"Nightswimming" | ||||
---|---|---|---|---|
Single by R.E.M. | ||||
from the album Automatic for the People | ||||
B-side | "Losing My Religion" (Live) | |||
Released | July 12, 1993 | |||
Genre | ||||
Length | 4:16 | |||
Label | Warner Bros. | |||
Songwriter(s) | ||||
Producer(s) |
| |||
R.E.M. singles chronology | ||||
| ||||
Music video | ||||
"Nightswimming" on YouTube |
"Nightswimming" is a song by American alternative rock band R.E.M., released in July 1993 by Warner Bros. as the fifth single from the band's eighth album, Automatic for the People (1992). The song is a ballad featuring singer Michael Stipe accompanied only by bassist Mike Mills on piano, a string arrangement by former Led Zeppelin bassist John Paul Jones, and oboe by Deborah Workman in the latter part of the piece. Mills wrote the music and Stipe the lyrics of the song, but it is credited to the entire band. Stipe sings about a group of friends who go skinny dipping at night, which draws from similar experiences in the band's early days. The music video for the song was directed by Jem Cohen.
Bassist Mike Mills recalled he was playing a piano riff at John Keane's studio in the band's hometown of Athens, Georgia; while Mills almost discarded the melody, it attracted the interest of singer Michael Stipe. Mills said, "I never thought it would amount to much because it was just a circular thing that kept going round and round and round. But it inspired Michael." [3] While the song was not included on Out of Time , the demo recorded during those sessions was used for Automatic for the People, with a string arrangement by John Paul Jones added to the track. [4] According to Mills, his piano part was recorded at Criteria Studios in Miami, on the same piano used on "Layla" by Derek and the Dominos. [5]
R.E.M. guitarist Peter Buck recalled in 2003 that "[Stipe] listened once, nodded his head to hear it again, and on the second pass he sang the lyrics. It was 'Nightswimming,' exactly like the record we would record a year later. I was standing in the corner, dumbfounded." [6]
According to Buck in 2003, "Nightswimming" was the only R.E.M. song for which the lyrics were written before the music. [6] However, in a 2019 interview, Stipe recalled that "E-Bow the Letter" was the only time this had happened. [7]
The basic track of "Nightswimming" was performed by Stipe on vocals and Mills on piano. Buck noted that the absence of drummer Bill Berry and himself from the song was typical of many tracks on Automatic for the People, where one or more band members would not appear on a given song. [8]
The inspiration for the lyrics has been debated by the band members. Stipe suggested an origin in a 2001 Esquire article: "A few years ago, I wanted to write a song about night watchmen, so I hired one to guard the R.E.M. offices in Athens. I bought him a uniform and a flashlight and everything. He turned out to be kind of crazy and called me up in the middle of the night to tell me dirty stories about the Kennedys. I wrote the song about him, but he was so paranoid he said he was going to sue me, so I changed the lyric from 'Night watchman' to 'Nightswimming.'" [9]
Conversely in the past,[ when? ] Mills said, "It's based on true events", explaining that in the early 1980s R.E.M. and its circle of friends would go skinny dipping after the Athens clubs closed at night. "We'd go to parties, we'd go to the clubs and we'd go to the Ball Pump, and there would be any number of these same 50 people, so it was a very tight circle of friends." [3] Peter Buck holds a similar interpretation. Stipe says the song is about a "kind of an innocence that's either kind of desperately clung onto or obviously lost," and that it is only partly autobiographical. [10]
"Nightswimming" was released as a single on July 12, 1993. [11] The single reached number 18 in Ireland, number 27 in the United Kingdom and number 71 in Australia. [12]
Steven Hyden wrote for The A.V. Club that " Automatic for the People might be the most quietly serene rock record about loss ever made. There is no fear in this music; death is the album's main character, but he's presented as a vehicle for self-empowerment ("Try Not to Breathe"), immortality ("Man on the Moon"), and spiritual fulfillment ("Find the River"). On "Nightswimming", death returns to his home in the past, and memory is revealed as the last light emanating from a star that has burned out." [13]
In his weekly UK chart commentary, James Masterton wrote, "And still they keep on plugging. R.E.M.'s fifth hit from the album is in a similar vein to "Everybody Hurts" which became their biggest hit ever back in May. Similar success may be difficult for this song, not being quite as universal as the last and due to the fact that the album Automatic for the People is now one of the biggest sellers of the year so far." [14] Alan Jones from Music Week gave the song four out of five and named it Pick of the Week. He declared it a "rather intense song" and added, "The usual assortment of exclusive live tracks will convert this into another big hit." [15] Paul Moody from NME noted "the poignant, croaky vocal from Sir Michael, the gorgeous, gossamer piano accompaniment and the lyric dripping with adult ennui". [16] Parry Gettelman of the Orlando Sentinel felt that "a repetitive piano riff and swelling strings overwhelm the slight tune." [17] In a 1992 review of Automatic for the People, Rolling Stone writer Paul Evans called "Nightswimming" a "masterpiece" and the band's most "gorgeous" song. [18]
In 2011, a Rolling Stone Readers Poll ranked "Nightswimming" as R.E.M.’s second best song, behind "Losing My Religion". [19] Rolling Stone noted, “The track didn't do that well as a single, but in the past 20 years it's slowly become one of R.E.M.'s most beloved songs.”
