"Losing My Religion" is a song by American alternative rock band R.E.M., released in February 1991 as the first single and the second track from the group's seventh album, Out of Time (1991). Built on a mandolin riff, the song was an unlikely hit for the group, garnering extensive airplay on radio as well as on MTV and VH1 due to its critically acclaimed music video. The single became R.E.M.'s highest-charting hit in the United States, reaching No. 4 on the Billboard Hot 100 and expanding the group's popularity beyond its original fan-base. At the 1992 Grammy Awards, "Losing My Religion" won two awards: Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. In 2017, "Losing My Religion" was inducted into the Grammy Hall of Fame.
Out of Time is the seventh studio album by American alternative rock band R.E.M., released on March 12, 1991, by Warner Bros. Records. With Out of Time, R.E.M.'s status grew from that of a cult band to a massive international act. The record topped the album sales charts in both the United States and the United Kingdom, spending 109 weeks on U.S. album charts and enjoying two separate spells at the summit, and spending 183 weeks on the British charts and a single week at the top. The album has sold more than four and a half million copies in the United States and more than 18 million copies worldwide. The album won three Grammy Awards in 1992: one as Best Alternative Music Album, and two for the first single, "Losing My Religion."
Fables of the Reconstruction is the third studio album by American alternative rock band R.E.M. It was released on June 10, 1985 through I.R.S. Records. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in London with producer Joe Boyd. The record displays a darker, murkier sound and lyrics drawing from Southern Gothic themes and characters. Additionally, more varied instrumentation is utilized, including string and brass arrangements and banjo.
New Adventures in Hi-Fi is the tenth studio album by the American alternative rock band R.E.M. It was their fifth major-label release for Warner Bros. Records, released on September 9, 1996, in Europe and Australia, and the following day in the United States. New Adventures in Hi-Fi was the last album recorded with founding member Bill Berry, original manager Jefferson Holt, and long-time producer Scott Litt. The members of R.E.M. consider the recorded album representative of the band at their peak, and fans generally regard it as the band's last great record before a perceived artistic decline during the late 1990s and early 2000s. It has sold around seven million units, growing in cult status years after its release, with several retrospectives ranking it among the top of the band's recorded catalogue.
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
Michael Edward Mills is an American multi-instrumentalist, singer, and composer who was a founding member of the alternative rock band R.E.M. Though known primarily as the bass guitarist and backing vocalist of R.E.M., his musical repertoire also includes keyboards and occasional lead vocals. He contributed to a majority of the band's musical compositions and is the only member to have had formal musical training.
"Nightswimming" is a song by American alternative rock band R.E.M., released in July 1993 by Warner Bros. as the fifth single from the band's eighth album, Automatic for the People (1992). The song is a ballad featuring singer Michael Stipe accompanied only by bassist Mike Mills on piano, a string arrangement by former Led Zeppelin bassist John Paul Jones, and a prominent oboe by Deborah Workman in the latter part of the piece. Stipe sings about a group of friends who go skinny dipping at night, which draws from similar experiences in the band's early days.
"Shiny Happy People" is a song by the American rock band R.E.M., released as the second single from their seventh studio album, Out of Time (1991). It features guest vocals by Kate Pierson of the B-52's, who also appears in the music video.
"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993. It peaked at number 29 on the US Billboard Hot 100. The song fared much better on the US Cash Box Top 100, where it peaked at number 18. It also reached the top 10 on the charts of Australia, Canada, France, Iceland, Ireland, the Netherlands, and the United Kingdom. Its music video was directed by Jake Scott. In 2003, Q ranked "Everybody Hurts" at number 31 on their list of the "1001 Best Songs Ever". In 2005, Blender ranked the song at number 238 on their list of "Greatest Songs Since You Were Born".
"Man on the Moon" is a song by American alternative rock band R.E.M., released in November 1992 as the second single from their eighth album, Automatic for the People (1992). The lyrics were written by lead singer Michael Stipe, and the music by drummer Bill Berry and guitarist Peter Buck. The song was well received by critics and reached number 30 on the US Billboard Hot 100, number 17 on the US Cash Box Top 100, number 18 on the UK Singles Chart, and number one in Iceland. It remains one of R.E.M.'s most popular songs and was included on the compilations In Time: The Best of R.E.M. 1988–2003 and Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011.
"Radio Song" is a song by American rock band R.E.M., released as the fourth single from their seventh album, Out of Time (1991), where it appears as the opening track. Lead singer Michael Stipe once said that he hoped everyone had enough sense of humor to realize that he was "kind of taking the piss of everyone," himself included. Stipe also asked KRS-One, leader of Boogie Down Productions, to contribute to the track. He provides some backing vocals for the track, as well as a closing rap, and appears prominently in the video.
"The Sidewinder Sleeps Tonite" is a song by American alternative rock band R.E.M. It was influenced by the song "The Lion Sleeps Tonight", both in the title of the song and through the song's opening refrain. The band used "The Lion Sleeps Tonight" as the B-side to this song in the U.S. The song was released on R.E.M.'s 1992 album, Automatic for the People, and was later released as a single in February 1993, reaching number one in Iceland, number 13 in Ireland, number 17 in the United Kingdom, and number 29 in New Zealand.
"The One I Love" is a song by American alternative rock band R.E.M. It was released on the band's fifth full-length studio album, Document, and also as a 7" vinyl single in 1987. The song was their first hit single, reaching No. 9 on the US Billboard Hot 100, No. 14 in Canada, and later reached No. 16 on the UK Singles Chart in its 1991 re-release.
"Electrolite" is a song by R.E.M. released as their third single and closing track from their tenth studio album, New Adventures in Hi-Fi. The song is a piano-based ballad to Los Angeles, Hollywood icons and the closing 20th century. Initially, Michael Stipe objected to including the song on the album, but was won over by Peter Buck and Mike Mills. It has since become one of his favorite R.E.M. songs as well as one of Radiohead lead singer Thom Yorke's; Radiohead has covered the song.
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 389 in Rolling Stone's 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."
"At My Most Beautiful" is a song by the American alternative rock band R.E.M. During the song's creation, members of the group noted its similarity to the work of the Beach Boys and purposefully fashioned it to resemble that band's output. Singer Michael Stipe strove to make his lyrics the most romantic he had ever written, and the piano-driven ballad became R.E.M.'s first straightforward love song. Released on the group's 1998 album Up, it was issued as the third single from that record the following year, reaching number 10 on the UK Singles Chart.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
"Texarkana" is a song from R.E.M.'s studio album Out of Time. Though not released as an official single, it managed to chart at number 4 on the Modern Rock Tracks chart and number 6 on the Mainstream Rock Tracks chart. This song was written, musically and lyrically, by bassist Mike Mills, as vocalist Michael Stipe had been having problems for weeks trying to come up with lyrics for it. As a result, Mills also sang lead vocals.
Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.
Live at the Borderline 1991 is a 2019 live album released for Record Store Day on April 13. The recording features alternative rock band R.E.M. performing under the pseudonym Bingo Hand Job at a 1991 surprise gig around the release of Out of Time.
