Unfinished Music No. 1: Two Virgins

Last updated

Unfinished Music No. 1: Two Virgins
TwoVCover.jpg
Studio album by
Released11 November 1968 (US)
29 November 1968 (UK)
Recorded3-4 May 1968 at Kenwood, Surrey [1] or 19-20 May 1968
Genre
Length29:27 (original LP)
33:32 (1997 CD reissue)
Label Apple/Track/Tetragrammaton
Producer John Lennon, Yoko Ono
John Lennon and Yoko Ono chronology
Unfinished Music No. 1: Two Virgins
(1968)
Unfinished Music No. 2: Life with the Lions
(1969)

Unfinished Music No. 1: Two Virgins is the first of three experimental albums released by John Lennon and Yoko Ono on Apple Records. It was the result of an all-night session of musical experimentation with Yoko in John's home studio at Kenwood, while his wife, Cynthia Lennon, was on holiday in Greece. [6] Lennon and Ono's 1968 debut recording is known not only for its avant-garde content, but also for its cover, which shows the couple naked. This made the album controversial to both the public and the parent record company EMI, which refused to distribute it. In an attempt to avoid controversy, the LP record was sold in a brown paper bag, and distributed by Track and Tetragrammaton in the United Kingdom and the United States respectively. Two Virgins, while failing to chart in the UK, reached number 124 in the US. The album was followed six months later by Unfinished Music No. 2: Life with the Lions .

Contents

Background

John Lennon met Yoko Ono in November 1966 [7] at the Indica Gallery in London after he received an invitation from its owner, John Dunbar, [8] [9] to preview an exhibition by an obscure Japanese artist. [10] Lennon described the exhibition as "positive" and kept in touch with Ono. [11] Two years later, Cynthia Lennon, feeling miserable and increasingly distanced from her husband, [12] decided to go on holiday [13] [14] to Greece with her friends Jenny Boyd and Magic Alex. [nb 1] [15] Whilst on his own, Lennon called Ono and invited her over for the night. [12] The genesis of the album came about when Yoko expressed an interest in John's avant-garde home recordings [15] after he had asked "Do you want to hear some of the things I've been playing around at in my studio?" [16] Lennon then played her some of his tapes [14] which consisted of comedy recordings and electronic sounds, both of which he knew the other Beatles would not allow on their albums. [17] After hearing the tapes, Ono insisted that they make their own recording. [14] [18] Cynthia returned home unexpectedly the next day to find them sitting cross-legged on the floor in matching white robes, staring into each other's eyes. [19]

The Unfinished Music series was an attempt by the pair to keep a record of their life together. [15] With Ono's Grapefruit in mind, they had imagined that the sound was not etched into the vinyl's grooves but was meant to be created by the listener's mind. [19] Lennon described Unfinished Music as "saying whatever you want it to say. It is just us expressing ourselves like a child does, you know, however he feels like then. What we're saying is make your own music. This is Unfinished Music." [20]

Recording

The recordings that ended up on the album consisted largely of tape loops, playing while Lennon tried out different instruments (piano, organ, drums) and sound effects (including reverb, delay and distortion), changed tapes and played other recordings, and conversed with Ono, who vocalised ad-lib in response to the sounds. [19] [21] [22] Both of them had experience in avant-garde music: Ono had staged various multimedia events in New York during the early 1960s, and Lennon had worked on audio experimentation in the Beatles. [23] Lennon's longtime friend Peter Shotton recalled later in his memoir that many of the loops heard on the album were made by John and himself in the days before the recording. [24] Lennon recorded directly to two-track stereophonic, but much of the source material was monophonic. The song "Together", written by George Buddy DeSylva, Lew Brown, and Ray Henderson, can be heard playing in the background. [20]