In 2021, it was listed at No. 160 on Rolling Stone's "Top 500 Greatest Songs of All Time." [20]
A music video was produced to promote the single, directed by Jem Cohen. Two versions of the video were made, with the uncensored version of the video included on the band's 1995 Parallel video compilation. [21] The British version was later made available on YouTube in October 2009, and had generated more than 10 million views as of January 2023. [22]
All songs written by Bill Berry, Peter Buck, Mike Mills and Michael Stipe.
(All four acoustic live b-sides recorded live in Charleston, April 28, 1991, for the Mountain Stage radio program. "Losing My Religion", "Belong" and "Low" all taken from the album Out of Time)
Chart (1993) | Peak position |
---|---|
Australia (ARIA) [27] | 71 |
Europe (Eurochart Hot 100) [28] | 61 |
Europe (European Hit Radio) [29] | 36 |
Germany (GfK) [30] | 93 |
Ireland (IRMA) [31] | 18 |
New Zealand (Recorded Music NZ) [32] | 48 |
UK Singles (OCC) [33] | 27 |
UK Airplay ( Music Week ) [34] | 15 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [35] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Murmur is the debut studio album by American alternative rock band R.E.M., released on April 12, 1983, by I.R.S. Records. The album was recorded at Reflection Studios in Charlotte, North Carolina, with musicians Don Dixon and Mitch Easter serving as producers. Murmur drew critical acclaim upon its release for its unusual sound, defined by lead singer Michael Stipe's cryptic lyrics, guitarist Peter Buck's jangly guitar style, and bass guitarist Mike Mills's melodic basslines. In 2003, the album was ranked number 197 in Rolling Stone magazine's list of the "500 Greatest Albums of All Time". It retained the position in the 2012 list and was raised to number 165 in the 2020 revision.
Automatic for the People is the eighth studio album by the American alternative rock band R.E.M., released on October 5, 1992, in the United Kingdom and Europe, and on the following day in the United States, by Warner Bros. Records. R.E.M. began production on the album while their previous album, Out of Time (1991), was still ascending charts and achieving global success. Aided by strings arranged by John Paul Jones and conducted by George Hanson, Automatic for the People features ruminations on mortality, loss, mourning, and nostalgia.
"Losing My Religion" is a song by the American alternative rock band R.E.M., released in February 1991 by Warner Bros. as the first single from their seventh album, Out of Time (1991). It developed from a mandolin riff improvised by the guitarist, Peter Buck, with lyrics about unrequited love.
Monster is the ninth studio album by American rock band R.E.M., released by Warner Bros. Records in the UK on September 26, 1994, and in the US the following day. It was produced by the band and Scott Litt and recorded at four studios. The album was an intentional shift from the style of their previous two albums, Out of Time (1991) and Automatic for the People (1992), by introducing loud, distorted guitar tones and simple lyrics.
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks. The album was the tenth-best-selling album of 2003 in the UK, and the 50th-best-selling album of the 2000s in the UK.
Dead Letter Office is a rarities and B-sides collection by R.E.M., released in April 1987. The album is essentially a collection of many additional recordings R.E.M. made from before Murmur to Lifes Rich Pageant that were outtakes or released as B-sides to their singles internationally. Many of the tracks are favorite cover versions indicating the band's disparate influences and musical tastes, including three Velvet Underground covers, and songs by Aerosmith, Roger Miller, and fellow Athenians Pylon ("Crazy").
