Picture discs are gramophone (phonograph) records that show images on their playing surface, rather than being of plain black or colored vinyl. Collectors traditionally reserve the term picture disc for records with graphics that extend at least partly into the actual playable grooved area, distinguishing them from picture label discs, which have a specially illustrated and sometimes very large label, and picture back discs, which are illustrated on one unplayable side only.
A few seven-inch black shellac records issued by the Canadian Berliner Gramophone Company around 1900 had the "His Master's Voice" dog-and-gramophone trademark lightly etched into the surface of the playing area as an anti-piracy measure, technically qualifying them as picture discs by some definitions.
Apart from those debatable claimants for the title of "first", the earliest picture records were not discs, strictly speaking, but rectangular picture postcards with small, round, transparent celluloid records glued onto the illustrated side. Such cards were in use by about 1909. [1] Later, the recordings were pressed into a transparent coating that covered the entire picture side of the card. [2] This novelty product idea proved to have a very long life. In the 1950s and throughout the rest of the vinyl era, picture postcard records, usually oversized and often featuring a garish color photograph of a tourist attraction or typical local scenery, were issued in several countries. These and similar small novelty picture records on laminated paper or thin cardboard, such as were occasionally bound into magazines or featured on the backs of boxes of breakfast cereal, [3] are usually not classed with the larger and sturdier discs that were sold in record stores or used as promotional gifts by record companies, but a few featured famous performers and are now eagerly sought by collectors of those artists' records.
The first picture discs of substantial size, sold as records meant only to be looked at and played, not put into a mailbox, appeared in the 1920s. Their first wave of significant popularity did not arrive until the start of the 1930s, when several companies in several countries began issuing them. Some were illustrated with photographs or artwork simply designed to be appropriate to the musical contents, but some graphics also promoted films in which the recorded songs had been introduced, and a few were blatant advertising that had little or no connection with the recording. Some politicians and demagogues explored the potential of the discs as a medium for propaganda. Adolf Hitler and British fascist Oswald Mosley were each featured on their own special picture discs.
Most of these records were made of a simple sheet of fairly thin printed cardboard with a very thin plastic coating and their audio quality was substandard. Some were more sturdy and well-made and they equaled or actually surpassed the audio quality of ordinary records, which were still made of a gritty shellac compound that introduced a lot of background noise. In 1933, RCA Victor in the U.S. issued a few typical cardboard-based picture records but was unhappy with their quality and soon began making an improved type. A rigid blank shellac core disc was sandwiched between two illustrated sheets and each side was then topped with a substantial layer of high-quality clear plastic into which the recording was pressed. Like nearly all records being made for the general public, they were recorded at 78 rpm, but one issue was recorded at 33⅓ rpm, a speed already in use for special purposes which Victor was then unsuccessfully attempting to introduce into home use. It was the first 33⅓ rpm picture disc and the only one made until many years later. These were deluxe picture discs, priced much higher than ordinary records, and they sold in very small numbers. In the early 1930s the entire record industry was being devastated by a worldwide economic depression and the proliferation of the new medium of radio, which made a wide variety of music available free of charge. Picture discs of all kinds were among the casualties.
With the Great Depression and World War II no longer around to interfere with such modest luxuries, the picture disc reemerged in 1946, when Tom Saffardy's Sav-Way Industries began issuing Vogue Records. Vogues were a well-made product physically similar to RCA Victor's improved 1933 issues except that their core discs were aluminum instead of shellac. The Victor discs had been illustrated in high Art Deco style, often in sober but elegant black-and-white. Vogue's discs featured artwork done in the styles typical of 1940s commercial illustration and pin-up art, most of it gaudily colored, some dramatic, some humorous, some very cartoonish. The audio quality was excellent by contemporary standards and they featured professional talent, most with names known to the general public, but Vogue was handicapped by the lack of any big "hit" names. Top-tier talent was usually under exclusive contract to companies such as Mercury Records, for whom Sav-Way manufactured special attention-grabbing, quiet-surfaced picture discs that Mercury distributed only to radio disc jockeys. Vogue records retailed for US$1.05, about fifty percent more than ordinary ten-inch 78 rpm records. The novelty of the colorful discs attracted interest and sales at first, but success proved elusive and Vogue went out of business in 1947 after fewer than 100 catalog items bearing the Vogue logo had been issued. [4]
More commercially successful and long-lived were some of the children's picture discs marketed by the Record Guild of America from the late 1940s through the 1950s. Their most popular and well-known issues resembled Vogue records in their general style of illustration and use of high-quality materials, but they were only 7 inches in diameter, had no reinforcing core disc, and sold for a much lower price. Other companies such as Voco also made picture discs for children.
