"Finest Worksong" | ||||
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Single by R.E.M. | ||||
from the album Document | ||||
B-side | "Time After Time, Etc." (Live) | |||
Released | March 1988 | |||
Recorded | 1987 | |||
Genre | ||||
Length | 3:48 | |||
Label | I.R.S. | |||
Songwriter(s) | ||||
Producer(s) |
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R.E.M. singles chronology | ||||
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"Finest Worksong" is the third and final single released from R.E.M.'s fifth studio album Document . It peaked at number 50 on the UK Singles Chart in April 1988, at the time the group's highest-charting single in the UK. [3]
The single version of the song (also known as Mutual Drum Horn mix), featuring a new horn section by The Uptown Horns, was placed on R.E.M.'s I.R.S. Records compilation Eponymous . This was the last original single the band released on I.R.S. Records.
All songs written by Bill Berry, Peter Buck, Mike Mills and Michael Stipe.
7" single
12" single and 3" CD single
UK CD single
1 Recorded at the Muziekcentrum Vredenburg, Utrecht, Netherlands; September 14, 1987, this live medley included "Time After Time (AnnElise)", a snippet of Peter Gabriel's "Red Rain" and "So. Central Rain (I'm Sorry)"
Chart (1988) | Peak position |
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UK Singles Chart [3] | 50 |
US Billboard Hot Mainstream Rock Tracks [4] | 28 |
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks. The album was the tenth-best-selling album of 2003 in the UK, and the 50th-best-selling album of the 2000s in the UK.
Document is the fifth studio album by American rock band R.E.M., released on August 31, 1987, by I.R.S. Records. It was the first album by the band to be produced by Scott Litt.
Eponymous is the first greatest hits album by the American alternative rock band R.E.M., released in 1988. It was their last authorized release on I.R.S. Records, to whom they had been contracted since 1982, having just signed with Warner Bros. Records.
"It's Raining Men" is a song by the American musical duo the Weather Girls from their third studio album Success (1983). It was released as the album's lead single on September 10, 1982 through Columbia Records and CBS Records International. Paul Jabara wrote the song in collaboration with Paul Shaffer, and produced the song in collaboration with Bob Esty. "It's Raining Men" is a Hi-NRG and post-disco that incorporates elements of R&B, soul, and 1970s-style electronic dance music. Its lyrics describe an excitement and enjoyment of many different types of men.
"Crush with Eyeliner" is a song by American rock band R.E.M., released as the fourth single from their ninth studio album, Monster (1994). Sonic Youth's Thurston Moore provides background vocals. Michael Stipe claims the song was inspired by the band New York Dolls, who, in his opinion, "knew how to exaggerate a song, to make it sound really sleazy and over the top." This was also one of the first songs that surfaced from Stipe after the writer's block that hounded him after the death of his friend, actor River Phoenix.
"Gold" is a song by Prince, his stage name at that time being an unpronounceable symbol, from his 1995 album, The Gold Experience. Obviously proud of the song, Prince touted it as the next "Purple Rain" to reporters before the album's release.
The Best of R.E.M. is a greatest hits album by R.E.M. released in 1991, shortly after the success of the band's seventh studio album, Out of Time, released by Warner Bros. The Best of R.E.M., however, was released by the band's previous record label, I.R.S. Records, and only includes tracks from their first five albums while the group was with that label. As such, it covers their output from 1982 to 1987.
R.E.M. In the Attic – Alternative Recordings 1985–1989 was the fourth R.E.M. compilation released by I.R.S. Records. EMI-Capitol, which acquired the entire I.R.S. Records catalogue upon the label's failure in 1996, released In the Attic in 1997 without the permission of R.E.M. The album failed to chart in the UK, and only reached #185 in the U.S. in its sole week on the chart. Most of the songs had appeared on the European reissues of the band's IRS albums, but this was their first official release in the US. There are two exceptions; these are "Gardening at Night", which was on Eponymous, and "Cant Get There From Here" which was on Singles Collected, both compilations having been released in the U.S.. Although they were also I.R.S. Years bonus tracks, "Crazy" and "Toys in the Attic" had also appeared on the band's b-sides compilation album Dead Letter Office.