New Adventures in Hi-Fi is the tenth studio album by the American alternative rock band R.E.M. It was their fifth major-label release for Warner Bros. Records, released on September 9, 1996, in Europe and Australia, and the following day in the United States. New Adventures in Hi-Fi was the band's final album recorded with founding drummer Bill Berry, original manager Jefferson Holt, and long-time producer Scott Litt. The members of R.E.M. consider the recorded album representative of the band at their peak, and fans generally regard it as the band's last great record before a perceived artistic decline during the late 1990s and early 2000s. It has sold around seven million units, growing in cult status years after its release, with several retrospectives ranking it among the best of the band's recorded catalogue.
Reveal is the twelfth studio album by American rock band R.E.M. It was released on May 14, 2001, through Warner Bros. Records and was the second of three albums by the band to be produced with Pat McCarthy. It was also R.E.M.'s second album as a three-piece following the departure of drummer Bill Berry, and includes contributions from the band's touring members Joey Waronker, Scott McCaughey and Ken Stringfellow. The band recorded the album in various locations, including in Dublin, Miami, Vancouver, and their hometown of Athens, Georgia. The album saw R.E.M. continue to experiment with electronic music as they had on their previous album Up (1998), utilizing keyboards and drum machines, while also retaining elements of their earlier sound.
"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993 by Warner Bros. Records. It peaked at number 29 on the US Billboard Hot 100, but fared much better on the US Cash Box Top 100, where it peaked at number 18. The song also reached the top 10 on the charts of Australia, Canada, France, Iceland, Ireland, the Netherlands, and the United Kingdom. Its music video was directed by Jake Scott and filmed in San Antonio, Texas. In 2003, Q ranked "Everybody Hurts" at number 31 on their list of the "1001 Best Songs Ever", and in 2005, Blender ranked the song at number 238 on their list of "Greatest Songs Since You Were Born".
"Man on the Moon" is a song by American alternative rock band R.E.M., released in November 1992 as the second single from their eighth album, Automatic for the People (1992). The lyrics were written by lead singer Michael Stipe, and the music by drummer Bill Berry and guitarist Peter Buck. The song was well received by critics and reached number 30 on the US Billboard Hot 100, number 17 on the US Cash Box Top 100, number 18 on the UK Singles Chart, and number one in Iceland. It remains one of R.E.M.'s most popular songs and was included on the compilations In Time: The Best of R.E.M. 1988–2003 and Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011.
"Electrolite" is a song by American rock band R.E.M., released as the closing track from their tenth studio album, New Adventures in Hi-Fi (1996), and as the album's third single later that year. The song is a piano-based ballad dedicated to Hollywood and the closing twentieth century. Frontman Michael Stipe initially objected to including the song on the album, but was convinced by his bandmates Peter Buck and Mike Mills.
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which [sic] have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 389 in Rolling Stone's 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Pop Song 89" is the opening track and third single released from R.E.M.'s sixth studio album Green. It peaked at number 86 on the Hot 100, and in the UK "Stand" was re-released instead.
"Find the River" is a song by American rock band R.E.M., released on November 29, 1993, by Warner Bros., as the sixth and final single from the band's eighth album, Automatic for the People (1992). The song reached number 54 on the UK Singles Charts in December 1993. It did not chart in the US. "Find the River" was one of only three R.E.M. singles released in the 1990s to not make the Top 40 in Britain. The song's music video was directed by Jodi Wille.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
R.E.M. was an American alternative rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana, Pixies and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left in 1997, the band continued with mixed critical and commercial success. The band broke up amicably in 2011, having sold more than 90 million albums worldwide and becoming one of the world's best-selling music acts.
Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.
"We All Go Back to Where We Belong" is the final single from American alternative rock band R.E.M., released in 2011. The song is the lead single from the band's final album, the career-spanning greatest hits compilation Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011. The song was made available over the Internet on October 17, 2011.
Unplugged: The Complete 1991 and 2001 Sessions is a 2014 live album from alternative rock band R.E.M., released initially on vinyl recordings through Rhino Records for Record Store Day, and later made available on compact disc and digitally. The album is composed of two performances that the band made on the U.S. television show MTV Unplugged. Among the album's 33 tracks are 11 performances which were not aired on either broadcast. To promote the album, Mike Mills signed copies at independent record store Bull Moose in Scarborough, Maine. Video of the concerts was released later that year on REMTV.