Red Raven Movie Records, introduced in 1956, were a very unusual type of children's picture disc. They featured a sequence of sixteen interwoven animation frames arrayed around the center and were to be played at 78 rpm on a turntable with a short spindle, on which a small sixteen-mirrored device, a variety of the praxinoscope, was placed. Gazing into this as the record played, the user saw an endlessly repeating high-quality animated cartoon scene appropriate to the song. Only the earliest Red Raven discs, which were of the coated cardboard type but reinforced with a metal rim and spindle hole grommet, were true picture discs. The more common later issues were larger "picture label discs" made of solid colored opaque, translucent or transparent plastic, with the recording in a band surrounding a very large label that carried the animation graphics. In the 1960s similar products were introduced in several countries under various brand names—Teddy in France and the Netherlands, Mamil Moviton in Italy, etc.
Picture discs of the large and solid Victor-Vogue type were very rarely issued in the U.S. between the demise of Vogue in 1947 and the end of the 1960s, but several lines of picture discs, such as the French Saturnes, were produced in Europe and Japan during these years.
A new generation of picture discs appeared in the 1970s. The first serious pictures discs, with acceptable but still inferior sound quality, were developed by Metronome Records GmbH, a subsidiary of Elektra Records. These new picture discs were made by creating a five-layer lamination consisting of a core of black vinyl with kiln-dried paper decals on either side and then outer skins of clear vinyl film, manufactured by 3M, on the outsides. In manufacture, one layer of the clear film was first placed on the bed of the press on top of the stamper, then a "puck" of hot black vinyl from the extruder was placed on top of that. Finally the top print and vinyl film layer was added (held by a retracting pin in the upper profile usually employed to retain the upper paper label) and the press closed. Problems with poor vinyl flow caused by the paper texture and air released from the paper (that had not been removed in the kiln drying process) plagued the process.
The first 'modern' rock picture disc was introduced as an assortment of artists such as the MC5 and The Doors. It was released in 1969 by Metronome of Germany and entitled "Psychedelic Underground - Off 2, Hallucinations". [5] The second release was the British progressive rock band Curved Air's first album, Air Conditioning , a UK issue (1970). One commercially issued American picture disc is To Elvis: Love Still Burning, a collection of 11 Elvis Presley tribute songs by various artists, issued in May 1978. Both sides of the album (Fotoplay FSP-1001) picture Presley.
Initially picture discs were usually promotional items pressed in small quantities, but by the late 1970s they began to be produced as commercial products in large quantities. In the 1980s numerous commercial picture discs were released, but by the end of the decade, the interest in picture discs had declined as consumers began transitioning away from vinyl records towards newer formats such as cassette tapes and compact discs. [5]
On some picture discs, the images used were meant to create an optical illusion while the record was rotating on the turntable (as in the B side of Curved Air's Airconditioning), while others used the visual effect to add to the music — for example, the 1979 picture disc of Fischer-Z's The Worker featured a train which endlessly commuted around the turntable, reinforcing the song's message.
Later picture discs included liquid light show style fluids between the vinyl, Rowlux 3D effect film, diffraction rainbow film, metal flake (vide examples here), pressure-sensitive liquid crystals that changed color when the record was picked up, and a real holographic record.[ citation needed ]
Shaped picture discs became common in the 1980s. [6] These are mostly considered to be collecting items, rather than for listening as the sound quality is inferior to regular vinyl. [7] Shaped picture discs are manufactured at full 12 inch size and then cut in various shapes using a cutting tool. Shaped picture discs are always singles rather than albums and are usually limited to a few thousand copies. [8]
Interview discs are quite commonly pressed as picture discs as well. [9]
In the 1950s, "movie" discs showing a repeating animation were produced, using the Praxinoscope technique, an example here:
Band | Disc/Song | Released | Disc Description | Disk Size | Image |
---|---|---|---|---|---|
ABBA | Thank You For The Music b/w Our Last Summer | 1983 | Shape of the band's logo | 7" | |
