John Paul Jones (musician)

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John Paul Jones
John Paul Jones - 2010.jpg
Jones in 2010
Background information
Birth nameJohn Richard Baldwin
Also known as
  • JPJ
  • Jonesy
Born (1946-01-03) 3 January 1946 (age 73)
Sidcup, Kent, England
Genres Rock
Years active1961–present
Associated acts

John Richard Baldwin (born 3 January 1946) [1] , better known by his stage name John Paul Jones, is an English musician and record producer who was the bassist and keyboardist in the rock band Led Zeppelin. Prior to forming the band with Jimmy Page in 1968, he was a session musician and arranger. After the death of drummer John Bonham in 1980, Zeppelin disbanded and Jones developed a solo career. He has collaborated with musicians across a variety of genres, [2] including Josh Homme and Dave Grohl with the supergroup Them Crooked Vultures.

Bassist musician who plays a bass instrument

A bassist or bass player, is a musician who plays a bass instrument such as a double bass, bass guitar, keyboard bass or a low brass instrument such as a tuba or sousaphone. Different musical genres tend to be associated with one or more of these instruments. Since the 1960s, the electric bass has been the standard bass instrument for funk, R&B, soul music, rock and roll, reggae, jazz fusion, heavy metal, country and pop music. The double bass is the standard bass instrument for classical music, bluegrass, rockabilly, and most genres of jazz. Low brass instruments such as the tuba or sousaphone are the standard bass instrument in Dixieland and New Orleans-style jazz bands.

Keyboardist musician who plays keyboard instruments

A keyboardist or keyboard player is a musician who plays keyboard instruments. Until the early 1960s musicians who played keyboards were generally classified as either pianists or organists. Since the mid-1960s, a plethora of new musical instruments with keyboards have come into common usage, requiring a more general term for a person who plays them. These keyboards include:

Led Zeppelin English rock band

Led Zeppelin were an English rock band formed in London in 1968. The group consisted of vocalist Robert Plant, guitarist Jimmy Page, bassist/keyboardist John Paul Jones and drummer John Bonham. Along with Black Sabbath and Deep Purple, the band's heavy, guitar-driven sound has led them to be cited as one of the originators of heavy metal. Their style drew from a wide variety of influences, including blues, psychedelia and folk music.



Early years

John Baldwin was born in Sidcup, Kent. [3] He started playing piano at age six, [4] learning from his father, Joe Baldwin, a pianist and arranger for big bands in the 1940s and 1950s, notably with Ambrose and his Orchestra. His mother was also in the music business which allowed the family to often perform together touring around England as a vaudeville comedy act. [5] His influences ranged from the blues of Big Bill Broonzy, the jazz of Charles Mingus, to the classical piano of Sergei Rachmaninoff. [6]

Sidcup suburban district of south-east London, England, primarily in the London Borough of Bexley

Sidcup is a district of south-east London, England, primarily in the London Borough of Bexley. It is 11.3 miles (18.2 km) south east of Charing Cross, bordering the London Boroughs of Bromley and Greenwich. It is in the historic county of Kent. The name is thought to be derived from Cetecopp meaning "seat shaped or flat topped hill"; it had its earliest recorded use in 1254.

Big band music ensemble associated with jazz and Swing Era music

A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music. One problem with this usage is that it overlooks the variety of music played by these bands.

Benjamin Baruch Ambrose, known professionally as Ambrose or Bert Ambrose, was an English bandleader and violinist. Ambrose became the leader of a highly acclaimed British dance band, Bert Ambrose & His Orchestra, in the 1930s.

Because his parents often toured, Jones was sent to boarding school at a young age. [7] He was a student at Christ's College, Blackheath, London where he formally studied music. At the age of 14, Jones became choirmaster and organist at a local church and during that year, he also bought his first bass guitar, a Dallas Tuxedo solid body electric followed by multiple basses in which he part exchanged until he finally bought his 1962 Fender Jazz Bass which he used until 1976. The fluid playing of Chicago musician Phil Upchurch on his You Can't Sit Down LP, which includes a memorable bass solo, is cited by Jones as being his inspiration to take up the instrument. [8]

Blackheath, London inner suburban area of South East London, England

Blackheath is a district of south east London, England, within the Royal Borough of Greenwich and the London Borough of Lewisham. It is located east of Lewisham, and south of Greenwich. Blackheath is within the historic boundaries of Kent.