Shortly after the release of the Two Virgins, John stated in an interview that he believed the album "can change people", as others "have changed my head, just with their records." [25] He then claimed "that's what Yoko and my singing is, to change it like that". [25] Lennon talked about making the album and Ono's influence on him, in an interview in 1980 with Playboy's David Sheff: "Well, after Yoko and I met, I didn't realize I was in love with her. I was still thinking it was an artistic collaboration, as it were – producer and artist, right? ... My ex-wife was away ... and Yoko came to visit me. ... instead of making love, we went upstairs and made tapes. I had this room full of different tapes where I would write and make strange loops and things like that for the Beatles' stuff. So we made a tape all night. She was doing her funny voices and I was pushing all different buttons on my tape recorder and getting sound effects. And then as the sun rose we made love and that was Two Virgins." [26] This was John's first recording project that did not feature any help from the other Beatles; [22] parts of the album were reminiscent of later editions of the Beatles' Christmas flexi recordings. [22]

Cover

An unlicensed CD issue with brown flap obscuring most of the cover, partially imitating the brown bag, that enclosed LP editions. Unfinished Music5.jpg
An unlicensed CD issue with brown flap obscuring most of the cover, partially imitating the brown bag, that enclosed LP editions.

Lennon and Ono used a time-delay camera, which was set up by Tony Bramwell, to take nude photographs of themselves for the album's cover: these were taken at 34 Montagu Square, [25] in early October 1968. [15] Lennon explained that they "were both a bit embarrassed when we peeled off for the picture, so I took it myself with a delayed action shutter." [25] The front cover showed them frontally nude while the rear cover showed them nude from behind. John's idea was to have the nude shot for the front album cover. [27] Neil Aspinall recalled that Lennon gave the roll of film to an Apple employee called Jeremy, with instructions to develop the photographs. [25] Jeremy claimed that the pictures were "mind-blowing"; Aspinall wryly observed that "Everything was always 'mind-blowing' to Jeremy" and then went on to say "but – just that one time – he was actually right. He couldn't believe it." [25]

The cover provoked an outrage, prompting distributors to sell the album in a plain brown wrapper. [13] [28] [20] [27] Quotes from Genesis Chapter 2, chosen by Derek Taylor, [29] were placed on the back of the brown bag. [20] The album's title arose from the couple's feeling that they were "two innocents, lost in a world gone mad", and because after making the recording, the pair consummated their relationship. [30] Lennon said that the cover "just seemed natural for us. We're all naked really." [31] Ono viewed the cover as a significant declaration: "I was in the artistic community, where a painter did a thing about rolling a naked woman with blue paint on her body on a canvas; ... that was going on at the time. The only difference was that we were going to stand together, which I thought was very interesting ... it was just standing straight. I liked that concept." [32] The album was regarded by some authorities as being obscene and copies were impounded in several jurisdictions [20] (including 30,000 copies in New Jersey in January 1969). [33] Lennon commented that the uproar seemed to have less to do with the explicit nudity, and more to do with the fact that the pair were rather unattractive; he described it later as a picture of "two slightly overweight ex-junkies". [34]

Release and aftermath

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar half.svgStar empty.svgStar empty.svgStar empty.svg [35]
MusicHound woof! [36]
The Rolling Stone Album Guide Star full.svgStar half.svgStar empty.svgStar empty.svgStar empty.svg [37]
Pitchfork 6.8/10 [38]

Unfinished Music No.1: Two Virgins was released by Apple Records in the US in electronically rechanneled stereo on 11 November 1968, [nb 2] and in the UK in mono and electronically rechanneled for stereo on 29 November 1968. [nb 3] [7] The mono version was available only in the UK by mail order. [27] The album was distributed by Track Records in the UK and Tetragrammaton Records in the US after EMI refused to produce the cover or sleeve to the record, unless it was changed. [20] [27] [nb 4] [15] EMI, however, pressed the record in Britain, while the album cover was printed by Technik. [27] Apple employee Jack Oliver got around the sleeve packing problem by hiring several Apple scruffs to package the album into sleeves "in the basement of the old Apple shop". [27]

It took Lennon six months to persuade his fellow band members to agree to the release of the album, and despite not approving of the front cover, Paul McCartney [15] was asked to provide a note for it which read: "When two great Saints meet, it is a humbling experience. The long battles to prove he was a Saint." [13] In the UK, McCartney's quote and the album title were placed on its back cover. [27] Unfinished Music No.1: Two Virgins failed to chart in the UK (and only 5,000 British copies were ever pressed), [15] [20] but managed to reach number 124 in the US, [7] after 25,000 copies were sold. [20] Several months after its release, Capitol gave away promotional blank picture disc copies of the album to its employees. [27]

