Music No. 1: Two Virgins ), offending churches, trademark or others. [7] There have been numerous books documenting album cover art, particularly rock and jazz album covers. [8] [9] [10] Steinweiss was an art director and graphic designer who brought custom artwork to record album covers and invented the first packaging for long-playing records. [7]
Joanne Gair's early album artwork such as David Lee Roth's 1986 Eat 'Em and Smile album cover helped launch her career. [11]
A book cover is usually made up of images (illustrations, photographs, or a combination of both) and text. It emerged in the 19th century when books started to become mass-produced. [12] . It usually includes the book title and author and can also include (but not always) a book tagline or quote. The book cover design is usually designed by a graphic designer or book designer, working in-house at a publisher or freelance. Authors can make suggestions for book cover design elements (e.g., a preferred color) but rarely communicate directly with the designer. [13] Once the front cover art has been approved, they will then continue to design the layout of the spine (including the book title, author name and publisher imprint logo) and the back cover (usually including a book blurb and sometimes the barcode and publisher logo). Books can be designed as a set of series or as an individual design. Very commonly, the same book will be designed with a different cover in different countries to suit the specific audience. For example, a cover designed for Australia may have a completely different design in the United Kingdom and again in the United States.
Book covers need to be effective at marketing, which can encourage reliance on stereotypical representations. [13] For example, if the marketing strategy emphasizes that the author is a woman, then the cover might be designed in stereotypical feminine colors such as pink, and if the publisher wants to emphasize that the author is from a particular ethnic background, then the cover might include stereotypical representations of people from that ethnic group. [13]
Book cover art has had books written on the subject. [14] Numerous artists have become noted for their book cover art, including Richard M. Powers and Chip Kidd. In one of the most recognizable book covers in American literature, two sad female eyes (and bright red lips) adrift in the deep blue of a night sky, hover ominously above a skyline that glows like a carnival. Evocative of sorrow and excess, the haunting image has become so inextricably linked to The Great Gatsby that it still adorns the cover of F. Scott Fitzgerald's book 88 years after its debut. The iconic cover art was created by Spanish artist Francis Cugat. With the release of a big Hollywood movie, however, some printings of the book have abandoned the classic cover in favor of one that ties in more closely with the film. [15]
First showing in the 1900s, illustrated covers became common with magazines like Vogue and Cosmopolitan featuring full-page illustrations in the 1900s. [16] The first magazine cover with a photo appeared in 1932. Vogue was one of the first to adopt photography, and its first full-color photo cover was in July 1932. Famous artists like Salvador Dalí, Man Ray, and Juan Miró contributed covers to Vogue in the 1940s. Magazine cover artists include Art Spiegelman, who modernized the look of The New Yorker magazine, and his predecessor Rea Irvin, who created the Eustace Tilly character for the magazine. Magazine cover artists who were well known for capturing important political and social issues of the day include Norman Rockwell, whose work appeared 322 times on the cover of The Saturday Evening Post [17] (11 featuring the Willie Gillis character), [18] and Dennis Wheeler, whose 40 covers for Time magazine illustrated social movements and news events of the 1960s and 1970s; seven of them are in the permanent collection of the Museum of Modern Art in New York City. [19] [20] Mad magazine has a long history of placing the Alfred E. Neuman character prominently on its cover. [21]
Today, the word tabloid is used as a derogatory descriptor of a style of journalism, rather than its original intent as an indicator of half-broadsheet size. This tends to cloud the fact that the great tabloids were skilfully produced amalgams of human interest stories told with punchy brevity, a clarity drawn from the choice of simple but effective words and often with a dose of wit. [22] The gossipy tabloid scandal sheets, as we know them today, have been around since 1830. That's when Benjamin Day and James Gordon Bennett Sr., the respective publishers of The Sun and the New York Herald , launched what became known as the penny press (whose papers sold for one cent apiece). [23] But some of what is considered the world's best journalism has been tabloid. [24] From the days when John Pilger revealed the truth of Cambodia's Killing Fields in the Daily Mirror , to the stream of revelations that showed the hypocrisy of John Major's "back to basics" cabinet, award-winning writing in the tabloids is acknowledged every year at the National Press Awards. [24]
Good cover art can lead readers to this fact; the New York Herald, for example, offers some examples of tabloid cover art. [25] [26] So too does the News & Review , a free weekly published in Nevada and California. [27] The tabloid has thrived since the 1970s, and uses cartoonish cover art. [28] Tabloids have a modern role to play, and along with good cover art (and new ideas) they fill a niche. [29]
Sheet music cover artists include Frederick S. Manning, William Austin Starmer and Frederick Waite Starmer, all three of whom worked for Jerome H. Remick. Other prolific artists included Albert Wilfred Barbelle, André C. De Takacs, [30] and Gene Buck. E. H. Pfeiffer [31] did cover illustrations for Gotham-Attucks; Remick, F.B. Haviland Pub. Co.; Jerome & Schwartz Publishing Company; Lew Berk Music Company; Waterson, Berlin & Snyder, Inc.; and others.