Fender Jazz Bass

The Jazz Bass is the second model of electric bass created by Leo Fender. It is distinct from the Precision Bass in that its tone is brighter and richer in the midrange and treble with less emphasis on the fundamental frequency. It has a more focused tone than the Precision Bass, with less low end and low midrange. The sound of the Jazz Bass has been fundamental in the development of signature sounds in certain musical genres, such as funk, disco, reggae, blues, progressive rock, heavy metal and jazz fusion. The body shape is also different from the Precision Bass, in that the Precision Bass has a symmetrical lower bout on the body, designed after the Telecaster and Stratocaster lines of guitars, while the Jazz Bass has an offset lower bout, mimicking the design aesthetic of the Jaguar and Jazzmaster guitars.

Phil Upchurch American jazz and R&B guitarist and bassist

Philip Upchurch is an American blues, jazz and R&B guitarist and bassist.

Session work

Jones joined his first band, The Deltas, at 15. He then played bass for jazz-rock London group, Jett Blacks, a collective that included guitarist John McLaughlin. [9] Jones' big break came in 1962 when he was hired by Jet Harris and Tony Meehan of the successful British group The Shadows for a two-year stint. Shortly before hiring Jones, Harris and Meehan had just had a Number 1 hit with "Diamonds" (a track on which Jones' bandmate-to-be Jimmy Page had played.) Jones' collaboration with the Shadows nearly prevented the future formation of Led Zeppelin, when the parties engaged in talks about the possibility of Jones replacing their bassist Brian Locking, who left the band in October 1963, but John Rostill was ultimately chosen to fill the position.

John McLaughlin (musician) guitarist, founder of the Mahavishnu Orchestra

John McLaughlin, also known as Mahavishnu John McLaughlin, is an English guitarist, bandleader and composer. His music includes many genres of jazz, combined with elements of rock, Indian classical music, Western classical music, flamenco, and blues. He is one of the pioneering figures in fusion.

Terence "Jet" Harris was an English musician. He was the bass guitarist of The Shadows from 1958 until April 1962, and had subsequent success as a soloist and as a duo with the drummer Tony Meehan.

Daniel Joseph Anthony Meehan professionally known as Tony Meehan was a founder member of the British group The Drifters, with Jet Harris, Hank Marvin and Bruce Welch, which would evolve into The Shadows. He played drums on early Cliff Richard and the Shadows hits and on early Shadows instrumentals.

In 1964, on the recommendation of Meehan, Jones began studio session work with Decca Records. From then until 1968, he played on hundreds of recording sessions. [10] He soon expanded his studio work by playing keyboards, arranging and undertaking general studio direction, resulting in his services coming under much demand. He worked with numerous artists including the Rolling Stones on Their Satanic Majesties Request (Jones' string arrangement is heard on "She's a Rainbow"); [11] Herman's Hermits; Donovan (on "Sunshine Superman," "Hurdy Gurdy Man," and "Mellow Yellow"); Jeff Beck; Françoise Hardy; Cat Stevens; Rod Stewart; Shirley Bassey; Lulu; and numerous others. As well as recording sessions with Dusty Springfield, Jones also played bass for her Talk of the Town series of performances. His arranging and playing on Donovan's "Sunshine Superman" resulted in producer Mickie Most using his services as choice arranger for many of his own projects, with Tom Jones, Nico, Wayne Fontana, the Walker Brothers, and many others. In 1967, Most, as music supervisor, also tabbed Jones to arrange the music for Herman's Hermits' theatrical film Mrs. Brown, You've Got a Lovely Daughter, [12] released in January 1968. Such was the extent of Jones' studio work – amounting to hundreds of sessions – that he said years later that "I can't remember three-quarters of the sessions I was on." [13]

Decca Records US/British record label

Decca Records is a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934 by Lewis, along with American Decca's first president Jack Kapp and later American Decca president Milton Rackmil. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca and the link between the UK and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group, which is owned by Vivendi, a media conglomerate headquartered in Paris, France. The US Decca label was the foundation company that evolved into UMG.

Orchestration study or practice of writing music for an orchestra

Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.