The cover art was changed for each of the album's three 8-track issues: Tetragrammaton/Ampex Tapes replaced the front cover with the back cover; North America Leisure Corp (NAL) reinstated the original front cover, and General Recorded Tape (GRT) released the 8-track with a paper sheet sleeve. [40] The album was re-issued (albeit unlicensed and unauthorized) in the US during the 1970s and 1980s. One edition on the Rock Classics label, [nb 5] which was released in January 1993, [15] claimed to be distributed by Tetragrammaton (which was defunct by 1970) and not mastered from the original tape, but was merely transferred from a copy of the record with audible surface noise. [41] The fake-stereo mix of the album was officially re-issued on Rykodisc on 3 June 1997, [nb 6] under the observation of Ono, [15] with an additional bonus track—"Give Peace a Chance"'s B-side "Remember Love". [20] [41] This edition of the album is slightly edited; it is missing about 30 seconds of audio from the end of the second side, [41] as well as a few seconds from the start of side two. [20] Several unauthorized versions of the album, cassette tape and compact disc also exist. [27]

Critics and the public abhorred the album. [42] Actress Sissy Spacek, using the pseudonym Rainbo, recorded the song "John, You Went Too Far This Time" in response to the album's cover. [nb 7] [44] [45] In a retrospective assessment, William Ruhlmann of AllMusic remarked that it was "not unlike what you might get if you turned on a tape recorder for a random half-hour in your home", calling the music "naked". [35] More favourable, Pitchfork reviewer Seth Colter Walls considered the album the "fascinating" product "of a first date", while noting "it has plenty of competition" with other Fluxus-inspired sound artefacts from the era. He also wrote that "Revolution 9", created by Lennon and Ono with George Harrison, is a "much tighter" sound collage than Two Virgins. [38]

John and Yoko went on to release a further two related recordings: Unfinished Music No.2: Life with the Lions and the Wedding Album . [46]

The album was reissued on LP, CD, and digitally by Secretly Canadian on 11 November 2016. The LP was a brand-new remaster of the unedited fake-stereo mix. The CD was identical to the Rykodisc CD edition.

Track listing

All selections by John Lennon and Yoko Ono, except where noted.

Side one
  1. "Two Virgins Side One": – 14:14
Side two
  1. "Two Virgins Side Two": – 15:13
    • "Two Virgins No. 6"
    • "Hushabye Hushabye" ("I'd Love to Fall Asleep and Wake Up in My Mammy's Arms" performed by Fred Douglas and his orchestra) (Sam M. Lewis, Joe Young, Fred E. Ahlert)
    • "Two Virgins No. 7"
    • "Two Virgins No. 8"
    • "Two Virgins No. 9"
    • "Two Virgins No. 10"
Bonus track
  1. "Remember Love" (Ono) – 4:05

Personnel

Charts

Chart (1968)Peak
position
Total
weeks
U.S. Billboard 2001248

Related Research Articles

<i>John Lennon/Plastic Ono Band</i> 1970 studio album by John Lennon

John Lennon/Plastic Ono Band is the debut solo studio album by English musician John Lennon. Backed by the Plastic Ono Band, it was released by Apple Records on 11 December 1970 in tandem with the similarly titled album by his wife, Yoko Ono. At the time of its issue, John Lennon/Plastic Ono Band received mixed reviews overall, but later came to be widely regarded as Lennon's best solo album.

Apple Records is a record label founded by the Beatles in 1968 as a division of Apple Corps Ltd. It was initially intended as a creative outlet for the Beatles, both as a group and individually, plus a selection of other artists including Mary Hopkin, James Taylor, Badfinger, and Billy Preston. In practice, the roster had become dominated by the mid-1970s with releases of the former Beatles as solo artists. Allen Klein managed the label from 1969 to 1973, then it was managed by Neil Aspinall on behalf of the Beatles and their heirs. Aspinall retired in 2007 and was replaced by Jeff Jones.