Adolescents & Circle Jerks | Amoeba b/w Wild In The Streets | 1996 | In the shape of a saw blade, blue. | 6" | |
Barnes & Barnes | Fish Heads: Barnes & Barnes' Greatest Hits | 1982 | Shaped as a fish head | 12" | |
Broken English | Comin on Strong | 1987 | Shaped as the 3 band members wearing Ghostbusters outfits holding guitars. | ||
Caustic Window | Joyrex J9i | 1993 | Shaped like a Roland TB-303 on one side and a Roland TR-606 on the other | 10" | |
Danzig | Mother | 1994 | Shaped like a skull. | 10" | |
Devo | Beautiful World b/w Nu-Tra | 1981 | Shaped like an astronaut head | ||
Faith No More | Epic | 1990 | Shape of a milk drop with a flame on it. | 7" | |
Gangrene | Sawblade EP | 2010 | In the shape of a circular sawblade. | ||
Gary Numan | Warriors | 1983 | Shaped like a Jet Fighter. | 7" | |
Gary Numan | Berserker | 1984 | Shaped like Numan's head. | 7" | |
Gefilte Joe and the Fish | Hanukah Rocks | 1981 | Shaped like the Star of David. | 12" | |
Guns N' Roses | Sweet Child o' Mine | 1988 | Shape of the classic logo of the cross and skulls of the five band members | 7" | |
Guns N' Roses | Paradise City | 1989 | Shape of a Colt "Peacemaker" | 7" | |
Guns N' Roses | Nightrain | 1989 | Shape of a suitcase | 7" | |
Joe Strummer | Love Kills | Shaped like a gun | 7" | ||
Killing Joke | Loose Cannon | 2003 | shaped yellow evil clown head image from the eponymous 2003 album sleeve | ||
King Gizzard & The Lizard Wizard | Nonagon Infinity | 2016 | Nonagon shaped. | 10" | |
Kiss | Lick It Up | 1983 | Shaped like an armored tank | ||
Less Than Jake | Cheese | 1998 | Shaped like a piece of Swiss cheese. 1000 pressed in yellow. 500 pressed in green ("Moldy Version"). | 7" | |
Megadeth | Wake Up Dead | 1987 | In the shape of the head of the band's mascot, Vic Rattlehead. | 7" | |
Men Without Hats | The Safety Dance | 1982 | Oddly shaped picture disc of a man and a woman dancing | ||
Men Without Hats | I Got the Message | 1983 | |||
Metallica | Jump in the Fire | 1986 | Shaped picture disc of the monster from the single's cover. | ||
Monster Magnet | Dopes to Infinity | 1995 | Shaped like the lead singer Dave Wyndorf's head. | 12" | |
Monster Magnet | Negasonic Teenage Warhead | Shaped like a mushroom cloud | 12" | ||
OMD | La Femme Accident | 1985 | |||
Red Box | Lean On Me b/w Stinging Bee | 1985 | Hexagonal red vinyl. Looks like a red box in 2D; flipside is a band photo. | 7" | |
Saxon | Back on the Streets Again | Shaped as an apple (as is printed on one side of the disk). | 7" | ||
Sparks | You Earned The Right To Be A Dick | 2018 | Shaped like the hippo featured on the cover of Hippopotamus. | 7" | |
Tangerine Dream | Warsaw in the Sun | 1984 | The record is in the shape of Poland and has several images including Lech Wałęsa and Pope John Paul II. | 7" | |
The Coconuts (Side project of Kid Creole and the Coconuts) | Did You Have To Love Me Like You Did | 1983 | In the shape of a coconut. | 7" | |
The Fat Boys | Wipe Out | Shaped like a Hamburger | 7" | ||
The Enemy | You're Not Alone | 2007 | Square shaped. Has the single cover art on the A-side and a black-and-white picture of the band on the B-side with track listing. | 7" | |
The Mars Volta | Mr. Muggs | 2008 | In the shape of a clear planchette. | 7" | |
The Police | Roxanne / Can't Stand Losing You | 1979 | Limited Edition | 7" | |
The Police | Message in a Bottle | 1980 | Limited Edition | 10" | |
The Police | De Do Do Do, De Da Da Da | 1981 | Limited Edition | ||
Toto | Africa | 1982 | In the shape of the African continent. | 7" | |
U2 | The Unforgettable Fire (single) | 1985 | Shaped as letter & number "U2" with various pictures of the band from the period. | 7" | |
Yeah Yeah Yeahs | Cheated Hearts | 2006 | Heart shaped. | 7" | |
ZZ Top | Sleeping Bag | 1985 | In the shape of a pharaoh head. | 7" |
British rock band, Muse have released several picture discs since 2006. They have also notably had much of their work pressed on clear vinyl since 1999.[ citation needed ]
An extended play (EP) is a musical recording that contains more tracks than a single but fewer than an album or LP record. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An "EP" is usually less cohesive than an album and more "non-committal".
A double album is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions, such as John Lennon's Some Time in New York City and OutKast's Speakerboxxx/The Love Below . Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-Audio versions of the same recordings. Some such discs were also released on a two-sided format called DualDisc.
Die Form is a French post-industrial and electronic band formed in 1977-78. The name 'Die Form' means '(the) form/shape' in German, like the Bauhaus diary, and is a play on the English homonym 'deform' and on the French homonym 'difforme' (deformed).
