"Losing My Religion" is a song by American alternative rock band R.E.M., released in February 1991 by Warner Bros. as the first single and the second track from the group's seventh album, Out of Time (1991). Built on a mandolin riff, it was written by lead singer Michael Stipe and is about unrequited love. The song was an unlikely hit for the group, garnering extensive airplay on radio as well as on MTV and VH1 due to its critically acclaimed music video, directed by Tarsem Singh. The single became R.E.M.'s highest-charting hit in the United States, reaching No. 4 on the Billboard Hot 100 and expanding the group's popularity beyond its original fan-base. At the 1992 Grammy Awards, "Losing My Religion" won two awards: Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. In 2017, "Losing My Religion" was inducted into the Grammy Hall of Fame.
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks. The album was the tenth-best-selling album of 2003 in the UK, and the 50th-best-selling album of the 2000s in the UK.
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
"The Great Beyond" is a song by American rock band R.E.M., written for the 1999 film Man on the Moon. It was released as a single the same year for support of the film's soundtrack album. On the soundtrack, there is some dialogue from the movie at the end of the track; meanwhile, the single version is a radio edit, with the bridge omitted.
"Shiny Happy People" is a song by the American rock band R.E.M., released as the second single from their seventh studio album, Out of Time (1991). It features guest vocals by Kate Pierson of the B-52's, who also appears in the music video.
"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993. It peaked at number 29 on the US Billboard Hot 100. The song fared much better on the US Cash Box Top 100, where it peaked at number 18. It also reached the top 10 on the charts of Australia, Canada, France, Iceland, Ireland, the Netherlands, and the United Kingdom. Its music video was directed by Jake Scott. In 2003, Q ranked "Everybody Hurts" at number 31 on their list of the "1001 Best Songs Ever". In 2005, Blender ranked the song at number 238 on their list of "Greatest Songs Since You Were Born".
"Man on the Moon" is a song by American alternative rock band R.E.M., released in November 1992 as the second single from their eighth album, Automatic for the People (1992). The lyrics were written by lead singer Michael Stipe, and the music by drummer Bill Berry and guitarist Peter Buck. The song was well received by critics and reached number 30 on the US Billboard Hot 100, number 17 on the US Cash Box Top 100, number 18 on the UK Singles Chart, and number one in Iceland. It remains one of R.E.M.'s most popular songs and was included on the compilations In Time: The Best of R.E.M. 1988–2003 and Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011.
"Crush with Eyeliner" is a song by American rock band R.E.M., released by Warner Bros. Records as the fourth single from their ninth studio album, Monster (1994). Sonic Youth's Thurston Moore provides background vocals. Michael Stipe claims the song was inspired by the band New York Dolls, who, in his opinion, "knew how to exaggerate a song, to make it sound really sleazy and over the top." This was also one of the first songs that surfaced from Stipe after the writer's block that hounded him after the death of his friend, actor River Phoenix.
"Strange Currencies" is a song by American rock band R.E.M. It was included on their ninth studio album, Monster (1994), and was released as the album's third single on April 18, 1995, by Warner Bros. Records. The song reached number nine on the UK Singles Chart and peaked at number 47 in the United States. Like "Everybody Hurts" on R.E.M.'s previous album, it has a time signature of 6
8. The song's music video was directed by Mark Romanek.
"Tongue" is a song by American rock band R.E.M., released on July 17, 1995 by Warner Bros. Records, as the fifth and final single from their ninth studio album, Monster (1994). The song was only released in the US, UK, and Ireland. In the song, lead singer Michael Stipe performs in falsetto; he has stated on several occasions that the narrator of the song is female. Stipe has also said the track is "all about cunnilingus".
"The Sidewinder Sleeps Tonite" is a song by American alternative rock band R.E.M. It was influenced by the song "The Lion Sleeps Tonight", both in the title of the song and through the song's opening refrain. The band used "The Lion Sleeps Tonight" as the B-side to this song in the U.S. The song was released on R.E.M.'s 1992 album, Automatic for the People, and was later released as a single in February 1993, reaching number one in Iceland, number 13 in Ireland, number 17 in the United Kingdom, and number 29 in New Zealand.
"Imitation of Life" is a song by American alternative rock band R.E.M. It was written by band members Peter Buck, Mike Mills, and Michael Stipe and produced by the band with Pat McCarthy for their 12th studio album, Reveal (2001). The track's title comes from Douglas Sirk's 1959 film of the same name and is used as a metaphor for adolescence and adulthood. One of R.E.M.'s most pop-influenced tracks, "Imitation of Life" has been described lyrically as "see[ing] through the puffed-up performance of a hopeful entertainer", as well as the enjoyment of love.
"Stand" is a song by the American alternative rock band R.E.M., released as the second single from the album Green in 1989. The song peaked at number six on the Billboard Hot 100, becoming R.E.M.'s second top 10 hit in the United States, and topped both the Mainstream Rock Tracks and Modern Rock Tracks charts. The song reached number 48 on the UK Singles Chart and number 16 in Canada. It was placed on R.E.M.'s Warner Bros. Records "best of" album In Time: The Best of R.E.M. 1988–2003 in 2003, as well as the 2011 compilation album Part Lies, Part Heart, Part Truth, Part Garbage.
Pop Screen is a video feature compiling all of R.E.M.'s Document and Green-era promotional videos. It was released on VHS on July 1, 1990, and on DVD format on August 22, 2000, both on the Warner Brothers label.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
"Daysleeper" is a song by American alternative rock band R.E.M. It was released as the first single from their eleventh studio album Up on October 12, 1998. Sung from the point of view of a night shift worker corresponding with colleagues, "Daysleeper" focuses on the disorientation of time and circadian rhythm in such a lifestyle, leading to despair and loss of identity. Lead singer Michael Stipe developed the song's concept after noticing a sign reading "daysleeper" on a New York City apartment door.
"Lotus" is a song by American rock band R.E.M., released as the second single from their eleventh studio album, Up (1998). The song is somewhat minimalist, with Michael Stipe singing surreal lyrics in a percussive manner. It builds on a four-note keyboard part, with a distorted guitar riff at the beginning and after the second chorus. The song's recurring line "I ate the lotus" appeared in an alternate form in a previous R.E.M. song, "Be Mine". The line "dot dot dot and I feel fine" is a reference to R.E.M.'s 1987 hit "It's the End of the World as We Know It ".
R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 90 million albums worldwide and becoming one of the world's best-selling music acts.
Green is the sixth studio album by American rock band R.E.M., released on November 7, 1988, by Warner Bros. Records. The second album to be produced by the band and Scott Litt, it continued to explore political issues both in its lyrics and packaging. The band experimented on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.