<i>Imagine</i> (John Lennon album) 1971 album by John Lennon

Imagine is the second solo studio album by British musician John Lennon, released on 9 September 1971 by Apple Records. Co-produced by Lennon, his wife Yoko Ono and Phil Spector, the album's elaborate sound contrasts the basic, small-group arrangements of his first album, John Lennon/Plastic Ono Band (1970), while the opening title track is widely considered to be his signature song.

<i>Mind Games</i> (John Lennon album) 1973 studio album by John Lennon

Mind Games is the fourth solo studio album by English musician John Lennon. It was recorded at Record Plant Studios in New York in summer 1973. The album was released in the US on 29 October 1973 and in the UK on 16 November 1973. It was Lennon's first self-produced recording without help from Phil Spector. Like his previous album, the politically topical and somewhat abrasive Some Time in New York City, Mind Games received mixed reviews upon release. It reached number 13 in the UK and number 9 in the US, where it was certified gold.

<i>Rock n Roll</i> (John Lennon album) 1975 studio album by John Lennon

Rock 'n' Roll is the sixth and final solo studio album by English musician John Lennon. Released in February 1975, it is an album of late 1950s and early 1960s songs as covered by Lennon. Recording the album was problematic and spanned an entire year: Phil Spector produced sessions in October 1973 at A&M Studios, and Lennon produced sessions in October 1974 at the Record Plant (East). Lennon was being sued by Morris Levy over copyright infringement of one line in his song "Come Together". As part of an agreement, Lennon had to include three Levy-owned songs on Rock 'n' Roll. Spector disappeared with the session recordings and was subsequently involved in a motor accident, leaving the album's tracks unrecoverable until the beginning of the Walls and Bridges sessions. With Walls and Bridges coming out first, featuring one Levy-owned song, Levy sued Lennon expecting to see Lennon's Rock 'n' Roll album.

<i>Shaved Fish</i> 1975 compilation album by John Lennon with Plastic Ono Band

Shaved Fish is a compilation album by English rock musician John Lennon with the Plastic Ono Band, issued in October 1975 on Apple Records. It contains all of the singles that he had issued up to that point in the United States as a solo artist, with the exception of "Stand by Me", which had been released earlier that year. The only compilation of Lennon's non-Beatles recordings released during his lifetime, the album peaked at number 8 in the UK and number 12 in the US. It was also Lennon's final album released on Apple Records before it was shut down in 1975, to be revived in the 1990s.

<i>Walls and Bridges</i> 1974 studio album by John Lennon

Walls and Bridges is the fifth solo studio album by English musician John Lennon. It was issued by Apple Records on 26 September 1974 in the United States and on 4 October in the United Kingdom. Written, recorded and released during his 18-month separation from Yoko Ono, the album captured Lennon in the midst of his "Lost Weekend". Walls and Bridges was an American number-one album on both the Billboard and Record World charts and included two hit singles, "Whatever Gets You thru the Night" and "#9 Dream". The first of these was Lennon's first number-one hit in the United States as a solo artist, and his only solo chart-topping single in either the US or Britain during his lifetime.

<i>Live Peace in Toronto 1969</i> 1969 live album by Plastic Ono Band

Live Peace in Toronto 1969 is a live album by the Plastic Ono Band, released in December 1969 on Apple Records. Recorded at the Toronto Rock and Roll Revival festival, it was the first live album released by any member of the Beatles separately or together. John Lennon and his wife Yoko Ono received a phone call from the festival's promoters John Brower and Kenny Walker, and then assembled a band on very short notice for the festival, which was due to start the following day. The band included Eric Clapton, Klaus Voormann, and drummer Alan White. The group flew from London, and had brief unamplified rehearsals on the plane before appearing on the stage to perform several songs; one of which, "Cold Turkey", was first performed live at the festival. After returning home, Lennon mixed the album in a day.

