Murmur is the debut studio album by American alternative rock band R.E.M., released on April 12, 1983, by I.R.S. Records. Murmur drew critical acclaim upon its release for its unusual sound, defined by lead singer Michael Stipe's cryptic lyrics, guitarist Peter Buck's jangly guitar style, and bass guitarist Mike Mills's melodic basslines.
Reckoning is the second studio album by American alternative rock band R.E.M., released on April 9, 1984, by I.R.S. Records. Produced by Mitch Easter and Don Dixon, the album was recorded at Reflection Sound Studio in Charlotte, North Carolina, over 16 days in December 1983 and January 1984. Dixon and Easter intended to capture the sound of R.E.M.'s live performances, and used binaural recording on several tracks. Lead singer Michael Stipe dealt with darker subject matter in his lyrics, with water-related imagery being a recurring theme on the album.
Fables of the Reconstruction is the third studio album by American alternative rock band R.E.M. It was released on June 10, 1985 through I.R.S. Records. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in London with producer Joe Boyd. The record displays a darker, murkier sound and lyrics drawing from Southern Gothic themes and characters. Additionally, more varied instrumentation is utilized, including string and brass arrangements and banjo.
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks. The album was the tenth-best-selling album of 2003 in the UK, and the 50th-best-selling album of the 2000s in the UK.
Document is the fifth studio album by American rock band R.E.M., released on August 31, 1987, by I.R.S. Records. It was the first album by the band to be produced by Scott Litt.
Lifes Rich Pageant is the fourth studio album by the American alternative rock band R.E.M., released on July 28, 1986. R.E.M. chose Don Gehman to produce the album, which was recorded at John Mellencamp's Belmont Mall Studio in Belmont, Indiana. This was the only album the band recorded with Gehman, who moved them from the more obscure and dense sound of their earlier albums to an accessible, hard rock-influenced quality. The album was well-received critically.
Dead Letter Office is a rarities and B-sides collection by R.E.M., released in April 1987. The album is essentially a collection of many additional recordings R.E.M. made from before Murmur to Lifes Rich Pageant that were outtakes or released as B-sides to their singles internationally. Many of the tracks are favorite cover versions indicating the band's disparate influences and musical tastes, including three Velvet Underground covers, and songs by Aerosmith, Roger Miller, and fellow Athenians Pylon ("Crazy").
Eponymous is the first greatest hits album by the American alternative rock band R.E.M., released in 1988. It was their last authorized release on I.R.S. Records, to whom they had been contracted since 1982, having just signed with Warner Bros. Records.
Succumbs was R.E.M.'s first commercially available full-length movie. Released in October 1987 by UNI/A&M, it contains video footage shot by R.E.M.'s lead singer Michael Stipe dating back to the early-1980s, while the band was still recording under the I.R.S. Records label. Stipe collaborated with local Athens, Georgia artist James Herbert, who directed Left of Reckoning.
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 389 in Rolling Stone's 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."
R.E.M. In the Attic – Alternative Recordings 1985–1989 was the fourth R.E.M. compilation released by I.R.S. Records. EMI-Capitol, which acquired the entire I.R.S. Records catalogue upon the label's failure in 1996, released In the Attic in 1997 without the permission of R.E.M. The album failed to chart in the UK, and only reached #185 in the U.S. in its sole week on the chart. Most of the songs had appeared on the European reissues of the band's IRS albums, but this was their first official release in the US. There are two exceptions; these are "Gardening at Night", which was on Eponymous, and "Cant Get There From Here" which was on Singles Collected, both compilations having been released in the U.S.. Although they were also I.R.S. Years bonus tracks, "Crazy" and "Toys in the Attic" had also appeared on the band's b-sides compilation album Dead Letter Office.
"Finest Worksong" is the third and final single released from R.E.M.'s fifth studio album Document. It peaked at number 50 on the UK Singles Chart in April 1988, at the time the group's highest-charting single in the UK.
"(Don't Go Back To) Rockville" is the second and final single released by American rock band R.E.M. from their second studio album, Reckoning. The song failed to chart on either the Billboard Hot 100 or the UK Singles Charts.
And I Feel Fine... The Best of the I.R.S. Years 1982–1987 is a compilation album by American band R.E.M. It features songs from the band's years at I.R.S. Records. All tracks have been remastered, and the set was released 12 September 2006. A companion DVD, titled When the Light Is Mine, was released the same day.
When the Light Is Mine: The Best of the I.R.S. Years 1982–1987 is a DVD featuring videos by the rock band R.E.M. during its tenure with I.R.S. Records from 1982 to 1987. It was released in the United States on September 12, 2006, to coincide with the release of And I Feel Fine: The Best of the I.R.S. Years 1982-1987, a compilation album featuring selections from the band's I.R.S. back catalogue.
Live from Austin, TX is a 2010 video album by R.E.M. recorded on March 13, 2008 for the television series Austin City Limits. The television broadcast aired on PBS starting March 24, 2008.
Complete Rarities: I.R.S. 1982–1987 is a 2014 compilation album featuring songs released by alternative rock band R.E.M. during their time on I.R.S. Records. In addition to the band's I.R.S. material, this album also features the tracks from the band's first single, which was released in July 1981 on the Hib-Tone label.
Green is the sixth studio album by American rock band R.E.M., released on November 7, 1988, by Warner Bros. Records. The second album to be produced by the band and Scott Litt, it continued to explore political issues both in its lyrics and packaging. The band experimented on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.
7IN—83–88 is a collection of 7-inch singles released by R.E.M. The collection covers their singles released on the I.R.S. label between 1983 and 1988.
R.E.M. at the BBC is a 2018 live album box set by American alternative rock band R.E.M. released on October 19, 2018. The eight-disc compilation features sessions recorded between 1984 and 2008, including a bonus DVD of videos. Additionally, a two-disc best-of collection was released on the same day.