Norman Percevel Rockwell was an American painter and illustrator. His works have a broad popular appeal in the United States for their reflection of the country's culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, the Four Freedoms series, Saying Grace, and The Problem We All Live With. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout Is Reverent, and A Guiding Hand.
An illustrator is an artist who specializes in enhancing writing or elucidating concepts by providing a visual representation that corresponds to the content of the associated text or idea. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually, which is the reason illustrations are often found in children's books.
An album is a collection of audio recordings issued on a medium such as compact disc (CD), vinyl (record), audio tape, or digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33+1⁄3 rpm.
Gregory Gallant, better known by his pen name Seth, is a Canadian cartoonist. He is best known for his series Palookaville and his mock-autobiographical graphic novel It's a Good Life, If You Don't Weaken (1996).
Michael Whelan is an American artist of imaginative realism. For more than 30 years, he worked as an illustrator, specializing in science fiction and fantasy cover art. Since the mid-1990s, he has pursued a fine art career, selling non-commissioned paintings through galleries in the United States and through his website.
An album cover is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to:
Rian Hughes is a British graphic designer, illustrator, type designer, comics artist and novelist.
Joseph Christian Leyendecker was one of the most prominent and financially successful freelance commercial artists in the U.S. He was active between 1895 and 1951 producing drawings and paintings for hundreds of posters, books, advertisements, and magazine covers and stories. He is best known for his 80 covers for Collier's Weekly, 322 covers for The Saturday Evening Post, and advertising illustrations for B. Kuppenheimer men's clothing and Arrow brand shirts and detachable collars. He was one of the few known reportedly gay artists working in the early-twentieth century U.S.
James Royer Flora was an American artist best known for his distinctive and idiosyncratic album cover art for RCA Victor and Columbia Records during the 1940s and 1950s. He was also a prolific commercial illustrator from the 1940s to the 1970s and the author/illustrator of 17 popular children's books. He was a fine artist as well, who created hundreds of paintings, drawings, etchings and sketches over his 84-year life.
Alexander Steinweiss was an American graphic design artist known for inventing album cover art.
Jeff Easley is an oil painter who creates fantasy artwork for role-playing games, comics, and magazines, as well as non-fantasy commercial art.
Overton Loyd is an American artist. Loyd created the cover art for the Parliament album Motor Booty Affair and several other records. His style of art varies often from work to work, and can range from loose sketches and paintings to fully fleshed out pieces. He is a friend of George Clinton of Parliament, and most of the subjects for his art are either Clinton or Parliament.
Joe Phillips is an American artist, known for his gay-themed illustration, erotic animation, and his earlier work on superhero comic books.
Gary Ruddell is an American artist best known for his figurative representational paintings. As well as his illustrations for works of science fiction and fantasy literature. His cover artwork for Dan Simmons's novel Hyperion was nominated for the 1990 Hugo Award for Best Original Artwork.
Joanne Gair, nicknamed Kiwi Jo, is a New Zealand-born and -raised make-up artist and body painter whose body paintings have been featured in the Sports Illustrated Swimsuit Issue from 1999 to 2017. She is considered the world's leading trompe-l'œil body painter and make-up artist, and she became famous with a Vanity FairDemi's Birthday Suit cover of Demi Moore in a body painting in 1992. Her Disappearing Model was featured on the highest-rated episode of Ripley's Believe It or Not. She is the daughter of George Gair.
Raymond Kursar is an American artist, illustrator and graphic designer; known for his Broadway play posters, fine giclee limited edition prints and the movie classic Gone with the Wind collector's plate collection.
Drew Struzan is an American artist, illustrator and cover designer. He is known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, and Star Wars film series. He has also painted album covers, collectibles, and book covers.
André C. De Takacs was an illustrator. His artwork features on the covers of sheet music. He produced art for posters, postcards, and film company promotions. He also wrote music and poetry. The Smithsonian Libraries have some of his song sheet covers in their collection. The University of South Carolina's Tin Pan Alley Sheet Music Collection also includes his work.
Richard Staples (Dick) Dodge was an American illustrator.
The Gotham-Attucks Music Publishing Company was an African-American owned firm based in Manhattan, New York, that was formed July 15, 1905, by merger of the Gotham Music Company and the Attucks Music Publishing Company. The Gotham Music Company was founded by composer Will Marion Cook and songwriter Richard Cecil McPherson (aka Cecil Mack) and the Attucks Music Publishing Company, the first African-American music publishing company in the United States, founded in 1904 by Sheperd Nathaniel Edmonds (1874–1941). Gotham-Attucks ceased to operate as a legitimate music publisher after its sale to the "song shark" Ferdinand E. Miersch in 1911.
Forty-seven years later, Rockwell's work had appeared 322 times on the cover of The Saturday Evening Post — the last, a portrait of John F. Kennedy, appeared in 1963, a week after the president's assassination.