<i>Wedding Album</i> 1969 studio album by John Lennon and Yoko Ono

Wedding Album is the third and final in a succession of three experimental albums by John Lennon and Yoko Ono. It followed Unfinished Music No. 1: Two Virgins and Unfinished Music No. 2: Life with the Lions. In Britain, the album was released credited by "John and Yoko", without last names mentioned. In the United States, it was released credited by "John Ono Lennon & Yoko Ono Lennon."

<i>Unfinished Music No. 2: Life with the Lions</i> 1969 studio album by John Lennon and Yoko Ono

Unfinished Music No. 2: Life with the Lions is the second of three experimental albums of avant-garde music by John Lennon and Yoko Ono, released in May 1969 on Zapple, a sub label of Apple. It was a successor to 1968's highly controversial Unfinished Music No. 1: Two Virgins, and was followed by the Wedding Album. The album peaked in the United States at number 174, 50 places lower than the previous album. The album, whose title is a play on words of the BBC Radio show Life with The Lyons, was recorded at Queen Charlotte's Hospital in London and live at Cambridge University, in November 1968 and March 1969, respectively. The Cambridge performance, to which Ono had been invited and to which she brought Lennon, was Lennon and Ono's second as a couple. A few of the album's tracks were previewed by the public, thanks to Aspen magazine. The album was remastered in 1997.

<span class="mw-page-title-main">Plastic Ono Band</span> Rock band

The Plastic Ono Band was a rock band formed by John Lennon and Yoko Ono in 1969 for their collaborative and solo projects based on their 1968 Fluxus conceptual art project of the same name.

<span class="mw-page-title-main">Instant Karma!</span> 1970 single by Lennon/Ono with the Plastic Ono Band

"Instant Karma!" is a song by English rock musician John Lennon, released as a single on Apple Records in February 1970. The lyrics focus on a concept in which the consequences of one's actions are immediate rather than borne out over a lifetime. The single was credited to "Lennon/Ono with the Plastic Ono Band", apart from in the US, where the credit was "John Ono Lennon". The song reached the top five in the British and American charts, competing with the Beatles' "Let It Be" in the US, where it became the first solo single by a member of the band to sell a million copies.

<span class="mw-page-title-main">Cold Turkey</span> 1969 single by Plastic Ono Band

"Cold Turkey" is a song written by English singer-songwriter John Lennon, released as a single in 1969 by the Plastic Ono Band on Apple Records, catalogue Apples 1001 in the United Kingdom, Apple 1813 in the United States. It is the second solo single issued by Lennon and it peaked at number 30 on the Billboard Hot 100 and number 14 on the UK Singles Chart. The song's first appearance on an album was Live Peace in Toronto 1969 where the song had been performed live on 13 September 1969 with Lennon reading the lyrics off a clip-board.

<i>Yoko Ono/Plastic Ono Band</i> 1970 studio album by Yoko Ono with Plastic Ono Band

Yoko Ono/Plastic Ono Band is the debut solo studio album by Japanese artist and musician Yoko Ono, released on Apple Records in December 1970 alongside her husband's album John Lennon/Plastic Ono Band. Ono's album features her vocal improvisations against backing by the Plastic Ono Band, with the exception of the track "AOS", which is backed by the Ornette Coleman Quartet.

<span class="mw-page-title-main">Woman Is the Nigger of the World</span> 1972 song by John Lennon and Yoko Ono

"Woman Is the Nigger of the World" is a song by John Lennon and Yoko Ono with Elephant's Memory from their 1972 album Some Time in New York City. Released as the only single from the album in the United States, the song sparked controversy at the time due to the use of the word nigger in the title.

<span class="mw-page-title-main">Touch Me (Yoko Ono song)</span> Song by Yoko Ono

"Touch Me" is a song written by Yoko Ono that was first released on her 1970 album Yoko Ono/Plastic Ono Band. An edited version was later released in the U.S. as the b-side to John Lennon's single "Power to the People."

<span class="mw-page-title-main">Remember Love (Yoko Ono song)</span> Song by Yoko Ono

"Remember Love" is a song written by Yoko Ono and initially released as the B-side of John Lennon's and Ono's 1969 single "Give Peace a Chance."