The Rolling Stones English rock band

The Rolling Stones are an English rock band formed in London in 1962. The first stable line-up consisted of bandleader Brian Jones, Mick Jagger, Keith Richards, Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued to work with the band as a contracted musician until his death in 1985. The band's primary songwriters, Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group's manager. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974. After Taylor left the band, Ronnie Wood took his place in 1975 and continues on guitar in tandem with Richards. Since Wyman's departure in 1993, Darryl Jones has served as touring bassist. The Stones have not had an official keyboardist since 1963, but have employed several musicians in that role, including Jack Nitzsche (1965–1971), Nicky Hopkins (1967–1982), Billy Preston (1971–1981), Ian McLagan (1978–1981), and Chuck Leavell (1982–present).

It was during his time as a session player that Jones adopted the stage name John Paul Jones. This name was suggested to him by a friend, Andrew Loog Oldham, who had seen a poster for the 1959 film John Paul Jones in France. [14] He released his first solo recording as John Paul Jones, "Baja" (written by Lee Hazlewood and produced by Oldham) / "A Foggy Day in Vietnam", as a single on Pye Records in April 1964. [15]

Andrew Loog Oldham British record producer

Andrew Loog Oldham is an English record producer, talent manager, impresario and author. He was manager and producer of the Rolling Stones from 1963 to 1967, and was noted for his flamboyant style.

<i>John Paul Jones</i> (film) 1959 film by John Farrow

John Paul Jones is a Technicolor 1959 biographical epic film in Technirama about John Paul Jones. The film, shot in Spain, was made by Samuel Bronston Productions and released by Warner Bros. It was directed by John Farrow and produced by Samuel Bronston from a screenplay by John Farrow, Ben Hecht, and Jesse Lasky Jr. from the story Nor'wester by Clements Ripley. The music score was by Max Steiner, the cinematography by Michel Kelber. It was the final film directed by Farrow.

Lee Hazlewood American singer, songwriter, record producer

Barton Lee Hazlewood was an American country and pop singer, songwriter, and record producer, most widely known for his work with guitarist Duane Eddy during the late 1950s and singer Nancy Sinatra in the 1960s.

Jones has stated that, as a session musician, he was completing two and three sessions a day, six and seven days a week. [16] However, by 1968 he was quickly feeling burnt out due to the heavy workload: "I was arranging 50 or 60 things a month and it was starting to kill me." [17]


Led Zeppelin


During his time as a session player, Jones often crossed paths with guitarist Jimmy Page, [18] a fellow session veteran. In June 1966, Page joined The Yardbirds, and in 1967 Jones contributed to that band's Little Games album. The following winter, during the sessions for Donovan's The Hurdy Gurdy Man , Jones expressed to Page a desire to be part of any projects the guitarist might be planning. [19] Later that year, The Yardbirds disbanded, leaving Page and bassist Chris Dreja to complete previously booked Yardbirds dates in Scandinavia. Before a new band could be assembled, Dreja left to take up photography. Jones, at the suggestion of his wife, [16] asked Page about the vacant position, and the guitarist eagerly invited Jones to collaborate. Page later explained:

I was working at the sessions for Donovan's Hurdy Gurdy Man, and John Paul Jones was looking after the musical arrangements. During a break, he asked me if I could use a bass player in the new group I was forming. He had a proper music training, and he had quite brilliant ideas. I jumped at the chance of getting him. [20]

Vocalist Robert Plant and drummer John Bonham joined the two to form a quartet. Initially dubbed the "New Yardbirds" for the Scandinavian dates, the band soon became known as Led Zeppelin.

Contribution to the band

Derivative of Jones's triquetra sigil used in the untitled album commonly known as Led Zeppelin IV Zoso John Paul Jones sigil interlaced triquetra overlaying circle.svg
Derivative of Jones's triquetra sigil used in the untitled album commonly known as Led Zeppelin IV

Jones was responsible for the classic bass lines of the group, notably those in "Ramble On" and "The Lemon Song" ( Led Zeppelin II ), and shifting time signatures, such as those in "Black Dog" ( Led Zeppelin IV ). As half of Led Zeppelin's rhythm section with drummer John Bonham, Jones shared an appreciation for funk and soul rhythmic grooves which strengthened and enhanced their musical affinity. [21] In an interview he gave to Global Bass magazine, Jones remarked on this common musical interest:

Yeah, we were both huge Motown and Stax fans and general soul music fans, James Brown fan. Which is one of the reasons why I've always said that Zeppelin was one of the few bands to "swing". We actually had a groove in those days. People used to come to our shows and dance, which was great. To see all the women dancing, it was really brilliant. You didn't necessarily see that at a Black Sabbath show or whatever: So we were different in that way. We were a groovy band. We used all our black pop music influences as a key to the rock that went over the top. [22]

After retiring his Fender Jazz Bass (which he had been using since his days with The Shadows in the early 1960s) from touring in 1975, Jones switched to using custom-designed Alembic basses [23] while touring. However, he still preferred to use the Jazz Bass in the studio and in an interview for Elixir Strings, he mentioned that he still has the bass to this day. [24] Jones' keyboard skills added an eclectic dimension that realised Led Zeppelin as more than just a hard rock band. Keyboard highlights include the delicate "The Rain Song" ( Houses of the Holy ) played on a Mellotron; the funky "Trampled Under Foot", played on a Clavinet ( Physical Graffiti ); and the eastern scales of "Kashmir", also played on a Mellotron (also on Physical Graffiti). In live performances, Jones' keyboard showpiece was "No Quarter", often lasting for up to half-an-hour and sometimes including snatches of "Amazing Grace", Joaquín Rodrigo's "Concierto de Aranjuez", which had inspired Miles Davis' Sketches of Spain , and variations of classical pieces by composers such as Rachmaninoff.

Jones' diverse contributions to the group extended to the use of other instruments, including an unusual triple-necked acoustic instrument consisting of a six and a twelve string guitar, and a mandolin. Jones often used bass pedals to supplement the band's sound while he was playing keyboards and mandolin. On the band's 1977 tour of the United States, Jones would sing lead vocals on "The Battle of Evermore," filling in for Sandy Denny, who had sung on the studio version.


While all members of Led Zeppelin had a reputation for off-stage excess (a label that has been claimed was exaggerated), [25] Jones was widely seen as the most quiet and reserved member of the group. [26] [27] For his part, Jones has claimed that he had just as much fun on the road as his bandmates but was more discreet about it, [9] stating "I did more drugs than I care to remember. I just did it quietly." [16] Benoit Gautier, an employee of Atlantic Records in France, echoed this impression, stating that "The wisest guy in Led Zeppelin was John Paul Jones. Why? He never got caught in an embarrassing situation." [9]

In an interview, Jones explained that fame with Led Zeppelin was not something that he ever became preoccupied with:

Not really; I'd done it all before ... I would like to think that I wasn't too stupid either. I tried to stay out of the drift of the rock star's path, mainly because I needed my sanity and freedom on the road. So generally, I used to check out of the hotel, and then get out on the street. I'd go walking ... I'm not as recognizable as Plant and Page. Plus, I used to change my appearance all the time just to make sure I wasn't as recognizable ... Generally, I'm pretty quickly into the shadows ... I once read the Beatles did a whole tour of America and never left their hotel rooms. And I thought, "I can't see the point of travelling around the world and not seeing anything." [16]

Following exhausting tours and extended periods of time away from his family, by late 1973 Jones was beginning to show signs of disillusionment. He considered quitting Led Zeppelin to spend more time with his family, but was talked into returning by the band's manager, Peter Grant. [28] He joked that he was interested in becoming the choirmaster of Winchester Cathedral, which was reported as fact in several sources. [29] Jones later explained his reservations:

I didn't want to harm the group, but I didn't want my family to fall apart either. We toured a huge amount in those early days. We were all very tired and under pressure and it just came to a head. When I first joined the band, I didn't think it would go on for that long, two or three years perhaps, and then I'd carry on with my career as a musician and doing movie music. [7]

"Royal Orleans"

It is rumoured that the Led Zeppelin song "Royal Orleans", from their album Presence , is about an experience Jones once had on tour in the United States. [9] [30] The song is about a person who mistakenly takes a drag queen up to his hotel room, who then falls asleep with a joint of marijuana in hand, lighting the room on fire. "Royal Orleans" was the name of a hotel where the members of Led Zeppelin would stay when they visited New Orleans, because not as many people asked for autographs there. In an interview he gave to Mojo magazine in 2007, Jones clarified the reliability of this rumour, stating:

