Mark Bingham (born 1949 in Bloomington, Indiana) is an American music producer, composer, musician, and engineer.
In 1966, Bingham was signed to a publishing contract with Elektra Records. After a brief stint at Elektra in Los Angeles and one single (deep regret/your problems and mine) released on Warner Bros., he returned to Bloomington where he attended Indiana University. There he joined the avant-rock group Screaming Gypsy Bandits and also began his own indie label, Bar-B-Q Records. [1] In 1975, he moved to New York City, forming the Social Climbers with bassist-singer Jean Seton Shaw and keyboardist/arranger/composer Dick Connette. [2]
In 1982, he moved to New Orleans. He started The Boiler Room recording studio and in 2001 opened Piety Street Recording. [3] Bingham and Piety Street were featured in HBO's "Treme" series. Other notable sessions Bingham recorded at Piety Street include Dr. John's Mercernary, James "Blood " Ulmer's Bad Blood In the City: The Piety Street Sessions and Fugs founder Ed Sanders' Poems For New Orleans for which Bingham co-produced and composed the music. In 2011, Bingham recorded, mixed and helped arrange the Marianne Faithfull LP Horses and High Heels .
Bingham has produced records for Flat Duo Jets, [4] Glenn Branca, [5] Dr. Michael White, [6] Ed Sanders, [7] Rebirth Brass Band, [8] John Scofield, [9] MX-80, [10] Happy Talk Band, [11] Cubanismo, [12] The Du-tels, [13] The Naked Orchestra, [14] Morning 40 Federation, [15] Mem Shannon, [16] Andrei Codrescu, [17] Sarah Quintana, Byron Knott, The Write Brothers, Paul Sanchez, Peter Stampfel [18] and Michael Cerveris among others.
A long-standing colleague of Hal Willner, Bingham participated in a series of Willner tribute recordings, including 1984’s That's the Way I Feel Now: A Tribute to Thelonious Monk, 1985’s Lost in the Stars: The Music of Kurt Weill and 1989’s Stay Awake: Various Interpretations of Music from Vintage Disney Films . [19] [20] He also played guitar and contributed compositions to Allen Ginsberg's The Lion For Real. [21]
In 1991, Bingham arranged horns and strings on R.E.M.’s Out Of Time . [22]
He has released two albums under his own name; 1989's I Passed For Human and Psalms Of Vengeance (2009). [23]
Hoagland Howard Carmichael was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, microphones, and sound recordings.
Allen Richard Toussaint was an American musician, songwriter, arranger, and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures." Many musicians recorded Toussaint's compositions. He was a producer for hundreds of recordings: the best known are "Right Place, Wrong Time", by longtime friend Dr. John, and "Lady Marmalade" by Labelle.
David William Sanborn was an American alto saxophonist. Sanborn worked in many musical genres; his solo recordings typically blended jazz with instrumental pop and R&B. He began playing the saxophone at the age of 11 and released his first solo album, Taking Off, in 1975. He was active as a session musician, and played on numerous albums by artists including Stevie Wonder, Bruce Springsteen, Aretha Franklin, Sting, the Eagles, Rickie Lee Jones, James Brown, George Benson, Carly Simon, Elton John, Bryan Ferry and the Rolling Stones. He released more than 20 albums and won six Grammy awards.
Hal Willner was an American music producer working in recording, films, television, and live events. He was best known for assembling tribute albums and events featuring a wide variety of artists and musical styles. Willner died during the COVID-19 pandemic from complications brought on by the virus.
Robert Bradley's Blackwater Surprise (RBBS) was an American band from Detroit, Michigan. The group was a collaboration between Robert Bradley and three other rock musicians.
The Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who formed in 1963 on the Lower East Side of New York City. Although they achieved only limited commercial and critical success in the 1960s and 1970s, they quickly earned a dedicated cult following and have been retrospectively praised for their groundbreaking reworking of early 20th century folk music as well as their pioneering innovation in several genres, including freak folk and psychedelic folk. With a career spanning 40 years, the Holy Modal Rounders proved to be influential both in the New York scene where they began and to generations of underground musicians.
Vida Blue is an electronic trio featuring Page McConnell (Phish), with Oteil Burbridge, and Russell Batiste.
Huey Pierce "Piano" Smith was an American R&B pianist and session musician whose sound was influential in the development of rock and roll.
Mingus Moves is an album by the jazz composer and bassist Charles Mingus, released in 1973.
The Fugs First Album is the 1965 debut album by American rock band the Fugs, described in their AllMusic profile as "arguably the first underground rock group of all time". In 1965, the album charted #142 on Billboard's "Top Pop Albums" chart. The album was originally released in 1965 as The Village Fugs Sing Ballads of Contemporary Protest, Point of Views, and General Dissatisfaction on Folkways Records before the band signed up with ESP-Disk, who released the album under its own label with a new name in 1966. The album was re-released in 1993 on CD with an additional 11 tracks.
Mike Melvoin was an American jazz pianist, composer, and arranger. He served as chairman and president of The Recording Academy and worked as a prolific studio musician, recording with Frank Sinatra, John Lennon, The Jackson 5, Natalie Cole, and The Beach Boys. Melvoin was nominated for the 2003 Grammy Award for Best Jazz Instrumental Solo for "All or Nothing at All" from his album It's Always You.
Unspeakable is a 2004 album by American jazz guitarist Bill Frisell, his 22nd album overall and his 17th to be released on the Elektra Nonesuch label.
Piety Street is a 2009 studio album by jazz guitarist John Scofield. It was recorded in New Orleans with Meters bassist George Porter Jr. and keyboardist/vocalist Jon Cleary. The album features gospel music with Cleary singing most of the songs. John Boutte is the guest vocalist on three tracks.
Caroline Peyton was an American singer, songwriter and actor. Peyton was born in Brookhaven, Mississippi, and grew up in Charleston, West Virginia. She recorded two albums in the 1970s, 1972's Mock Up and 1977's Intuition, which were reissued in 2009 by Chicago archival label The Numero Group. Later in her career, she appeared on Broadway and in theatrical productions. She also voiced characters in four Disney animated films in the 1990s. She released her first self-written solo album on September 9, 2014. Recorded in Nashville, Tennessee with producer Mark Nevers at Beech House Recording, the 10-song record is titled Homeseeker's Paradise. The record features playing by Nashville musicians including guitarist William Tyler and multi-instrumentalist Chris Scruggs. Nashville Scene writer Skip Anderson wrote a preview of the record.
Peter Stampfel is an American fiddle player, old-time musician, and singer-songwriter.
Piety Street Recording is a recording studio at 728 Piety Street in the 9th Ward/Bywater, New Orleans.
Bad Blood in the City: The Piety Street Sessions is an album by American guitarist James Blood Ulmer recorded in New Orleans at the Piety Street Recording Studios and released on the Hyena label in 2007.
Indian War Whoop is the third studio album by the Holy Modal Rounders, released in 1967 through ESP-Disk. The album is the band's first with contributions outside of the original members Peter Stampfel and Steve Weber. The title track is a cover of an obscure song featured on Harry Smith's Anthology of American Folk Music.
The Moray Eels Eat the Holy Modal Rounders is the fourth studio album by the New York psychedelic folk band the Holy Modal Rounders, released in 1968 through Elektra Records. Although Peter Stampfel does not regard the album highly, it has received positive reviews and its opener, "Bird Song," was notably included in the 1969 film Easy Rider.
Steven P. Weber was an American folk singer-songwriter and guitarist.