<span class="mw-page-title-main">Listen, the Snow Is Falling</span> 1971 single by Yoko Ono

"Listen, the Snow Is Falling" is a song written by Yoko Ono and recorded by Ono and the Plastic Ono Band that was first released as the B-side of John Lennon's 1971 single "Happy Xmas ." A version of the song was later released on a reissue of Lennon and Ono's Wedding Album and was covered by Galaxie 500.

References

Footnotes
  1. John told them that if he was not working on a new Beatles album, he would have joined them. [12]
  2. LP: US Apple T 5001; 8-track: US Apple TNM-85001 [7]
  3. Mono LP: UK Apple APCOR 2; Stereo LP: UK Apple SAPCOR 2 [7]
  4. EMI's chairman Joseph Lockwood once commented "Why don't you use Paul instead? He's much better looking." [39]
  5. Rock Classics SSI 9999 [41]
  6. US Rykodisc RCD 10411 [41]
  7. US Roulette R-7030 [43]
Citations
  1. Madinger, Chip; Raile, Scott (2015). Lennonology Volume One: Strange Days Indeed. Open Your Books LLC. ISBN   9781631101748.
  2. Shepherd, John, ed. (2003). Continuum Encyclopedia of Popular Music of the World: Volume 1: Media, Industry and Society (Volume 1. ed.). London., [England]: Continuum. p. 154. ISBN   978-0-8264-6321-0.
  3. Blenkinsop, Ian (2019). Music: The Definitive Visual History. London: DK Books. p. 327. ISBN   9780241458310 . Retrieved 16 August 2022. John and Yoko's public life became a series of conceptual art events. They made avant-garde films and sound collage albums, including Two Virgins (1968) where they appeared naked on the sleeve.
  4. Walls, Seth Colter (5 December 2016). "Yoko Ono / John Lennon: Unfinished Music No. 1: Two Virgins". Pitchfork. Retrieved 11 October 2022. The Lennon/Ono collaborative albums were a critical part of their take on celebrity coupledom. ... The first set to be issued, subtitled Two Virgins, was a sound-collage set reportedly produced during their first night together.
  5. Marter, Joan M. (2011). "Yoko Ono". The Grove Encyclopedia of American Art: Volume 1. Oxford: Oxford University Pressq. p. 596. ISBN   978-0-19-533579-8 . Retrieved 11 October 2022. ...They also released an album of musique concrete, Unfinished Music No. 1: Two Virgins, the first record issued on the Beatles' Apple label, later that year.
  6. Maume, Chris (2 April 2015). "Cynthia Lennon: The first wife of John Lennon whose steadfastness was rewarded by cruel treatment at the hands of the Beatle". The Independent. Retrieved 17 May 2015.
  7. 1 2 3 4 5 Blaney 2005, p. 3
  8. Harry, Bill (2000). The John Lennon Encyclopedia. Virgin. p. 682. ISBN   0-7535-0404-9.
  9. Blake, John (1981). All You Needed Was Love: The Beatles After the Beatles. Middlesex: Hamlyn Paperbacks. pp. 34–35. ISBN   0-600-20466-9.
  10. Blaney, John (2005). John Lennon: Listen to This Book (illustrated ed.). [S.l.]: Paper Jukebox. p. 5. ISBN   978-0-9544528-1-0.
  11. Blake 1981, p. 35
  12. 1 2 3 Blake 1981, p. 44
  13. 1 2 3 "The Beatles Studio: John Lennon <> Discography <> UK Albums <> Unfinished Music No.1: Two Virgins". Thebeatles.com.hk. Retrieved 23 March 2013.
  14. 1 2 3 Blaney 2005, p. 8
  15. 1 2 3 4 5 6 7 8 9 Calkin, Graham. "Unfinished Music No.1 – Two Virgins". Jpgr.co.uk. Retrieved 23 March 2013.
  16. Blake 1981, pp. 44–45