The transvestites were actually friends of Richard Cole's; normal friendly people and we were all at some bar. That I mistook a transvestite for a girl is rubbish; that happened in another country to somebody else ... Anyway 'Stephanie' ended up in my room and we rolled a joint or two and I fell asleep and set fire to the hotel room, as you do, ha ha, and when I woke up it was full of firemen! [7]

Other work during time with the band

Jones's involvement with Led Zeppelin did not put a halt to his session work. In 1969 he returned to the studio to play bass guitar on The Family Dogg's A Way of Life album. Jones was Madeline Bell's first choice to produce and arrange her 1974 album Comin' Atcha . He has also played bass on the opening track for the Roy Harper album HQ , which also featured guitarist David Gilmour. Other contributions include playing bass on Wings' Rockestra, Back to the Egg along with Zeppelin's drummer John Bonham.

After Led Zeppelin

Jones playing a lap steel on stage John-Paul-Jones1.jpg
Jones playing a lap steel on stage


Led Zeppelin dissolved in 1980 with the death of John Bonham. "At the time that John died, I had just moved to Devon to bring up my family," Jones recalled. "So, after the split, I was completely out of everything. And I must say I didn't miss it." [31]

Jones subsequently collaborated with artists including Diamanda Galás, R.E.M., Jars of Clay, Heart, Ben E. King, Peter Gabriel, Foo Fighters, Lenny Kravitz, Cinderella, The Mission, La Fura dels Baus, The Harp Consort, Brian Eno, the Butthole Surfers and Uncle Earl. [32] [33] [34]

He appeared on sessions and videos for Paul McCartney and was involved in the soundtrack of the film Give My Regards to Broad Street . In 1985, Jones was asked by director Michael Winner to provide the soundtrack for the film Scream for Help , with Jimmy Page appearing on two tracks. Jones provides vocals for two of the songs. He recorded and toured with singer Diamanda Galás on her 1994 album, The Sporting Life (co-credited to John Paul Jones). He set up his own recording studio called Sunday School, and was involved in his daughter Jacinda Jones' singing career.

In 1985, Jones joined Page and Plant for the Live Aid concert, with Phil Collins and Tony Thompson on drums. The former members again re-formed for the Atlantic Records 40th Anniversary concert on 14 May 1988. Page, Plant and Jones, with John Bonham's son Jason, closed the event. In 1992, Jones arranged the orchestration on the R.E.M. album Automatic for the People .

In 1995, the band Heart released a live acoustic album called The Road Home . It was produced by Jones, and featured him playing several instruments. Also in 1995, Andrew Lawrence-King's Harp Consort released a set of three Spanish language songs in 17th-century style of Jones's own composition, accompanied by baroque instruments including harps, chitarrone, guitars, lirone, viola da gamba and percussion (this 10-minute CD, titled Amores Pasados, was coupled with The Harp Consort's debut record, Luz y Norte). [33] [35] [36]


Zooma , his debut solo album, was released in September 1999 on Robert Fripp's DGM label and followed up in 2001 by The Thunderthief . Both albums were accompanied by tours, in which he played with Nick Beggs (Chapman Stick) and Terl Bryant (drums).

In 2004, he toured as part of the group Mutual Admiration Society, along with Glen Phillips (the front man for the band Toad the Wet Sprocket) and the members of the band Nickel Creek. [37]

Jones plays on two tracks on Foo Fighters' album In Your Honor . He plays mandolin on "Another Round" and piano on "Miracle", both of which are on the acoustic disc. The band's frontman Dave Grohl (a big Led Zeppelin fan) has described Jones' guest appearance as the "second greatest thing to happen to me in my life".

He has also branched out as a record producer, having produced such albums as The Mission's album Children, The Datsuns' second album Outta Sight, Outta Mind (2004) and Uncle Earl's Waterloo, Tennessee album of Old-time music, released in March 2007 on Rounder Records.

