"Losing My Religion" is a song by the American alternative rock band R.E.M., released in February 1991 by Warner Bros. as the first single from their seventh album, Out of Time (1991). It developed from a mandolin riff improvised by the guitarist, Peter Buck, with lyrics about unrequited love.
Monster is the ninth studio album by American rock band R.E.M., released by Warner Bros. Records in the UK on September 26, 1994, and in the US the following day. It was produced by the band and Scott Litt and recorded at four studios. The album was an intentional shift from the style of their previous two albums, Out of Time (1991) and Automatic for the People (1992), by introducing loud, distorted guitar tones and simple lyrics.
Fables of the Reconstruction is the third studio album by American alternative rock band R.E.M. It was released on June 10, 1985, through I.R.S. Records. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in London with producer Joe Boyd. The record displays a darker, murkier sound than its predecessors, with lyrics drawing from Southern Gothic themes and characters. The album also utilizes more varied instrumentation, including string and brass arrangements and banjo.
Document is the fifth studio album by American rock band R.E.M., released on August 31, 1987, by I.R.S. Records. It was the first album by the band to be produced by Scott Litt.
Lifes Rich Pageant is the fourth studio album by the American alternative rock band R.E.M., released on July 28, 1986. R.E.M. chose Don Gehman to produce the album, which was recorded at John Mellencamp's Belmont Mall Studio in Belmont, Indiana. This was the only album the band recorded with Gehman, who moved them from the more obscure and dense sound of their earlier albums to an accessible, hard rock-influenced quality. The album was well-received critically.
Dead Letter Office is a rarities and B-sides collection by R.E.M., released in April 1987. The album is essentially a collection of many additional recordings R.E.M. made from before Murmur to Lifes Rich Pageant that were outtakes or released as B-sides to their singles internationally. Many of the tracks are favorite cover versions indicating the band's disparate influences and musical tastes, including three Velvet Underground covers, and songs by Aerosmith, Roger Miller, and fellow Athenians Pylon ("Crazy").
"Orange Crush" is a song by the American alternative rock band R.E.M. It was released as the first single from the band's sixth studio album, Green, in 1988. It was not commercially released in the U.S. despite reaching number one as a promotional single on both the Mainstream and Modern Rock Tracks. It peaked at number 28 on the UK Singles Chart, making it the band's then-highest chart hit in Britain, where they promoted the song by making their debut appearance on Top of the Pops.
Eponymous is the first greatest hits album by the American alternative rock band R.E.M., released in 1988. It was their last authorized release on I.R.S. Records, to whom they had been contracted since 1982, having just signed with Warner Bros. Records.
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
"Strange Currencies" is a song by American rock band R.E.M. It was included on their ninth studio album, Monster (1994), and was released as the album's fourth single on April 18, 1995, by Warner Bros. Records. The song reached number nine on the UK Singles Chart and peaked at number 47 in the United States. Like "Everybody Hurts" on R.E.M.'s previous album, it has a time signature of 6
8. The song's music video was directed by Mark Romanek.
"Tongue" is a song by American rock band R.E.M., released on July 17, 1995 by Warner Bros. Records, as the fifth and final single from their ninth studio album, Monster (1994). The song was only released in the US, UK, and Ireland. In the song, lead singer Michael Stipe performs in falsetto; he has stated on several occasions that the narrator of the song is female. Stipe has also said the track is "all about cunnilingus".
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which [sic] have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 389 in Rolling Stone's 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."
"Stand" is a song by the American alternative rock band R.E.M., released as the second single from the album Green in 1989. The song peaked at number six on the Billboard Hot 100, becoming R.E.M.'s second top 10 hit in the United States, and topped both the Mainstream Rock Tracks and Modern Rock Tracks charts. The song reached number 48 on the UK Singles Chart and number 16 in Canada. It was placed on R.E.M.'s Warner Bros. Records "best of" album In Time: The Best of R.E.M. 1988–2003 in 2003, as well as the 2011 compilation album Part Lies, Part Heart, Part Truth, Part Garbage.
"Bad Day" is a song recorded by American alternative rock band R.E.M. It is one of two previously unreleased songs from their 2003 compilation album, In Time: The Best of R.E.M. 1988–2003, and was released as the album's lead single on September 15, 2003.
R.E.M. Singles Collected is a compilation album from R.E.M. released in Europe by I.R.S. Records in 1994. The album includes the A-side and B-sides of singles spanning from their debut LP Murmur in 1983, right through to Document in 1987.
And I Feel Fine... The Best of the I.R.S. Years 1982–1987 is a compilation album by American band R.E.M. It features songs from the band's years at I.R.S. Records. All tracks have been remastered, and the set was released 12 September 2006. A companion DVD, titled When the Light Is Mine, was released the same day.
The Clique was a late-1960s American sunshine pop band from Austin, Texas. They started as the Roustabouts in the Beaumont, Texas area, 90 miles east of Houston, and later the Sandpipers before renaming themselves the Clique in 1967 and settling in Houston. Original members of the band were John Kanesaw (drums), Bruce Tinch, Cooper Hawthorne, Larry Lawson, David Dunham, and Randy Shaw.
Alan Gary Zekley was an American West Coast record producer and songwriter associated with 1960s, 1970s, and 1980s bands and songs in the bubblegum, rock and roll, sunshine pop, and surf genres.
R.E.M. was an American alternative rock band formed in Athens, Georgia in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana, Pixies and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left in 1997, the band continued with mixed critical and commercial success. The band broke up amicably in 2011, having sold more than 90 million albums worldwide and becoming one of the world's best-selling music acts.
7IN—83–88 is a collection of 7-inch singles released by American alternative rock band R.E.M. on December 9 2014. The collection covers their singles released on the I.R.S. label between 1983 and 1988.
