New Adventures in Hi-Fi is the tenth studio album by the American alternative rock band R.E.M. It was their fifth major-label release for Warner Bros. Records, released on September 9, 1996, in Europe and Australia, and the following day in the United States. New Adventures in Hi-Fi was the last album recorded with founding member Bill Berry, original manager Jefferson Holt, and long-time producer Scott Litt. The members of R.E.M. consider the recorded album representative of the band at their peak, and fans generally regard it as the band's last great record before a perceived artistic decline during the late 1990s and early 2000s. It has sold around seven million units, growing in cult status years after its release, with several retrospectives ranking it among the top of the band's recorded catalogue.
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
"The Great Beyond" is a song by American rock band R.E.M., written for the 1999 film Man on the Moon. It was released as a single the same year for support of the film's soundtrack album. On the soundtrack, there is some dialogue from the movie at the end of the track; meanwhile, the single version is a radio edit, with the bridge omitted.
"Crush with Eyeliner" is a song by American rock band R.E.M., released by Warner Bros. Records as the fourth single from their ninth studio album, Monster (1994). Sonic Youth's Thurston Moore provides background vocals. Michael Stipe claims the song was inspired by the band New York Dolls, who, in his opinion, "knew how to exaggerate a song, to make it sound really sleazy and over the top." This was also one of the first songs that surfaced from Stipe after the writer's block that hounded him after the death of his friend, actor River Phoenix.
"Bang and Blame" is a song by American alternative rock group R.E.M. It was released as the second single from their ninth studio album, Monster (1994), on October 31, 1994 by Warner Bros. Records. The song was R.E.M.'s last to reach the top 40 on the US Billboard Hot 100, peaking at number 19, and was also their last number-one single on the Billboard Modern Rock Tracks chart. The single reached number one in Canada—R.E.M.'s only single to do so—and peaked inside the top 40 on the charts of Australia, Belgium, Finland, Iceland, Ireland, the Netherlands, New Zealand, and the United Kingdom.
"Strange Currencies" is a song by American rock band R.E.M. It was included on their ninth studio album, Monster (1994), and was released as the album's third single on April 18, 1995, by Warner Bros. Records. The song reached number nine on the UK Singles Chart and peaked at number 47 in the United States. Like "Everybody Hurts" on R.E.M.'s previous album, it has a time signature of 6
8. The song's music video was directed by Mark Romanek.
"Big Me" is the fourth single by Foo Fighters from their self-titled debut album. Released in the spring of 1996, the song became a crossover hit for the band on pop radio, when it reached #13 on the Billboard Hot 100 Airplay.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
"Daysleeper" is a song by American alternative rock band R.E.M. It was released as the first single from their eleventh studio album Up on October 12, 1998. Sung from the point of view of a night shift worker corresponding with colleagues, "Daysleeper" focuses on the disorientation of time and circadian rhythm in such a lifestyle, leading to despair and loss of identity. Lead singer Michael Stipe developed the song's concept after noticing a sign reading "daysleeper" on a New York City apartment door.
"Lotus" is a song by American rock band R.E.M., released as the second single from their eleventh studio album, Up (1998). The song is somewhat minimalist, with Michael Stipe singing surreal lyrics in a percussive manner. It builds on a four-note keyboard part, with a distorted guitar riff at the beginning and after the second chorus. The song's recurring line "I ate the lotus" appeared in an alternate form in a previous R.E.M. song, "Be Mine". The line "dot dot dot and I feel fine" is a reference to R.E.M.'s 1987 hit "It's the End of the World as We Know It ".
"Aeroplane" is a song by American rock band Red Hot Chili Peppers from their sixth studio album, One Hot Minute (1995). It was the third single released from the album and a music video accompanied its release. Although the song was left off the band's Greatest Hits album, the music video was included on the accompanying DVD.
"Roll to Me" is a song by Scottish pop rock band Del Amitri, released as the third single from their 1995 album, Twisted. The song became their biggest hit in the United States when it reached number 10 on the Billboard Hot 100 chart. It was a moderate hit in the United Kingdom, peaking at number 22 on the UK Singles Chart.
"All for You" is the debut single of American alternative rock band Sister Hazel, originally appearing on their eponymous debut album. In 1997, the song was re-recorded for their second album, ...Somewhere More Familiar. It peaked number 11 on the US Billboard Hot 100, number two on Canada's RPM 100 Hit Tracks chart, and number 10 in Iceland. It also charted in Australia, where it spent two non-consecutive weeks at number 50.
"Wonder" is a song by Natalie Merchant, released in 1995 as the second single from her solo album Tigerlily. The single reached number 20 on the US Billboard Hot 100 and number 10 on the Canadian RPM 100 Hit Tracks chart, outperforming her previous single "Carnival" in Canada. The covers for the U.S. and European singles were different. The single also includes live cuts from Merchant's tour.
"Give Me One Reason" is a song written and performed by American singer-songwriter Tracy Chapman. It was included on her fourth studio album, New Beginning (1995), and was released as a single in various territories between November 1995 and March 1997, her first since 1992's "Dreaming on a World". The song is Chapman's biggest US hit, reaching number three on the Billboard Hot 100. It is also her biggest hit in Australia, where it reached number three as well, and it topped the charts of Canada and Iceland. Elsewhere, the song reached number 16 in New Zealand, but it underperformed in the United Kingdom, peaking at number 95 in March 1997.
This discography of American alternative rock band Gin Blossoms, consists of six studio albums, one live album, two EPs, four compilation albums, and 15 singles.
"Broadway" is a song recorded by the Goo Goo Dolls. The song was released in March 2000 as the last single from their sixth studio album, Dizzy Up the Girl (1998). Although not as popular as the albums previous singles "Iris" and "Slide", the song entered the top 30 in the United States, peaking at number 24 on the Billboard Hot 100 and coming in at number 84 on the Billboard year-end Hot 100 singles of 2000. The single also peaked number seven on the Canadian RPM 100 Hit Tracks chart and number six on the Icelandic Singles Chart.
"Tucker's Town" is a song by American rock group Hootie & the Blowfish. It was released on June 25, 1996, as the second single from their second album, Fairweather Johnson (1996). In the United States, it peaked at number 38 on the Billboard Hot 100, number 24 on the Billboard Adult Contemporary chart, and number 29 on the Billboard Mainstream Rock chart. Outside the US, "Tucker's Town" reached number two in Canada—ending 1996 as the country's 25th-most-successful single—and number 20 in Iceland.
"Old Man & Me " is a song by American rock group Hootie & the Blowfish. It was released in April 1996 as the lead single from their second album, Fairweather Johnson. In the United States, it peaked at number 13 on the Billboard Hot 100, number 18 on the Billboard Adult Contemporary chart, and number six on the Billboard Mainstream Rock chart. The song also reached number one in Canada, becoming the band's third and final single to do so.