In May 2007, he accompanied Robyn Hitchcock and Ruby Wright in performing the song "Gigolo Aunt" at a tribute for Pink Floyd founder Syd Barrett in London, which he did on mandolin. [38]

Jones playing mandolin in 2007 John Paul Jones.jpg
Jones playing mandolin in 2007

He played at Bonnaroo 2007 in a collaboration with Ben Harper and The Roots' drummer Questlove as part of the festival's all-star Super-Jam, which is the festival's annual tradition of bringing together famous, world-class musicians to jam on stage for a few hours. Jones appeared and played mandolin with Gillian Welch during the festival during the song "Look at Miss Ohio" and a cover of the Johnny Cash song "Jackson". He also appeared during the set of Ben Harper & the Innocent Criminals where they played a cover of "Dazed and Confused". Jones then closed Gov't Mule's first set, playing part of "Moby Dick" and then "Livin Lovin Maid" on bass, then proceeded to play keyboards on the songs "Since I've Been Loving You" and "No Quarter". Jones also performed on mandolin with the all-female bluegrass group Uncle Earl, whose album he had produced in 2007.

Mandolin-slinging Jones jammed on Led Zeppelin's "Whole Lotta Love" with Winnipeg's energetic Duhks at April 2007's MerleFest in North Carolina. [39]

Jones played in the Led Zeppelin reunion show at London's O2 Arena on 10 December 2007 with the other remaining members of Led Zeppelin as part of a tribute to Ahmet Ertegun.

In 2008, Jones produced Nickel Creek singer-fiddler Sara Watkins' debut solo album. [40] [41] [42] As previously mentioned, Jones toured with Watkins, Glen Phillips, and the rest of Nickel Creek in late 2004 in a collaboration entitled Mutual Admiration Society.

Jones playing bass in Them Crooked Vultures John Paul Jones TCV.jpg
Jones playing bass in Them Crooked Vultures

On 10 February 2008, Jones appeared with the Foo Fighters on the Grammy Awards conducting the orchestral part to the song "The Pretender". On 7 June 2008, Jones and Jimmy Page appeared with the Foo Fighters to close out the band's concert at Wembley Stadium. Jones performed with Sonic Youth and Takehisa Kosugi, providing the stage music for Merce Cunningham's Nearly 90, which ran 16–19 April 2009 at the Brooklyn Academy of Music. [43]

In February and March 2011 he appeared in the onstage band in Mark-Anthony Turnage's opera Anna Nicole , about the Playboy model Anna Nicole Smith, at the Royal Opera House, Covent Garden, in London.

In August 2011, he appeared at Reading and Leeds Festivals to play alongside Seasick Steve.

On 16 September 2012, Jones appeared at the Sunflower Jam charity concert at the Royal Albert Hall, London, performing alongside guitarist Brian May of Queen, drummer Ian Paice of Deep Purple, and vocalists Bruce Dickinson of Iron Maiden and Alice Cooper. [44]

In November 2012, Jones toured the UK with the Norwegian avant-garde/improvisational band Supersilent. [45]

On 6 December 2012, Jones performed on bass, guitar and mandolin with Robyn Hitchcock as 'Biscotti' at Cecil Sharp House, London.

On 30 April 2013, Jones appeared live on the BBC TV Show Later... with Jools Holland , playing bass for Seasick Steve on "Down on the Farm" from Seasick Steve's new album Hubcap Music.

On 1 May 2013, Jones appeared with Seasick Steve at a concert at the Roundhouse in Camden, London. Introduced by Seasick Steve as a member "of the best rock band ever", Jones played bass, mandolin, and steel guitar, and provided vocals.

On Saturday 29 June 2013, Jones played guitar whilst appearing with Rokia Traore, who opened the Pyramid Stage that morning at Glastonbury 2013.

During November 2013, Jones joined a seven-day tour of the Southeast US, playing mandolin with the Dave Rawlings Machine. The Atlanta show (21 November 2013) included a rendition Led Zeppelin's "Going to California." Jones also toured with the Dave Rawlings Machine in autumn 2014.

On 5 and 6 September 2015, Jones, along with Queen drummer Roger Taylor, joined Foo Fighters on stage in Milton Keynes to perform a cover of Queen's "Under Pressure," with Taylor Hawkins and Dave Grohl singing.

Them Crooked Vultures

Jones's most recent own project is a supergroup with Dave Grohl and Queens of the Stone Age frontman Josh Homme named Them Crooked Vultures. [46] The trio played their first show together on 9 August 2009 at the Metro in Chicago, and their first album was released on 17 November 2009.