"I'll Take the Rain" is the third and final single from American rock band R.E.M.'s 12th studio album, Reveal (2001). Released on November 19, 2001, the song reached number 44 on the UK Singles Chart but failed to chart on the US Billboard Hot 100.
R.E.M. Singles Collected is a compilation album from R.E.M. released in Europe by I.R.S. Records in 1994. The album includes the A-side and B-sides of singles spanning from their debut LP Murmur in 1983, right through to Document in 1987.
"Animal" is a single released by American rock band R.E.M. It was one of two new songs recorded for the band's Warner Bros. Records compilation album, In Time: The Best of R.E.M. 1988–2003, and was released as a single in support of the album.
"Summer Rain" is a song written by Robbie Seidman and Maria Vidal, produced by Rick Nowels for Belinda Carlisle's third album Runaway Horses (1989). The power ballad is about a man who goes away to war and leaves his wife, saying that nothing will change—they will be together forever and always. Although the conflict is unidentified, images in the video of a transport aircraft on an airfield and troops parachuting from transport aircraft suggest the man is an airborne soldier. The song is set in the present as his widow sings it, remembering the last time she saw him. It was released around the world in 1990 and was issued as a CD single, 7-inch single and a 12-inch single.
"Pull Up to the Bumper" is a 1981 single by Jamaican singer Grace Jones, released as the third single from her fifth album, Nightclubbing. Sonically, it is an uptempo electro-disco, post-punk, dance-pop and reggae-disco song with dub production, "pulsing drums and chic new-wave licks", as well as elements of funk and R&B music. Its lyrics were written by Jones alone, while she, along with Kookoo Baya and Dana Manno, are credited as its composers. The song's instrumental part was originally recorded in 1980 during the Warm Leatherette sessions; however, it did not make the album as Chris Blackwell found its sound not fitting in the rest of the material. It was completed for the 1981 critically acclaimed album Nightclubbing and became its third single in June 1981. The song peaked at number 2 on the Billboard Hot Dance Club Songs in the US and number 53 in the UK. When re-released in 1986, it peaked at number 12 in the UK. The track has come to be one of Jones' signature tunes and her first transatlantic hit.
"Turn You Inside-Out" is a song by American rock band R.E.M. from their sixth studio album Green. Like all tracks on the album, it was written by group members Michael Stipe, Peter Buck, Mike Mills, and Bill Berry. The song's main guitar riff is an inversion of that used in "Finest Worksong". The recording also features percussion from former Sugar Hill Records house drummer Keith LeBlanc.
Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.
"Sunshine After the Rain" is a song originally written and recorded by Ellie Greenwich in 1968, titled as "The Sunshine After the Rain" and released on her album Composes, Produces and Sings. It was covered by Elkie Brooks in 1977 and Berri in 1994.
Complete Rarities: I.R.S. 1982–1987 is a 2014 compilation album featuring songs released by alternative rock band R.E.M. during their time on I.R.S. Records. In addition to the band's I.R.S. material, this album also features the tracks from the band's first single, which was released in July 1981 on the Hib-Tone label.
Complete Rarities: Warner Bros. 1988–2011 is a 2014 compilation album featuring live songs, singles' b-sides and non-album tracks recorded by alternative rock band R.E.M. during their tenure on Warner Bros. Records. All material has been previously released either physically or in digital-only formats.
Green is the sixth studio album by American rock band R.E.M., released on November 7, 1988 by Warner Bros. Records. Produced by the band and Scott Litt, it continued to explore political issues both in its lyrics and packaging. The band experimented on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.
R.E.M. at the BBC is a 2018 live album box set by American alternative rock band R.E.M. released on October 19, 2018. The eight-disc compilation features sessions recorded between 1984 and 2008, including a bonus DVD of videos. Additionally, a two-disc best-of collection was released on the same day.