Martin Rev | |
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![]() Rev performing at Le Confort Moderne in Poitiers, France in 2012 | |
Background information | |
Birth name | Martin Reverby |
Born | Brooklyn, New York, United States | December 18, 1947
Genres | Proto-punk, electronic, experimental, minimal, minimal synth, no wave, industrial, synth-punk, synth-pop |
Occupation | Musician |
Instrument | Keyboard |
Years active | 1966–present |
Labels | ROIR, Puu, Lust/Unlust, New Rose |
Martin Reverby, better known by his stage name Martin Rev, (born December 18, 1947) is an American musician who was one half of the influential synth-punk band Suicide. [1] Rev has also released several solo albums for a number of record labels, including ROIR and Puu. His style varies widely from release to release, from harsh and abrasive no wave (Martin Rev) to light bubblegum pop (Strangeworld) to heavy synthesizer rock (To Live).
He was a student of Lennie Tristano. [2]
Rev also works with Stefan Roloff, doing soundtracks for Roloff's video work. [3] [4] He contributed to the Raveonettes' 2005 album, Pretty in Black . [5]
In 2008, while Rev was working on the album Stigmata, his wife Mari died. [6] The album, dedicated to her, is strong in religious imagery with most songs being titled in Latin. [6] Kris Needs called the album a "brilliantly executed excursion into modern electronic classical music". [6]
Suicide was an American musical duo composed of vocalist Alan Vega and instrumentalist Martin Rev, intermittently active between 1970 and 2016. The group's pioneering music used minimalist electronic instrumentation, including synthesizers and primitive drum machines, and their early performances were confrontational and often ended in violence. They were among the first acts to use the phrase "punk music" in an advertisement for a concert in 1970—during their very brief stint as a three-piece including Paul Liebegott.
The Raveonettes are a Danish indie rock duo, consisting of Sune Rose Wagner on guitar, instruments and vocals, and Sharin Foo on bass, guitar and vocals. Their music is characterized by close two-part vocal harmonies inspired by The Everly Brothers coupled with hard-edged electric guitar overlaid with liberal doses of noise. Their songs juxtapose the structural and chordal simplicity of 1950s and 1960s rock with intense electric instrumentation, driving beats, and often dark lyrical content, similar to another of the band's influences, The Velvet Underground.
Pretty in Black is the second studio album by The Raveonettes. The album was released first in the United States on 3 May 2005, and later in the UK on 25 July 2005. The album includes guest appearances by Maureen Tucker, Ronnie Spector, and Martin Rev (Suicide).
Chain Gang of Love is the debut studio album by the Danish rock duo, The Raveonettes. The album was released in 2003 by Sony Records and was co-produced by Richard Gottehrer, who had previously worked on hit albums by Blondie, the Go-Go's and Richard Hell & the Voidoids. All of the songs, but two, are under 3 minutes long and are written in the key of B flat major; a concept similar to their previous record, Whip It On, whose tracks had a similar length and were written in the key of B flat minor.
Bad Brains is the first studio album by American rock band Bad Brains. Recorded in 1981 and released on the cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging.
A Hard Road is the third album recorded by John Mayall & the Bluesbreakers, released in 1967. It introduced Peter Green on lead guitar following the departure of Eric Clapton, and also featured John McVie on bass, Aynsley Dunbar on drums and John Almond on saxophone. Tracks 5, 7 and 13 feature the horn section of Alan Skidmore and Ray Warleigh. Green additionally sings lead vocals on "You Don't Love Me" and "The Same Way". The cover art and the original LP sleeve design are by Mayall.
Ella Fitzgerald Sings the Cole Porter Song Book is a 1956 studio double album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter. It is the first in a series of thematic LPs devoted to great American songwriters that Fitzgerald recorded from 1956 to 1964.
Suicide is the debut studio album from the American rock band Suicide. It was released in 1977 on Red Star Records and produced by Craig Leon and Marty Thau. The album was recorded in four days at Ultima Sound Studios in New York and featured Martin Rev's minimalist electronics and harsh, repetitive rhythms paired with Alan Vega's rock and roll-inspired vocals and depictions of urban life.
The Day Has Come is the only studio album by American singer Cheyenne Kimball. The lead single from the album, "Hanging On", peaked at number 53 on the Billboard Hot 100. The album was released on July 11, 2006. Kimball co-wrote all the songs featured on the album. The album debuted at #15 on the Billboard 200 selling 40,000 copies in the first week. Miley Cyrus covered the song "Four Walls" on her second studio album Breakout (2008).
Pain of Mind is the debut studio album by American post-metal band Neurosis, originally released through Alchemy Records in 1987. It was later reissued by Alternative Tentacles in 1994 and by Neurot Recordings in 2000; the 2000 reissue contains a special bonus disc that includes live tracks, live radio tracks, and demo tracks. Pennsylvanian politician R. Budd Dwyer is pictured on the front cover of the 1994 vinyl release, moments before he committed suicide during a televised press conference in 1987.
Layin' da Smack Down is the third studio album by rapper Project Pat, released on August 6, 2002, by Hypnotize Minds, Loud Records, Columbia Records, and Sony Music. It is the last album from Hypnotize Minds to be released through Loud, as Loud was sold off to Sony around the time of the album's release. Due to Project Pat's incarceration at the time, promotion for the album was very limited, and did not receive an RIAA Certification. However, the album did make it to #12 on the Billboard 200 with over 70,000 copies sold in its first week of release.
Child of Glass is the debut album by German band Blutengel. A 25th-anniversary edition remaster of the album was released with a bonus disc of rare tracks.
The Initial Command is the first full-length studio album released by Canadian industrial band Front Line Assembly, released in 1987 through Belgian label KK.
Seelenschmerz ("Soulache") is the second album by German band Blutengel. It was re-released in 2011 remastered as a 2 disc release, the original remastered album and a bonus disc of tracks from the original bonus disc, the Bloody Pleasures single, and a compilation track.
Stigmata-High Five is the seventh full-length album by the Canadian grindcore band Fuck the Facts released August 20, 2006. It is the band's first release on Relapse Records. Stigmata High-Five is also the first recording to feature Mathieu Vilandré on drums. He had joined the band as a second guitarist in 2005 and took over drumming duties after Tim Olsen was asked to leave the band.
One Lord, One Faith, One Baptism is a 1987 gospel album recorded by Aretha Franklin, for Arista Records. Recorded at New Bethel Baptist Church in Detroit, Michigan, over the course of three nights, One Lord, One Faith, One Baptism became an album that combined the gospel talents of Aretha, her sisters Erma and Carolyn, and fellow gospel singer Mavis Staples.
Stefan Roloff is a German-American painter, video artist, filmmaker, and pioneer of digital video and photography, living and working in New York and Berlin. Roloff's documentary, The Red Orchestra, a portrait of his late father, Helmut Roloff, an anti-Nazi resistance fighter, was nominated for Best Foreign Film 2005 by the US Women Critics Circle.
Sunday Express – Live is the third (double) live album by Scottish rock band Simple Minds, released in April 2007.
Half Alive is a compilation album by Suicide, originally released on cassette only on September 9, 1981 by ROIR. It is composed of live recordings from 1978 and home and studio demos recorded between 1974 and 1979.
Martin Rev is the debut solo album by Martin Rev. It was released in February 1980 on Lust/Unlust Music via their Infedility imprint. The album showcases the cerebral synth-pop sensibilities of its artist, who was one half of the pioneering synthpunk duo Suicide.