Jones is widely considered to be a highly influential and important bassist, keyboardist and arranger in the history of rock music. [2] [47] [48] [49] Many notable rock bassists have been influenced by Jones, including John Deacon of Queen, [50] Tom Hamilton of Aerosmith, [51] Geddy Lee of Rush, [52] Steve Harris of Iron Maiden, [53] Flea of Red Hot Chili Peppers, [54] Gene Simmons of Kiss, [55] and Krist Novoselic of Nirvana. [56] Chris Dreja, the rhythm guitarist and bassist of The Yardbirds, has described him as "the best bass player in Europe". [57] Music publications and magazines have ranked Jones among the best rock bassists of all time. He was named the best bassist on Creem Magazine's 1977 Reader Poll. [58] In 2000, Guitar magazine ranked him third in the "Bassist of the Millennium" readers' poll. [59]

In October 2010, Jones was awarded a "Gold Badge Award" by The British Academy of Songwriters, Composers and Authors for his outstanding contribution to Britain's music and entertainment industry. [60] [61] On 10 November 2010, he was honoured with the "Outstanding Contribution Award" at the Marshall Classic Rock Roll of Honour Awards. [62] [63] In 2014, Jones ranked first on Paste magazine's list of "20 Most Underrated Bass Guitarists." [64]

Personal life

Jones married his wife, Maureen, in 1967, and they have been together ever since, currently residing in West London. [65] They have three daughters: Tamara, Jacinda and Kiera. [66] According to The Sunday Times Rich List Jones's net worth was £40 million as of 2009. [67]


Studio albums

Soundtrack albums

with Led Zeppelin

with Diamanda Galás

with Them Crooked Vultures

with Seasick Steve


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Christopher Walenty Dreja is an English musician, best known as the rhythm guitarist and bassist for The Yardbirds.

Ramble On song

"Ramble On" is a song by English rock band Led Zeppelin from their 1969 album Led Zeppelin II. It was co-written by Jimmy Page and Robert Plant, and was recorded in 1969 at Juggy Sound Studio, New York City, during the band's second concert tour of North America. In 2010, the song was ranked number 440 on list of Rolling Stone's 500 Greatest Songs of All Time.

Shapes of Things The Yardbirds song

"Shapes of Things" is a song by the English rock group the Yardbirds. With its Eastern-sounding, feedback-laden guitar solo and anti-war/pro-environmental lyrics, several music writers have identified it as the first popular psychedelic rock song. It is built on musical elements contributed by several group members in three different recording studios in the US and was the first Yardbirds' composition to become a record chart hit. When it was released as a single on 25 February 1966, the song reached number three in the UK and the top-ten in the US and Canada.

Bring It On Home (Sonny Boy Williamson II song) song

"Bring It On Home" is a blues song written by American music arranger and songwriter Willie Dixon. Sonny Boy Williamson II recorded it in 1963, but the song was not released until 1966. Led Zeppelin adapted it in part as a homage to Williamson in 1969 and subsequently, the song has been recorded by several artists.

"Tangerine" is a folk rock song by the English band Led Zeppelin. Recorded in 1970, it is included on the second, more acoustic-oriented side of Led Zeppelin III (1970). The plaintive ballad reflects on lost love and features strummed acoustic guitar rhythm with pedal steel guitar.

Led Zeppelin North American Tour 1968–1969

Led Zeppelin's 1968/1969 tour of North America was the first concert tour of North America by the English rock band. The tour commenced on 26 December 1968 and concluded on 16 February 1969. It was important for the band, as their popularity grew substantially because of the concerts and helped them reach significant commercial success in the US, which translated to sales elsewhere.

The Yardbirds English blues and psychedelic rock band

The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup featured vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist/bassist Chris Dreja and bassist/producer Paul Samwell-Smith. The band is known for starting the careers of three of rock's most famous guitarists, Eric Clapton, Jimmy Page and Jeff Beck, all of whom ranked in the top five of Rolling Stone magazine's list of 100 greatest guitarists. The band had a string of hits throughout the mid-1960s, including "For Your Love", "Heart Full of Soul", "Shapes of Things" and "Over Under Sideways Down".


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