An album is a collection of audio recordings issued on a medium such as compact disc (CD), vinyl (record), audio tape, or digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33+1⁄3 rpm.
Poison Idea was an American punk rock band formed in Portland, Oregon, in 1980.
The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.
Phantasmagoria is the sixth album by U.K. punk rock band the Damned, released by MCA in July 1985. Special editions were available on white vinyl or picture disc; some versions included a free 12-inch of their No. 3 hit "Eloise". It is the first album by the band without original member Captain Sensible, and was a style shift to gothic rock compared to the band's punk sound of its early and later career.
B'Sides Themselves is a compilation of single B-sides by the British neo-prog band Marillion, which was released on CD only in January 1988. This was the first time that those B-sides were made available in the then still relatively new Compact Disc format. However, vinyl LP and cassette versions were issued in June 1988.
An album cover is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to:
Total Devo is the seventh studio album by American new wave band Devo, released in 1988 by Enigma Records. "Disco Dancer" hit No. 45 on Billboard's Hot Dance Club Play chart for the week of September 3, 1988.
The Complete Works is a box set issued by the rock band Queen in 1985. It contained all of the band's original studio albums, live album and non-album tracks to that point. It was available in vinyl format only.
KooKoo is the debut solo album by American singer Debbie Harry, released on July 27, 1981, by Chrysalis Records. Produced by Nile Rodgers and Bernard Edwards of Chic, the album was recorded whilst Harry took a break from her band Blondie. It was a moderate commercial success, reaching number 25 on the US Billboard 200 and number six on the UK Albums Chart.
Images in Vogue is a Canadian new wave group formed in 1981 in Vancouver. It originally consisted of vocalist Dale Martindale, guitarist Don Gordon, synth players Joe Vizvary and Glen Nelson, bassist Gary Smith, and percussionist Kevin Crompton. The band's manager was Kim Clarke Champniss, who later became a MuchMusic VJ.
Monkee Business is a compilation album of songs by the Monkees, issued by Rhino Records in 1982. It was the first American Monkees rarities collection and was released on both LP and cassette formats, with the LP being a picture disc.
Elvis' Christmas Album is the third studio album and first Christmas album by American singer and musician Elvis Presley on RCA Victor, LOC -1035, a deluxe limited edition, released October 15, 1957, and recorded at Radio Recorders in Hollywood. It has been reissued in numerous different formats since its first release. It spent four weeks at No. 1 on the Billboard Top Pop Albums chart, and was the first of two Christmas-themed albums Presley would record, the other being Elvis Sings the Wonderful World of Christmas, released in 1971. The publication Music Vendor listed Elvis' Christmas Album on their singles charts for two weeks in December 1957 – January 1958, with a peak position of No. 49.
The Return of the Durutti Column is the debut studio album by English band The Durutti Column. It was released in January 1980, through record label Factory.
Pagan Day (originally released as A Pagan Day (Pages From a Notebook)) is a 1984 album by English experimental band Psychic TV. The cover photograph is of Caresse P-Orridge taken by Andrew Rawling.
This Is the Devo Box is a seven-disc CD box set compilation of albums by American new wave band Devo, released only in Japan in 2008. It contains all six of the band's studio albums for Warner Bros. Records, spanning the years 1978 to 1984, as well as a greatly expanded version of the 1981 DEV-O Live EP, identical to the 1999 Rhino Handmade CD release. The box features exclusive remasters by mastering engineer Isao Kikuchi and the albums are packaged in miniature LP sleeves with miniaturized versions of the original artwork and pack-ins. The box does not include bonus tracks, although this edition of the New Traditionalists album includes the track "Working in the Coalmine," originally included as a bonus 7" single in some early pressings of the LP.
Cut-throat Records is a record label created and run by Canadian musician Nash the Slash. It has been active from 1978 to the present. Cut-throat is also the name of Nash's recording studio, originally located above the Roxy Theatre on Danforth Avenue in Toronto.
In Embrace were an English art rock/alternative rock/indie pop band formed in Leicestershire in 1981 and later based in Coventry, England. They released seven singles, two albums and an EP/mini-album before splitting up in 1987.
Pero como una suerte de revancha, ambos son parte de un rescate del catálogo post 2000 que se viene desarrollando con el grupo; ya están disponibles en digital y CD, y este 17 de agosto aparecerán en vinilos y en el colorido formato picture disc (ver fotos), en un ejercicio inédito para un artista local. Mientras en el primer caso se venderán mil copias, en el segundo sólo habrá un tiraje limitado de 300 unidades numeradas.