  17. Blake 1981, p. 45
  18. Ryan, David (2010). John Lennon's Secret. kozmik press. ISBN   978-1-4564-6600-8.
  19. 1 2 3 Everett, Walter (1999). The Beatles As Musicians: Revolver Through the Anthology. New York: Oxford University Press. p. 161. ISBN   978-0-19-512941-0.
  20. 1 2 3 4 5 6 7 8 9 10 "John Lennon Discography". Homepage.ntlworld.com. Archived from the original on 28 May 2013. Retrieved 25 March 2013.
  21. Noyer, Paul Du (2010). John Lennon: The Stories Behind Every Song 1970–1980 (Rev. ed.). London: Carlton Books Ltd. p. 11. ISBN   978-1-84732-665-2.
  22. 1 2 3 Urish, Ben; Bielen, Kenneth G. (2007). The Words and Music of John Lennon (1. publ. ed.). Westport, Conn. [u.a.]: Praeger. p. 6. ISBN   978-0-275-99180-7.
  23. Blaney 2005, p. 7
  24. Shotton, Pete; Schaffner, Nicholas (1984). The Beatles, Lennon, and Me (1st Stein and Day mass mkt. pbk. ed.). New York: Stein and Day. ISBN   978-0-8128-8072-4.
  25. 1 2 3 4 5 6 Blaney 2005, p. 9
  26. Borack, John M. (2010). John Lennon: Music, Memories, and Memorabilia. Iola, WI: Krause Publications. p. 110. ISBN   978-1-4402-1649-7.
  27. 1 2 3 4 5 6 7 8 9 Blaney 2005, p. 10
  28. "Lennon's toilet in Liverpool Beatles auction". BBC News. 22 August 2010. Retrieved 11 July 2011.
  29. Umansky, Lauri (2004). Bloch, Avital H. (ed.). Impossible to Hold: Women and Culture in the 1960s. New York: New York University Press. p. 227. ISBN   978-0-8147-9910-9.
  30. Norman, Philip. John Lennon: The Life. Harper, 2008, 540pp. ISBN   978-0-00-719742-2
  31. Wiener, Jon (1991). Come Together: John Lennon in His Time (Illini books ed.). Urbana: University of Illinois Press. p.  84. ISBN   978-0-252-06131-8.
  32. Blaney 2005, pp. 9–10
  33. Christman, Ed (26 March 1994). "Stickered Stock: Retail's Reaction To Increased Responsibility". Billboard. Vol. 106, no. 13. p. 42.
  34. Lennon, John (1986). Skywriting by Word of Mouth . Harper. p. 208. ISBN   0-06-091444-0.
  35. 1 2 Ruhlmann, William. "Unfinished Music, No. 1: Two Virgins – John Lennon, Yoko Ono : Songs, Reviews, Credits, Awards". AllMusic. Retrieved 23 March 2013.
  36. Gary Graff & Daniel Durcholz (eds), MusicHound Rock: The Essential Album Guide, Visible Ink Press (Farmington Hills, MI, 1999; ISBN   1-57859-061-2), p. 667.
  37. "John Lennon: Album Guide | Rolling Stone Music". Rolling Stone. Archived from the original on 9 February 2014. Retrieved 16 August 2014.
  38. 1 2 Seth Colter Walls (5 December 2016). "Yoko Ono / John Lennon Unfinished Music No. 1: Two Virgins". Pitchfork. Retrieved 10 July 2021.
  39. Ingham, Chris (2009). The Rough Guide to the Beatles (3 ed.). Rough Guides UK. ISBN   978-1-84836-752-4.
  40. Blaney 2005, pp. 10–11
  41. 1 2 3 4 5 Blaney 2005, p. 11
  42. Burlingame, Jeff (2010). John Lennon: "Imagine" (Library ed.). Berkeley Heights, NJ: Enslow. p.  108. ISBN   978-0-7660-3675-8.
  43. "John You Went Too Far This Time / C'mon Teach Me to Live by Rainbo". Rate Your Music. Retrieved 21 April 2013.
  44. Spacek, Sissy (2002). Inside the Actors Studio
  45. Borack 2010, p. 124
  46. Tillery, Gary (2009). The Cynical Idealist: A Spiritual Biography of John Lennon (1st Quest ed.). Wheaton, Ill.: Theosophical Pub. House. p.  95. ISBN   978-0-8356-0875-6.
Further listening